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The use of the term "Pléiade" to refer to the group the French poets around
Ronsard and Du Bellay is much criticised. In his poems, Ronsard frequently made lists of those he considered the best poets of his generation, but these lists changed several times. These lists always included Ronsard, du
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poets critical of
Ronsard's pretensions (Ronsard was a polemicist for the royal Catholic policy). This use was finally consecrated by Ronsard's biographer Claude Binet, shortly after the poet's death. Some modern literary historians reject the use of the term, as it gives precedence to Ronsard's
275:. The ideal was not one of slavish imitation, but of a poet so well-versed in the entire corpus of Ancient literature (du Bellay uses the metaphor of "digestion") that he would be able to convert it into an entirely new and rich poetic language in the
210:; they were generally called the "Brigade" at the time. Ronsard was regarded as the leader of the "Brigade", and remained the most popular and well-known poet of the group. The Pléiade's "manifesto" was penned by Joachim du premiere Bellay (
467:. In a poem in 1556 Ronsard announced that the "Brigade" had become the "Pléiade", but apparently no one in Ronsard's literary circle used the expression to refer to himself, and use of the term stems principally from
206:"Pléiade"—Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf—were young French poets who met at the Collège de Coqueret, where they studied under the famous Hellenist and Latinist scholar
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1549). In it, Du Bellay detailed a literary program of renewal and revolution. The group aimed to break with earlier traditions of French poetry (especially
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topos - life is short, seize the day). Ronsard also tried early on to adapt the
Pindaric ode into French and, later, to write a nationalist verse
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518:", is also the name of a prestigious leather-bound Bible-paper collection of works in French (literature, history, etc.) published by the
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279:. For some of the members of the Pléiade, the act of the poetry itself was seen as a form of divine inspiration (see
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innovation of Greek and Roman poetic forms, emulation of specific models, and the creation of
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poetic ideas and minimises the diversity of poetic production in the French
Renaissance.
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poets and tragedians (3rd century B.C.), corresponding to the seven stars of the
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The forms that dominate the poetic production of these poets are the
Petrarchan
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is frequent, but so too is a depiction of the natural world (woods, rivers).
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based on Greek and Latin. Among the models favoured by the Pléiade were
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Minor figures also associated with this term include the following:
159:. The name was a reference to another literary group, the original
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akin to romantic passion, prophetic fervour or alcoholic delirium.
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Notable members of "La Pléiade" consisted of the following people:
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318:), which he never completed. Throughout the period, the use of
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Dictionnaire des lettres françaises. Le XVIe siècle
46:. Unsourced material may be challenged and removed.
214:La Défense et illustration de la langue française
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106:Learn how and when to remove this message
451:; the last two positions were taken by
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135:
514:"La Pléiade", or more correctly "La
44:adding citations to reliable sources
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283:for example), a possession by the
239:To this end du Bellay recommended
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118:Group of French Renaissance poets
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31:needs additional citations for
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147:whose principal members were
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516:Bibliothèque de la Pléiade
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927:San Francisco Renaissance
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457:Jacques Pelletier du Mans
422:Jacques Pelletier du Mans
312:and Virgil (entitled the
123:Pleiades (disambiguation)
536:. Paris: Fayard, 2001.
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259:and other poets of the
757:Generation of the '30s
632:British Poetry Revival
532:Simonin, Michel, ed.
213:
202:The core group of the
807:Informationist poetry
133:French pronunciation:
932:Scottish Renaissance
627:Black Mountain poets
465:Guillaume des Autels
432:Guillaume des Autels
363:Jean-Antoine de Baïf
225:grands rhétoriqueurs
197:Jean-Antoine de Baïf
157:Jean-Antoine de Baïf
121:For other uses, see
40:improve this article
872:New American Poetry
622:Black Arts Movement
602:Akhmatova's Orphans
947:Southern Agrarians
842:Metaphysical poets
782:Harlem Renaissance
520:Éditions Gallimard
443:Bellay, de Baïf,
204:French Renaissance
161:Alexandrian Pleiad
142:French Renaissance
137:[laplejad]
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1002:
996:Poetry portal
792:Hungry generation
787:Harvard Aesthetes
762:Generation of '98
752:Generation of '27
727:The poets of Elan
522:publishing house.
461:Jean de la Péruse
427:Jean de la Péruse
349:Joachim Du Bellay
335:Pierre de Ronsard
192:Joachim du Bellay
187:Pierre de Ronsard
153:Joachim du Bellay
149:Pierre de Ronsard
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96:December 2023
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57: –
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51:Find sources:
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29:This article
27:
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1016:French poets
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897:Objectivists
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722:Ego-Futurism
712:Dymock poets
687:Cyclic Poets
682:Culteranismo
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453:Rémy Belleau
441:
417:Rémy Belleau
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308:modelled on
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292:sonnet cycle
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172:star cluster
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55:"La Pléiade"
50:
38:Please help
33:verification
30:
957:Sung poetry
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612:Auden Group
546:(in French)
165:Alexandrian
1010:Categories
962:Surrealism
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912:La Pléiade
822:Lake Poets
697:Deep image
652:Chhayavaad
527:References
301:carpe diem
277:vernacular
245:neologisms
241:vernacular
208:Jean Dorat
129:La Pléiade
66:newspapers
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797:Imaginism
777:The Group
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737:Fugitives
717:Ecopoetry
617:The Beats
320:mythology
315:Franciade
163:of seven
832:Marinism
672:Créolité
476:See also
469:Huguenot
253:Anacreon
230:Petrarch
222:and the
169:Pleiades
977:Zutiste
802:Imagism
772:Goliard
597:Acmeism
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257:Alcaeus
80:scholar
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269:Horace
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509:Notes
463:, or
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234:Dante
220:Marot
145:poets
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42:by
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