313:, a minimally decorated, members-only dance club (uniquely situated in his home) where "punch, fruit and candy" were served in lieu of alcohol and music was processed by a state-of-the-art sound system. According to the pseudonymous "Apollo," an acquaintance of Levan and Knuckles, "You could only get into the Loft by private invitation. This was not because Mancuso wanted to create an elitist environment; he intentionally wanted to bring together diverse groups of gays who wouldn't ordinarily party together to create a democratic, integrated venue. David was powerfully attracted to black music and culture as well as men, so this Loft party was instrumental in bringing together wealthy, white gay men, many of them music executives, with this black musical dance culture he adored."
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349:. Although owner Michael Brody—who employed Levan at the defunct Reade Street in 1976, where he "developed the techniques as well as the sound – the deep, dark bass, the queasy, dubby emotion that he would extract from records – that would make him a legend"—intended to create a downtown facsimile of
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The Garage ended its run with a 48-hour-long party in
September 1987, weeks before Brody died from AIDS-related complications. The club's closure and Brody's death devastated Levan, who knew that few club owners would tolerate his quirks and drug dependencies. Although Brody had verbally bequeathed
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and upbeat rock and
Mancuso's jazz-inflected eclecticism; as with Mancuso, he briefly dated Siano during the epoch. While Knuckles was still trying to make his way in the New York club scene, Levan soon became a popular attraction at venues such as SoHo Place due to his "diva persona," which he had
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threatened a lawsuit due to the similar sound of the name). With a strong gospel tinge in the vocal arrangements and driven by a tinkling piano, the latter song is a quintessential example of his soulful aesthetic. One of the first dance releases to incorporate influences from
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and an appended vocal-only edit, Levan tinkered with the song for nearly a year despite the looming bankruptcy of West End
Records. When it was finally released, much of the song's word-of-mouth momentum had been lost, leading it to stall in the lower reaches of the charts.
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from a very young age which would make him prone to fainting in class. Although a fragile young boy, he excelled in math and physics, leaving an impression on his teachers that he would become an inventor one day. He inherited his love for music from his mother who loved
392:, Levan became a prolific producer and mixer in the 1980s, with many of his efforts crossing over onto the national dance music charts. Among the records that received Levan's touch were his remixes of "Ain't No Mountain High Enough" by
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catering to an upscale white gay clientele, the new venue initially drew an improbable mix of streetwise blacks, Latinos, and punks after a disastrous opening night alienated the target demographic; according to West End
Records founder
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Levan was born at
Brooklyn Jewish Hospital, New York, to Minnie (née Levan) and Lawrence Philpot. He has an older brother Isaac and sister Minnie who are biological twins. He was born with a congenital heart condition and suffered from
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nightclub. To the mutual surprise of both parties, he ended up staying for three months; during this period, he remixed and produced tracks for the club's record label and helped to tune the venue's acclaimed sound system.
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the club's sound and lighting systems to Levan, they were instead left to Brody's mother in his will. This change was reportedly instigated by the late impresario's lover and manager, who reportedly despised Levan.
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Despite protestations and pleas to the Brody family from Mel Cheren, the systems remained in storage as their property. Unable to secure a long-term residency after a stay at the short-lived Choice in the
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Although he was still dependent on heroin, Levan's 1992 tour of Japan garnered gushing accolades in the local press. Encouraged by Cheren, he entered rehab and continued his tentative recording forays.
461:) elicited criticism from some quarters. Nevertheless, he remained at the forefront of dance music; recordings of Levan's final sets at the Garage demonstrate his affinity for the insurgent sounds of
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alongside DJ/proprietor
Richard Vasquez and Joey Llanos, Levan began to sell his valuable records for drug money. Friends like Danny Krivit would buy them back for him out of sympathy.
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following his return to New York. Three days after being released into the care of his mother, he was re-hospitalized at Beth Israel with hemorrhage symptoms. He died, aged 38, of
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Levan informed his mother in June 1992 that he had "lived a good life" and was "ready to die". Having been mildly injured on the
Japanese tour, he was voluntarily hospitalized at
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and Levan were lifetime friends who were introduced to each other by a "drag queen called Gerald" when Levan was 15 years old; Levan and
Knuckles were both active in the local
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The 2003 documentary
Maestro, directed by Josell Ramos, tells the story of the underground dance music movement and the importance of Larry Levan as one of its key figures.
362:. And people were kept outside in 17-degree weather. Some of them never came back... the club didn't really take on the atmosphere that people remember it for until 1980."
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As the 1990s dawned, Levan was on the brink of a comeback. Dismissed as a relic in New York despite managing occasional appearances at the au courant
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described Levan's final
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in his productions and live sets, ushering in an electronic, post-disco sound that presaged the ascendence of
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He became infatuated with an idea of making the "music that would never stop" during a brief affair with
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As the popularity of the Garage soared in the mid-1980s just as many patrons and friends succumbed to
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381:& Associates Sound system (RLA) of the club included custom-designed "McLaughlin" bass speakers.
282:, the flamboyantly vanguard Levan (who dyed his hair orange nearly a decade before the ascendance of
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596:"; Nunez was an American music producer, editor, and mixer who reached chart success with the group
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Open only to a select membership and housed in an otherwise unadorned building on King Street in
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as a dressmaker, where he first became acquainted with fellow designer and lifelong best friend
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Levan's significance to the history of disco music is discussed in Episode 3 of the 2024
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1102:"Disco: Soundtrack of a Revolution | Stayin' Alive | Episode 3 | PBS"
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in the 1980s as well, home to the Jersey Sound brand of deep house or garage house.
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often mentioned the club on air and based his playlists around Levan's sets. The
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968:"'He was like the Messiah': Larry Levan, the DJ who changed dance music forever"
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At the height of the disco boom in 1977, Levan was offered a residency at the
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in Europe and Japan. In 1991, he was brought over to London for a weekend by
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aesthetic into dance music. Along with Kevorkian, Levan experimented with
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Love Saves the Day: A History of American Dance Music Culture, 1970-1979
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Love Saves the Day: A History of American Dance Music Culture, 1970–1979
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Levan was openly gay. He was previously romantically involved with
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previously developed in the city's notoriously competitive black
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transitioned to a predominantly African-American population amid
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1320:("Garage-Gate-Tape") – Larry Levan 1979, full five hour show at
1182:"New documentary tells story of Larry Levan and Paradise Garage"
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1204:"I was there in the Paradise Garage DJ booth with Larry Levan"
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Last Night a DJ Saved my Life: the History of the Disc Jockey
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Last Night a DJ Saved My Life: The History of the Disc Jockey
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in the late 1960s and early 1970s, as the neighborhood of
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featured on the free Emancipation podcast (October 2008)
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1052:"Larry Levan, 38; His Tastes Shaped Dance-Club Music"
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Impossible Dance: Club Culture and Queer World-Making
638:" (2002) mentions both Levan and the Paradise Garage.
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856:"Saturday Mass: Larry Levan and the Paradise Garage"
692:- ((( Larry Levan ))), artists. Retrieved 2011-08-09
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at 6:15 p.m. EST, on Sunday, November 8, 1992.
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Larry Levan, 38; His Tastes Shaped Dance-Club Music
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1014:Brewster, Bill; Broughton, Frank (May 13, 2014).
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623:directed and produced a documentary movie titled
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329:, as a replacement for the DJ from The Gallery,
198:best known for his decade-long residency at the
1328:Legends of the dance floor: A piece of Paradise
1317:Legends of the dance floor: A piece of Paradise
557:In September 2004, Levan was inducted into the
794:Owen, Frank (November 1993). "Paradise Lost".
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730:. London: Rough Guides Ltd. pp. 202–205.
153:(July 20, 1954 – November 8, 1992), known as
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932:. Vibe Media Group – via Google Books.
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598:2 Puerto Ricans, a Blackman, and a Dominican
384:Filling the void left by leading DJ/remixer
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606:The Rose Has Teeth in the Mouth of a Beast
396:, "Ain't Nothin' Goin On But The Rent" by
16:American DJ from New York City (1954–1992)
1232:Brewster, Bill; Broughton, Frank (1999).
877:"Living Art Productions - Rave: Articles"
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827:Pareles, Jon (Nov 1992). Archives > "
742:"History of Queer Club Spaces in Newark"
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588:(1994), the second album by dance group
1358:20th-century African-American musicians
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902:. Wesleyan University Press. pp.
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654:List of LGBT people from New York City
212:who referred to his sets as "Saturday
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561:for his outstanding achievement as a
1443:Drug-related deaths in New York City
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609:(2006), by the electronic music duo
1413:American electronic dance music DJs
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224:credits Levan with introducing the
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1050:Pareles, Jon (November 11, 1992).
762:Broughton, Frank; Brewster, Bill.
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1463:LGBT people from New York (state)
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574:Disco: Soundtrack of a Revolution
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1297:– Larry Levan's associated label
1236:. Headline Book Publishing Ltd.
854:Peter Shapiro (April 22, 2014).
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1418:American garage house musicians
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764:"Larry Levan's Paradise Garage"
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1076:Lawrence, Tim (January 2004).
1022:. Open Road + Grove/Atlantic.
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321:Levan got his start alongside
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985:Owen, Frank (November 1993).
702:Post-Disco Artists Highlights
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649:LGBT culture in New York City
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1388:African-American drag queens
388:following his conversion to
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833:The New York Times Company
726:Bidder, Sean (June 1999).
519:Beth Israel Medical Center
95:Beth Israel Medical Center
1259:. Duke University Press.
1080:. Duke University Press.
1039:– via Google Books.
1003:– via Google Books.
707:. Retrieved on 2010-01-04
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1433:Deaths from endocarditis
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894:Buckland, Fiona (2002).
559:Dance Music Hall of Fame
390:evangelical Christianity
373:DJ/programming director
272:Erasmus Hall High School
37:Levan performing at the
1468:Musicians from Brooklyn
435:Evelyn "Champagne" King
1438:DJs from New York City
1423:American gay musicians
1251:Lawrence, Tim (2004).
728:House: the Rough Guide
513:Later months and death
490:electronic dance music
46:Background information
835:Retrieved 06-20-2014.
1473:Post-disco musicians
1408:American drag queens
1383:African-American DJs
1138:"Electric Mode (UK)"
360:Louisville, Kentucky
1140:. November 29, 2019
774:on October 6, 2014.
400:and "Heartbeat" by
194:), was an American
1184:. October 22, 2020
1056:The New York Times
948:has generic name (
746:Rutgers University
627:about Larry Levan.
507:François Kevorkian
222:François Kevorkian
1428:American remixers
1403:American club DJs
1160:"Parkett Channel"
590:C+C Music Factory
498:Ministry of Sound
455:Manuel Göttsching
367:Greenwich Village
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1226:Bibliography
1211:. Retrieved
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1188:November 11,
1186:. Retrieved
1176:
1164:. Retrieved
1162:(in Italian)
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1144:December 17,
1142:. Retrieved
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1120:. Retrieved
1116:"5 magazine"
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995:. p. 66
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383:
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292:ball culture
280:white flight
268:gospel music
251:
234:synthesizers
154:
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114:Garage house
90:(1992-11-08)
18:
1353:1992 deaths
1348:1954 births
1322:BBC Radio 6
1307:Larry Levan
1301:Larry Levan
1281:Larry Levan
1166:December 7,
1035:January 12,
1016:"US Garage"
999:January 12,
946:|last=
539:Nicky Siano
331:Nicky Siano
238:house music
155:Larry Levan
25:Larry Levan
1342:Categories
1333:SoundCloud
1311:SoundCloud
1213:August 30,
860:RBMA Daily
665:References
603:The album
594:Chep Nunez
525:caused by
439:Chaka Khan
410:Beach Boys
406:Peech Boys
394:Inner Life
356:Mel Cheren
342:"houses".
248:Early life
218:post-disco
203:night club
126:post-disco
118:club/dance
67:1954-07-20
52:Birth name
904:256 pages
810:1070-4701
619:In 2019,
451:Kraftwerk
415:dub music
351:Studio 54
284:punk rock
99:Manhattan
1458:LGBT DJs
1122:June 27,
938:cite web
918:see p.67
705:AllMusic
690:AllMusic
643:See also
580:Tributes
459:synthpop
311:The Loft
276:Flatbush
74:Brooklyn
1285:Discogs
572:series
549:scene.
467:hip-hop
447:Camille
443:Deodato
325:at the
1263:
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1208:Genius
1084:
1061:May 7,
1026:
930:"Vibe"
910:
808:
687:Genres
634:song "
611:Matmos
553:Legacy
431:heroin
303:hippie
288:Harlem
266:, and
255:asthma
110:Genres
105:, U.S.
80:, U.S.
804:(3).
445:with
260:blues
122:house
1261:ISBN
1238:ISBN
1215:2023
1190:2020
1168:2019
1146:2019
1124:2020
1082:ISBN
1063:2010
1037:2020
1024:ISBN
1001:2020
992:Vibe
950:help
908:ISBN
806:ISSN
797:Vibe
630:The
547:drag
465:and
441:and
429:and
423:AIDS
371:WBLS
340:drag
264:jazz
232:and
214:Mass
85:Died
61:Born
1309:at
831:."
570:PBS
449:to
427:PCP
305:DJ
226:dub
220:DJ
190:VAN
188:lə-
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