84:. It was at Toscanini's encouragement that he began his conducting career. In 1930 he was named principal conductor and musical director of the National Orchestral Association, America's leading proving ground for young professionals and a springboard for generations of young American instrumentalists. In this capacity he had a notable success for three decades. In public concerts and in weekly rehearsals, reaching a wide audience through the New York municipal radio station, he groomed his players in performances of the standard repertory.
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Léon Barzin's influence on the quality of symphonic performance in the United States was enormous and long lasting, as thousands of young professional players emerged from the NOA to fill the ranks of the great
American symphonic, ballet and opera orchestras. In 1958 he resigned from the association
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Dissertation abstracts international - Page 1528 University
Microfilms,1986 "After a decade as an American-trained symphonic musician, Leon Eugene Barzin had, by 1929, already spent four seasons as principal violist of the New York Philharmonic, playing under such celebrated conductors as Willem
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Léon Barzin trained generations of
American musicians in technique and repertoire and through the NOA helped many young American musicians procure positions in professional orchestras. He worked particularly hard to break down prejudices against women and minorities, focusing entirely on
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considered Barzin to be one of the finest conductors of the twentieth century and indeed he was a most appreciated collaborator of the foremost soloists of the day. His years with the NOA were notable for the dazzling array of artists who appeared under his direction:
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Léon Barzin married four times and divorced three times, and had two sons, Richard and Léon Q. Barzin, and one daughter, Lora (Childs). His wives were: Marie
Sherman Vandeputte (1928; one son, one daughter), Jane Goodwin (1939), Wilhelmina Quevli (1949; one son),
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Mozart: Haffner
Symphony (No. 35 in D major), Berlioz: Waverley Overture and three excerpts from The Damnation of Faust - Orchestra drawn from the alumni of the National Orchestral Association - Columbia Masterworks ML5176 (LP:
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at the age of two. He studied the violin with his father (principal viola at the Théâtre de la
Monnaie in Brussels and later of the Metropolitan Opera Orchestra), and later with Édouard Deru, Pierre Henrotte and
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A great master of the baton, Barzin was a much sought after teacher of conducting in New York and later in France - at his home in the rue
Monceau, Paris and at the Pavilion d'Artois,
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Barzin was awarded the
Columbia University Ditson Award, the Gold Medal of Lebanon, the Theodore Thomas Award of the Conductor's Guild and was a recipient of the Légion d'honneur.
104:. He returned to New York as Music Director of the National Orchestral Association in 1970. In 1973 he took the NOA to Italy, where it was orchestra in residence at the
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Milstein: Mendelssohn Concerto in E minor, Bruch Concerto No. 1 in G Minor - Philharmonia Orchestra conducted by Leon Barzin - Capitol Records P8518 (LP: 33
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Symphony/Thomson-Christensen: Filling Station - New York City Ballet Orchestra conducted by Leon Barzin - Vox Records PL 9050 (LP: 33
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in 1919 as a violinist and was appointed first viola in 1925, a position he retained until 1929, collaborating in those years with
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241:. He remained as Music Director for ten years. A guest conductor with such orchestras as the New York Philharmonic and the
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39:(NOA), the oldest surviving training orchestra in the United States. Barzin was also the founding musical director of the
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Beethoven: Piano Concerto No. 3 in C, Op. 37, Movements 2 (largo) and 3 (rondo): National Orchestra Association (1937) -
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G. Kleinsinger-P.Tripp, Victory Jory Symphony Orchestra: Tubby The Tuba - Cosmopolitan DMR 101 (78 RPM)
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in London. He remained a vibrant and energetic educator right until his death on April 19, 1999 in
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Leon Barzin conducting the National Orchestral Association in a 1971 video recording
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copyright 2004 The National Orchestral Association 110 minutes
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264:. His distinctive technique was taught as a standard at the
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471:"Leon Barzin, 98, Conductor Of Ballets and Music Educator"
24:(November 27, 1900 – April 29, 1999) was a
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The Independent: Arts and Entertainment, 1 June 1999
59:on November 27, 1900, Léon Barzin was taken to the
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289:Barzin conducted concerts with soloists including
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317:(clarinet). He also developed radio programs on
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233:and of its predecessor, Ballet Society, with
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229:Léon Barzin was one of the founders of the
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102:Schola Cantorum de Paris
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247:Tanglewood Music Center
122:. He resigned in 1976.
92:, where he founded the
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266:Royal Academy of Music
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262:Fribourg, Switzerland
150:, Emanuel Feuermann,
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588:New York City Ballet
285:Notable performances
231:New York City Ballet
41:New York City Ballet
295:Ossip Gabrilowitsch
176:Ossip Gabrilowitsch
78:Wilhelm Furtwängler
35:and founder of the
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348:Eleanor Post Close
200:Philippe Entremont
188:Elisabeth Schumann
154:, Lillian Kallir,
148:Ernst von Dohnányi
140:Bronisław Huberman
125:The great cellist
22:Léon Eugene Barzin
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358:Awards and honors
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68:. He joined the
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341:Private life
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568:1900 births
562:Categories
452:References
333:, and the
315:Artie Shaw
305:(violin),
180:Lili Kraus
307:Myra Hess
297:(piano),
293:(cello),
260:- and in
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354:(1956).
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51:Born in
30:American
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