322:: 1 . 3&4, 1 . 3 4, 1&2 . 4. The sticking, describing which hand the note is played with (R= Right, L=Left), is: R . RLR, R . R L, RLR . R
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286:. Explicitly assigning words to represent the periods of silence in a song is likely linked to the Japanese concept of
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Two syllables are reserved for strokes on the tsuzumi, a drum that is much smaller than the taiko:
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Although kuchi shōga does not have a fixed vocabulary, some phoneticizations are ubiquitous.
292:, where the space between notes is as important as the notes themselves in a performance.
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beats in rapid succession—one on the right side of the drum, the other on the left.
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282:." If the rest is not sung, the space is often filled with unscripted sounds called
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typically means a deep, sustained sound from the center of the taiko.
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Don (tsu) doko don, don (tsu) don kon, doko don (tsu) don
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sometimes represents a short beat that is not allowed to
181:Taiko players commonly phoneticize a right-handed
158:means two drum-beats played in rapid succession.
27:System of notation for traditional Japanese drums
384:
174:means a sharp tap on the rim of the taiko, and
37:
300:The following is an example of kuchi shōga
334:, syllables used similarly in Indian music
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224:describes a tap on the side of the drum;
178:describes alternate right and left taps.
228:refers to a stroke on the center of the
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120:using one of the various systems of
100:Kuchi shōga notation is written in
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318:, this sequence constitutes three
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162:represents a lightly struck note;
89:conveys information about how the
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146:(i.e., one with a short decay).
81:articulates) drum strokes using
201:, respectively; and a reserve
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1:
275:, indicates a two-beat rest.
243:are variously indicated with
112:speakers. Kuchi shōga can be
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373:Transcription (linguistics)
363:Shakuhachi musical notation
325:
10:
424:
398:Japanese traditional music
217:for left-handed strokes.
108:familiar to all literate
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235:
93:is to play a particular
83:Japanese sound symbolism
130:Common phoneticizations
77:phoneticizes (that is,
58:traditional Japanese
52:, is an educational
358:Percussion notation
247:syllables, such as
116:from katakana to a
63:, particularly the
304:transliterated in
166:implies two soft
110:Japanese language
16:(Redirected from
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278:This is called "
54:musical notation
44:, also known as
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314:When played in
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296:Sample notation
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348:Music of Japan
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118:Latin alphabet
114:transliterated
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338:Canntaireachd
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408:Asian rhythm
403:Onomatopoeia
353:Onomatopoeia
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265:polysyllable
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185:stroke with
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79:phonetically
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368:Solmization
332:Bol (music)
316:common time
75:Kuchi shōga
50:kuchi shoka
46:kuchi showa
32:Kuchi shōga
18:Kuchi shoka
387:Categories
267:, such as
259:, such as
257:semivowels
255:; or with
245:fricative
106:syllabary
342:pibrochs
326:See also
320:measures
302:notation
230:drumhead
144:resonate
102:katakana
87:syllable
67:and the
280:kakegoe
91:drummer
85:. Each
69:tsuzumi
306:rōmaji
273:dokkoi
213:, and
123:rōmaji
393:Drums
378:Taiko
284:kiais
241:Rests
236:Rests
197:, or
183:bachi
164:tsuku
154:, or
65:taiko
61:drums
271:and
269:sore
263:. A
251:and
176:kara
156:doro
152:dogo
148:Doko
104:, a
95:note
56:for
261:iya
226:pon
203:kon
195:tsu
187:don
168:tsu
160:Tsu
136:Don
48:or
39:口唱歌
389::
308::
289:ma
253:ho
249:sa
232:.
222:Ta
215:ra
211:ku
209:,
207:ko
205:,
199:ka
193:,
191:do
189:,
172:Ka
150:,
140:Do
126:.
97:.
71:.
344:)
42:)
36:(
20:)
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