638:. Reichardt has called her films "just glimpses of people passing through". She also recognizes her style as minimalist, saying, "A movie is a series of reveals, essentially, and then you're supposed to sit in a room and tell someone what it all means. That goes against everything that I just worked for, so I have no interest in summing it all up. It's all out there". Her films' realist tendencies position them in line with Matthew Flanagan's idea of slow cinema. Their long takes, minimal dialogue and minimalist action are all characteristics of slow cinema that allow the audience time for contemplation. This style may also be in response to more mainstream films; Reichardt has said, "when I go to the movies and I sit through the previews, I literally feel assaulted."
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old film when the music rises up and the words come at you: The End. But it would seem absurd to do that at the end of one of my films. It would just make them feel lopsided, because they're all so short, they cover so little time. We don't know where these people were before. We spent a week with them and then on they went". She has also said that she enjoys films that let the audience find their own way in and come to their own conclusions.
272:. Reichardt then had trouble making another feature film, saying, "I had 10 years from the mid-1990s when I couldn't get a movie made. It had a lot to do with being a woman. That's definitely a factor in raising money. During that time, it was impossible to get anything going, so I just said, 'Fuck you!' and did
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Reichardt's films contain feminist ideas in both style and content, rejecting mainstream commercial filmmaking methods and focusing on gender (most have female lead characters), but she rejects the label "feminist filmmaker". She rejects mainstream methods by using small budgets, filming on location
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has called her films "a mesmerizing statement on the solitude of everyday life for working-class people who want something better. They're trapped between a mythology of greatness and the personal limitations that govern their drab realities. By attending to atmosphere and attitude as much as plot,
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Reichardt's films often focus on characters on the margins of society, who are not usually represented on screen, or who are seeking a better quality of life and place in the world. She is interested in characters "who don't have a net, who if you sneezed on them, their world would fall apart". Her
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s lost pioneers, forever strung between triumph and disaster. These films do not so much resolve as dissolve. They leave us dangling, forced to write their third acts in our heads". Reichardt has said, "Maybe I'm suspicious of absolutes. I mean, yes, there is something satisfying about watching an
669:, she said, "Here was the story of this braggart leading a bunch of people into the desert without a plan and becoming completely reliant on the locals who are socially different from him and who he is suspicious of. All of which seemed relevant to the moment" (in reference to the
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has more overt political references. The three protagonists are radical environmentalists, and the film is set in Oregon, a state with many notable instances of environmental protest, particularly against its lumber industry and in defense of the
717:, which stars two men and was spoken about at festivals as an LGBT film, the theme of male friendship is highlighted and addressed through feminized qualities of sensitivity and vulnerability rarely seen in mainstream Hollywood cinema. In
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also reflects the economic hardships that affected millions of
Americans (particularly women, whom the film suggests are affected more than men) as a result of the high costs and collateral damage from the war. Reichardt's 2013 film
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is also divided into episodes. Reichardt's realism and camera angles reject the objectification of bodies and challenge audience expectations by lingering on seemingly insignificant images after characters have left a scene.
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praises how "Reichardt’s delicate touch is such that it creates room for an interpretative flexibility. The film’s pauses in dialogue and the unseen spaces between scenes breathe with palpable, mysterious life."
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Most of
Reichardt's films are regarded by critics to be part of the minimalist movement in films, though Reichardt sees a difference between her work and the movement as a whole.
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as part of a new
American Independent cinema he termed "Neo-Neo Realism", primarily due to its thematic and aesthetic similarity to classic Italian neorealist films such as
219:, Florida. She developed a passion for photography when she was young. Her parents were law enforcement officers who separated when she was young. She earned her MFA at the
729:'s male protagonist, and the film's environmental storyline reflects eco-feminist values. Reichardt also diverges from the mainstream with her films' avant-garde content.
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Reichardt's films have received positive reviews from critics, with all of them above 80% on the film reviews aggregator website Rotten
Tomatoes, with the highest being
2388:"Telluride Film Festival: 'Ford V Ferrari', 'Judy', 'Motherless Brooklyn', Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition – Full List"
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3120:"Independent Spirit Awards Redresses Female Balance With Wins For Lulu Wang, Olivia Wilde & Julia Reichert – Complete Winners List"
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Critics have noted that
Reichardt's films often have ambiguous endings that leave the audience hanging and unsatisfied. Xan Brooks of
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3176:"Film Independent Spirit Awards: 'Never Rarely Sometimes Always', 'Minari', 'Ma Rainey's Black Bottom', 'Nomadland' Top Nominations"
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star. Sony
Pictures Worldwide Acquisitions (SPWA) bought the rights to distribution. The film premiered on January 24, 2016, at the
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Reichardt has quietly become one of the country's best chroniclers of the
American experience". In his contemporary review of
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Acclaimed
Filmmaker, Bard College Faculty Member Kelly Reichardt to Join Jury at Cannes Film Festival - Bard College
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3260:[Locarno 2022: Brad Pitt and Sophie Marceau in selection, Matt Dillon honored by the Festival titles].
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11th annual Spirit Awards ceremony hosted by Samuel L. Jackson - full show (1996) | Film
Independent on YouTube
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3284:"Spirit Awards 2024 Nominations List: 'Past Lives,' 'May December,' 'American Fiction' Lead with 5 Noms Each"
2224:"With rugged feminist piece 'Certain Women,' Kelly Reichardt shows why she's the last indie purist (for now)"
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to a limited number of theaters in March 2020, the film was pulled from distribution due to the onset of the
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films tackle aspects of the
American experience the commercial film industry seldom explores. Eric Kohn of
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2445:"'Showing Up,' filmed in Portland and starring Michelle Williams, to compete in 2022 Cannes Film Festival"
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3148:"USC Scripter Awards Nominees Include 'Nomadland', 'One Night In Miami', 'Queen's Gambit', 'Unorthodox'"
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2805:"'First Cow': Kelly Reichardt's Follow-Up to 'Certain Women' Is a Period Piece Set in Oregon and China"
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305:, in 2004. In these two films, critics have noted that she subtly makes clear her displeasure with the
2615:"Kelly Reichardt Is One of the Best Filmmakers in America, and We Don't Appreciate Her Enough — NYFF"
1912:"Kelly Reichardt Is One of the Best Filmmakers in America, and We Don't Appreciate Her Enough — NYFF"
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512:, which might be shot outside of the U.S. In October 2018, it was announced that Reichardt had put
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3258:"Locarno 2022 : Brad Pitt et Sophie Marceau en sélection, Matt Dillon honoré par le Festival"
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2414:"'First Cow' Will Head to VOD, and Kelly Reichardt Reconsiders Her Film's Resonance — Exclusive"
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2973:"Spirit Awards Nominations: 'Moonlight', 'American Honey', 'Manchester' & 'Jackie' Rally"
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In October 2016, Reichardt revealed that on her next film she would collaborate with author
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Reichardt's films often contain references to modern times and political events. Of
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2741:"American Lands Alliance - Protecting and Restoring our National Forests - Issues"
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Reichardt's films have often been called minimalist and realist, with film critic
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Reichardt is an Artist-in-Residence in the Film and Electronic Arts program at
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Broken American Dreams: The Films of Kelly Reichardt | The Vice Guide to Film
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3061:"Film nominees for the 26th annual Critics Choice Awards have been announced"
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San Francisco Bay Area Film Critics Circle Award for Best Adapted Screenplay
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uses the examples of "wonky Kurt, left wandering city streets at the end of
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2184:"Kelly Reichardt's New Film Lands At Sony Pictures Worldwide Acquisitions"
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2501:"Kelly Reichardt: 'My films are just glimpses of people passing through'"
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1880:"Kelly Reichardt: 'Faster, faster, faster – we all want things faster'"
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20 Slow Films From This Century That Reward Patience — Taste of Cinema
610:. The film was released by A24 in the United States on April 7, 2023.
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157:(1994) and subsequently directed a series of films set and filmed in
2243:"'Certain Women' Director Kelly Reichardt Discusses Her Latest Film"
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537:(both 95%). Her films have not been big box-office successes, with
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3095:. Independent Filmmaker Project. November 12, 2020. Archived from
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with Williams in the lead role as a sculptor. It premiered at the
573:. It was Reichardt's return to films set in Oregon after shooting
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2471:"'Showing Up' is a rare glimpse of an artist at (very hard) work"
2342:. John Simon Guggenheim Memorial Foundation. 2014. Archived from
2264:"Kelly Reichardt Sets 'Certain Women' Follow-Up with 'First Cow'"
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3354:"A completely false security: an interview with Kelly Reichardt"
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The Douglas Edwards Experimental/Independent Film/Video Award
2946:"60th BFI London Film Festival announces 2016 awards winners"
2202:"60th BFI London Film Festival announces 2016 awards winners"
2146:"Meek's Cutoff and Post Mortem shine at Venice film festival"
2028:"Kelly Reichardt • Great Director profile • Senses of Cinema"
419:. It was nominated for Best Film and Best Female Lead at the
216:
2779:"'Certain Women' director on working with Michelle Williams"
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3033:"The Awards of the 70th Berlin International Film Festival"
2526:"Director Kelly Reichardt explores idealism in Night Moves"
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D'Alessandro, Anthony; Blyth, Antonia (February 8, 2020).
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portray two friends who reunite for a camping trip to the
3341:"The Quiet Menace of Kelly Reichardt's Feminist Westerns"
2921:"'Moonlight' Sweeps the Gotham Awards, Winning Best Film"
2589:"The Quiet Menace of Kelly Reichardt's Feminist Westerns"
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on hold and would instead reunite with Raymond to direct
3376:"An interview with Kelly Reichardt, director of Old Joy"
3001:"2020 Austin Film Critics Association Award Nominations"
2165:"Kristen Stewart Joins Kelly Reichardt's Montana Drama"
725:'s character serves as a strong female counterpoint to
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Fusco, Katherine; Seymour, Nicole (December 1, 2017).
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Viennale – Vienna International Film Festival 2020,
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3387:Fusco, Katherine; Seymour, Nicole (December 2017).
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733:segments the narrative into numbered sections, and
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3203:"'Belfast,' 'Boiling Point' Lead BIFA Nominations"
3093:"Nominations Announced for 30th IFP Gotham Awards"
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246:was released in 1994. It was nominated for three
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704:, hapless Wendy, still looking for Alaska, or
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3389:"Kelly Reichardt: Emergency and the Everyday"
2898:"67th Venice Film Festival Collateral Awards"
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1998:
1996:
1787:Kelly Reichardt (Contemporary Film Directors)
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433:also starring Williams. It competed for the
279:In 1999, Reichardt completed the short film
185:(2013). In 2016, she wrote and directed the
2971:D'Alessandro, Anthony (November 22, 2016).
1177:Los Angeles Film Critics Association Awards
221:School of the Museum of Fine Arts in Boston
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151:Reichardt made her feature film debut with
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1785:Seymour, Nicole; Fusco, Katherine (2017).
491:. Reichardt won the top award at the 2016
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215:Reichardt was born in 1964 and raised in
3315:10.3366/edinburgh/9781474411127.001.0001
3229:"The winners of the 47th César ceremony"
2918:
2107:"Kelly Reichardt: An in-depth interview"
236:1994–2006: Feature debut and other works
148:characters in small, rural communities.
3374:Rodriguez-Ortega, Vicente (Fall 2006).
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2707:Chemical & Engineering News Archive
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2082:10.5622/illinois/9780252041242.001.0001
1836:United States Public Records, 1970-2009
1547:Chicago Film Critics Association Awards
571:70th Berlin International Film Festival
452:70th Venice International Film Festival
439:67th Venice International Film Festival
16:American film director and screenwriter
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2803:Nordine, Michelle (October 31, 2018).
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2204:(Press release). BFI. October 17, 2016
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1498:Austin Film Critics Association Awards
541:the most successful at $ 1.1 million.
293:. Next she made two more short films,
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3303:ReFocus: The Films of Kelly Reichardt
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2919:Setoodeh, Ramin (November 28, 2016).
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1940:"Where to begin with Kelly Reichardt"
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373:Rotterdam International Film Festival
3352:Wigon, Zachary (December 12, 2008).
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3256:Desroches, Thomas (August 1, 2022).
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1770:James Lattimer, Eva Sangiorgi, ed.,
369:Los Angeles Film Critics Association
323:, a close friend of Reichardt, made
3746:21st-century American women writers
3736:20th-century American women writers
3634:Charlie Wachtel, David Rabinowitz,
3339:Gregory, Alice (October 14, 2016).
3146:Hipes, Patrick (January 26, 2021).
2587:Gregory, Alice (October 14, 2016).
2241:Tauer, Kristen (October 14, 2016).
1962:
1952:from the original on April 6, 2019.
1851:Hudson, D.W. (September 22, 2008).
1663:Best International Independent Film
1256:Chicago International Film Festival
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469:Both Ways is the Only Way I Want It
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3174:Lewis, Hilary (January 26, 2021).
3069:. February 8, 2021. Archived from
2904:. November 9, 2010. Archived from
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2182:Mike Fleming Jr (April 16, 2015).
2163:McNary, Dave (February 27, 2015).
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2007:
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1513:Berlin International Film Festival
1460:Alliance of Women Film Journalists
1367:Alliance of Women Film Journalists
1340:Venice International Film Festival
1307:Alliance of Women Film Journalists
1272:Venice International Film Festival
1211:Alliance of Women Film Journalists
250:, and the Grand Jury Prize at the
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2999:Partridge, Jon (March 12, 2021).
2828:Mathieson, Craig (May 31, 2011).
2701:Johnson, Jeff (August 13, 2007).
2386:Hammond, Pete (August 29, 2019).
2262:Raup, Jordan (October 31, 2018).
1855:. GreenCine Daily. Archived from
1481:Best Writing, Adapted Screenplay
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76:School of the Museum of Fine Arts
2842:from the original on May 9, 2019
2830:"Retrospective: Kelly Reichardt"
2639:Schager, Nick (March 14, 2006).
2469:Chang, Justin (April 14, 2023).
2076:. University of Illinois Press.
1938:Brown, Sophie (March 14, 2017).
1878:Smith, Nigel M (March 1, 2017).
1789:. University of Illinois Press.
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3207:British Independent Film Awards
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3006:Austin Film Critics Association
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2743:. June 13, 2007. Archived from
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2499:Brooks, Xan (August 21, 2014).
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2105:Woods, Simon (August 3, 2020).
1910:Kohn, Eric (October 13, 2016).
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467:'s 2009 short-story collection
3237:(in French). February 26, 2022
2613:Kohn, Eric (October 3, 2016).
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1740:39th Independent Spirit Awards
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1397:Gotham Independent Film Awards
1322:Gotham Independent Film Awards
1153:Gotham Independent Film Awards
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506:on an adaptation of his novel
450:debuted in competition at the
381:2007 Independent Spirit Awards
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3741:20th-century American writers
3701:American women film directors
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522:, an adaptation of his novel
3696:American women screenwriters
2556:The films of Kelly Reichardt
2443:Turnquist (April 17, 2022).
2412:Kohn, Eric (June 29, 2020).
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563:2019 Telluride Film Festival
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3721:Film directors from Florida
2703:"House Passes Energy Bills"
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1772:Textur #2: Kelly Reichardt.
1090:Grand Jury Prize: Dramatic
567:2019 New York Film Festival
397:2008–2016: Critical acclaim
90:Film director, screenwriter
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3731:Screenwriters from Florida
3307:Edinburgh University Press
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3066:Critics Choice Association
2314:"Faculty: Kelly Reichardt"
1719:75th Locarno Film Festival
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444:In 2013, Reichardt's film
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2719:10.1021/cen-v085n033.p013
1695:2022 Cannes Film Festival
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1641:Independent Spirit Awards
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1193:Independent Spirit Awards
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1111:Independent Spirit Awards
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421:Independent Spirit Awards
248:Independent Spirit Awards
179:(2010); and the thriller
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3756:American women academics
1388:Best Woman Screenwriter
1232:Best Woman Screenwriter
577:in Montana. Released by
309:and its handling of the
211:Early life and education
3305:. Edinburgh, Scotland:
1840:(subscription required)
1564:Best Adapted Screenplay
1535:Best Adapted Screenplay
1139:Someone to Watch Award
592:Reichardt's next film,
301:, which deals with the
240:Reichardt's debut film
3301:Hall, E. Dawn (2018).
3181:The Hollywood Reporter
2950:British Film Institute
2554:Hall, E. Dawn (2018).
2293:www.rottentomatoes.com
1945:British Film Institute
1853:"NYFF: Wendy and Lucy"
1530:Critics' Choice Awards
1086:Sundance Film Festival
561:(2019) debuted at the
489:Sundance Film Festival
415:buzz for lead actress
377:Sarasota Film Festival
355:and singer-songwriter
252:Sundance Film Festival
1924:on December 25, 2016.
1198:John Cassavetes Award
1128:Best First Screenplay
3706:Bard College faculty
3611:Paul Thomas Anderson
2817:on November 3, 2018.
2678:"Night Moves (2013)"
1723:Pardo d'onore Manor
1489:Best Woman Director
1422:London Film Festival
1371:Best Woman Director
1311:Best Woman Director
1241:Cannes Film Festival
1215:Best Woman Director
689:Northern Spotted Owl
589:title in June 2020.
514:Undermajordomo Minor
509:Undermajordomo Minor
493:London Film Festival
173:(2008); the Western
3286:. December 5, 2023.
3099:on December 8, 2020
3073:on February 8, 2021
2647:. slantmagazine.com
2230:. October 21, 2016.
1745:Robert Altman Award
401:For her next film,
307:Bush administration
3726:Writers from Miami
3426:Films directed by
3209:. November 3, 2021
3125:Deadline Hollywood
2978:Deadline Hollywood
2952:. October 17, 2016
2593:The New York Times
2248:Women's Wear Daily
2055:, pp. 36, 42.
2032:sensesofcinema.com
1619:USC Scripter Award
1116:Best First Feature
3683:
3682:
3506:
3505:
3324:978-1-474-41113-4
3013:on March 12, 2021
2948:(Press release).
2908:on June 23, 2011.
2641:"Review: Old Joy"
2340:"Kelly Reichardt"
2289:"Kelly Reichardt"
2228:Los Angeles Times
2134:, pp. 45–47.
2091:978-0-252-04124-2
1965:"Kelly Reichardt"
1780:978-3-901770-49 4
1762:
1761:
1683:Best Foreign Film
1678:47th César Awards
1605:The Bonnie Award
1246:Un Certain Regard
1050:
1049:
956:
955:
743:Michelle Williams
583:COVID-19 pandemic
473:Michelle Williams
457:Reichardt's film
417:Michelle Williams
365:Bagby Hot Springs
339:Pacific Northwest
276:shorts instead."
269:The Village Voice
102:
101:
95:Years active
37:Reichardt in 2020
3763:
3656:Jonathan Raymond
3589:Bridget O'Connor
3533:
3526:
3519:
3510:
3509:
3420:
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3406:
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3392:
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3089:
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3078:
3057:
3051:
3050:
3048:
3046:
3037:
3029:
3023:
3022:
3020:
3018:
3009:. Archived from
2996:
2990:
2989:
2987:
2985:
2968:
2962:
2961:
2959:
2957:
2942:
2936:
2935:
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2916:
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2876:
2870:
2864:
2858:
2852:
2851:
2849:
2847:
2825:
2819:
2818:
2813:. Archived from
2800:
2794:
2793:
2791:
2789:
2775:
2769:
2763:
2757:
2756:
2754:
2752:
2747:on June 13, 2007
2737:
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2690:
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2604:
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2599:
2584:
2578:
2577:
2551:
2542:
2541:
2539:
2537:
2532:on July 27, 2020
2528:. Archived from
2522:
2516:
2515:
2513:
2511:
2496:
2483:
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2346:on July 28, 2014
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2113:. seventhrow.com
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2005:
2000:
1991:
1986:
1980:
1979:
1977:
1975:
1960:
1954:
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1926:
1925:
1920:. Archived from
1907:
1901:
1896:
1890:
1889:
1875:
1869:
1868:
1866:
1864:
1859:on June 25, 2013
1848:
1842:
1841:
1832:
1800:
1077:
1057:
1056:
983:
963:
962:
778:
758:
757:
614:Style and themes
383:for his work on
290:Ode to Billy Joe
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3684:
3679:
3652:Kelly Reichardt
3593:Peter Straughan
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3428:Kelly Reichardt
3424:
3365:Kelly Reichardt
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2320:. June 20, 2014
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2099:
2092:
2073:Kelly Reichardt
2068:
2059:
2051:
2047:
2037:
2035:
2026:
2025:
2008:
2001:
1994:
1987:
1983:
1973:
1971:
1963:College, Bard.
1961:
1957:
1936:
1929:
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1904:
1897:
1893:
1876:
1872:
1862:
1860:
1849:
1845:
1839:
1833:
1829:
1824:
1816:Minimalist film
1807:
1797:
1767:
1591:Best Screenplay
1413:Audience Award
1069:Nominated work
1055:
751:
727:Jesse Eisenberg
616:
587:video on demand
554:
485:Kristen Stewart
399:
297:, in 2001, and
238:
233:
213:
112:
108:
105:Kelly Reichardt
67:
57:
54:
48:
46:
38:
26:
25:Kelly Reichardt
17:
12:
11:
5:
3769:
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3733:
3728:
3723:
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3708:
3703:
3698:
3681:
3680:
3678:
3677:
3674:Cord Jefferson
3671:
3665:
3659:
3649:
3643:
3636:Kevin Willmott
3632:
3626:
3623:Eric Heisserer
3620:
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3456:Wendy and Lucy
3452:
3444:
3440:River of Grass
3435:
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3431:
3423:
3422:
3415:
3408:
3400:
3394:
3393:
3384:
3371:
3362:
3349:
3345:New York Times
3334:
3333:External links
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2911:
2902:labiennale.org
2889:
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2645:Slant Magazine
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2268:The Film Stage
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2034:. May 21, 2002
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1502:Best Director
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1464:Best Director
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731:River of Grass
723:Dakota Fanning
706:Meek's Cutoff'
679:Wendy and Lucy
675:George W. Bush
655:Slant Magazine
629:Rome Open City
624:Wendy and Lucy
615:
612:
553:
550:
531:River of Grass
504:Patrick DeWitt
481:Lily Gladstone
404:Wendy and Lucy
398:
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285:Herman Raucher
243:River of Grass
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154:River of Grass
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3480:Certain Women
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3464:Meek's Cutoff
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2899:
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2887:, p. 16.
2886:
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1552:Best Director
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1376:Certain Women
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1295:SIGNIS Award
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1283:Meek's Cutoff
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853:Meek's Cutoff
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585:and became a
584:
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575:Certain Women
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539:Certain Women
536:
532:
527:
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524:The Half-Life
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497:Certain Women
494:
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460:Certain Women
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426:Meek's Cutoff
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390:Paranoid Park
386:
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353:Daniel London
350:
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192:Certain Women
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177:
176:Meek's Cutoff
172:
171:
166:
165:
161:: the dramas
160:
156:
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146:working-class
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87:Occupation(s)
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61:
55:(age 60)
53:March 3, 1964
45:
41:
34:
29:
22:
19:
3668:Sarah Polley
3662:Jane Campion
3651:
3599:Tony Kushner
3583:Aaron Sorkin
3573:Wes Anderson
3567:Peter Morgan
3561:Sarah Polley
3555:Tom Perrotta
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3380:Reverse Shot
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3278:
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3261:
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3234:Vogue France
3232:
3223:
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3206:
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3179:
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3123:
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3097:the original
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3064:
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3011:the original
3004:
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2984:November 22,
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2924:
2914:
2906:the original
2901:
2892:
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2833:
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2815:the original
2808:
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2788:November 17,
2786:. Retrieved
2782:
2773:
2768:, p. 3.
2761:
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2745:the original
2735:
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2706:
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2681:
2672:
2661:
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2644:
2634:
2624:November 17,
2622:. Retrieved
2618:
2608:
2598:November 17,
2596:. Retrieved
2592:
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2555:
2536:November 17,
2534:. Retrieved
2530:the original
2520:
2510:November 17,
2508:. Retrieved
2505:the Guardian
2504:
2475:. Retrieved
2464:
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2417:
2407:
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2391:
2381:
2371:February 26,
2369:. Retrieved
2360:
2348:. Retrieved
2344:the original
2334:
2322:. Retrieved
2318:Bard College
2308:
2298:November 17,
2296:. Retrieved
2292:
2283:
2273:November 25,
2271:. Retrieved
2267:
2257:
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2236:
2227:
2218:
2206:. Retrieved
2196:
2187:
2177:
2168:
2158:
2150:The Guardian
2149:
2139:
2127:
2115:. Retrieved
2110:
2100:
2072:
2048:
2038:November 17,
2036:. Retrieved
2031:
1984:
1974:November 10,
1972:. Retrieved
1969:www.bard.edu
1968:
1958:
1943:
1922:the original
1915:
1905:
1894:
1885:The Guardian
1883:
1873:
1861:. Retrieved
1857:the original
1846:
1830:
1786:
1771:
1765:Bibliography
1750:
1705:
1623:
1579:Best Feature
1467:
1402:Best Feature
1374:
1349:
1327:Best Feature
1281:
1218:
1162:
1158:Best Feature
1093:
1063:Institution
1033:
1012:
991:
958:
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937:
914:
893:
872:
851:
830:
809:
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711:
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697:The Guardian
695:
693:
683:
678:
666:
664:
659:Nick Schager
650:
643:
640:
633:
627:
623:
617:
594:
591:
574:
556:
555:
552:2019–present
546:Bard College
543:
538:
534:
530:
528:
523:
517:
513:
507:
501:
496:
468:
463:is based on
458:
456:
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402:
400:
388:
384:
348:
342:
324:
318:
315:
298:
294:
288:
280:
278:
267:
263:Film Comment
261:
257:Boston Globe
255:
241:
239:
227:since 2006.
225:Bard College
214:
202:
201:(2019), and
196:
190:
180:
174:
168:
162:
152:
150:
104:
103:
98:1994–present
18:
3716:1964 births
3629:James Ivory
3617:Nick Hornby
3605:John Ridley
3472:Night Moves
3264:(in French)
3213:November 4,
3187:January 26,
3159:January 28,
3131:February 8,
3103:December 6,
3077:February 8,
2956:October 18,
2783:am New York
2751:December 4,
2687:December 4,
2477:November 9,
2208:October 18,
2111:Seventh Row
1518:Golden Bear
1351:Night Moves
1345:Golden Lion
1277:Golden Lion
1013:Then a Year
874:Night Moves
749:Filmography
719:Night Moves
684:Night Moves
622:describing
620:A. O. Scott
465:Maile Meloy
447:Night Moves
435:Golden Lion
357:Will Oldham
331:Jon Raymond
321:Todd Haynes
295:Then a Year
283:, based on
231:Film career
189:-set drama
182:Night Moves
167:(2006) and
142:slow cinema
3690:Categories
3551:Todd Field
3496:Showing Up
3268:August 11,
2930:October 6,
2713:(33): 13.
2574:1054396795
2449:oregonlive
1822:References
1751:Showing Up
1711:Nominated
1706:Showing Up
1700:Palme d'Or
1687:Nominated
1667:Nominated
1650:Nominated
1630:Nominated
1595:Nominated
1583:Nominated
1568:Nominated
1556:Nominated
1539:Nominated
1522:Nominated
1505:Nominated
1492:Nominated
1484:Nominated
1474:Nominated
1449:Nominated
1426:Best Film
1416:Nominated
1406:Nominated
1381:Nominated
1356:Nominated
1331:Nominated
1314:Nominated
1288:Nominated
1263:Nominated
1250:Nominated
1235:Nominated
1225:Nominated
1202:Nominated
1169:Nominated
1142:Nominated
1132:Nominated
1120:Nominated
1100:Nominated
959:Short film
939:Showing Up
608:Palme d'Or
595:Showing Up
477:Laura Dern
409:Livability
349:Livability
204:Showing Up
138:minimalist
49:1964-03-03
3640:Spike Lee
3488:First Cow
3241:April 15,
3040:Berlinale
2885:Hall 2018
2873:Hall 2018
2861:Hall 2018
2810:Indiewire
2766:Hall 2018
2727:0009-2347
2651:March 19,
2619:IndieWire
2418:IndieWire
2132:Hall 2018
2117:March 19,
2053:Hall 2018
1917:Indiewire
1625:First Cow
1469:First Cow
1066:Category
1053:Accolades
972:Director
916:First Cow
767:Director
645:Indiewire
558:First Cow
535:First Cow
519:First Cow
441:in 2010.
335:Neil Kopp
287:'s novel
198:First Cow
72:Education
3262:Allocine
3153:Deadline
3045:March 1,
2840:Archived
2392:Deadline
2350:July 22,
2324:July 22,
2188:Deadline
1950:Archived
1863:July 22,
1805:See also
1729:Honored
1726:Herself
1608:Herself
671:Iraq War
600:Portland
361:Cascades
311:Iraq War
303:Iraq War
207:(2022).
3448:Old Joy
3295:Sources
3017:May 19,
2925:Variety
2846:May 10,
2454:June 9,
2423:June 9,
2397:June 9,
2169:Variety
1164:Old Joy
1072:Result
975:Writer
811:Old Joy
773:Editor
770:Writer
715:Old Joy
702:Old Joy
651:Old Joy
437:at the
431:Western
385:Old Joy
344:Old Joy
274:Super 8
187:Montana
164:Old Joy
64:Florida
3676:(2023)
3670:(2022)
3664:(2021)
3658:(2020)
3648:(2019)
3642:(2018)
3631:(2017)
3625:(2016)
3619:(2015)
3613:(2014)
3607:(2013)
3601:(2012)
3595:(2011)
3585:(2010)
3579:(2009)
3569:(2008)
3563:(2007)
3557:(2006)
3499:(2022)
3491:(2019)
3483:(2016)
3475:(2013)
3467:(2010)
3459:(2008)
3451:(2006)
3443:(1994)
3321:
2725:
2572:
2562:
2088:
1793:
1778:
1034:Travis
969:Title
764:Title
635:Paisan
483:, and
375:, and
319:After
299:Travis
266:, and
159:Oregon
66:, U.S.
3036:(PDF)
2473:. NPR
1736:2023
1674:2022
1637:2021
1456:2020
1436:2017
1363:2016
1336:2013
1303:2011
1268:2010
1207:2008
1189:2007
1149:2006
1107:1996
1082:1994
1060:Year
1030:2004
1009:2001
988:1999
966:Year
934:2022
911:2019
890:2016
869:2013
848:2010
827:2008
806:2006
783:1994
761:Year
413:Oscar
217:Miami
60:Miami
3654:and
3638:and
3591:and
3575:and
3553:and
3369:IMDb
3358:MUBI
3319:ISBN
3270:2022
3243:2024
3215:2021
3189:2021
3161:2021
3133:2020
3105:2020
3079:2021
3047:2020
3019:2021
2986:2016
2958:2016
2932:2018
2848:2019
2790:2018
2753:2021
2723:ISSN
2689:2021
2682:IMDb
2653:2024
2626:2018
2600:2018
2570:OCLC
2560:ISBN
2538:2018
2512:2018
2479:2023
2456:2023
2425:2023
2399:2023
2373:2023
2352:2014
2326:2014
2300:2018
2275:2018
2210:2016
2119:2024
2086:ISBN
2040:2018
1976:2022
1865:2014
1791:ISBN
1776:ISBN
1756:Won
1611:Won
1429:Won
1391:Won
1298:Won
1184:Won
1076:Ref.
1038:Yes
1017:Yes
1002:Yes
999:Yes
996:Yes
982:Ref.
978:DoP
950:Yes
947:Yes
944:Yes
927:Yes
924:Yes
921:Yes
906:Yes
903:Yes
900:Yes
885:Yes
882:Yes
879:Yes
864:Yes
858:Yes
843:Yes
840:Yes
837:Yes
822:Yes
819:Yes
816:Yes
796:Yes
793:Yes
777:Ref.
754:Film
673:and
632:and
533:and
495:for
429:, a
387:and
363:and
333:and
326:Safe
43:Born
3367:at
3311:doi
2835:SBS
2715:doi
2078:doi
1044:No
1041:No
1023:No
1020:No
992:Ode
861:No
799:No
657:'s
579:A24
281:Ode
126:ɑːr
80:MFA
3692::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
