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La gazza ladra

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local peddler, visits and asks about Ninetta, but Pippo, Fabrizio's manservant, sends him away. Giannetto arrives and goes inside with Lucia while Ninetta prepares for the party. Once they have gone, Ninetta's father, Fernando Villabella, arrives, also from the war. However, he was sentenced to death after fighting with his captain and is now a deserter. He asks his daughter to sell two pieces of family silver to go towards his expenses while he is on the run. The Mayor arrives with intent on seducing Ninetta, and she claims that her father is just some vagrant. The Mayor's assistant delivers the arrest warrant for a deserter (Fernando), but as the Mayor has forgotten his reading glasses, Ninetta is asked to read the warrant, and makes up a description of someone totally unlike her father. The Mayor continues to force his attentions on Ninetta, at which Fernando almost reveals himself in anger. The three leave, and a magpie flies down and steals one of Lucia's silver spoons.
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rather die. The Mayor is called away, but Antonio has heard all and offers to help Ninetta any way he can. Ninetta asks Pippo to sell a gold cross and put some money for her father in an agreed hiding place – a chestnut tree. Ninetta is brought to trial, found guilty, and condemned to death. Fernando rushes to the court to save his daughter's life, but is too late; he too is sent to prison.
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who in her distress drops the money she had exchanged from Isacco. The peddler is brought back and reports that he has already sold the spoon, but he recalls the inscription "F.V.", initials shared by Fabrizio and Fernando. The stunned Ninetta, desperate to protect her father, is unable to refute the accusations, and the Mayor orders her arrest.
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was made in 1964 by Giulio Gianini and Emanuele Luzzati using the overture as the soundtrack, with motion synchronized to the music. It was constructed by moving cutouts from frame to frame to illustrate a story of a thieving magpie, centered on the magpie, unlike in the opera. In 1965 the film was
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Ninetta is taken to the scaffold and makes her final speech to the crowd. From the tower, Pippo and Antonio cry out that they have found Lucia's silver in the magpie's nest and they ring the bells. The crowd hear their words and hope to save Ninetta, but shots ring out and they conclude that they are
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was no exception. A 19th-century biography quotes him as saying that the conductor of the premiere performance locked him in a room at the top of La Scala the day before the premiere with orders to complete the opera's still unfinished overture. He was under the guard of four stagehands whose job it
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Isacco passes by again, and Ninetta sells him the silver her father had entrusted to her. Giannetto and others return, and Lucia notices that a spoon is missing. The Mayor starts an immediate investigation, stating the draconian penalty for domestic theft: death. Lucia and the Mayor accuse Ninetta,
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Antonio, the prison warder, takes pity on Ninetta and says that he will get a message to Pippo and let Giannetto visit her. Ninetta convinces Giannetto that she is innocent. The Mayor now arrives and tells Ninetta that if she accepts his advances he will get her freed – she replies that she would
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At the house of Fabrizio Vingradito and his wife Lucia there is joy for the imminent return of their son Giannetto from the war. One of the servants, Ninetta, is in love with Giannetto and all want the two to marry, except Lucia, who blames Ninetta for the recent loss of a silver fork. Isacco, a
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Ernesto, a military friend of Fernando, bursts in looking for the Mayor and holding a royal pardon for Ninetta's father. Pippo shows him the way and is given a silver coin for helping, but the magpie snatches it and flies up to the tower. Pippo and Antonio pursue the thief.
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too late. However, Ninetta appears walking down the hill – the shots were mere rejoicing. Ninetta celebrates with her companions but is worried about her father. He then appears with Ernesto and all – except the Mayor – enjoy a happy ending.
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obtains from a typical night out with his friends performing acts of violence and mayhem while mindless of the horrific consequences for his victims. The overture served as influence in
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for a revival of the opera in Pesaro. In 1979, Alberto Zedda edited Rossini's original composition of the opera for publication by the Fondazione Rossini. In 2013, the
1938: 1034: 275: 630:"Di piacer mi balza il cor" and the tenor cavatina "Vieni fra queste braccia" (the cabaletta for the duet between Arturo and Elvira from Bellini's 991: 1268: 1309: 2059: 963: 1329: 1258: 967: 2034: 576: 255:. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving 1485: 1334: 1884: 1507: 1224: 1210: 1203: 1194: 1179: 1165: 1158: 1149: 1117: 75: 53: 338:, London, on 10 March 1821. A French-language opera-comique using the original title of the French source material ( 236: 154: 46: 2039: 20: 1302: 2064: 1134: 1122: 323:, who was singing the role of Ninetta. He revised the role again in 1867 with embellishments and cadenzas for 1242:
opera en trois actes, by Gioacchino Rossini, Castil-Blaze, Giovanni Gherardini (published by E.J. Coale, 1831)
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La pie voleuse: opĂ©ra en trois actes : d'aprĂšs le drame de MM. Caigniez et d'Aubigny, et l'opĂ©ra italien
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The most famous aria in the opera is probably Ninetta's prayer "Deh, tu reggi in tal momento". The soprano
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by Gioacchino Rossini, Giovanni Gherardini, Aubigny, Caigniez (Louis-Charles) (published by Elliott, 1833)
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starts with exactly the same words) are two examples of Rossini's brilliant vocal writing.
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was to toss each completed page out the window to the copyist below.
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of New York City performed an English-language version of
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Peter Hoffer's 20th century cover design for the libretto
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
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L'occasione fa il ladro, ossia Il cambio della valigia
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Duetto – Forse un dì conoscerete – Ninetta e Giannetto
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Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
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Il barbiere di Siviglia, ossia L'inutile precauzione
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used the overture for the early scenes of his movie
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Duetto – Come frenare il pianto – Ninetta e Fernando
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Conservatorio Statale di Musica "Gioachino Rossini"
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London: Macmillan Publishers, Inc. 1682:MoĂŻse et Pharaon, ou Le passage de la mer rouge 1555:Adelaide di Borgogna, ossia Ottone, re d'Italia 651:Cavatina – Vieni fra queste braccia – Gianetto 645:Cavatina – Di piacer mi balza il cor (Ninetta) 1611:Bianca e Falliero, ossia Il consiglio dei tre 1515:La gazzetta, ossia Il matrimonio per concorso 1303: 1018:Della vita e delle opere di Gioachino Rossini 898:(Video recording made at performances of the 660:Cavatina – Il mio piano Ăš preparato – PodestĂ  1278:La gazza ladra : melodramma in due atti 251:, which is musically notable for its use of 820:Orchestra Sinfonica di Torino della R.A.I., 1350: 1310: 1296: 676:Aria – Si per voi, pupille amate – PodestĂ  109: 1531:La Cenerentola, ossia La bontĂ  in trionfo 76:Learn how and when to remove this message 992:Harry Potter and the Prisoner of Azkaban 617: 575: 274: 39:This article includes a list of general 2027: 270: 1317: 1291: 1069:Warrack & West 1992, pp. 269–270. 968:Melbourne International Film Festival 654:Brindisi – Tocchiamo, Beviamo – Pippo 495:a young peasant, employed by Fabrizio 202: 1083:on operadis-opera-discography.org.uk 1015:Silvestri, Lodovico Settimo (1874). 966:and won the first Grand Prix of the 648:Cavatina – Stringhe e ferri – Isacco 346:, New Orleans, on 30 December 1824. 25: 1219:. Oxford: Oxford University Press. 896:Orchestra Haydn di Bolzano e Trento 682:Aria – Accusato di furto – Fernando 13: 1215:Warrack, John; West, Ewan (1992). 283:for the 1817 La Scala performance. 45:it lacks sufficient corresponding 14: 2076: 2060:Opera world premieres at La Scala 1571:Adina, ossia Il califfo di Bagdad 1280:, 1870 publication, digitized by 1231: 1195:The New Grove Dictionary of Opera 1150:The New Grove Dictionary of Opera 2009: 2008: 1702: 1523:Otello, ossia Il Moro di Venezia 1506: 1486:Elisabetta, regina d'Inghilterra 1269:La Fenice libretto and programme 783:Köln and the Kölner Oper Chorus 231:by Giovanni Gherardini based on 30: 21:Thieving Magpie (disambiguation) 934:(Live recording from the XXIst 860:di Venezia Orchestra and Chorus 1217:The Oxford Dictionary of Opera 1100:; Brauner, Patricia (2001), " 1072: 1063: 1051: 1027: 1009: 957:An animated short film called 1: 997: 692: 553:a soldier, friend of Fernando 1265: (archived May 8, 2008)} 1112:, New York: Penguin Putnam. 748:Audio LP: Italia Fonit Cetra 740:Royal Philharmonic Orchestra 685:Aria – A questo seno – Lucia 7: 2035:Operas by Gioachino Rossini 1110:The New Penguin Opera Guide 990:’s Aunt Marge’s Waltz from 663:Terzetto – Oh Nume benefico 580:Part of the manuscript for 566: 463:Ninetta’s father, a soldier 303:; and then in 1819 for the 262:Rossini wrote quickly, and 237:ThĂ©odore Baudouin d'Aubigny 155:ThĂ©odore Baudouin d'Aubigny 10: 2081: 1184:Osborne, Richard (1998), " 1139:Osborne, Richard (1998), " 708:Opera House and Orchestra 667: 639: 382:Premiere Cast, 31 May 1817 204:[laˈɥaddzaˈlaːdra] 18: 16:Opera by Gioachino Rossini 2004: 1977:Duetto buffo di due gatti 1962: 1931: 1896: 1877: 1828: 1793: 1754: 1725: 1657: 1453: 1367:La cambiale di matrimonio 1343: 1325: 1170:Osborne, Richard (1990), 938:Belcanto Opera Festival) 822:Coro Filarmonico di Praga 330:The first performance of 287:The first performance of 164: 146: 138: 130: 120: 108: 95: 90: 1916:(1991 biographical film) 1908:(1942 biographical film) 613: 596: 571: 368: 115:Portrait of the composer 2040:Italian-language operas 1818:Petite messe solennelle 952: 883:Kleopatra Papatheologou 826:Teatro Rossini (Pesaro) 291:was on 31 May 1817, at 60:more precise citations. 1949:Rossini Opera Festival 1763:Ecco, ridente in cielo 1407:La pietra del paragone 1375:L'equivoco stravagante 923:Luisa Islam Ali-Zade, 900:Rossini Opera Festival 865:Audio CD: Mondo Musica 830:Rossini Opera Festival 824:Live recording in the 744:Ambrosian Opera Chorus 623: 585: 479:Gottardo the PodestĂ , 353:composed a version of 334:in England was at the 284: 247:is best known for the 241:Louis-Charles Caigniez 200:Italian pronunciation: 159:Louis-Charles Caigniez 2065:Operas based on plays 1971:La boutique fantasque 1886:The Barber of Seville 1060:(Paris: Barba, 1822). 921:Giulio Mastrototaro, 621: 579: 560:Alessandro De Angeli 546:Francesco Biscottini 532:Francesco Biscottini 461:Fernando Villabella, 438:Marietta Castiglioni 411:Fabrizio Vingradito, 281:Alessandro Sanquirico 278: 169:31 May 1817 1867:PĂ©chĂ©s de vieillesse 1674:Le siĂšge de Corinthe 1462:Aureliano in Palmira 1439:L'italiana in Algeri 1330:List of compositions 811:Ferruccio Furlanetto 511:servant to the mayor 422:Vincenzo Botticelli 405:Teresa Belloc-Giorgi 1983:MatinĂ©es musicales 1897:Cultural depictions 1851:La regata veneziana 1579:Ricciardo e Zoraide 1494:Torvaldo e Dorliska 1021:, p. 64. Silvestri 919:Marie JosĂ© Moreno, 855:Giancarlo Andretta, 781:GĂŒrzenich Orchester 355:The Thieving Magpie 332:The Thieving Magpie 313:Teatro di San Carlo 289:The Thieving Magpie 271:Performance history 245:The Thieving Magpie 210:The Thieving Magpie 134:Giovanni Gherardini 125:The Thieving Magpie 1954:Rossini in Wildbad 1836:Six string sonatas 1595:Eduardo e Cristina 1470:Il turco in Italia 1359:Demetrio e Polibio 1039:Grove Music Online 979:A Clockwork Orange 936:Rossini in Wildbad 932:Virtuosi Brunensis 902:, Pesaro, August) 875:Mariola Cantarero, 852:Natale de Carolis 816:Gianluigi Gelmetti 786:DVD: ArtHaus Musik 624: 586: 445:his son, a soldier 395:Fabrizio’s servant 311:; in 1820 for the 285: 2022: 2021: 1989:Messa per Rossini 1932:Named for Rossini 1913:Rossini! 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226: 222: 218: 217: 212: 211: 205: 197: 196: 185: 181: 167: 163: 160: 156: 152: 149: 145: 141: 137: 133: 129: 126: 123: 119: 112: 107: 103: 98: 94: 89: 80: 77: 69: 59: 55: 49: 48: 42: 37: 28: 27: 22: 1993: 1981: 1969: 1944:Prix Rossini 1919: 1911: 1903: 1885: 1865: 1857: 1849: 1841: 1821:(1864, 1867) 1816: 1813:(1831, 1841) 1810:Stabat mater 1808: 1800: 1794:Sacred music 1777:Sombre forĂȘt 1744:Robert Bruce 1742: 1734: 1714:(unfinished) 1709: 1696: 1690:Le comte Ory 1688: 1680: 1672: 1664: 1641: 1633: 1625: 1617: 1609: 1601: 1593: 1585: 1577: 1569: 1561: 1553: 1545: 1538: 1537: 1529: 1521: 1513: 1500: 1492: 1484: 1476: 1468: 1460: 1437: 1429: 1421: 1413: 1405: 1397: 1389: 1381: 1373: 1365: 1357: 1272:(in Italian) 1255:(in Italian) 1246: 1238: 1216: 1193: 1185: 1171: 1148: 1140: 1126: 1109: 1101: 1091: 1090: 1080: 1074: 1065: 1053: 1042:. Retrieved 1038: 1029: 1023:(in Italian) 1017: 1011: 1002: 1001: 977: 972: 958: 956: 946:8.660369-71 772:Brent Ellis 768:Nucci CondĂČ, 631: 625: 608: 604: 600: 591: 587: 581: 552: 538: 524: 510: 494: 480: 462: 444: 428: 412: 394: 384:(Conductor: 362: 354: 348: 339: 331: 329: 288: 286: 263: 261: 244: 232: 214: 209: 208: 194: 193: 192: 150: 124: 72: 63: 44: 2050:1817 operas 1924:(1996 film) 1888:(1947 film) 1829:Other works 1658:Later works 1619:Maometto II 1351:Early works 911:Cat: 33567 731:Nuci Condo 443:Giannetto, 379:Voice type 359:Bronx Opera 253:snare drums 121:Translation 58:introducing 2029:Categories 1995:Rossiniana 1643:Semiramide 1478:Sigismondo 1192:, (Ed.), 1135:0931340713 1044:2021-02-26 998:References 941:Audio CD: 706:Conductor, 693:Recordings 633:I Puritani 539:the gaoler 216:melodramma 173:1817-05-31 131:Librettist 66:March 2015 41:references 1727:Pastiches 1253:Libretto 551:Ernesto, 537:Antonio, 525:a peddler 509:Giorgio, 500:contralto 393:Ninetta, 349:In 1941, 279:Decor by 227:, with a 2014:Category 1859:La Danza 1454:Maturity 1431:Tancredi 1147:(Ed.), 1125:(1994), 834:CD: Sony 628:cavatina 567:Synopsis 523:Isacco, 429:his wife 293:La Scala 249:overture 229:libretto 180:La Scala 165:Premiere 147:Based on 139:Language 1905:Rossini 1736:IvanhoĂ© 1701:(1829) 1635:Zelmira 1587:Ermione 1505:(1816) 1261:at the 1172:Rossini 1108:(ed.), 1092:Sources 907:Dynamic 894:LĂŒ Jia, 828:during 668:Act Two 640:Act One 493:Pippo, 427:Lucia, 400:soprano 213:) is a 171: ( 142:Italian 54:improve 2055:Operas 1862:(1835) 1854:(1835) 1846:(1817) 1838:(1804) 1805:(1820) 1747:(1846) 1739:(1826) 1693:(1828) 1685:(1827) 1677:(1826) 1669:(1825) 1646:(1823) 1638:(1822) 1630:(1821) 1622:(1820) 1614:(1819) 1606:(1819) 1598:(1819) 1590:(1819) 1582:(1818) 1574:(1826) 1566:(1818) 1558:(1817) 1550:(1817) 1547:Armida 1542:(1817) 1534:(1817) 1526:(1816) 1518:(1816) 1497:(1815) 1489:(1815) 1481:(1814) 1473:(1814) 1465:(1813) 1442:(1813) 1434:(1813) 1426:(1813) 1418:(1812) 1410:(1812) 1402:(1812) 1394:(1812) 1386:(1812) 1378:(1811) 1370:(1810) 1362:(1812) 1344:Operas 1223:  1209:  1202:  1178:  1164:  1157:  1143:", in 1133:  1116:  711:Label 703:Cast: 543:tenor 529:tenor 309:Naples 301:Pesaro 257:magpie 43:, but 1755:Arias 1274:(PDF) 1188:, in 1104:" in 1003:Notes 916:2009 905:DVD: 872:2007 841:1998 793:1989 755:1987 716:1978 700:Year 614:Arias 597:Act 2 572:Act 1 557:bass 515:bass 485:bass 450:tenor 376:Role 369:Roles 317:Paris 307:, in 297:Milan 184:Milan 1221:ISBN 1207:ISBN 1200:ISBN 1176:ISBN 1162:ISBN 1155:ISBN 1131:ISBN 1114:ISBN 984:Alex 953:Film 742:and 418:bass 239:and 157:and 1282:BYU 235:by 219:or 153:by 99:by 2031:: 1257:: 1037:. 994:. 970:. 388:) 365:. 327:. 295:, 259:. 243:. 207:, 182:, 1786:" 1782:" 1779:" 1775:" 1772:" 1768:" 1765:" 1761:" 1311:e 1304:t 1297:v 1227:. 1047:. 909:, 885:, 880:, 818:, 808:, 799:, 778:, 766:, 761:, 737:, 584:. 198:( 175:) 79:) 73:( 68:) 64:( 50:. 23:.

Index

Thieving Magpie (disambiguation)
references
inline citations
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introducing
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Opera semiseria
Gioachino Rossini

Théodore Baudouin d'Aubigny
Louis-Charles Caigniez
La Scala
Milan
[laˈɥaddzaˈlaːdra]
melodramma
opera semiseria
Gioachino Rossini
libretto
Théodore Baudouin d'Aubigny
Louis-Charles Caigniez
overture
snare drums
magpie

Alessandro Sanquirico
La Scala
Milan
Pesaro
Teatro del Fondo
Naples

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