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only a few years, Coupeau becomes a vindictive, wife-beating alcoholic, with no intention of trying to find more work. Gervaise struggles to keep her home together, but her excessive pride leads her to a number of embarrassing failures and before long everything is going downhill. Gervaise becomes infected by her husband's newfound laziness and, in an effort to impress others, spends her money on lavish feasts and accumulates uncontrolled debt.
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spiral of debt and despair. Eventually, she too finds solace in drink and, like
Coupeau, slides into heavy alcoholism. All this prompts Nana - already suffering from the chaotic life at home and getting into trouble on a daily basis - to run away from her parents' home and become a casual prostitute.
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However, later in the story, we witness the downward trajectory of
Gervaise's life from this happy high point. Coupeau is injured in a fall from the roof of a new hospital he is working on, and during his lengthy convalescence he takes first to idleness, then to gluttony, and eventually to drink. In
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Zola spent an immense amount of time researching
Parisian street argot for his most realistic novel to that date, using a large number of obscure contemporary slang words and curses to capture an authentic atmosphere. His shocking descriptions of conditions in working-class 19th-century Paris drew
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in different ways. The noun is a colloquial term popular in late nineteenth-century Paris, referring to a shop selling cheap liquor distilled on the premises "where the working classes could drown their sorrows cheaply and drink themselves senseless". It is adapted from the French verb "assommer"
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The home is further disrupted by the return of
Lantier, who is warmly welcomed by Coupeau - by this point losing interest in both Gervaise and life itself, and becoming seriously ill. The ensuing chaos and financial strain is too much for Gervaise, who loses her laundry-shop and is sucked into a
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workers across the world as a tract against the dangers of alcoholism, though Zola always insisted there was considerably more to his novel than that. The novelist also drew criticism from some quarters for the depth of his reporting, either for being too coarse and vulgar or for portraying
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published an
English-language translation of the novel with some edits designed not to offend the sensibilities of British audiences. However, the salacious nature of Zola's work (even in edited form) would see the Vizetellys vilified in parliament and later prosecuted for obscenity.
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is one of the novelist's most famous passages. Through a combination of happy circumstances, Gervaise is able to realise her dream and raise enough money to open her own laundry. The couple's happiness appears to be complete with the birth of a daughter, Anna, nicknamed
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Gervaise's story is told against a backdrop of a rich array of other well-drawn characters with their own vices and idiosyncrasies. Notable amongst these being Goujet, a young blacksmith, who spends his life in unconsummated love for the hapless laundress.
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begins with
Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown with another woman. Though at first she swears off men altogether, eventually she gives in to the advances of Coupeau, a
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Eventually, sunk by debt, hunger and alcohol, Coupeau and
Gervaise both die. The latter's corpse lies for two days in her unkempt hovel before it is noticed by her disdaining neighbors.
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roofer, and they are married. The marriage sequence is one of the most famous set-pieces of Zola's work; the account of the wedding party's impromptu and chaotic trip to the
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working-class people as shiftless drunkards. Zola rejected both these criticisms out of hand; his response was simply that he had presented a true picture of real life.
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and poverty in the working-class districts of Paris â was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world.
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The novel is principally the story of
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meaning to stun or knock out. Perhaps the closest equivalent terms in
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has often been translated, and there are several unexpurgated modern editions available. In 1884,
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widespread admiration for his realism and continue so to do.
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603:. New Haven and London: Yale University Press. p. 98.
230:(the protagonist of Zola's later novel of the same title).
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349:(1879, tr. Mary Neal Sherwood, T.B. Peterson & Bros.)
437:(1995, tr. Margaret Mauldon, Oxford University Press)
421:(1962, tr. Atwood H. Townsend, New American Library)
709:(1933) at Ciné-Ressources. Retrieved 18 June 2020.
693:(1921) at Ciné-Ressources. Retrieved 18 June 2020.
677:(1909) at Ciné-Ressources. Retrieved 18 June 2020.
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413:(1952, tr. Buckner B. Trawick, Avon Publications)
401:(1903, tr. S.J.A. Fitzgerald, Greening & Co.)
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355:(1879, tr. E. Binsse, G. W. Carleton & Co.)
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443:(2000, tr. Robin Buss, Penguin Books)
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389:(Elek, 1958)
386:
371:H. Vizetelly
363:George Moore
358:
352:
335:
331:
327:
323:
319:
302:
289:
286:Translations
252:
244:
240:
236:
232:
210:
199:
196:Plot summary
183:
166:
165:
151:
138:
78:
1482:(2016 film)
1474:(1937 film)
1412:(1995 film)
1409:Cruel Train
1131:L'Assommoir
1062:Non-fiction
943:Pot-Bouille
922:L'Assommoir
812:L'Assommoir
798:L'Assommoir
788:L'Assommoir
783:(in French)
771:L'assommoir
755:L'Assommoir
739:L'Assommoir
705:L'Assommoir
689:L'Assommoir
673:L'Assommoir
650:L'Assommoir
625:L'Assommoir
506:L'Assommoir
476:L'Assommoir
463:L'Assommoir
456:Adaptations
434:L'Assommoir
426:L'Assommoir
418:L'Assommoir
381:(1895, tr.
378:L'Assommoir
361:(1884, tr.
346:L'Assommoir
306:L'Assommoir
292:L'Assommoir
275:L'Assommoir
257:L'Assommoir
213:L'Assommoir
169:L'Assommoir
49:L'Assommoir
33:L'Assommoir
1496:Categories
1449:Naturalism
1006:La DĂ©bĂącle
861:Ămile Zola
560:2022-07-24
537:References
334:or simply
262:temperance
190:alcoholism
180:Ămile Zola
61:Ămile Zola
1331:In Secret
1155:The Earth
1096:L'Ouragan
316:plastered
128:paperback
1445:(father)
1315:Germinal
1275:Germinal
1251:Gervaise
1171:L'Argent
1139:Germinal
1088:Messidor
1080:Libretti
999:L'Argent
978:La Terre
964:Germinal
887:La Curée
823:Zapadnya
817:LibriVox
720:Gervaise
531:Zapadnia
519:Gervaise
387:Drunkard
353:Gervaise
328:Drunkard
312:hammered
219:teetotal
124:hardback
67:Language
1436:Related
1350:Le RĂȘve
985:Le RĂȘve
971:L'Ćuvre
314:" and "
155:L'Ćuvre
118:Print (
1366:Lazare
1334:(2013)
1326:(2009)
1323:Thirst
1318:(1993)
1310:(1985)
1302:(1982)
1294:(1970)
1286:(1966)
1278:(1963)
1270:(1957)
1262:(1957)
1254:(1956)
1246:(1955)
1238:(1954)
1230:(1953)
1222:(1944)
1214:(1943)
1206:(1938)
1198:(1934)
1190:(1931)
1182:(1928)
1174:(1928)
1166:(1926)
1158:(1921)
1150:(1920)
1142:(1913)
1134:(1909)
1115:(1916)
1107:(1905)
1099:(1901)
1091:(1897)
825:(1972)
657:
632:
607:
223:Louvre
159:
142:
126:&
120:serial
110:France
75:Series
70:French
57:Author
399:Drink
91:Novel
87:Genre
1307:Nana
1243:Nana
1219:Nana
1195:Nana
1163:Nana
936:Nana
655:ISBN
630:ISBN
605:ISBN
587:Nana
483:and
369:for
365:and
228:Nana
774:at
758:at
278:by
1498::
553:.
513:.
487:.
470:.
338:.
330:,
326:,
322:,
122:,
853:e
846:t
839:v
647:(
613:.
563:.
130:)
20:)
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