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Kenjiro Ezaki

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After his return to Japan Kenjiro Ezaki founded his own electronic music studio and was a member of a composer group called "Group Design" which focused on electronic and computer music. Other members of this group were
428: 162: 339: 158: 166: 418: 398: 145:. During his early years he received two composition awards: The first prize at Music Composition of Japan in 1956 and a first prize at the 170: 433: 142: 403: 388: 413: 408: 393: 438: 423: 299:
Slonimsky, Nicolas & Laura Diane Kuhn (2001): Baker's Biographical Dictionary of Musicians. New York: Schirmer Books.
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for chorus and six instruments, for mixed chorus and flute, clarinet, bassoon, violin, cello and percussion (1962)
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Ezaki composed the first known Japanese fully computer-based composition, which was premiered at the
340:"Zur Situation der Computer Musik in Japan. Decime E Mitteilung 10, Technische Universitaet Berlin" 309: 383: 138: 134: 90: 85: 8: 308:
Suntory Foundation (Ed., 2006): Works by Japanese Composers 2005-2006. Can be found at
77: 51: 174: 130: 106: 55: 82: 110: 377: 365: 181: 173:, a circle of Japanese composers of avantgarde music that was founded by 321: 207:
by the system of mobile Configuration for Full Orchestra (1964 )
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for female voice (女声のためのディスクレション), for soprano and piano (1961)
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http://www.suntory.com/sfa/music/publication/pdf/list2006.pdf
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Music for guitar and electronic sound (ギターと電子音のための音楽)(1967)
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Instruments, for soprano, tenor, bass and percussion (1961)
146: 322:"国際現代音楽協会(Iscm) | 特定非営利活動法人日本現代音楽協会(国際現代音楽協会日本支部)" 279:(三声と打楽器のための動く鼓動) for three voices and percussion (1965) 258:
for three voices for soprano, tenor and baritone (1960)
375: 213:for Full Orchestra by the Modified System (1964) 364:website of the composer Hifumi Shimoyama, see: 149:World Music Days in 1962 where his composition 94: 366:http://shimo123.music.coocan.jp/text1.html 333: 331: 228:for flute, clarinet, oboe and piano (1964) 143:Columbia-Princeton Electronic Music Center 429:Japanese contemporary classical composers 337: 328: 376: 264:for three voices and percussion (1960) 419:21st-century Japanese male musicians 399:20th-century Japanese male musicians 13: 219:for violin, viola and cello (1962) 14: 450: 434:Japanese male classical composers 133:in Tokyo from 1953 to 1957 under 404:21st-century classical composers 389:20th-century classical composers 414:21st-century Japanese musicians 409:21st-century Japanese composers 394:20th-century Japanese composers 191: 358: 314: 302: 293: 1: 439:Taiwanese classical composers 286: 197:Symphonic poem for orchestra 169:. Ezaki was also a member of 424:Japanese classical composers 116: 105:, especially famous for his 103:contemporary classical music 7: 338:Shimatzu, Takehito (1993). 95: 10: 455: 121:Kenjiro Ezaki was born in 101:is a Japanese composer of 81: 62: 37: 30: 23: 31: 99:, born 27 October 1926) 129:). He studied at the 139:Vladimir Ussachevsky 135:Yoritsune Matsudaira 252:for soprano (1962) 240:for guitar (1964) 222:Piano trio (1964) 70: 69: 52:Tainan Prefecture 16:Japanese composer 446: 368: 362: 356: 355: 353: 351: 342:. Archived from 335: 326: 325: 318: 312: 306: 300: 297: 199:Japanese scenery 175:Hifumi Shimoyama 163:Satoshi Sumitani 137:and later under 131:Nihon University 107:electronic music 100: 98: 88: 47: 45: 21: 20: 454: 453: 449: 448: 447: 445: 444: 443: 374: 373: 372: 371: 363: 359: 349: 347: 346:on 4 March 2016 336: 329: 320: 319: 315: 307: 303: 298: 294: 289: 194: 119: 75: 58: 56:Japanese Taiwan 49: 48:27 October 1926 43: 41: 33: 26: 17: 12: 11: 5: 452: 442: 441: 436: 431: 426: 421: 416: 411: 406: 401: 396: 391: 386: 370: 369: 357: 327: 324:. 16 May 2011. 313: 301: 291: 290: 288: 285: 284: 283: 280: 274: 268: 265: 259: 253: 247: 241: 235: 229: 223: 220: 214: 208: 202: 193: 190: 153:was performed 118: 115: 111:computer music 68: 67: 64: 60: 59: 50: 39: 35: 34: 28: 27: 24: 15: 9: 6: 4: 3: 2: 451: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 415: 412: 410: 407: 405: 402: 400: 397: 395: 392: 390: 387: 385: 382: 381: 379: 367: 361: 345: 341: 334: 332: 323: 317: 311: 305: 296: 292: 281: 278: 277:Moving Pulses 275: 272: 269: 266: 263: 260: 257: 254: 251: 248: 245: 242: 239: 236: 233: 232:Composition 5 230: 227: 224: 221: 218: 215: 212: 209: 206: 203: 200: 196: 195: 189: 187: 183: 178: 176: 172: 168: 164: 160: 159:Norihiko Wada 154: 152: 148: 144: 140: 136: 132: 128: 124: 114: 112: 108: 104: 97: 96:Ezaki Kenjiro 92: 87: 84: 79: 74: 73:Kenjiro Ezaki 65: 61: 57: 53: 40: 36: 29: 25:Kenjiro Ezaki 22: 19: 360: 348:. Retrieved 344:the original 316: 304: 295: 276: 270: 261: 255: 250:Discretation 249: 243: 237: 231: 225: 216: 210: 204: 198: 192:Compositions 179: 167:Komei Hayama 155: 150: 120: 72: 71: 18: 384:1926 births 350:28 February 226:Pharos No.2 378:Categories 287:References 256:Concretion 244:Discretion 217:Concretion 171:GROUP 20.5 63:Occupation 44:1926-10-27 271:Dim Light 117:Biography 182:Expo '70 78:Japanese 66:composer 262:Beating 205:Presage 151:Beating 141:at the 91:Hepburn 238:Nodule 201:(1958) 165:, and 127:Taiwan 123:Tainan 32:江崎 健次郎 186:Osaka 352:2018 211:Omen 147:ISCM 109:and 38:Born 184:in 86:健次郎 380:: 330:^ 188:. 177:. 161:, 113:. 93:: 89:, 83:江崎 80:: 54:, 354:. 125:( 76:( 46:) 42:(

Index

Tainan Prefecture
Japanese Taiwan
Japanese
江崎
健次郎
Hepburn
contemporary classical music
electronic music
computer music
Tainan
Taiwan
Nihon University
Yoritsune Matsudaira
Vladimir Ussachevsky
Columbia-Princeton Electronic Music Center
ISCM
Norihiko Wada
Satoshi Sumitani
Komei Hayama
GROUP 20.5
Hifumi Shimoyama
Expo '70
Osaka
http://www.suntory.com/sfa/music/publication/pdf/list2006.pdf
"国際現代音楽協会(Iscm) | 特定非営利活動法人日本現代音楽協会(国際現代音楽協会日本支部)"


"Zur Situation der Computer Musik in Japan. Decime E Mitteilung 10, Technische Universitaet Berlin"
the original
http://shimo123.music.coocan.jp/text1.html

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