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Lívia Rusz

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471: 250:, and, according to her own recollection: "My road was opened by a school with exceptional spirituality, where I was taught to respect and maintain traditions, to treasure the eternal cultural values, to preserve and take care of our identity so as not to offend the others". Her father, Liviu, was a 536:
In Romania itself, where she was among the few female comics artists, Lívia Rusz has come to be described as a leading contributor to the genres she covered in her work. Györfi-Deák wrote: "throughout her long artistic career, Rusz Lívia has been leading us through an enchanted universe, depicted
528:, "Miskati Intervenes"). The change was described by the artist herself as a difficult one: "Even plants will suffer when moved from one pot to another; it was not easy for me either to build up my new roots, but as long as forces permit me and I can still work it means I am alive." 615:). Her work in the field was also subject to a post-1989 revival in interest. It was a feature of reference works published in 1996 and 2005 by Dodo Niță, and the artist herself a special guest at the Romanian-Hungarian Comics Salon, organized in Budapest by the 278:, and completed her training in 1955. She declared herself "lucky" to have been taught by Kovács, "an artist with virtues recognized even by those who undermined him". As a result of this training and influence, she came to define herself as a " 564:
the second place in an all-time chart of Romanian comics. Her activity under communism nevertheless coincided with a decline in the overall impact of Romanian comics: while exercising ideological control over the comic strip scene, the
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with unique sensitivity and grace, unveiling through drawings all that is beautiful and worthy in the world". Noted by visual artist Arina Stonescu as one of the three main illustrators employed by Editura Ion Creangă (alongside
266:, and entering a class run by Szopos. After graduating from primary school, Rusz continued her education at a high school in her native city, where her talents brought her to the attention of painter and academic 549:. Deemed "legendary" by Györfi-Deák, the volume also led Stonescu to write: "I often imagine the fascinating world of the storyteller Ion Creangă only populated by Livia Rusz's girls and boys in 939: 267: 631:. In reference to the artist's overall contribution, the latter noted: "In addition to talent, an artist specializing in graphic art for children needs to have an outstanding soul." 577:
tool. In this context, Rusz and Eugen Taru were among those who still produced comics able to reach the general public (a category which also included, according to one assessment,
658:). While the Tolkien edition registered much success in Romania, it became internationally known only in the decades after 1989, when Rusz's illustrations were republished by 282:", who did not "renew whenever the fashion changes." Rusz was Assistant at the Institute for the following three years, losing her post to an administrative restructuring. 285:
At that stage in her life, Lívia Rusz began collaborating with specialized magazines for children. With time, her work in the comics genre came to be influenced by
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with any previous portrayals by other artists, owing to the scarcity of foreign literature sources in Romania—her work therefore owed much to imagination.
1103: 455:(in its original 1975 edition, marketed by Editura Ion Creangă). While working on this project, she was reportedly unable to compare her renditions of 1088: 259: 964: 608: 779: 538: 404: 888: 506:. According to writer György Györfi-Deák, Ceaușescu "gave a hard time to the Hungarians", and Rusz personally was "harassed by the dictator's 1083: 1078: 1063: 1058: 578: 407:, and Rusz became a permanent collaborator of the brand. During her time with Editura Ion Creangă, she applied her art to editions of 1108: 271: 1113: 191:
publishing house. She subsequently produced illustrations for many of the company's principal releases, including an edition of
1153: 1073: 1068: 328:-based and Romanian-language periodical. Rusz accepted the offer of collaboration, and, with Olteanu, created the comic strips 1133: 1128: 556:
Rusz was described as "the greatest creator of comic strips in Romania" by comics historiographer Dodo Niță, who granted
344:). These earned Rusz a large following among the young public, and she also began collaborating with the youth journals 1138: 1143: 1093: 1053: 914: 791: 301:, and one of the few foreign cartoonists to be known in Romania. The first local publication to employ Rusz was the 1098: 246:), Lívia Rusz was from a Hungarian-Romanian family. She grew up in a mixed environment, among local Hungarians and 1123: 441: 1118: 291: 1008: 861: 1003: 853: 616: 424: 1022: 961: 698: 360: 226:, Hungary in 1987. She continued to live there, and has also become recognized as a contributor to the 997: 197: 776: 520:, Hungary, where she owned a villa. She continued her activity, becoming a noted contributor to the 1148: 885: 602: 566: 251: 432: 192: 28: 587: 275: 396: 188: 503: 420: 219: 623:
on Rusz, which saw print in 2009. It included homage pieces from two of her fans, historian
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Lívia Rusz first became known outside Hungary and Romania during the 1970s and '80s, when
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in Romanian). This contribution brought her to the attention of Lucia Olteanu, editor of
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Dodo Niță, Kiss Ferenc, Livia Rusz – o monografie, editura MJM Argonaut Craiova, 2009.
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and Spanish. The 1980s version of the two volumes were published in countries of the
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series, distinguished among her contributions for its more realistic visual style).
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genres. One of the most recognizable contributors to these fields during Romania's
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community, Rusz escaped communist political pressures by settling in
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By then, Rusz had also started work in illustration, primarily as a
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men". After a short stay in Germany, Rusz settled in
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toppled communism, Rusz decided to leave Romania for
187:, before signing as one of the main illustrators for 419:), and reprints of classical works for children in 312:, with whom she collaborated on the cycle of books 915:"Cărtărescu e tras în bandă – Provocarea desenată" 258:, who had undergone formal training with painter 1035: 179:, she created popular children's comics such as 155:; September 28, 1930 – February 26, 2020) was a 395:for various local publishing houses, including 545:), she drew particular critical attention for 502:and specifically targeting some of Romania's 16:Romanian-Hungarian graphic artist (1930–2020) 844: 842: 840: 682: 680: 678: 676: 674: 999:Tales of two Reigns. Children and Childhood 931: 929: 817: 815: 813: 811: 809: 807: 805: 768: 766: 764: 762: 760: 758: 756: 754: 752: 750: 748: 746: 744: 742: 740: 738: 736: 734: 449:'s work, when she contributed drawings for 163:graphic artist, best known for her work in 732: 730: 728: 726: 724: 722: 720: 718: 716: 714: 877: 875: 837: 671: 926: 802: 469: 777:"Cu ochii copiilor, pentru bucuria lor" 711: 708:, Nr. 2/2004; retrieved August 18, 2009 1104:Hungarian children's book illustrators 1036: 872: 690:"Pro-Eminențe. Lívia Rusz: Prezentare" 642:were translated into English, German, 1089:Romanian children's book illustrators 150: 1084:21st-century Hungarian women artists 1079:20th-century Hungarian women artists 822:"Livia Rusz (b. 28/9/1930, Romania)" 490:. This gesture was a consequence of 1064:21st-century Romanian women artists 1059:20th-century Romanian women artists 940:"Rahan și Pif, scăpați de comunism" 13: 983: 531: 498:policies adopted by the regime of 368:("Kio the Monkey", with a text by 14: 1165: 991: 569:reputedly preferred to invest in 87:Dual: Romanian and Hungarian 573:, seeing it as a more effective 142: 1109:Hungarian female comics artists 977:, Vol. III, Nr. 115, April 2006 1114:Romanian female comics artists 951: 938:Adrian Grama, Vlad Stoicescu, 904: 482:In 1987, two years before the 478: (1988 Origo Press) 364:, as well as the comic strips 1: 1154:Romanian emigrants to Hungary 1074:20th-century Romanian artists 1069:21st-century Romanian artists 665: 308:, where she first met writer 254:employee, amateur artist and 1134:Hungarian women illustrators 332:("Mac the Duck"; Hungarian: 233: 31:when mentioning individuals. 7: 1129:Romanian women illustrators 1004:Romanian Cultural Institute 854:Romanian Cultural Institute 834:; retrieved August 18, 2009 617:Romanian Cultural Institute 425:Nicolae Constantin Batzaria 292:Arthur le fantôme justicier 10: 1170: 361:The Wonderful Wizard of Oz 18: 1139:Hungarian graphic artists 1016:Rusz's illustrations for 962:"Literatura imaginarului" 276:baccalaureate examination 140:Hungarian pronunciation: 101: 91: 83: 64: 41: 36: 1144:Romanian graphic artists 1094:Hungarian comics artists 1054:Artists from Cluj-Napoca 1002:, image gallery for the 650:and beyond (in Hungary, 567:Romanian Communist Party 27:. This article uses 19:The native form of this 1099:Romanian comics artists 431:("Golden Stories") and 228:Hungarian comics school 1124:Hungarian illustrators 522:Hungarian comic school 479: 474:Interior artwork from 1119:Romanian illustrators 524:(with albums such as 473: 372:), redrawings of the 775:György Györfi-Deák, 627:and writer-diplomat 289:, French creator of 152:[ˈlivi.arus] 660:Douglas A. Anderson 583:Pompiliu Dumitrescu 484:December Revolution 421:Romanian literature 401:Editura Tineretului 397:Editura Ion Creangă 384:("Dan the Mace", a 189:Editura Ion Creangă 967:2011-07-21 at the 891:2007-12-14 at the 864:2012-03-21 at the 850:"All Those Images" 794:2011-09-11 at the 782:2011-09-11 at the 701:2009-08-20 at the 547:Childhood Memories 496:national communist 480: 442:Childhood Memories 303:Hungarian-language 272:Cluj Art Institute 220:Hungarian-Romanian 198:Childhood Memories 59:Kingdom of Romania 52:September 28, 1930 29:Western name order 945:Evenimentul Zilei 898:Jurnalul Naţional 848:Arina Stoenescu, 551:national costumes 504:ethnic minorities 500:Nicolae Ceaușescu 274:upon passing her 252:Romanian Railways 203:Romanian-language 141: 129: 128: 68:February 26, 2020 1161: 978: 959: 955: 949: 937: 933: 924: 912: 908: 902: 883: 879: 870: 846: 835: 819: 800: 774: 770: 709: 688: 684: 625:Adrian Cioroianu 613:Ion Popescu-Gopo 606: 598:Vintilă Mihăescu 591: 526:Miskati közbelép 476:Miskati közbelép 447:J. R. R. Tolkien 386:medieval fantasy 218:A member of the 207:J. R. R. Tolkien 177:communist period 154: 149: 145: 139: 124:Miskati közbelép 94: 79: 71: 51: 49: 34: 33: 1169: 1168: 1164: 1163: 1162: 1160: 1159: 1158: 1149:Tolkien artists 1034: 1033: 1009:Plural Magazine 994: 986: 984:Further reading 981: 969:Wayback Machine 960:Adina Popescu, 957: 956: 952: 948:, June 28, 2008 935: 934: 927: 923:, June 13, 2006 910: 909: 905: 893:Wayback Machine 881: 880: 873: 866:Wayback Machine 859:Plural Magazine 847: 838: 820: 803: 796:Wayback Machine 784:Wayback Machine 772: 771: 712: 703:Wayback Machine 686: 685: 672: 668: 600: 585: 534: 532:Cultural impact 380:originals, and 236: 147: 104: 92: 74: 73: 69: 53: 47: 45: 32: 17: 12: 11: 5: 1167: 1157: 1156: 1151: 1146: 1141: 1136: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1061: 1056: 1051: 1046: 1032: 1031: 1013: 993: 992:External links 990: 985: 982: 980: 979: 950: 925: 903: 901:, June 2, 2007 871: 836: 801: 789:Caiete Silvane 710: 669: 667: 664: 609:Dumitru Negrea 533: 530: 429:Poveşti de aur 346:Arici Pogonici 235: 232: 201:and the first 127: 126: 105: 102: 99: 98: 95: 89: 88: 85: 81: 80: 72:(aged 89) 66: 62: 61: 43: 39: 38: 15: 9: 6: 4: 3: 2: 1166: 1155: 1152: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1041: 1039: 1029: 1026: 1025: 1020: 1019: 1014: 1012:, Nr. 30/2007 1011: 1010: 1005: 1001: 1000: 996: 995: 989: 976: 975: 970: 966: 963: 958:(in Romanian) 954: 947: 946: 941: 936:(in Romanian) 932: 930: 922: 921: 916: 913:Ioana Calen, 911:(in Romanian) 907: 900: 899: 894: 890: 887: 882:(in Romanian) 878: 876: 869:, Nr. 30/2007 868: 867: 863: 860: 855: 851: 845: 843: 841: 833: 832: 827: 823: 818: 816: 814: 812: 810: 808: 806: 798: 797: 793: 790: 785: 781: 778: 773:(in Romanian) 769: 767: 765: 763: 761: 759: 757: 755: 753: 751: 749: 747: 745: 743: 741: 739: 737: 735: 733: 731: 729: 727: 725: 723: 721: 719: 717: 715: 707: 704: 700: 697: 696: 691: 687:(in Romanian) 683: 681: 679: 677: 675: 670: 663: 661: 657: 653: 649: 645: 641: 637: 632: 630: 629:Mircea Opriță 626: 622: 618: 614: 610: 604: 599: 595: 589: 584: 580: 576: 572: 568: 563: 559: 554: 552: 548: 544: 540: 529: 527: 523: 519: 515: 511: 510: 505: 501: 497: 493: 489: 485: 477: 472: 468: 466: 462: 458: 454: 453: 448: 444: 443: 438: 435:'s collected 434: 430: 426: 422: 418: 414: 410: 409:Wilhelm Hauff 406: 402: 398: 394: 389: 387: 383: 379: 375: 371: 367: 363: 362: 357: 356:L. Frank Baum 353: 352: 347: 343: 339: 335: 331: 327: 323: 319: 315: 311: 307: 304: 300: 299: 294: 293: 288: 283: 281: 277: 273: 269: 268:Zoltán Kovács 265: 261: 260:Sándor Szopos 257: 253: 249: 245: 241: 231: 229: 225: 221: 216: 214: 213: 208: 204: 200: 199: 194: 190: 186: 182: 178: 174: 170: 166: 162: 158: 153: 144: 137: 133: 125: 121: 117: 113: 109: 106: 103:Notable works 100: 96: 90: 86: 82: 77: 67: 63: 60: 56: 44: 40: 35: 30: 26: 22: 21:personal name 1030:, Nr. 2/2004 1023: 1017: 1007: 998: 987: 974:Dilema Veche 972: 953: 943: 918: 906: 896: 857: 831:Comiclopedia 830: 787: 694: 652:East Germany 648:Eastern Bloc 639: 635: 633: 561: 557: 555: 546: 539:Val Munteanu 535: 525: 507: 488:West Germany 481: 475: 450: 440: 428: 416: 412: 405:Tiberiu Utan 393:cover artist 390: 382:Dan Buzdugan 381: 377: 373: 370:Ovidiu Zotta 365: 359: 349: 345: 341: 337: 333: 329: 321: 318:Piticul Cipi 317: 313: 310:Sándor Fodor 305: 296: 290: 284: 280:conservative 256:calligrapher 243: 237: 217: 210: 196: 184: 180: 165:illustration 135: 131: 130: 123: 119: 116:Dan Buzdugan 115: 111: 107: 70:(2020-02-26) 24: 1049:2020 deaths 1044:1930 births 884:Vali Ivan, 824:, entry in 799:, June 2009 601: [ 586: [ 492:nationalist 437:fairy tales 433:Ion Creangă 366:Maimuța Kio 351:Cutezătorii 330:Rățoiul Mac 287:Jean Cézard 264:watercolors 205:edition of 193:Ion Creangă 169:comic strip 84:Nationality 1038:Categories 1018:The Hobbit 920:Cotidianul 666:References 575:propaganda 543:Eugen Taru 514:Securitate 452:The Hobbit 316:(known as 298:Pif gadget 212:The Hobbit 173:comic book 136:Livia Rusz 48:1930-09-28 37:Lívia Rusz 25:Rusz Lívia 1024:Pro-Scris 852:, in the 695:Pro-Scris 621:monograph 594:Puiu Manu 571:animation 509:politruks 326:Bucharest 248:Romanians 244:Kolozsvár 234:Biography 161:Hungarian 148:Romanian: 78:, Hungary 965:Archived 889:Archived 862:Archived 792:Archived 780:Archived 699:Archived 640:Cofofifi 579:Ion Deak 562:Cocofifi 518:Budapest 378:Cocofifi 338:Cocofifi 334:Mákvirág 322:Luminița 306:Napsugár 238:Born in 224:Budapest 185:Cocofifi 157:Romanian 112:Cocofifi 76:Budapest 1028:webzine 826:Lambiek 706:webzine 644:Russian 457:hobbits 413:Märchen 314:Csipike 120:Csipike 93:Area(s) 611:, and 336:) and 171:, and 97:Artist 1021:, in 971:, in 942:, in 917:, in 895:, in 786:, in 692:, in 605:] 590:] 461:Elves 417:Basme 132:Lívia 656:Cuba 654:and 560:and 541:and 512:and 494:and 465:Orcs 439:and 415:(as 399:and 376:and 348:and 342:Kokó 340:(or 324:, a 295:for 240:Cluj 183:and 159:and 65:Died 55:Cluj 42:Born 1006:'s 856:'s 828:'s 638:or 636:Mac 558:Mac 553:." 463:or 427:'s 411:'s 374:Mac 358:'s 209:'s 195:'s 181:Mac 134:or 108:Mac 23:is 1040:: 928:^ 874:^ 839:^ 804:^ 713:^ 673:^ 662:. 607:, 603:ro 596:, 592:, 588:ro 581:, 459:, 423:: 230:. 215:. 167:, 146:, 122:, 118:, 114:, 110:, 57:, 242:( 138:( 50:) 46:(

Index

personal name
Western name order
Cluj
Kingdom of Romania
Budapest

[ˈlivi.arus]
Romanian
Hungarian
illustration
comic strip
comic book
communist period
Editura Ion Creangă
Ion Creangă
Childhood Memories
Romanian-language
J. R. R. Tolkien
The Hobbit
Hungarian-Romanian
Budapest
Hungarian comics school
Cluj
Romanians
Romanian Railways
calligrapher
Sándor Szopos
watercolors
Zoltán Kovács
Cluj Art Institute

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