57:
Very little is known for certain about his life, and some details have been confused with other musicians named "Lannoy" or "Lanoy". Two other singers named Lannoy, Jehan and David, were known to be active at the French court in the middle of the 15th century, and may have been related; in addition,
85:
was probably a
Milanese invention. It is not known to what degree Lannoy was involved in the development of this style, nor is it known where Lannoy went after his dismissal. Most of the singers scattered, with Japart going to
81:. The singing group at the chapel had been one of the most distinguished in Europe, and the compositional style which developed there in the 1470s was widely influential: for example the
132:
for three voices. It is given to "lanoy" in the source, and the style is consistent both with Lannoy's songs and with that of other composers working at Milan.
90:, and Compère probably going back to France. Since one of Lannoy's known songs is in Dutch, he may have spent some time, either before or after Milan, in the
211:
206:
153:
121:. The former of these was used as a basis for mass settings by other composers, including Johannes Martini and
221:
216:
162:
17:
158:
Fabrice Fitch: "Colinet de Lannoy", Grove Music Online, ed. L. Macy (Accessed June 30, 2007),
78:
46:
34:
8:
98:
149:
102:
38:
74:
128:
One other piece has been considered as a possible composition by Lannoy, a partial
70:
166:
113:
Only two compositions are definitely attributed to Lannoy, both secular songs:
200:
141:
122:
91:
82:
129:
66:
87:
59:
77:, was given a pass to leave Milan following the murder of Duke
42:
159:
105:(6 February 1497) indicates that Lannoy had died by then.
62:
and later in France, was previously confused with him.
41:. He was one of the composers/singers working at the
186:
184:
182:
179:
135:
198:
49:in 1476, and he possibly also worked in France.
148:. New York, W.W. Norton & Co., 1954.
45:chapel at the time of the assassination of
14:
199:
108:
33:(died before 6 February 1497) was a
24:
25:
233:
58:a "Karolus de Launoy", active at
212:French male classical composers
136:References and further reading
13:
1:
207:French Renaissance composers
65:In 1477, Lannoy, along with
7:
27:French Renaissance composer
10:
238:
119:Adieu natuerlic leven mijn
47:Duke Galeazzo Maria Sforza
101:'s elegy on the death of
172:
146:Music in the Renaissance
52:
160:(subscription access)
79:Galeazzo Maria Sforza
222:15th-century deaths
217:15th-century births
190:Fitch, Grove online
109:Music and influence
165:2008-05-16 at the
103:Johannes Ockeghem
31:Colinet de Lannoy
16:(Redirected from
229:
191:
188:
99:Guillaume Crétin
71:Johannes Martini
37:composer of the
21:
237:
236:
232:
231:
230:
228:
227:
226:
197:
196:
195:
194:
189:
180:
175:
167:Wayback Machine
138:
111:
55:
28:
23:
22:
15:
12:
11:
5:
235:
225:
224:
219:
214:
209:
193:
192:
177:
176:
174:
171:
170:
169:
156:
137:
134:
115:Cela sans plus
110:
107:
75:Loyset Compère
54:
51:
26:
9:
6:
4:
3:
2:
234:
223:
220:
218:
215:
213:
210:
208:
205:
204:
202:
187:
185:
183:
178:
168:
164:
161:
157:
155:
154:0-393-09530-4
151:
147:
143:
142:Gustave Reese
140:
139:
133:
131:
126:
124:
123:Jacob Obrecht
120:
116:
106:
104:
100:
95:
93:
92:Low Countries
89:
84:
83:motet-chanson
80:
76:
72:
68:
63:
61:
50:
48:
44:
40:
36:
32:
19:
145:
127:
118:
114:
112:
96:
64:
56:
30:
29:
130:cyclic mass
67:Jean Japart
39:Renaissance
201:Categories
97:A line in
163:Archived
88:Ferrara
60:Bourges
18:Lannoys
152:
73:, and
35:French
173:Notes
43:Milan
150:ISBN
117:and
53:Life
203::
181:^
144:,
125:.
94:.
69:,
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.