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19:
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511:
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399:
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at Carte's theatre, recalled in his autobiography, "If D'Oyly Carte had had a repertory of six operas instead of only one, I believe he would have established
English opera in London for all time." Carte leased out the theatre for a year and then sold it to Sir Augustus Harris, the co-librettist of
453:
While clerks party, and Roland hopes to unmask Marot and his wife, Colette, at work, dreams of her future life as a queen. In a duet, both Mary and
Colette declare their love for the "king". The Duke returns from the royal palace where he has announced the arrival of Mary, who sends him off to
457:
Roland's party burst in to reveal Marot's existing marriage, but it is Mary who says that she is the wife of the king and the duke who in turn says that he is Mary's wife. After everyone else has left, the king's entourage arrive – only for
Colette to receive them, and be taken to the
902:, the critic Louis Gallet praised the finesse, delicacy and spirit of the score, and hoped the success of the piece would encourage the Opéra-Comique to promote further comic operas, a genre that it had neglected of late. The London critics were outspoken in their praise of the work.
890:
commented that Carré's libretto was good enough to be presented as a straight play, without music, but that
Messager's score lived up to it – "light and vivacious" – everything needed to maintain a place in the repertoire of the Opéra Comique. The critic in
501:
The duke realizes what has happened and wants Marot arrested, but it is Roland, now the
Basoche king, who is taken. Convinced that he will hang, Marot makes his farewell, but he is pardoned by Louis, and leaves Paris with Colette, while Louis marries Mary.
413:
Clément Marot puts himself forward as a candidate against the pedant Roland (in a poem "Oui, de rimes je fais moisson"). As the king of the basochians is required to be a bachelor, he hides the existence of a wife, Colette, whom he has left behind in
961:"the last of the great nineteenth-century French comic operas" ("le dernier des grands opéras-comiques français du XIX siècle") and considers it of the greatest importance not only in Messager's career but in the history of French musical theatre.
792:
The piece received exceptionally high praise from the London critics but was not a great box-office success. It ran for 61 performances, from 3 November 1891 to 16 January 1892. When Carte withdrew the piece, several newspaper critics, including
497:
of the
Basoche passes by the palace, and the two women realise who their "king" was. Colette consoles herself with the thought that she will have Clément back. Mary is disappointed, finding the false king more charming than the real one.
454:
request that the "king" attend her for dinner, and then goes off to get ready to receive him. Marot reaffirms his love for
Colette, but Mary returns and sees the one she thinks is to be her husband; Colette begins to serve them dinner.
492:
Louis XII greets
Colette, who cannot believe that the old man is her husband. Believing that he has been deceived, the King decides to send Longueville and Colette to England; alone, the duke thinks that the young woman loves him. The
897:
praised Carré's imagination, though finding an excess of fantasy and some loose construction in the piece; he thought
Messager had composed a major score, of which the first act contained the finest music. In
844:
stated that "for the music, warm words of praise may be spoken", but thought the genre was "far too unfamiliar on the local stage" and Ryley ill-suited to the part, "not as funny as one could have wished."
922:, predicted an exceptionally long run for the work; its reviewer commented that the score showed Messager as "a master of his art – endowed with the gift of melody and guided by a refined taste".
382:". The guild continued for nearly five hundred years. The head of "La Basoche", elected annually, assumed the title of "King" and wore the royal crown and mantle. In the opera, the student
58:
in Paris in 1890. Productions soon followed in continental Europe, Britain and the US. After that, the piece was revived repeatedly in France and elsewhere well into the 20th century.
418:. When she arrives in Paris he pretends not to know her – but tells her secretly that he will rejoin her soon. She gets herself taken on at the tavern, where the next day the widowed
470:
2333:
1392:
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1174:
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repeating the role of the duke. Messager himself conducted the 1900, 1902 and 1919 productions at the Opéra-Comique; later revivals were conducted by
438:. When the procession of the king of the Basoche comes along, Colette takes Marot to be the real king, while Mary thinks that the man is her husband.
1141:
906:
said, "The
Basoche is more than a success; it is a triumph … the most artistic and beautiful comic opera the modern stage has witnessed for years".
801:, condemned the British public for its failure to support so outstanding a work. Carte's faith in the composer led to his producing Messager's
981:
Various extracts were recorded during the 1920s and 30s (including some by Fugère). A complete performance of the score was broadcast by the
886:
1974:
435:
2288:
1946:
1937:
654:
1376:
105:(1889). Carré, after a successful career as an actor, had turned to theatre management, and from 1885 he had been director of the
43:. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the
1879:
1857:
1816:
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was given French-language productions in Brussels in 1890 and Geneva in 1891. It was translated into German and performed as
662:
1088:
played for only six more performances, and the other planned operas were not written; the Royal English Opera House closed.
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2177:
973:
to be "inspired" and – despite "a twaddly plot involving British royalty" – "one of Messager's most substantial pieces".
926:
thought the opera "a work of very great beauty and charm", though its reviewer teased Messager about a few conspicuously
408:
A square near the Châtelet, on the right the tavern du Plat d’Etain. The day of the election of the king of the Basoche.
124:
of the title was an ancient Parisian guild of law clerks, which from 1303 until it was abolished in 1791 during the
1931:
2313:
1967:
965:
in his 1962 study of operetta considers the work to have a good claim to be the composer's masterpiece. In 1995
87:(1886) was a box-office triumph. But in the late 1880s success eluded him, and he had three failures in a row:
2016:
633:
was revived at the Opéra-Comique up to the Second World War and given at least another 150 performances, with
2338:
1942:
1062:, Marie by Esmé Lee, Collette by Carrie Donald, Jeanette by Stephanie Seymour, and Clarice by Annie Temple.
423:
305:
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718:. Carré and Messager were present at the opening night and took curtain calls along with the conductor,
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692:
106:
1960:
1997:
827:
83:
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productions was brought on by the unfortunate combination of national mourning for the death of the
861:
650:
137:
1917:
1766:
606:"Jour de liesse et de réjouissance" ("Day of jubilation and celebration" – Chorus, Louis, equerry)
559:"Nous reposer? C'est impossible Altesse" ("Rest? It is impossible, Highness" – Longueville, Marie)
2043:
1446:
811:
711:
128:
was to some extent a state within a state, electing its own king and regulating its own affairs.
2193:
1209:
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for the charm of its scholarship, and the average opera-goer can enjoy it for its tunefulness".
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89:
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71:
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565:
Finale I " Vive le Roi!" ("Long live the King!" – Chorus, Clément, Marie, Guillot, Colette)
562:"Trop lourd est le poids du veuvage" ("The weight of widowhood is too heavy" – Longueville)
2051:
547:"Midi, c'est l'heure qui nous ramène" ("Noon, it's the time that brings us back" – Chorus)
8:
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101:
48:
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Finale III "Arrêtez! s'il s'agit d'être pendu" (Stop! If he is to be hanged" – Ensemble)
1744:
1722:
1477:
1218:, Académie nationale de l'opérette, August 2016 (in French). Retrieved 24 December 2018
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1983:
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1009:, was subsequently issued on CD. Extended excerpts were recorded in 1961, featuring
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212:
114:
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1872:
The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel
1655:
942:
commented that the composer had a rare gift, and that "the connoisseur can hear
893:
707:
658:
541:"En attendant l'heure de la bataille" ("Until the time of the battle" – Guillot)
276:
77:
40:
18:
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1010:
962:
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1809:
Shaw's Music – The Complete Musical Criticism of Bernard Shaw, Volume II
1796:
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1042:
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in 1930 using the English version by Harris and Oudin, with a cast headed by
857:
819:
734:
348:
1903:
1717:
1306:, Association l'Art Lyrique Français (in French). Retrieved 24 December 2018
587:"A table! auprès de moi" ("To the table! near me" – Marie, Clément, Colette)
553:"Bonjour ami" ("Hello friend" – Colette, Clément, Roland, L'Eveillé, Chorus)
986:
908:
853:
609:"En honneur de notre hyménée" ("In honour of our wedding" – Colette, Louis)
1754:
494:
1283:
1018:
1014:
997:. A complete French radio broadcast of July 1960, with Nadine Sautereau,
815:
746:
109:. The two men were lifelong friends and had collaborated once before, on
2205:
67:
1889:
1089:
1006:
994:
618:"A ton amour simple et sincère" ("A simple and sincere love" – Clément)
596:"Nous accourons, au lever du soleil" ("We flee, at sunrise" – Ensemble)
584:"Ah! Colette, c’est toi?" ("Ah! Colette, it's you?" – Clément, Colette)
538:"Je suis aimé de la plus belle" ("I am loved by the fairest" – Clément)
164:
154:
918:
415:
387:
578:"Voici le guet qui passe" ("Here is the watch on parade" – Ensemble)
1041:
Shown in the score as "Trial", a character tenor style named after
535:"C'est aujourd'hui que la Basoche" ("Today the Basoche" – Ensemble)
179:
661:
and Fugère and was revived there in 1927. It was presented at the
1952:
590:"Eh! que ne parliez-vous?" ("Eh! what do you say?" – Longueville)
544:"Quand tu connaîtras Colette" ("When you know Colette" – Clément)
431:
379:
311:
225:
121:
44:
1559:, Association l'Art Lyrique Français. Retrieved 23 December 2018
575:"A vous, belles maîtresses" ("To you, fair mistresses" – Chorus)
518:
510:
378:
had permitted the students of Paris to form a guild called "La
1054:
During the run, Clement was also played by John McCauley and
593:"Il faut agir adroitement " ("We must act deftly" – Ensemble)
581:"Si, de la souveraineté" ("If, sovereignty" – Marie, Colette)
207:
550:"Volage? Lui? Clément?" ("Fickle? Him? Clément?" – Colette)
66:
During the 1880s Messager had met with mixed fortunes. His
1122:, second in line to the throne, and an influenza epidemic.
398:
982:
556:"Dans ce grand Paris" ("In this great Paris" – L'Eveillé)
1728:. Vol. 1 (2nd ed.). New York: Schirmer Books.
1423:, 16 January 1892, p. 1; and "Charity and the Critic",
1377:"Carte, Richard D'Oyly (1844–1901), theatre impresario"
1235:, Oxford University Press. Retrieved 23 December 2018
374:
The action takes place in Paris in 1514. In 1303, King
140:), on 30 May 1890 and had an initial run of 51 nights.
1399:, Oxford University Press. Retrieved 24 December 2018
1383:, Oxford University Press. Retrieved 24 December 2018
1181:, Oxford University Press. Retrieved 24 December 2018
1148:, Oxford University Press. Retrieved 24 December 2018
1074:
was to be given in alternation with the second run of
1761:
1572:, 8 November 1891, p. 6; and "Royal English Opera",
1786:
1120:
Prince Albert Victor, Duke of Clarence and Avondale
386:is elected King of the Basoche and is mistaken for
219:Master Guillot, proprietor of the Plat-d'Etain inn
1721:
448:Evening – a large room in the Plat d’Etain tavern.
61:
1811:. Dan H. Laurence (ed). London: The Bodley Head.
1742:
653:. In 1908 the work entered the repertoire of the
2300:
1444:, 23 January 1892, p. 54; and "The Playhouses",
1110:The London press speculated that the closure of
1024:
702:in London in 1891, in an English translation by
402:Programme for the first London production, 1891
204:Jehan L'Éveillé, member of the Basoche, age 20
615:Romance and trio (Marie, Longueville, Colette)
1968:
1828:Les Annales du théâtre et de la Musique, 1908
1789:Les Annales du théâtre et de la musique, 1890
1295:
1293:
1291:
936:is felt to an extent that is almost absurd".
810:An American version, in a new translation by
430:. Mary now arrives incognito, disguised as a
176:Clément Marot, member of the Basoche, age 19
1830:. Paris: G. Charpentier & E. Fasquelle.
1462:
976:
848:More recently, the opera has been staged at
612:"Elle m'aime" ("She loves me" – Longueville)
136:, Paris (then in temporary residence at the
113:(1888), a revised version of an opérette by
1417:, 16 January 1892, p. 10; "Musical Notes",
625:
2334:Opera world premieres at the Opéra-Comique
2274:
1975:
1961:
1505:"Report from France – Enghien-les-Bains",
1337:
1335:
1288:
830:on 27 February 1893 for a two-week run on
1947:International Music Score Library Project
1938:International Music Score Library Project
1842:
1825:
1749:. New York: ,: Appleton-Century-Crofts.
1642:, BBC Genome. Retrieved 24 December 2018
1453:
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509:
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397:
17:
2289:Category:Compositions by André Messager
1866:
1787:Noël, Edouard; Edmond Stoullig (1891).
1679:
1381:Oxford Dictionary of National Biography
1332:
1203:
1192:
1190:
887:Les Annales du théâtre et de la musique
232:Roland, student, member of the Basoche
2301:
1696:
1604:
1602:
1557:Encyclopédie de l'art lyrique français
1349:
1347:
1304:Encyclopédie de l'art lyrique français
698:The opera was presented in English as
1956:
1716:
1654:
1318:
879:
693:Friedrich-Wilhelm-Städtisches Theater
54:The opera was first performed at the
1888:
1874:. Lanham: Rowman & Littlefield.
1803:
1187:
1134:
657:in Paris, the cast including Baugé,
1852:(2nd ed.). London: Routledge.
1724:The Encyclopedia of Musical Theatre
1682:André Messager: Mon Maître, Mon Ami
1599:
1344:
1315:Gänzl, p. 120; and Stoullig, p. 352
1247:Carré, unnumbered introductory page
969:music critic, John Higgins, judged
955:André Messager: Mon Maître, Mon Ami
884:Reviewing the original production,
778:Marie d’Angleterre – Esther Pallise
13:
1982:
1743:Lubbock, Mark; David Ewen (1963).
1684:(in French). Paris: Amiot-Dumont.
1473:was sung at the Casino last night"
1391:; and Wilson, Fredric Woodbridge.
505:
365:Sources: Libretto and vocal score.
14:
2350:
2261:Messe des pĂŞcheurs de Villerville
1911:
1278:Notes for Cascavelle CD Vel 3074
1140:Wagstaff, John, and Andrew Lamb.
930:passages where "the influence of
818:as the Duke, was produced by the
763:King's equerry – Wilson Sheffield
422:will receive his new young wife,
2284:
2283:
2273:
1746:The Complete Book of Light Opera
665:in 1934 under the management of
663:Théâtre de la Porte-Saint-Martin
522:Act 3 in the original production
514:Act 1 in the original production
358:Chorus: Citizens, girls, clerks
81:(1885) ran well, and his ballet
2279:List of works by André Messager
1918:Review of the London production
1633:
1620:
1611:
1579:
1562:
1537:
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1484:
1434:
1405:
1369:
1360:
1309:
1268:
1259:
1104:
1065:
1048:
1021:, conducted by Jacques Pernoo.
852:in 1954, with a cast including
111:Les Premières armes de Louis XV
62:Background and first production
1849:Operetta: A Theatrical History
1568:"Music: Royal English Opera",
1250:
1241:
1221:
1167:
1154:
1035:
22:Scene from original production
1:
1943:Free scores by André Messager
1128:
1025:Notes, references and sources
766:Grand provost – Walter Uridge
35:in three acts, with music by
1387:UK public library membership
1160:"Death of M. Albert Carre",
308:(Mary, princess of England)
7:
1898:. London: Victor Gollancz.
1626:Higgins, John. "Operetta",
1442:The Penny Illustrated Paper
822:Opera Company at Chicago's
769:Nightwatchman – Godwin Hunt
757:Chancellor of the Basoch –
641:playing Clément Marot, and
369:
132:was first performed at the
10:
2355:
1648:
1216:Opérette – théâtre musical
1084:and several other operas.
826:on 2 January 1893 and the
691:on 29 October 1891 at the
683:on 19 October 1891 at the
426:of England, the sister of
259:Chancellor of the Basoche
2270:
2252:
2233:
2204:
2127:
2108:
2089:
2070:
2035:
2008:
1990:
1826:Stoullig, Edmond (1909).
1596:, 7 November 1891, p. 370
1518:Noël and Stoullig, p. 114
1450:, 23 January 1892, p. 124
1276:Hommage à André Messager.
1164:, 13 December 1938, p. 14
977:Recordings and broadcasts
838:conducted. The critic of
716:Royal English Opera House
357:
75:(1885) and opéra comique
2309:Operas by André Messager
2178:Le chevalier d'Harmental
1481:, 23 February 1893, p. 8
1469:"Genuine Opera Comique:
1357:, 7 November 1891, p. 11
1274:Morin, Philippe (2003).
1265:Lubbock and Ewen, p. 127
1256:Messager and Carré, p. I
1173:Smith, Richard Langham.
1114:and several other major
1029:
754:Louis XII – W. H. Burgon
751:Roland – Charles Copland
722:. The London cast was:
626:Revivals and adaptations
465:
441:
393:
321:Colette, Clément's wife
143:
138:Salle du Théâtre Lyrique
2044:La petite fonctionnaire
1765:; Albert Carré (1890).
1680:FĂ©vrier, Henry (1948).
1576:, 9 November 1891, p. 8
1509:, November 1958, p. 725
1447:Illustrated London News
1401:(subscription required)
1237:(subscription required)
1200:, 4 November 1891, p. 6
1196:"Royal English Opera",
1183:(subscription required)
1150:(subscription required)
812:Madeleine Lucette Ryley
775:Royal page – Carrington
487:The HĂ´tel de Tournelles
475:Sala del palazzo del re
47:, is mistaken for King
2314:French-language operas
2162:Le bourgeois de Calais
2138:François les bas-bleus
1791:. Paris: Charpentier.
1490:"News – Monte Carlo",
1393:"Carte, Richard D'Oyly
1001:, Irène Jaumillot and
523:
515:
482:
436:the Duc de Longueville
403:
191:Le Duc de Longueville
90:Le bourgeois de Calais
23:
2146:La fauvette du temple
1704:. London: Macmillan.
1702:Composers of Operetta
1534:, 1 June 1890, p. 170
1420:The Pall Mall Gazette
781:Colette – Lucile Hill
772:Jacquet – David Cowis
733:Duc de Longueville –
685:Stadttheater, Hamburg
521:
513:
473:
401:
107:Théâtre du Vaudeville
72:La fauvette du temple
21:
1630:, 10 June 1995, p. 7
1594:The Musical Standard
1427:, 10 February 1892,
868:Casino in 1958 with
712:Richard D'Oyly Carte
460:HĂ´tel des Tournelles
327:Marie Molé-Truffier
2339:Operas set in Paris
2215:Le mari de la reine
2017:Madame Chrysanthème
1774:. Paris: Choudens.
1667:. Paris: Choudens.
1528:"Semaine théatrale"
1013:, Nicole Broissin,
939:The Daily Telegraph
814:, with her husband
787:Clarice – Kate Vito
784:Jeanette – Esmé Lee
655:Théâtre de la Gaîté
102:Le mari de la reine
49:Louis XII of France
2242:Monsieur Beaucaire
1496:, May 1954, p. 299
1478:The New York Times
1397:Grove Music Online
1233:Grove Music Online
1227:Cotte, Roger J.V.
1179:Grove Music Online
1146:Grove Music Online
880:Critical reception
841:The New York Times
824:Auditorium Theatre
741:Charles Kenningham
739:Jehan L'Éveillé –
524:
516:
483:
404:
390:, King of France.
345:Second young girl
306:Marie d’Angleterre
283:The grand provost
185:Gabriel Soulacroix
24:
2296:
2295:
2186:Les p'tites Michu
1881:978-0-8108-9281-1
1859:978-1-135-88783-4
1844:Traubner, Richard
1818:978-0-370-31271-2
1735:978-0-02-865572-7
1588:in "the Press on
1545:La Nouvelle Revue
1385:(subscription or
933:Die Meistersinger
900:La Nouvelle Revue
866:Enghien-les-Bains
745:Master Guillot –
477:, set design for
434:, accompanied by
362:
361:
332:First young girl
248:, king of France
126:French Revolution
2346:
2287:
2286:
2277:
2276:
1999:Les Deux Pigeons
1977:
1970:
1963:
1954:
1953:
1936:: Scores at the
1907:
1895:My Life of Music
1885:
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1547:, 15 June 1890,
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1459:Traubner, p. 213
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1142:"Messager, André
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1069:
1063:
1060:Wallace Brownlow
1052:
1046:
1039:
874:JĂ©sus Etcheverry
759:Frederick Bovill
727:Clément Marot –
720:François Cellier
148:
147:
84:Les deux pigeons
2354:
2353:
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2347:
2345:
2344:
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2324:Opéras comiques
2299:
2298:
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2248:
2229:
2223:Coups de roulis
2200:
2123:
2109:LĂ©gende lyrique
2104:
2085:
2066:
2036:Comédie musical
2031:
2009:Comédie lyrique
2004:
1986:
1981:
1914:
1882:
1860:
1819:
1763:Messager, André
1736:
1698:Hughes, Gervase
1651:
1646:
1638:
1634:
1625:
1621:
1616:
1612:
1607:
1600:
1584:
1580:
1567:
1563:
1543:Gallet, Louis.
1542:
1538:
1526:
1522:
1517:
1513:
1504:
1500:
1489:
1485:
1467:
1463:
1458:
1454:
1439:
1435:
1431:in Shaw, p. 537
1410:
1406:
1400:
1384:
1375:Jacobs, Arthur.
1374:
1370:
1365:
1361:
1353:"The Basoche",
1352:
1345:
1340:
1333:
1328:
1319:
1314:
1310:
1298:
1289:
1273:
1269:
1264:
1260:
1255:
1251:
1246:
1242:
1236:
1226:
1222:
1208:
1204:
1195:
1188:
1182:
1172:
1168:
1159:
1155:
1149:
1139:
1135:
1131:
1126:
1109:
1105:
1076:Arthur Sullivan
1070:
1066:
1053:
1049:
1040:
1036:
1032:
1027:
1005:, conducted by
999:Camille Maurane
993:, conducted by
991:Frank Titterton
979:
882:
872:, conducted by
860:, conducted by
790:
706:(dialogue) and
704:Augustus Harris
681:Die zwei Könige
671:Yvonne Brothier
669:with Baugé and
667:Maurice Lehmann
628:
508:
506:Musical numbers
468:
444:
396:
372:
270:King's equerry
240:CĂ©sar Bernaert
213:Ernest Carbonne
162:
160:
146:
115:Firmin Bernicat
64:
12:
11:
5:
2352:
2342:
2341:
2336:
2331:
2326:
2321:
2316:
2311:
2294:
2293:
2271:
2268:
2267:
2265:
2264:
2256:
2254:
2250:
2249:
2247:
2246:
2237:
2235:
2234:Romantic opera
2231:
2230:
2228:
2227:
2219:
2210:
2208:
2202:
2201:
2199:
2198:
2190:
2182:
2174:
2166:
2158:
2150:
2142:
2133:
2131:
2125:
2124:
2122:
2121:
2112:
2110:
2106:
2105:
2103:
2102:
2093:
2091:
2090:Conte des fées
2087:
2086:
2084:
2083:
2074:
2072:
2068:
2067:
2065:
2064:
2056:
2052:L'amour masqué
2048:
2039:
2037:
2033:
2032:
2030:
2029:
2021:
2012:
2010:
2006:
2005:
2003:
2002:
1994:
1992:
1988:
1987:
1984:André Messager
1980:
1979:
1972:
1965:
1957:
1951:
1950:
1940:
1929:
1928:at Archive.org
1920:
1913:
1912:External links
1910:
1909:
1908:
1890:Wood, Henry J.
1886:
1880:
1868:Wearing, J. P.
1864:
1858:
1840:
1823:
1817:
1801:
1784:
1759:
1740:
1734:
1714:
1694:
1677:
1650:
1647:
1645:
1644:
1632:
1619:
1610:
1608:FĂ©vrier, p. 49
1598:
1578:
1561:
1536:
1520:
1511:
1498:
1483:
1461:
1452:
1433:
1404:
1368:
1359:
1343:
1341:Wearing, p. 91
1331:
1317:
1308:
1287:
1267:
1258:
1249:
1240:
1229:"Trial family"
1220:
1202:
1186:
1175:"Carré, Albert
1166:
1153:
1132:
1130:
1127:
1125:
1124:
1103:
1090:Sir Henry Wood
1064:
1047:
1033:
1031:
1028:
1026:
1023:
1011:Liliane Berton
978:
975:
963:Gervase Hughes
881:
878:
836:Gustave Kerker
828:Casino Theatre
789:
788:
785:
782:
779:
776:
773:
770:
767:
764:
761:
755:
752:
749:
743:
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731:
724:
627:
624:
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619:
616:
613:
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607:
598:
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554:
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548:
545:
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539:
536:
533:
507:
504:
490:
489:
467:
464:
451:
450:
443:
440:
411:
410:
395:
392:
371:
368:
367:
366:
360:
359:
355:
354:
351:
346:
342:
341:
339:Jeanne Leclerc
336:
333:
329:
328:
325:
322:
318:
317:
316:Lise Landouzy
314:
309:
302:
301:
298:
295:
294:Nightwatchman
291:
290:
287:
284:
280:
279:
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210:
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188:
187:
182:
177:
173:
172:
157:
152:
145:
142:
63:
60:
37:André Messager
9:
6:
4:
3:
2:
2351:
2340:
2337:
2335:
2332:
2330:
2327:
2325:
2322:
2320:
2317:
2315:
2312:
2310:
2307:
2306:
2304:
2291:
2290:
2281:
2280:
2269:
2263:
2262:
2258:
2257:
2255:
2253:Collaboration
2251:
2244:
2243:
2239:
2238:
2236:
2232:
2225:
2224:
2220:
2217:
2216:
2212:
2211:
2209:
2207:
2203:
2196:
2195:
2191:
2188:
2187:
2183:
2180:
2179:
2175:
2172:
2171:
2167:
2164:
2163:
2159:
2156:
2155:
2151:
2148:
2147:
2143:
2140:
2139:
2135:
2134:
2132:
2130:
2129:Opéra comique
2126:
2119:
2118:
2114:
2113:
2111:
2107:
2100:
2099:
2095:
2094:
2092:
2088:
2081:
2080:
2076:
2075:
2073:
2069:
2062:
2061:
2060:Passionnément
2057:
2054:
2053:
2049:
2046:
2045:
2041:
2040:
2038:
2034:
2027:
2026:
2022:
2019:
2018:
2014:
2013:
2011:
2007:
2001:
2000:
1996:
1995:
1993:
1989:
1985:
1978:
1973:
1971:
1966:
1964:
1959:
1958:
1955:
1948:
1944:
1941:
1939:
1935:
1934:
1930:
1927:
1926:
1921:
1919:
1916:
1915:
1905:
1901:
1897:
1896:
1891:
1887:
1883:
1877:
1873:
1869:
1865:
1861:
1855:
1851:
1850:
1845:
1841:
1837:
1833:
1829:
1824:
1820:
1814:
1810:
1806:
1805:Shaw, Bernard
1802:
1798:
1794:
1790:
1785:
1781:
1777:
1773:
1772:
1769:
1764:
1760:
1756:
1752:
1748:
1747:
1741:
1737:
1731:
1726:
1725:
1719:
1715:
1711:
1707:
1703:
1699:
1695:
1691:
1687:
1683:
1678:
1674:
1670:
1666:
1665:
1662:
1657:
1656:Carré, Albert
1653:
1652:
1641:
1636:
1629:
1623:
1617:Hughes, p. 93
1614:
1605:
1603:
1595:
1591:
1587:
1582:
1575:
1571:
1565:
1558:
1554:
1550:
1546:
1540:
1533:
1529:
1524:
1515:
1508:
1502:
1495:
1494:
1487:
1480:
1479:
1474:
1472:
1465:
1456:
1449:
1448:
1443:
1437:
1430:
1426:
1422:
1421:
1416:
1415:
1408:
1398:
1394:
1388:
1382:
1378:
1372:
1363:
1356:
1350:
1348:
1338:
1336:
1329:Gänzl, p. 120
1326:
1324:
1322:
1312:
1305:
1301:
1296:
1294:
1292:
1285:
1281:
1277:
1271:
1262:
1253:
1244:
1234:
1230:
1224:
1217:
1213:
1212:
1206:
1199:
1193:
1191:
1180:
1176:
1170:
1163:
1157:
1147:
1143:
1137:
1133:
1121:
1117:
1113:
1107:
1100:
1095:
1091:
1087:
1083:
1082:
1077:
1073:
1068:
1061:
1058:, the Duc by
1057:
1056:Joseph O'Mara
1051:
1044:
1043:Antoine Trial
1038:
1034:
1022:
1020:
1016:
1012:
1008:
1004:
1003:Louis Noguéra
1000:
996:
992:
988:
984:
974:
972:
968:
964:
960:
957:(1948) calls
956:
952:
951:Henry FĂ©vrier
949:The composer
947:
945:
941:
940:
935:
934:
929:
925:
921:
920:
915:
911:
910:
905:
901:
896:
895:
889:
888:
877:
875:
871:
870:Willy Clément
867:
863:
859:
858:Pierre Mollet
855:
851:
846:
843:
842:
837:
833:
829:
825:
821:
820:James C. Duff
817:
813:
808:
806:
805:
800:
796:
786:
783:
780:
777:
774:
771:
768:
765:
762:
760:
756:
753:
750:
748:
744:
742:
738:
736:
735:David Bispham
732:
730:
726:
725:
723:
721:
717:
713:
709:
705:
701:
696:
694:
690:
686:
682:
678:
674:
672:
668:
664:
660:
656:
652:
648:
647:Gustave Cloëz
644:
643:Lucien Fugère
640:
636:
632:
620:
617:
614:
611:
608:
605:
604:
603:
602:
595:
592:
589:
586:
583:
580:
577:
574:
573:
572:
571:
564:
561:
558:
555:
552:
549:
546:
543:
540:
537:
534:
531:
530:
529:
528:
520:
512:
503:
499:
496:
488:
485:
484:
481:act 3 (1893).
480:
476:
472:
463:
461:
455:
449:
446:
445:
439:
437:
433:
429:
425:
424:Princess Mary
421:
417:
409:
406:
405:
400:
391:
389:
385:
384:Clément Marot
381:
377:
364:
363:
356:
352:
350:
349:mezzo-soprano
347:
344:
343:
340:
337:
334:
331:
330:
326:
323:
320:
319:
315:
313:
310:
307:
304:
303:
299:
296:
293:
292:
288:
285:
282:
281:
278:
275:
272:
269:
268:
264:
261:
258:
257:
253:
250:
247:
244:
243:
239:
237:
234:
231:
230:
227:
224:
221:
218:
217:
214:
211:
209:
206:
203:
202:
199:
198:Lucien Fugère
196:
193:
190:
189:
186:
183:
181:
178:
175:
174:
170:
166:
159:Premiere cast
158:
156:
153:
150:
149:
141:
139:
135:
134:Opéra-Comique
131:
127:
123:
118:
116:
112:
108:
104:
103:
98:
97:
92:
91:
86:
85:
80:
79:
74:
73:
69:
59:
57:
56:Opéra-Comique
52:
50:
46:
42:
39:and words by
38:
34:
33:opéra comique
30:
29:
20:
16:
2282:
2272:
2259:
2240:
2221:
2213:
2192:
2184:
2176:
2169:
2168:
2160:
2154:La BĂ©arnaise
2152:
2144:
2136:
2115:
2096:
2077:
2058:
2050:
2042:
2023:
2015:
1998:
1932:
1924:
1923:Libretto of
1894:
1871:
1848:
1827:
1808:
1788:
1771:
1768:La Basoche:
1767:
1745:
1723:
1701:
1681:
1664:
1660:
1640:"La Basoche"
1635:
1627:
1622:
1613:
1593:
1589:
1585:
1581:
1573:
1570:The Observer
1569:
1564:
1556:
1553:"La Basoche"
1548:
1544:
1539:
1532:Le Menestrel
1531:
1523:
1514:
1506:
1501:
1491:
1486:
1476:
1470:
1464:
1455:
1445:
1441:
1436:
1428:
1424:
1418:
1412:
1411:"Theatres",
1407:
1396:
1380:
1371:
1362:
1354:
1311:
1303:
1300:"La Basoche"
1275:
1270:
1261:
1252:
1243:
1232:
1223:
1215:
1210:
1205:
1197:
1178:
1169:
1161:
1156:
1145:
1136:
1111:
1106:
1098:
1085:
1079:
1071:
1067:
1050:
1037:
987:Maggie Teyte
980:
970:
966:
958:
954:
948:
943:
937:
931:
923:
917:
913:
909:The Observer
907:
903:
899:
894:Le MĂ©nestrel
892:
885:
883:
862:Albert Wolff
854:Denise Duval
847:
839:
809:
802:
798:
795:Bernard Shaw
791:
710:(lyrics) at
708:Eugène Oudin
699:
697:
688:
680:
676:
675:
659:Edmée Favart
651:Albert Wolff
630:
629:
600:
599:
569:
568:
532:Introduction
526:
525:
500:
491:
486:
478:
474:
456:
452:
447:
412:
407:
373:
277:Étienne Troy
129:
119:
110:
100:
99:(1888), and
94:
88:
82:
78:La BĂ©arnaise
76:
70:
65:
53:
41:Albert Carré
27:
26:
25:
15:
2329:1890 operas
2071:Comic opera
1770:Vocal score
1718:Gänzl, Kurt
1661:La Basoche
1471:The Basoche
1366:Wood, p. 43
1112:The Basoche
1099:The Basoche
1072:The Basoche
1019:Michel Dens
1015:Henri Legay
967:The Times's
850:Monte Carlo
816:J. H. Ryley
747:John Le Hay
700:The Basoche
695:in Berlin.
689:Die Basoche
639:André Baugé
635:Jean PĂ©rier
376:Philippe IV
169:Jules Danbé
161:30 May 1890
2303:Categories
2170:La Basoche
1933:La Basoche
1925:La Basoche
1590:La Basoche
1429:reproduced
1211:La Basoche
1129:References
1094:répétiteur
1007:Tony Aubin
995:Percy Pitt
971:La Basoche
959:La Basoche
944:La Basoche
729:Ben Davies
677:La Basoche
631:La Basoche
479:La Basoche
428:Henry VIII
265:— Thierry
155:Voice type
130:La Basoche
28:La Basoche
2194:VĂ©ronique
1836:459094401
1797:469004564
1780:758737877
1710:460660877
1690:906458628
1673:630612873
1628:The Times
1574:The Times
1425:The World
1389:required)
1198:The Times
1162:The Times
928:Wagnerian
924:The Times
919:The Times
864:, and at
807:in 1894.
799:The World
687:, and as
420:Louis XII
416:Chevreuse
388:Louis XII
300:— Lonati
297:baritone
289:— Lonati
286:baritone
273:baritone
246:Louis XII
194:baritone
165:Conductor
2206:Opérette
2117:BĂ©atrice
2025:Fortunio
1904:30533927
1892:(1938).
1870:(2014).
1846:(2004).
1807:(1981).
1720:(2001).
1700:(1962).
1663:Libretto
1658:(1900).
1440:"News",
1284:70210796
1116:West End
832:Broadway
370:Synopsis
353:— Nazem
335:soprano
324:soprano
254:— Maris
180:baritone
93:(1888),
68:opérette
2098:Isoline
2079:Mirette
1949:(IMSLP)
1945:at the
1649:Sources
1414:The Era
1355:The Era
1086:Ivanhoe
1081:Ivanhoe
953:in his
914:The Era
912:, like
904:The Era
804:Mirette
495:cortege
380:Basoche
312:soprano
226:Barnolt
122:Basoche
96:Isoline
45:Basoche
2319:Operas
2245:(1919)
2226:(1928)
2218:(1889)
2197:(1898)
2189:(1897)
2181:(1896)
2173:(1890)
2165:(1887)
2157:(1885)
2149:(1885)
2141:(1883)
2120:(1914)
2101:(1888)
2082:(1894)
2063:(1926)
2055:(1923)
2047:(1921)
2028:(1907)
2020:(1893)
1991:Ballet
1902:
1878:
1856:
1834:
1815:
1795:
1778:
1755:615550
1753:
1732:
1708:
1688:
1671:
1586:Quoted
1549:quoted
1282:
432:Norman
262:tenor
251:tenor
222:tenor
31:is an
1507:Opera
1493:Opera
1030:Notes
601:Act 3
570:Act 2
527:Act 1
466:Act 3
442:Act 2
394:Act 1
208:tenor
151:Role
144:Roles
1900:OCLC
1876:ISBN
1854:ISBN
1832:OCLC
1813:ISBN
1793:OCLC
1776:OCLC
1751:OCLC
1730:ISBN
1706:OCLC
1686:OCLC
1669:OCLC
1280:OCLC
1017:and
989:and
916:and
856:and
649:and
637:and
236:bass
120:The
1592:",
1551:at
1395:",
1177:",
1144:",
1078:'s
983:BBC
797:in
714:'s
2305::
1601:^
1555:,
1530:,
1475:,
1379:,
1346:^
1334:^
1320:^
1302:,
1290:^
1231:,
1214:,
1189:^
1092:,
876:.
834:.
673:.
462:.
171:)
167::
117:.
51:.
1976:e
1969:t
1962:v
1906:.
1884:.
1862:.
1838:.
1821:.
1799:.
1782:.
1757:.
1738:.
1712:.
1692:.
1675:.
1101:.
1045:.
163:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
