120:, Lord Framlingham, is an innocent-looking but mischievous girl. Without her father's knowledge, she has invited the officers of the East Anglian Hussars to their home, Egbert Castle, for a day and night of entertainment. She forges two telegrams that send her father into town on some urgent political pretext and later his butler to follow him. Her father wisely locks her in her room during his absence, but her friend, Gwenny, and lady's maid, Susan, secures a ladder to help her to escape from the window.
22:
124:
village, attracted by the Earl's advertisement for a rich man to court his daughter, arrive at the castle and mistake each of Gwenny and Susan for Lady Betty; they are both impostors pretending to be wealthy. Betty flirts with Smith and persuades him to pretend to be the butler, which he does, donning the butler's uniform.
123:
Although she detests wealth, Lady Betty is interested in a rich, eccentric young trooper, who calls himself Smith, and whose prowess at cricket have caught her eye. She disguises herself as a servant, and has Gwenny impersonate her, so that she can get close to Smith. Meanwhile, two men from the
127:
Class distinctions disappear that evening at the servants' ball as the officers enjoy the entertainment and company of servants and gentry alike. Betty continues her flirtations with Smith and is well-pleased with the progress of her elaborate mischief. Lord
Framlingham returns angrily but is
416:
commented that the piece was "a conspicuous success" and "fully up to the high standard we have been led to expect" from musical comedies presented by George
Edwardes. There was praise for Rubens's music – "a high level of excellence" above the normal standard for the genre. The reviewer for
423:
praised all the cast, singling out
Adrienne Augarde as "a bright and mischievous Madcap", but commented that the main attraction for audiences was G. P. Huntley, for his comic performance in various disguises.
537:
50:. The story concerns a mischievous Earl's daughter who holds a ball at her father's castle without permission, pretends to be her own maid, and causes general confusion.
572:
43:
61:, garnering highly favourable reviews. It ran for 354 performances, nearly a year, closing in November 1905. It starred
622:
561:
Early
Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and other stage shows, 1843–1918
69:
as
Trouper Smith. Various changes were made to the cast during the run. Among those who appeared in the piece were
699:
656:
93:
128:
soothed that his daughter's suitor is, at least, rich. The impostors are discovered, and all ends happily.
689:
684:
694:
579:
35:
54:
541:
679:
39:
513:
651:
459:
8:
634:
639:
391:
No. 25. Finale Act II – "See me in a scarlet uniform, as I go marching down the street"
111:
618:
645:
267:
192:
89:
62:
100:
with Madge
Crichton in the title role. It also received an Australian production.
433:
275:
243:
162:
82:
58:
47:
615:
The London Stage 1900–1909: A Calendar of
Productions, Performers, and Personnel
257:
673:
661:
611:
438:
309:
288:
247:
229:
219:
152:
78:
66:
594:
412:
172:
540:, Theatre Archive, University of Bristol, accessed 1 September 2015; and *
21:
364:
No. 16. Chorus of Page-Boys – "We're pert little, plump little page-boys"
315:
No. 2. Octet – Footmen and
Housemaids – "We're flunkeys high and haughty"
233:
74:
419:
271:
70:
330:
No. 7. Chorus – "Can this be true? We're fill'd with consternation"
308:
No. 1. Chorus – "We're simple rustic folk, we are" (composed by
85:. It then toured in the British provinces, starring Studholme.
370:
No. 18. Susan – "I don't seem to want you when you're with me"
547:
324:
No. 5. Entrance of
Yeomanry – "Here they are, don't you see?"
117:
327:
No. 6. Harrington and Chorus – "A way we have in the Army"
432:
The lyric of the song "I like you in velvet" was used by
291:
and the original vocal score by
Chappel & Co. (1905)
635:
Song list and links to Midi files, lyrics and cast list
57:, London, on 17 December 1904, under the management of
385:
No. 23. Colonel and Chorus – "The beetle and the Boot"
333:
No. 8. Bill and Posh – "Ow do you do, if you please?"
351:
No. 14. Finale Act I – "Oh! I am the pet of Mayfair"
321:
No. 4. Lady Betty and Gwenny – "Grace and Disgrace"
470:, Vol. 5, pp. 79–80 (1905) Greening & Company
671:
16:Edwardian musical comedy composed by Paul Rubens
382:No. 22. Betty and Chorus – "In Scarlet Uniform"
342:No. 11. Lady Betty and Girls – "My lady's maid"
436:in his song (on the same title) on his album
583:, 2 December 1907, accessed 1 September 2015
509:
507:
592:"Prince of Wales Theatre: 'Lady Madcap'",
264:Lord Framlingham's daughter – The "Madcap"
131:
504:
410:Reviewing the first night, the critic in
348:No. 13. Comte and Gwenny – "My Comtesse"
20:
480:
478:
476:
388:No. 24. Comte and Smith – "I loved her"
376:No. 20. Susan and Chorus – "The Missis"
53:The musical was first performed at the
672:
373:No. 19. Comte – "I like you in velvet"
427:
473:
303:Act I – Garden at Egbert Castle.
137:Count de St. Hubert – Maurice Farkoa
356:Act II – Hall at Egbert Castle.
345:No. 12. Chorus of Girls – "Archery"
13:
617:, Rowman & Littlefield (2013)
546:, Leeds Playbills, Grand Theatre,
297:
14:
711:
666:at the Internet Broadway Database
628:
550:(1905), accessed 1 September 2015
401:Susan and Ham – "Two Little Pigs"
361:No. 15. Gwenny – "Who? Who? Who?"
339:No. 10. Comte – "Do I like love?"
318:No. 3. Gwenny – "Pretty Primrose"
367:No. 17. Betty – "Her little dog"
46:, and lyrics by Paul Rubens and
211:Old Huntsman – Richard Kavanagh
116:Lady Betty, the daughter of an
42:with a book by Paul Rubens and
586:
566:
553:
538:"Marie Studholme" performances
531:
524:"The Theatre Zena Dare Knew",
518:
491:
452:
1:
652:Numerous photos from the show
484:"Prince of Wales' Theatre",
405:
7:
379:No. 21. Octet – "Leap Year"
216:of the East Anglian Hussars
199:of the East Anglian Hussars
186:of the East Anglian Hussars
179:of the East Anglian Hussars
169:of the East Anglian Hussars
159:of the East Anglian Hussars
103:
10:
716:
605:
206:butler to Lord Framlingham
598:, 18 December 1904, p. 5
580:The Sydney Morning Herald
528:, 17 February 1964, p. 14
240:lady's-maid to Lady Betty
38:in two acts, composed by
501:, 20 November 1905, p. 8
488:. 19 December 1904, p. 7
445:
270:; later Madge Crichton,
242:) – Eva Sandford; later
142:known as Stony Stratford
36:Edwardian musical comedy
700:Musicals set in England
657:Original cast recording
559:Stubblebine, Donald J.
336:No. 9. Susan – "Nerves"
228:) – Delia Mason; later
132:Roles and original cast
65:in the title role, and
55:Prince of Wales Theatre
44:Nathaniel Newnham-Davis
262:Lady Betty Clarridge (
26:
254:Colonel Layton's wife
184:Lieutenant Somerset (
167:Major Blatherswaite (
144:) – Aubrey Fitzgerald
24:
226:friend of Lady Betty
181:) – J. Edward Fraser
177:Captain Harrington (
25:Cover of vocal score
458:Dangerfield, Fred.
191:Lord Framlingham –
468:The Play Pictorial
428:In popular culture
208:) – Roy St. George
201:) – George Carroll
188:) – Spencer Trevor
112:Framlingham Castle
88:In 1906 it ran on
27:
690:Original musicals
685:West End musicals
646:Chappell & Co
640:Musical score to
707:
695:British musicals
599:
590:
584:
570:
564:
557:
551:
535:
529:
522:
516:
511:
502:
495:
489:
482:
471:
456:
268:Adrienne Augarde
193:Herbert Sparling
157:Colonel Layton (
140:Bill Stratford (
63:Adrienne Augarde
715:
714:
710:
709:
708:
706:
705:
704:
670:
669:
631:
608:
603:
602:
591:
587:
571:
567:
558:
554:
536:
532:
523:
519:
514:Wearing, p. 212
512:
505:
496:
492:
483:
474:
457:
453:
448:
434:Malcolm McLaren
430:
408:
300:
298:Musical numbers
276:Marie Studholme
224:Gwenny Holden (
214:Trooper Smith (
197:Corporal Ham (
163:Leedham Bantock
149:his confederate
134:
106:
83:Marie Studholme
59:George Edwardes
48:Percy Greenbank
17:
12:
11:
5:
713:
703:
702:
697:
692:
687:
682:
668:
667:
663:My Lady's Maid
659:
654:
649:
637:
630:
629:External links
627:
626:
625:
612:Wearing, J. P.
607:
604:
601:
600:
585:
565:
563:(2002), p. 171
552:
530:
517:
503:
490:
472:
460:"The Story of
450:
449:
447:
444:
429:
426:
407:
404:
403:
402:
398:
397:
393:
392:
389:
386:
383:
380:
377:
374:
371:
368:
365:
362:
358:
357:
353:
352:
349:
346:
343:
340:
337:
334:
331:
328:
325:
322:
319:
316:
313:
305:
304:
299:
296:
295:
294:
293:
292:
279:
278:
260:
258:Blanche Massey
252:Mrs. Layton (
250:
236:
222:
212:
209:
202:
195:
189:
182:
175:
165:
155:
147:Posh Jenkins (
145:
138:
133:
130:
105:
102:
98:My Lady's Maid
94:Casino Theatre
15:
9:
6:
4:
3:
2:
712:
701:
698:
696:
693:
691:
688:
686:
683:
681:
680:1904 musicals
678:
677:
675:
665:
664:
660:
658:
655:
653:
650:
647:
644:
643:
638:
636:
633:
632:
624:
623:0-8108-9293-6
620:
616:
613:
610:
609:
597:
596:
589:
582:
581:
576:
575:
569:
562:
556:
549:
545:
544:
539:
534:
527:
521:
515:
510:
508:
500:
494:
487:
481:
479:
477:
469:
465:
463:
455:
451:
443:
441:
440:
439:Waltz Darling
435:
425:
422:
421:
415:
414:
400:
399:
395:
394:
390:
387:
384:
381:
378:
375:
372:
369:
366:
363:
360:
359:
355:
354:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
310:Howard Talbot
307:
306:
302:
301:
290:
289:J. P. Wearing
287:
283:
282:
281:
280:
277:
273:
269:
265:
261:
259:
255:
251:
249:
248:Gabrielle Ray
245:
244:Mabel Russell
241:
237:
235:
231:
230:Nina Sevening
227:
223:
221:
220:G. P. Huntley
217:
213:
210:
207:
203:
200:
196:
194:
190:
187:
183:
180:
176:
174:
170:
166:
164:
160:
156:
154:
150:
146:
143:
139:
136:
135:
129:
125:
121:
119:
114:
113:
110:
101:
99:
95:
91:
86:
84:
80:
79:Gabrielle Ray
76:
72:
68:
67:G. P. Huntley
64:
60:
56:
51:
49:
45:
41:
37:
33:
32:
23:
19:
662:
641:
614:
595:The Observer
593:
588:
578:
573:
568:
560:
555:
542:
533:
525:
520:
498:
497:"Theatres",
493:
485:
467:
461:
454:
437:
431:
418:
413:The Observer
411:
409:
285:
263:
253:
239:
225:
215:
205:
198:
185:
178:
173:Dennis Eadie
168:
158:
148:
141:
126:
122:
115:
108:
107:
97:
87:
52:
30:
29:
28:
18:
642:Lady Madcap
574:Lady Madcap
543:Lady Madcap
462:Lady Madcap
40:Paul Rubens
31:Lady Madcap
674:Categories
234:Lily Elsie
153:Fred Emney
75:Lily Elsie
526:The Times
499:The Times
486:The Times
420:The Times
406:Reception
286:The Times
284:Sources:
272:Zena Dare
71:Zena Dare
396:Addendum
204:Palmer (
109:Setting:
104:Synopsis
90:Broadway
606:Sources
238:Susan (
92:at the
648:(1905)
621:
34:is an
548:Leeds
446:Notes
619:ISBN
274:and
266:) –
256:) –
246:and
232:and
218:) –
171:) –
161:) –
151:) –
118:Earl
81:and
96:as
676::
577:,
506:^
475:^
466:,
442:.
77:,
73:,
464:"
312:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.