22:
165:
Often translated as "playing to the gallery," many drama enthusiasts consider these sorts of adaptations to be demeaning to the art of kabuki. According to one scholar, Ichikawa
Ennosuke, "Rapid 'trick' appearances and disappearances of the actor are relatively few and are held in low esteem by the
218:
Makes use of strings to make an actor fly out over the audience, often up into the third floor of the theater. For obvious reasons, this would come into use when portraying various sorts of flying creatures such as ghosts, spirits, or the bird-like
278:
Is used to effect quick changes of costume for an actor while he remains on stage. Sometimes this will be done with strings which pull off or pull apart a top layer of costume to reveal another costume underneath. In a technique called
302:
appear on stage and pull these threads, allowing this outer costume layer to come off quite quickly and easily. This might also be accomplished even more simply by having the actor pull his top layer off or apart himself.
361:
that have been commonly employed in kabuki since the middle of the eighteenth century. These traps raise and lower actors or sets to the stage.
385:
when they are being lowered. This technique is often used for dramatic effect of having an entire scene rise up to appear onstage.
32:
90:
471:
62:
69:
47:
76:
58:
309:
is used for a number of characters who remove disguises to reveal their true identity, and for
228:
83:
8:
466:
43:
294:, the outermost layer is held on with only a few threads; stage assistants called
461:
159:
455:
167:
144:
39:
237:"; he performed it for the 5,000th time in 2000, playing the role of
21:
358:
155:
238:
336:
Refers to a number of different special effects involving water.
297:
151:
222:
148:
170:, who refers to them as keren (playing to the gallery)".
422:
Refers to the dramatic destruction of on-stage edifices.
380:
374:
368:
362:
315:, dances in which a single actor plays multiple roles.
310:
304:
295:
232:
220:
175:
453:
389:
340:
319:
280:
245:
185:
111:
396:
347:
326:
287:
252:
192:
120:
48:introducing citations to additional sources
402:
258:
198:
126:
173:
38:Relevant discussion may be found on the
454:
373:refers to the traps moving upward and
439:
15:
13:
444:. Oxford: Oxford University Press.
14:
483:
387:
31:relies largely or entirely on a
20:
433:
1:
426:
412:pulling down a festival float
243:
231:is often called "the king of
7:
390:
381:
375:
369:
363:
341:
320:
311:
305:
296:
281:
246:
233:
221:
186:
176:
112:
10:
488:
472:Japanese words and phrases
317:
183:
397:
348:
327:
288:
253:
193:
121:
338:
162:, and other equipment.
154:theater, making use of
440:Ernst, Earle (1956).
229:Ichikawa Ennosuke III
357:Refers to the stage
44:improve this article
59:"Keren" kabuki
442:The Kabuki Theatre
174:Primary forms of
109:
108:
94:
479:
446:
445:
437:
418:
416:
413:
410:
407:
404:
400:
399:
393:
384:
378:
372:
366:
353:
351:
350:
344:
332:
330:
329:
323:
314:
308:
301:
293:
291:
290:
284:
274:
272:
269:
266:
263:
260:
256:
255:
249:
236:
226:
214:
212:
209:
206:
203:
200:
196:
195:
189:
179:
160:revolving stages
142:
140:
137:
134:
131:
128:
124:
123:
117:
104:
101:
95:
93:
52:
24:
16:
487:
486:
482:
481:
480:
478:
477:
476:
452:
451:
450:
449:
438:
434:
429:
419:
414:
411:
408:
405:
394:
354:
345:
333:
324:
285:
275:
270:
267:
264:
261:
250:
215:
210:
207:
204:
201:
190:
181:
147:tricks used in
138:
135:
132:
129:
118:
105:
99:
96:
53:
51:
37:
25:
12:
11:
5:
485:
475:
474:
469:
464:
448:
447:
431:
430:
428:
425:
424:
423:
420:
388:
386:
355:
339:
337:
334:
318:
316:
276:
244:
242:
216:
208:mid-air riding
184:
180:
172:
107:
106:
42:. Please help
28:
26:
19:
9:
6:
4:
3:
2:
484:
473:
470:
468:
465:
463:
460:
459:
457:
443:
436:
432:
421:
392:
391:Yatai kuzushi
383:
377:
371:
365:
360:
356:
343:
335:
322:
313:
307:
300:
299:
283:
277:
248:
240:
235:
230:
225:
224:
217:
188:
182:
178:
171:
169:
163:
161:
157:
153:
150:
146:
136:outside party
116:
115:
103:
92:
89:
85:
82:
78:
75:
71:
68:
64:
61: –
60:
56:
55:Find sources:
49:
45:
41:
35:
34:
33:single source
29:This article
27:
23:
18:
17:
441:
435:
268:quick change
164:
113:
110:
100:January 2010
97:
87:
80:
73:
66:
54:
30:
168:connoisseur
467:Stagecraft
456:Categories
427:References
382:serioroshi
306:Hayagawari
247:Hayagawari
145:stagecraft
70:newspapers
364:Seridashi
312:hengemono
156:trapdoors
40:talk page
376:serisage
282:hikinuki
149:Japanese
122:外連 (ケレン)
406:
370:seriage
321:Honmizu
262:
239:Guan Yu
234:chūnori
202:
187:Chūnori
166:Kabuki
130:
84:scholar
462:Kabuki
298:kuroko
152:kabuki
86:
79:
72:
65:
57:
359:traps
223:tengu
177:keren
114:Keren
91:JSTOR
77:books
403:lit.
398:屋台崩し
342:Seri
259:lit.
199:lit.
143:are
127:lit.
63:news
379:or
367:or
254:早替り
194:宙乗り
46:by
458::
401:,
328:本水
289:引抜
257:,
227:.
197:,
158:,
125:,
417:)
415:'
409:'
395:(
352:)
349:迫
346:(
331:)
325:(
292:)
286:(
273:)
271:'
265:'
251:(
241:.
213:)
211:'
205:'
191:(
141:)
139:'
133:'
119:(
102:)
98:(
88:·
81:·
74:·
67:·
50:.
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
