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The
Cossacks were especially respectful to itinerant blind singers who played the bandura or kobza. To them, the blind kobzar was a living reminder of their past. In previous eras they themselves were veterans of past battles and campaigns. Their repertoire retold the stories of past battles in the
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Scholars point to some differences between the bandurist of the Kuban with their counterparts in
Ukraine. In Ukraine where the feudal system and mentality had lasted well past its abolishment 1861, the art form survived in the hands of blind itinerant musicians who wandered from village to village
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with the aid of a young children. In the Kuban the bandura became a symbol and an element of
Cossack pride, and as a result the cossack bandurist was usually a young person who had all his faculties. The Kuban bandurists however kept close quarters with itinerant kobzars from Ukraine such as
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In the 1920 and early 30s however the bandura flourished in the Kuban. A significant number of Kuban bandurists who had emigrated to the West continued to perform. However, as part of the de-ukrainisation of the Kuban that was implemented in 1930, many of the bandurists such as
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made significant contributions to the development of bandura construction in the late 1920s and early 30s. Kuban bandurists were very prominent in the Kyiv bandurist
Capella and also in the establishment of bandura groups in Prague and in the Ukrainian diaspora.
253:(Pashkovskaya stanitsa) D. Dykun (Yekaterinodar) S. Tuchinsky (Azovskaya stanitsa). Antin Chorny continued making banduras in Argentina. Initially instruments were diatonically tuned, having some 32 strings. In the mid-1920s chromatic instruments became popular.
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noted the importance of using the bandura as a way of affirming national rights. A result, the
Imperial government officials in the Kuban negatively reacted to the rise in the popularity of the bandura.
294:
in
Kharkiv, Ukrainian Intellectuals seized the opportunity to use the bandura as a tool for fighting aspsects of the Tsarist regime and as a tool for Ukrainianization. Such prominent writers as
109:. Songs created by him became popular folk songs which continue to be sung by the Cossacks there today. Some are considered hymns. The bandura became a popular instrument in the hands of
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to return to
Yekaterinodar to run a summer bandura school. Khotkevych declined the invitation, however he suggested a young and promising University Student from Kharkiv -
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ensemble and a number of other semi-professional groups. A museum dedicated to the collection of the kobzar and bandura legacy of the Kuban and Crimea is located in
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organization. This capella existed a year before the establishment of a similar professional bandurist capella in Kyiv in 1918. Many of the members of the
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245:, however, the Kuban also had its own bandura makers such as M. Veres (Saratovskaya stanitsa) G. Huzar (Kanevskaya stanitsa) P. Kikot' (
332:
414:
315:, Mykola Bohuslavsky were arrested and received terms of imprisonment of 5–10 years or exile. Many more were purged in the
265:. The first professional Bandurist Capella was organized in Yekaterinodar in 1917 by Kravchenko under the auspices of the
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Today the art of the bandura is once again becoming popular in the Kuban particularly amongst the performers of the
347:- the concertmaster of the Kuban Cossack choir. The bandura is being taught in the music college of Krasnodar.
105:, who because of his fine the art of playing the bandura was able to gain the territories of the Kuban for the
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who continued running the kobzar school after 1916. The next generation included the bandurists Sava and
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Three editions of a
Bandura primer were published in Moscow by Kuban bandurist
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48:
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is a person who plays the
Ukrainian plucked string instrument known as the
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64:
29:
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Many of the banduras used in the Kuban were made by Kyiv bandura maker
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60:
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The first bandura school in 1913 directed by V. Yemetz. (centre).
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193:. That summer, the first summer kobzar school was organized in
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toured the Kuban with concerts performances. He was invited by
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The second summer bandura school. M. Bohuslavsky in the centre.
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36:
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52:
25:
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339:. The bandura is currently taught in the music college in
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28:, a geographic region of southern Russia surrounding the
221:, and the son of the otaman of the Okhtiskaya stanitsa
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136:
113:who often played for the ataman of the Kuban host
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396:
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357:Энциклопедический словарь по истории Кубани
233:), composer of the renowned Cossack March.
43:. According to the historian and archivist
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225:(who was shot by the Nazis in 1942 in
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13:
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14:
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39:in Kuban migrated from central
319:wave of repressions in 1937-38.
137:The Bandura in the 20th century
323:The Bandura in the Kuban today
1:
415:Ukrainian diaspora in Russia
343:. Notable exponents include
161:Bandurist Petro Buhai, 1913.
7:
379:// «Bandura», #65-66, 1998
169:Bandura maker Antin Chorny.
83:many epic ballads known as
10:
441:
197:. Among his students were
177:Bandurist M. Teliha, 1923.
257:Significant contributions
292:Archeological conference
377:Joho poslaly za banduru
271:Kyiv Bandurist Capella
178:
170:
162:
154:
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107:Black Sea Cossack Host
391:- Hollywood, USA 1961
369:. Kyiv, Diokor, 2003
359:. – Краснодар, 1997.
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168:
160:
152:
144:
35:The tradition of the
329:Kuban Cossack Choir
123:Mykhailo Kravchenko
89:(sung epic poems).
389:Cossaks-Bandurists
309:Svirid Sotnichenko
286:Early 20th century
187:Mykola Bohuslavsky
179:
171:
163:
155:
147:
410:Bandura ensembles
131:Ivan Zaporozhenko
127:Hryhory Kozhushko
101:of the Kuban was
93:Early development
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382:
372:
367:Kubanska Ukraina
362:
263:Vasyl Shevchenko
115:Yakiv Kukharenko
97:The first known
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380:
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353:
351:Further reading
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313:Konon Bezchasny
300:Hnat Khotkevych
290:After the 1902
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279:Kuzma Nimchenko
259:
251:Kuzma Nimchenko
243:Antin Paplynsky
239:
223:Mykhailo Teliha
215:Dokia Darnopykh
211:Vasil Lyashenko
183:Hnat Khotkevych
139:
111:Kyrylo Rosynsky
95:
18:Kuban bandurist
12:
11:
5:
438:
428:
427:
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417:
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393:
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381:(in Ukrainian)
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371:(in Ukrainian)
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324:
321:
287:
284:
275:Kuban Cossacks
258:
255:
238:
237:Bandura making
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203:Oleksiy Obabko
138:
135:
103:Antin Holovaty
94:
91:
51:played on the
49:Kuban Cossacks
24:, who is from
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4:
3:
2:
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365:Poliovyj R.
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296:Olena Pchilka
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273:were in fact
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207:Fedir Dibrova
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195:Yekaterinodar
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45:Ivan Kyiashko
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27:
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361:(in Russian)
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345:Yuri Bulavin
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317:Yezhovschina
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289:
260:
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199:Antin Chorny
191:Vasyl Yemetz
181:In May 1913
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133:and others.
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96:
84:
81:
34:
17:
15:
219:Petro Buhay
65:hurdy-gurdy
30:Kuban River
425:Kobzarstvo
405:Bandurists
399:Categories
375:Nyrko О.
247:Gelendzhik
386:Yemetz W.
341:Krasnodar
231:Babiy Yar
99:bandurist
333:Kubantsi
267:Prosvita
73:tsymbaly
61:jaw harp
77:sopilka
41:Ukraine
22:bandura
331:, the
75:, and
69:basses
57:violin
37:kobzar
420:Kuban
337:Yalta
53:kobza
26:Kuban
298:and
227:Kyiv
86:dumy
47:the
249:),
229:in
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311:,
217:,
213:,
209:,
201:,
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125:,
117:.
79:.
71:,
67:,
63:,
59:,
55:,
32:.
16:A
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