1923:
1933:
205:
took 12 photographs of the manuscript but only photocopies remained, among them nine
Serbian songs. The two songs "Нинїa Сили" (Now the Celestial Powers) and "ВькȢсите и Видите" (Taste and see) have the original autograph by Stefan himself: "Творение доместика Кир Стефана Србина" (f. 287 V, f. 288),
181:
note signs. Their author was probably Stefan. His works reveal common melodic-rhythmical characteristics; these short, single voice liturgical songs of graduated steps (larger jumps between notes indicate important words) make up an inseparable whole with the text. They are based on a few fundamental
298:
meant to be sung during the Great feast. Four other compositions in Greek and Slavic are preserved in 12 manuscripts from 14-15th century; some are kept in the Greek libraries, while the others are from the
Romanian monastery of Putna. Stefan's compositions display gradual development of the main
100:
in the courts of
Serbian despots who had been reared since their early infancy in the spirit of Romaic culture, had additionally intensified the need for liturgical services to be as magnificent as possible, like those in Constantinople. The fact that chanted services were taking place under the
101:
watchful eyes of professional musicians is confirmed by high ranks of those musicians we are familiar with today. Joachim, monk of the
Harsianites, probably Greek by birth, was a domestikos in Serbia, just as one of the three Serbian composers of the 15th century, Kir Stefan.
82:, writing in the late kalophonic style of the 14th and 15th centuries. With his distinctive compositional style, he is one of the earliest (if not the earliest) identifiable Medieval Serbian composers and also one of the original founders of new and distinctive style called
234:
had the values of melodic modes (азъ, боукы, вѣдѣ, глаголи, добро, єсть, живѣтє, ѕѣло). Scientists generally agree that
Serbian system of eight modes is somewhat different than its Byzantine model and thus closer to the liturgical systems of the earlier Christians from
229:
with Οld Church
Slavonic musical terminology. Instructions are mainly related to the pace (the speed) and dynamics (strength, design of music phrase). The margins of this manuscript indicate that it was used by domestics and monks. The letters of the
303:, leap of the fifths and distinctive rhythmic motives. They are also very skillfully balanced in combination of different musical sections, and almost always faithful to the single musical mode, thus rather modified in tonality.
104:
The direct information about his life are scarce and often self-contradictory. Previous research has shown that Stefan lived in the 14th and 15th century. Traces of his existence are found in the monastery in
145:
in his later life, the position he probably undertook to escape the
Turkish occupation of Serbia. A number of original Stefan's texts and manuscripts are preserved in foreign libraries, in
275:, SR Macedonia in the 1961. In the following years, kir Stefan the Serb became recognized as the first Serbian (Medieval) composer and epitome for Serbian Medieval music and culture.
193:
was among the most important documents of the
Medieval Serbian musical culture, being the only musical manuscript in Slavic language from the 15th century. The original manuscript of
70:
and more importantly, composer of the chants developed within the sphere of the activities of
Byzantine culture in the Serbian state. Together with (but independently from)
263:
was known from the beginning of the 20th century, the most fundamental analysis of the remaining pages has been compiled only in 1961 by
Serbian musicologist
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in Belgrade, unfortunately it perished on the 6 April 1941, when the entire library burned down after the bombardment; in 1937 Serbian composer
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271:, who also transcribed Stefan's song to the contemporary notation. Soon after, the first performance of Stefan's songs was given in the
1998:
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1978:
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1963:
363:
1958:
586:
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1428:
920:
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However, his most famous work - a treatise on the theory of Byzantine music and also an anthology of liturgical hymns
1810:
2003:
1795:
1768:
581:
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nuclei which consistently appear in the songs, with variations or in individual fragments. Some of them have rich
1968:
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1049:
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melismatic motive in well-tempered melodic movement upwards and downwards, subtle repetitions with wide melodic
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294:, kir Stefan is an author of the number of melodies. His longest work "Нинїa Сили" is actually a
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84:
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499:"[Project Rastko] THE HISTORY OF SERBIAN CULTURE - Roksanda Pejovic: Medieval music"
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358:. This hymn can be found in the manuscripts of the monastery of Leimonos on the island of
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121:. However, evidence show that he spent most of his life at the court of Despot
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Pennington, Anne (January 1973). "Stefan the Serb in Moldavian Manuscripts".
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the Greek version of the ВькȢсите preserved in the Manuscript no. 928 of the
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meaning that he was their author. Psaltikija was written in late Byzantine
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1029:
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137:— clerk. Some sources say he lived from 1360 to 1430, and that he became
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http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111039P.pdf
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243:. Stefan explained the theory of the music with a system of
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A certain number of medieval Serbian manuscripts record the
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54:(second half of the 14th and 15th century) was a Serbian
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this hymn also existed in the analogous Greek version
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circles, corresponding to the natural cycles of the
157:and in the library of the monasteries of Hilandar,
339:a third communion hymn found in the manuscript of
141:, protopsaltos and domestikos of the monastery of
1950:
267:, the director of the Musicological Institute
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1095:List of Galician-Portuguese troubadours
1951:
531:, performing one of Kir Stefan's works
213:notation with Old Church Slavonic and
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440:The Slavonic and East European Review
217:texts. Beside the liturgical hymns,
921:Other troubadours and trobairitz...
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364:Central University Library of Iași
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1999:People from the Serbian Despotate
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1979:Medieval Serbian Orthodox clergy
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916:William IX, Duke of Aquitaine
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259:Even though the existence of
1964:15th-century Christian monks
476:Milos Lalovic (1941-04-06).
314:, written by Stefan himself.
280:The 100 most prominent Serbs
80:Byzantine musical traditions
45:composer, musicologist, monk
7:
1959:15th-century Serbian people
587:List of musical instruments
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273:Church of St. Sophia, Ohrid
78:he followed faithfully the
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2025:
332:National Library of Greece
199:National Library of Serbia
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1449:Matheus de Sancto Johanne
1444:Johannes Symonis Hasprois
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2004:Medieval male composers
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582:List of music theorists
478:"Kir Stefan Srbin Menu"
232:Early Cyrillic alphabet
91:
29:second half of the 14th
1969:15th-century composers
1278:Gherardello da Firenze
965:Le Chastelain de Couci
758:Philippe le Chancelier
133:— choir conductor and
85:Serbo-Byzantine school
1974:Christian hymnwriters
1587:Johannes de Garlandia
901:Raimbaut de Vaqueiras
286:Partial list of works
129:, where he served as
2009:15th-century singers
1994:14th-century singers
1908:Also music theorist*
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1409:Conradus de Pistoria
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815:Bernart de Ventadorn
800:Aimeric de Peguilhan
743:Albertus Parisiensis
693:Adam of Saint Victor
653:Saint Martial school
610:Notker the Stammerer
379:manuscript from the
265:Dimitrije Stefanović
1519:Contenance angloise
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1208:Marchetto da Padova
1139:Magister Franciscus
1015:Guillaume le Vinier
1010:Gontier de Soignies
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841:Folquet de Marselha
698:Wulfstan the Cantor
688:Hildegard of Bingen
658:Adémar de Chabannes
643:Fulbert of Chartres
605:Abbey of Saint Gall
597:Early (before 1150)
480:. Kirstefansrbin.ca
414:Music of Old Serbia
52:Kir Stefan the Serb
20:Kir Stefan the Serb
1847:Neo-Medieval music
1837:Medieval folk rock
1617:Berno of Reichenau
1597:Iacobus de Ispania
1439:Petrus de Goscalch
1340:Niccolò da Perugia
1335:Grazioso da Padova
1283:Lorenzo da Firenze
1243:Vincenzo da Rimini
1228:Giovanni da Cascia
1060:Other trouvères...
1045:Perrin d'Angicourt
995:Gautier de Dargies
970:Chrétien de Troyes
906:Raimon de Miravalh
896:Raimbaut d'Aurenga
524:Pavle Aksentijević
328:Γεύσασθε και ίδετε
278:He is included in
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648:Heriger of Lobbes
577:List of composers
354:which is in fact
318:ВькȢсите и Видите
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37:the 15th century
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347:ПомилȢи Ме Боже
312:Νυν αι δυνάμεις
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115:Putna monastery
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1878:Architecture
1750:
1702:Geisslerlied
1680:Formes fixes
1602:Notker Labeo
1567:Anonymous IV
1542:Leonel Power
1527:Thomas Fabri
1517:
1380:
1201:Predecessors
1119:
1025:Jehan Bretel
861:Jaufre Rudel
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636:Odo of Cluny
503:. Retrieved
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482:. Retrieved
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337:Σώμα Χριστού
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64:musicologist
60:protopsaltos
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1868:Middle Ages
1863:Early music
1825:Derivations
1658:Chansonnier
1030:Jehan Erart
975:Colin Muset
881:Peire Vidal
729:Ars antiqua
501:. Rastko.rs
167:Simonopetra
159:Great Lavra
68:choirmaster
1953:Categories
1893:Philosophy
1888:Literature
1856:Background
1762:Traditions
1129:F. Andrieu
985:Gace Brulé
825:Castelloza
791:Trobairitz
786:Troubadour
678:St. Godric
505:2013-01-07
484:2013-01-07
425:References
394:Kir Joakim
308:Нинїa Сили
296:Cherubicon
245:concentric
195:Psalatikia
131:domestikos
1806:Lithuania
1670:Conductus
1560:Theorists
1532:Roy Henry
1459:Rodericus
1350:Sant Omer
1085:Minnesang
377:Ruthenian
322:communion
292:Psaltikia
261:Psaltikia
237:Antiochia
219:Psaltikia
191:Psaltikia
184:melismata
127:Smederevo
1927:Category
1832:Bardcore
1811:Portugal
1779:Scotland
1752:Planctus
1736:Madrigal
1675:Estampie
1638:Antiphon
1193:Trecento
1121:Ars nova
1080:Goliards
937:Trouvère
911:Sordello
891:Perdigon
866:Marcabru
388:See also
362:and the
356:Psalm 96
341:Leimonos
320:another
227:пападика
211:neumatic
179:neumatic
143:Hilandar
107:Kumanovo
1796:Germany
1774:England
1746:Organum
1724:Tydorel
1695:Virelai
1690:Rondeau
1685:Ballade
1653:Chanson
1429:Egidius
1424:Egardus
1144:Grimace
1075:Casella
753:Pérotin
628:Hucbald
615:Tuotilo
529:YouTube
452:4206671
381:Ukraine
368:Romania
301:ambitus
249:planets
147:Vatican
139:Hegumen
119:Romania
113:and in
1937:Portal
1883:Poetry
1791:France
1786:Cyprus
1501:Others
1484:Trebor
1469:Solage
1391:Borlet
886:Peirol
789:&
748:Léonin
450:
360:Lesbos
255:Legacy
163:Iviron
155:Athens
151:Moscow
98:Greeks
1816:Spain
1801:Italy
1741:Motet
1665:Chant
1648:Carol
1643:Canso
448:JSTOR
241:Syria
225:i.e.
173:Works
135:dijak
324:hymn
269:SANU
239:and
165:and
92:Life
74:and
56:monk
34:Died
26:Born
1873:Art
1719:Lai
527:on
125:in
117:in
1955::
444:51
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383:).
366:,
282:.
251:.
169:.
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1917:→
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558:e
551:t
544:v
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343:.
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