369:'s 1881 short story "La femme de Paul". It is described as a place where "we smell, deep in our nostrils, the world's froth, all its distinguished scoundrels, the mould of Parisian society: a mixture of salesmen, show offs, lowly journalists, chaperoned young men, corrupt amateurs of the stock exchange, cretinous party animals, desiccated old pleasure seekers; a shady crowd of all suspect beings, half well known, half lost, half greeted, half dishonoured, swindlers, rascals, suppliers of women, lords of industry with a dignified look, the look of a blusterer which seems to be saying: "The first one that calls me a rogue, I'll bust him"."
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318:, may well have been the "tableau" that he dreamed of. The broad, constructive brushstrokes here are clearly those of a sketch. For his exhibition pictures Monet usually sought a more delicate and carefully calibrated surface at this time. An almost identical composition of the same subject by Renoir,
383:, Monet concentrated on repetitive elements – the ripples on the water, the foliage, the boats, the human figures – to weave a fabric of brushstrokes which, although emphatically brushstrokes, retain a strong descriptive quality.
254:. (Oil on canvas, 74.6 cm x 99.7 cm). It depicts "Flowerpot Island", also known as the Camembert, and the gangplank to La Grenouillère, a floating restaurant and boat-hire on the Seine at
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La
Grenouillère was a popular middle-class resort consisting of a spa, a boating establishment and a floating café. Optimistically promoted as "Trouville-sur-Seine", it was located on the
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525:, ColourLex. Contains information on all paintings by Monet and Renoir painted in La Grenouillère and also a pigment analysis of the painting in the National Gallery in London.
314:, oil on canvas, 73 x 92 cm) are probably the sketches mentioned by Monet in his letter. A bigger size painting, now lost but formerly in the Arnhold collection in
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286:, who has just spent two months here, also wants to do this painting." Monet and Renoir, both desperately poor, were quite close at the time.
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Daniel
Wildenstein, Claude Monet. Biographie et catalogue raisonné. Lausanne, Paris, La Bibliothèque des Arts, Fondation Wildenstein, p. 135.
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with his wife and son. Monet and Renoir both recognized in La
Grenouillère an ideal subject for the images of leisure they hoped to sell.
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74.6 cm (29.4 in) × 99.7 cm (39.3 in)
398:. It was bequeathed by Mrs. H. O. Havemeyer in 1929.
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Fondation Monet – Giverny home, studio, and gardens
62:. Unsourced material may be challenged and removed.
1337:Claude Monet Painting in His Garden at Argenteuil
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1024:The Doge's Palace Seen from San Giorgio Maggiore
888:Arrival of the Normandy Train, Gare Saint-Lazare
665:The Road in Front of Saint-Simeon Farm in Winter
856:Woman with a Parasol – Madame Monet and Her Son
262:, who also painted the scene at the same time.
346:. (Oil on canvas, 74.6 cm x 99.7 cm)
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477:La Maison Tellier, Guy de Maupassant, p 151
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824:Argenteuil Basin with a Single Sailboat
458:Wilson, M., Wyld, M., Roy, A. ‘Monet's
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968:The Pyramides at Port-Coton, Rough Sea
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513:Impressionism: a centenary exhibition
1353:Portrait of the Painter Claude Monet
673:On the Bank of the Seine, Bennecourt
609:A Cart on the Snowy Road at Honfleur
60:adding citations to reliable sources
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1345:Claude Monet Painting in his Studio
1244:(step-daughter and daughter-in-law)
872:The Studio Boat (Le Bateau-atelier)
864:A Corner in the Garden at Montgeron
466:National Gallery Technical Bulletin
365:La Grenouillère is the setting for
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1361:Monet: The Mystery of the Orangery
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408:List of paintings by Claude Monet
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303:The painting here and one in the
1008:Le Jardin de l'artiste à Giverny
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1254:Jacques-François Ochard
808:The Seine at Argenteuil
776:Boulevard des Capucines
596:Le Déjeuner sur l'herbe
18:La Grenouillere (Monet)
1242:Blanche Hoschedé Monet
1064:Le Bassin Aux Nymphéas
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697:Interior, after Dinner
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960:Haystack Near Giverny
936:Stormy Sea at Étretat
912:Portrait of Père Paul
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792:The Seine at Asnières
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745:Regatta at Argenteuil
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1186:San Giorgio Maggiore
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737:Impression, Sunrise
729:Windmill at Zaandam
681:L'Enfant a la tasse
633:Woman in the Garden
625:Women in the Garden
1433:River Seine in art
1369:The Impressionists
904:Beach in Pourville
840:Snow at Argenteuil
768:The Seine at Rouen
588:View from Rouelles
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1099:Cliffs at Étretat
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367:Guy de Maupassant
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1197:(1897–1926)
1189:(1908–1912)
1165:(1900–1905)
1157:(1900–1904)
1149:(1899–1904)
1133:(1892–1894)
1048: 1914
753: 1872
373:Description
219:Identifiers
1407:Categories
1313:Portrayals
1224:Jean Monet
760:Springtime
689:The Magpie
447:2296049745
414:References
387:Provenance
195:Dimensions
82:newspapers
1262:(teacher)
1256:(teacher)
1117:(1890–91)
1114:Haystacks
708:(1868–73)
700:(1868-69)
579:Paintings
330:Stockholm
250:painter,
188:oil paint
112:June 2010
1274:(dealer)
1268:(patron)
402:See also
393:New York
356:Bougival
280:pochades
203:Location
190:, canvas
1380:Related
1282:Museums
1122:Poplars
617:Camille
276:tableau
266:History
96:scholar
1340:(1873)
1205:People
1181:(1908)
1173:(1908)
1141:(1895)
1125:(1891)
1107:Moscow
1095:(1877)
1084:Series
1076:(1919)
1068:(1919)
1058:(1918)
1050:–1917)
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907:(1882)
899:(1881)
891:(1877)
883:(1876)
875:(1876)
867:(1876)
859:(1875)
851:(1875)
843:(1875)
835:(1874)
827:(1874)
819:(1873)
811:(1873)
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795:(1873)
787:(1873)
779:(1873)
771:(1872)
763:(1872)
740:(1872)
732:(1871)
724:(1871)
716:(1869)
692:(1868)
684:(1868)
676:(1868)
668:(1867)
660:(1867)
652:(1867)
644:(1867)
636:(1866)
628:(1866)
620:(1866)
612:(1865)
602:Moscow
598:(Paris
591:(1858)
481:
445:
316:Berlin
305:London
184:Medium
164:
158:Artist
98:
91:
84:
77:
69:
1232:(son)
1226:(son)
354:near
352:Seine
230:[
103:JSTOR
89:books
479:ISBN
443:ISBN
179:1869
176:Year
75:news
58:by
1409::
1105:/
1045:c.
750:c.
600:/
464:.
342:,
328:,
296:,
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552:e
545:t
538:v
462:‘
310:(
234:]
125:)
119:(
114:)
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100:·
93:·
86:·
79:·
52:.
20:)
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