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Kanhopatra

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330: 403: 567: 610:(1577 – c.1650) uses the example of Kanhopatra and other famous saints who were low in the social caste hierarchy, to illustrate that caste is irrelevant when compared with devotion and merit. Her death and her surrender to Vithoba is regarded as a "great legacy of self respect combined with spiritualism." Kanhopatra is considered unique since she is the only prominent woman in Maharashtra who rose to fame without a traditional family backing. She was born in a household where devotion was unthinkable. She is the only woman Varkari saint, who is not associated with any male Varkari saint, who has no 422:, the patron deity of the Varkaris. She presents herself as a woman deeply devoted to Vithoba, and pleads for him to save her from the unbearable bondage of her profession. Kanhopatra speaks of her humiliation and her banishment from society owing to her profession and social stature. She expresses disgust for the society which adored her as an object of beauty rather than as a human being, and abhorred her for profession. She describes how she has been the object of lustful thoughts. She worries that she was beyond the "scope of God's love". In 33: 263:. Shama suggested that Kanhopatra should visit the Badshah (Muslim king), who will adore her beauty and gift her money and jewelry, but Kanhopatra flatly refused. Traditional tales narrate that Shama wanted Kanhopatra to marry, but Kanhopatra longed to marry a man who was more beautiful than her. Scholar Tara Bhavalkar states that Kanhopatra's marriage was forbidden, as it was not socially acceptable for a daughter of a courtesan to marry. 233: 415:. Most of these verses are autobiographical, with an element of pathos. Her style is described as unadorned by poetic devices, easy to understand, and with a simplicity of expression. According to Deshpande, Kanhopatra's poetry reflects the "awakening of the downtrodden" and the rise of female creative expression, ignited by the sense of gender equality enforced by the Varkari tradition. 326:. Hearing tales of Kanhopatra's beauty, the Badshah ordered her to be his concubine. When she refused, the king sent his men to get her by force. Kanhopatra took refuge in the Vithoba temple. The soldiers of the king besieged the temple and threatened to destroy it if Kanhopatra was not handed over to them. Kanhopatra requested a last meeting with Vithoba before being taken. 304:
Pandharpur. She withdrew from society. Kanhopatra moved into a hut in Pandharpur with Hausa and lived an ascetic's life. She sang and danced at the Vithoba temple, and cleaned it twice a day. She gained the respect of the people, who believed her to be a poor farmer's daughter maddened by the love of Vithoba. In this period, Kanhopatra composed
252:. Shama was uncertain about the identity of Kanhopatra's father, but suspected that it was the town's head-man Sadashiva Malagujar. Kanhopatra spent her childhood in the palatial house of her mother, served by several maids, but because of her mother's profession, Kanhopatra's social status was demeaningly low. 283:
In some legends, Hausa—described as a Varkari—is credited for Kanhopatra's journey to devotion. Other accounts credit the Varkari pilgrims who passed Kanhopatra's house on their way to the temple of Vithoba in Pandharpur. According to one story, for example, she asked a passing Varkari about Vithoba.
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Kanhopatra's history is known through stories passed down over centuries. Most accounts agree about her birth to Shama the courtesan and her death in the Vithoba temple when the Badshah of Bidar sought her. However, the characters of Sadashiva Malagujar (her alleged father) and Hausa the maid do not
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By all accounts, Kanhopatra then died at the feet of the Vithoba image, but the circumstances were unclear. According to popular tradition, Kanhopatra merged with the image of Vithoba in a form of marriage—something that Kanhopatra longed for. Other theories suggest that she killed herself, or that
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saints to describe Vishnu). She refers to Krishna-Vithoba as the "champion of the low", and as a mother. Kanhopatra also asserts the importance of repeating the names of God and reveals how chanting His names has helped her. She says that even Death would fear God's name, which purified the sinner
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king of Bidar who is often associated with the Kanhopatra story—although in most accounts, that king is never explicitly named. Pawar estimates that she died in 1480. Others suggest dates of 1448, 1468 or 1470, or simply say that she lived in the 15th century—or in rare instances, the 13th or 16th
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In the Bhaktivijaya by Mahipati (See Abott), the story continues even after Kanhopatra's death and burial. The priest of the temple was arrested for foul play. The priest was taken to the Badshah's court, where he gave the king a coconut – which has a hair. The hair is proclaimed by the priest as
300:" saint Chokhamela. This assurance strengthened her resolve to go to Pandharpur. In versions of the legend where Sadashiva does not appear, Kanhopatra immediately leaves for Pandharpur—singing the praises of Vithoba—with the Varkari pilgrims or coaxes her mother to accompany her to Pandharpur. 275:
Sadashiva Malagujar, Kanhopatra's supposed father, heard of Kanhopatra's beauty and wished to see her dance, but Kanhopatra refused. Accordingly, Sadashiva started to harass Kanhopatra and Shama. Shama tried to convince him that he was the father of Kanhopatra and thus should spare them, but
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When Kanhopatra first saw the Vithoba image of Pandharpur, she sang in an abhanga that her spiritual merit was fulfilled and she was blessed to have seen Vithoba's feet. She had found the unparalleled beauty she sought in her groom in Vithoba. She "wedded" herself to the god and settled in
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also refers to Vithoba as a mother. Other Varkari poet-saints refer to Vithoba mostly as a father. The suffix "ba" in Vithoba means "father". Kanhopatra refers to Krishna as Krishnai, Kanhai (Kanha is a name of Krishna) and Vithoba as Vithabai. The "aai" suffix in these words means
706:. Kubja welcomes Krishna (with whom god Vithoba is identified) in Mathura—the kingdom of Kamsa and anoints him with saffron and sandal, in return Krishna makes Kubja young and beautiful again. Kubja offers herself to Krishna and thus is accepted in spite of her low stature. 512:
Kanhopatra's abhangas also show her concern for her body, her sense of vulnerability and her will to "remain untouched in the midst of turbulence". She compares herself to food being devoured by wild animals – an expression never used by male saints:
606:(identified with Vithoba in Maharashtra). Kanhopatra is cited by the Vakari saint-poets as "an example of the real downtrodden and deserving people persons that are saved by the merciful God". In one of his abhangas, the Varkari saint and poet 266:
Most accounts declare that Kanhopatra was forced into the courtesan's life, though she detested it, while some say that Kanhopatra firmly declined to become a courtesan. Some authors believe that she may have also worked as a prostitute.
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Kanhopatra is believed to have composed many abhangas, but most were not in written form: only thirty of her abhangas or ovis survive today. Twenty-three verses of her poems are included in the anthology of Varkari saints called
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poetry telling of her devotion to Vithoba and her struggle to balance her piety with her profession. In her poetry, she implores Vithoba to be her saviour and release her from the clutches of her profession. About thirty of her
501:– who was transformed into a great sage by utterance of God's name – and even the prostitute Pingala. Kanhopatra says, she wears the garland of His names. She hoped that her chanting would ultimately lead her to 276:
Sadashiva did not believe her. As he continued his harassment, Shama's wealth slowly depleted. Eventually, Shama apologised to Sadashiva and offered to present Kanhopatra to him. Kanhopatra, however, fled to
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Kanhopatra's abhangas are still sung in concerts and on radio, and by Varkaris on their annual pilgrimage to Pandharpur. The tree that rose at her burial spot in the Pandharpur temple is worshipped as her
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Kanhopatra advises against seeking mere sexual pleasure; she speaks of the evils of sexual attraction, citing mythological characters who suffered the consequences of sexual temptation: the demon-king
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have survived, and continue to be sung today. She is the only female Varkari saint to have attained sainthood based solely on her devotion, without the support of any guru, male Varkari saint, or
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Most accounts say that Kanhopatra's body was laid at feet of Vithoba and then buried near the southern part of the temple, in accordance with her last wishes. In some accounts, the nearby
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Kanhopatra was trained in dance and song from early childhood so that she could join her mother's profession. She became a talented dancer and singer. Her beauty was compared to the
369:(Chandrabhaga) flooded, inundating the temple and killing the army that sought Kanhopatra. The next day, her body was found near a rock. According to all versions of the legend, a 288:, the goddess of beauty. Kanhopatra further asked if Vithoba would accept her as a devotee. The Varkari assured her that Vithoba would accept her as he accepted the maid 620:(tradition or lineage). She is credited to have attained sainthood exclusively on the basis of her intense devotion to Vithoba, a devotion reflected in her abhangas. 1731: 629: 385:
Several historians have attempted to establish the dates of Kanhopatra's life and death. One estimate places her life circa 1428 CE by relating her to a
1861:"कान्होपात्रा जगी धन्य झाली" (Kanhopatra jagi dhanya zali) from film Chandanachi Choli Ang Ang Jali (1975) praising Kanhopatra's devotion at YouTube 1865: 1335: 933: 1952: 1937: 1074: 897: 716:
that of Vithoba. The Badshah then visited the Pandharpur temple to check the priest's claim, where Vithoba gave a divine vision to the king.
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tree—which is worshipped by pilgrims in her remembrance—arose on the spot where Kanhopatra was buried. Kanhopatra is the only person whose
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The Varkari said that Vithoba is "generous, wise, beautiful and perfect", his glory is beyond description and his beauty surpasses that of
1735: 986: 1942: 1927: 1137: 244:, near Pandharpur, the site of Vithoba's chief temple. Apart from Kanhopatra, Mangalwedhe is also the birthplace of the Varkari saints 1907: 1887: 1161: 430:
of her life—unable to bear the thought of separation from her Lord, Kanhopatra begs Vithoba to end her misery. In the abhanga
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During this same time, however, Sadashiva—who felt insulted by Kanhopatra's refusal—sought the help of the
1443:, traduit du marathi et commenté par Guy Deleury, Connaissance de l'Orient, éditions Gallimard, page 123, 166:
and dancer.These accounts typically concentrate on her death when she chose to surrender to the Hindu god
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Kanhopatra was a daughter of a rich courtesan and dancer named Shama or Shyama, who lived in the town of
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has the power to reduce anyone to ashes by putting his hand on that person's head. He is deceived by
358:) of invisibility by embracing Vithoba's image; after this yogic "miracle", the Badshah converted to 390:
century. According to Zelliot, she was a contemporary of saint-poets Chokhamela (14th century) and
1353: 1101: 947: 911: 592:(1715–1790), a traditional biographer of Marathi saints, devotes an entire chapter to her in his 418:
Kanhopatra's abhangas frequently portray her struggle between her profession and her devotion to
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Kher, B G (1979). "Mahārāshṭra Women saints". In Swami Ghanananda, John Stewart-Wallace (ed.).
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by devotees even today. A small shrine is also dedicated to her in her home town Mangalvedhe.
497:– who ascended to heaven when he coincendentally called to God at his death bed, the "robber" 539:
According to Ranade, this abhanga was composed by Kanhopatra when invited by the Bidar king.
1145: 991: 434:, she acknowledges her Lord as the saviour of the fallen and asks him to save her as well: 162:
Little is known about Kanhopatra. According to most traditional accounts, Kanhopatra was a
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Kanhopatra is not the only person to die in the Pandharpur Vithoba temple, the saint-poet
170:—the patron god of the Varkaris—rather than becoming a concubine of the Badshah (king) of 8: 1312: 406:
Kanhopatra's patron deity: Vithoba, the Pandharpur image at whose feet, Kanhopatra died.
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Stories of Indian Saints: An English Translation of Mahipati's Marathi Bhaktavijaya
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In Hindu mythology, Kubja is described as a hunchback handmaid of the evil king
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was cursed to have dark spots on his face, when he kidnapped his teacher—god
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to put his own hand on his head and thus kill himself. The lord of heaven,
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Mahipati refers to Kanhopatra as one of the saints who sit surrounding
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The Sacred in the Profane: Folkrore, Legend & Poetry of Kanhopatra
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and other saints, that Kanhopatra did not die but acquired the power (
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to have a thousand eyes (ulcers) all over his body, when he seduced
1144:. Shri Vitthal Rukmini Temple committee, Pandharpur. Archived from 1029: 814: 753: 637:. She was also the subject of the popular 1931 Marathi drama named 589: 485: 465: 402: 391: 386: 319: 156: 84: 768:—the hero of the epic and husband of Sita—kills Ravana. The demon 566: 480:
of Vishnu, identified with Vithoba), Sripati ("husband of goddess
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Kanhopatra is not unique in addressing Vithoba as mother, saint
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Mokashi-Punekar, Rohini (2006). Ditmore, Melissa Hope (ed.).
1088:(3). Advaita Ashrama: the Ramakrishna Order started by Swami 895: 781: 699: 551: 444: 323: 297: 289: 232: 171: 1825:"Between Pestle and Mortar: Women in Marathi Sant Tradition" 1471:
Faces of the feminine in ancient, medieval, and modern India
1266:(1 ed.). USA: Greenwood Publishing Group. p. 237. 765: 761: 611: 280:
disguised as a maid, with the help of her aged maid Hausa.
1564:. Gazetteers Department, Government of Maharashtra. 2006 509:—the first great saint of the Varkaris—and his siblings. 16:
15th-century Marathi saint-poet of the Hindu Varkari sect
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Images of Women in Maharashtrian Literature and Religion
1536:(Mumbai ed.). Popular Prakashan. pp. 42, 377. 1467:"Women and Power: Women Saints in Medieval Maharashtra" 1306:
Pimpalkar, Vaishali ( पिंपळकर, वैशाली ) (26 May 2009).
377:(mausoleum) is in the precincts of the Vithoba temple. 1687:(1 ed.). New Delhi: Yoda Press. pp. 129–30. 1653: 1441:
Psaumes du tailleur, ou La religion de l'Inde profonde
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died on the first step of the main gate of the temple.
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Goddesses and women in the Indic religious tradition
1777:"Janabai and Kanhopatra: A Study of Two Women Sants" 1684:
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are used in that drama and in the 1963 Marathi film
1075:"Glimpses of Holy Lives: From Death to Immortality" 702:, who is prophesied to be killed by his nephew—god 186:(mausoleum) is within the precincts of the temple. 1583: 1581: 1579: 1412:A Dictionary of Indian Literature: Beginnings-1850 1774: 1680: 1072: 484:," an epithet of Vishnu) and Manmatha (a name of 1874: 1758:"Sant Kanhopatra - Sumeet Music - Marathi Movie" 1717: 1715: 1713: 1308:"विठ्ठलमय कान्होपात्रा (Vitthalmaya Kanhopatra)" 1235: 1233: 1231: 1229: 1227: 1225: 1223: 1221: 1219: 1576: 1259: 623:Kanhopatra's life has been recounted in a 1937 578:Kanhopatra is formally included in the list of 397: 1660:. Motilal Banarsidass Publishers. p. 34. 1287: 1285: 1283: 1212:. Motilal Banarsidass Publishers. p. 165. 574:, depicting Bal Gandharva (left) as Kanhopatra 532:Kanhopatra says, I offer my body at your feet, 464:Kanhopatra refers to Vithoba by names such as 1710: 1629: 1533:Indian sociology through Ghurye, a dictionary 1216: 1193: 1191: 1189: 896:Kunte, Madhvi (कुंटे , माधवी) (2 July 2009). 1404: 1402: 1400: 1381: 1379: 1377: 1375: 1334:: CS1 maint: multiple names: authors list ( 1130: 1128: 1126: 1124: 1122: 932:: CS1 maint: multiple names: authors list ( 891: 889: 887: 885: 764:and in the war that follows to regain Sita, 518:If you call yourself the Lord of the fallen, 1473:. Oxford University Press US. p. 197. 1280: 1166:Official Site of Vithoba temple, Pandharpur 1142:Official Site of Vithoba temple, Pandharpur 975: 973: 971: 883: 881: 879: 877: 875: 873: 871: 869: 867: 865: 1760:. 5 July 2014 – via www.youtube.com. 1734:. Digital Library of India. Archived from 1460: 1458: 1456: 1301: 1299: 1297: 1255: 1253: 1251: 1249: 1247: 1245: 1210:Vaiṣṇavī: women and the worship of Krishna 1186: 596:extolling her devotion to Vithoba. In his 528:When a jackal takes the share of the lion, 31: 1408: 1397: 1372: 1305: 1263:Encyclopedia of Prostitution and Sex Work 1119: 582:s, meaning saints in Marathi in the text 561: 1822: 1503:Medieval Indian literature: an anthology 1492: 1490: 1358:. Hollywood: Vedanta Press. p. 62. 968: 862: 565: 401: 328: 231: 1604: 1602: 1464: 1453: 1347: 1345: 1294: 1242: 1040:. Motilal Banarsidass. pp. 78–84. 1023: 1021: 1019: 1017: 1015: 1013: 1011: 1009: 980:Vaidya, Vivek Digambar (10 July 2009). 645:played the lead. Kanhopatra's abhangas 346:she was killed for her rebelliousness. 1875: 1801: 1529: 1523: 979: 505:. 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Ayyappapanicker (ed.). 1433: 1388: 1162:"संत परंपरा: संत कान्‍होपात्रा" 807: 746: 732: 719: 709: 692: 451:my nature and actions are vile. 182:. She is the only person whose 1908:Indian women religious leaders 1888:Hindu female religious leaders 1469:. In Bose, Mandakranta (ed.). 1200: 1052:for a complete translation of 954: 940: 837:was the maid-servant of saint 1: 1768: 1499:"Medieval Marathi Literature" 1355:Women Saints of East and West 526:if I am taken by another man. 520:why do O Lord not lift me up? 439:O Narayana, you call yourself 227: 151:saint-poet, venerated by the 1918:People from Solapur district 1808:. Motilal Banarsidass Publ. 524:who is to blame but yourself 522:When I say I am yours alone, 455:offers herself to your feet, 398:Literary works and teachings 310:poems dedicated to Vithoba. 7: 1958:15th-century Indian singers 1779:. In Feldhaus, Anne (ed.). 1562:Sholapur District Gazetteer 1530:Pillai, S. Devadas (1997). 982:"कव्हरस्टोरी (Cover story)" 910:. p. 2. 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(1999) . 1626:Sellergren pp. 228–234 1208:Rosen, Steven (1996). 804:and bore a son of her. 647:Aga Vaikunthichya Raya 575: 562:Legacy and remembrance 537: 462: 407: 342: 237: 1933:Indian female dancers 1587:Sellergren pp. 227–29 663:Katha Sant Kanhopatra 569: 515: 436: 405: 337:, where Kanhopatra's 332: 235: 147:) was a 15th-century 1948:Marathi Hindu saints 1787:. pp. 213–138. 1608:Sellergren pp. 232–3 992:Indian Express Group 570:Script of the drama 75:, Maharashtra, India 60:, Maharashtra, India 1738:on 25 November 2009 1497:Pawar, G M (1997). 784:was cursed by sage 449:I lack loving faith 296:and the so-called " 1903:Indian women poets 752:In the Hindu epic 651:Patita tu pavanahe 576: 432:Patita tu pavanahe 408: 343: 333:The chief gate of 292:, the sinful king 238: 174:. She died in the 1893:Indian courtesans 1846:978-90-04-12466-0 1815:978-81-208-0576-7 1794:978-0-7914-2837-5 1721:Sellergren p. 214 1694:978-81-902272-6-1 1644:Sellergren p. 230 1635:Sellergren p. 228 1617:Sellergren p. 233 1596:Sellergren p. 227 1543:978-81-7154-807-1 1516:978-81-260-0365-5 1480:978-0-19-512229-9 1426:978-81-250-1453-9 1365:978-0-87481-036-3 1273:978-0-313-32968-5 1239:Sellergren p. 226 1197:Ranade pp. 190–91 1082:Prabuddha Bharata 1034:"39: verses 1:80" 903:Maharashtra Times 786:Gautama Maharishi 635:Bhalji Pendharkar 630:Kanhopatra (film) 554:and the moon-god 453:Fallen Kanhopatra 394:(c.1270-c.1350). 259:(heavenly nymph) 189:Kanhopatra wrote 138: 137: 121:devotional poetry 1975: 1963:Vaishnava saints 1850: 1819: 1798: 1762: 1761: 1754: 1748: 1747: 1745: 1743: 1728: 1722: 1719: 1708: 1705: 1699: 1698: 1678: 1672: 1671: 1651: 1645: 1642: 1636: 1633: 1627: 1624: 1618: 1615: 1609: 1606: 1597: 1594: 1588: 1585: 1574: 1573: 1571: 1569: 1554: 1548: 1547: 1527: 1521: 1520: 1494: 1485: 1484: 1462: 1451: 1437: 1431: 1430: 1406: 1395: 1392: 1386: 1383: 1370: 1369: 1349: 1340: 1339: 1333: 1325: 1323: 1321: 1303: 1292: 1289: 1278: 1277: 1257: 1240: 1237: 1214: 1213: 1204: 1198: 1195: 1184: 1181: 1179: 1177: 1157: 1155: 1153: 1132: 1117: 1116: 1114: 1112: 1107:on 21 March 2011 1106: 1100:. 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Vol. 1. 1407: 1398: 1393: 1389: 1384: 1373: 1366: 1350: 1343: 1327: 1326: 1319: 1317: 1304: 1295: 1291:Aklujkar p. 126 1290: 1281: 1274: 1258: 1243: 1238: 1217: 1205: 1201: 1196: 1187: 1175: 1173: 1172:on 2 April 2008 1160: 1151: 1149: 1148:on 3 April 2009 1136: 1133: 1120: 1110: 1108: 1104: 1077: 1071: 1060: 1048: 1026: 1007: 997: 995: 978: 969: 960: 959: 955: 946: 945: 941: 925: 924: 917: 915: 908:The Times Group 894: 863: 856:Reference notes 853: 852: 812: 808: 751: 747: 737: 733: 724: 720: 714: 710: 697: 693: 683: 669:as Kanhopatra. 667:Pallavi Subhash 639:Sant Kanhopatra 599:Bhaktalilamrita 572:Sant Kanhopatra 564: 536: 533: 531: 529: 527: 525: 523: 521: 519: 461: 458: 456: 454: 452: 450: 448: 442: 440: 400: 383: 316: 273: 230: 221: 76: 70: 61: 55: 41: 26: 25:Sant Kanhopatra 17: 12: 11: 5: 1981: 1971: 1970: 1965: 1960: 1955: 1950: 1945: 1940: 1935: 1930: 1925: 1920: 1915: 1910: 1905: 1900: 1895: 1890: 1885: 1869: 1868: 1863: 1856: 1855:External links 1853: 1852: 1851: 1845: 1829:Sharma, Arvind 1820: 1814: 1799: 1793: 1770: 1767: 1764: 1763: 1749: 1723: 1709: 1700: 1693: 1673: 1666: 1646: 1637: 1628: 1619: 1610: 1598: 1589: 1575: 1549: 1542: 1522: 1515: 1486: 1479: 1452: 1432: 1425: 1417:Orient Longman 1396: 1387: 1371: 1364: 1341: 1293: 1279: 1272: 1241: 1215: 1199: 1185: 1183: 1182: 1158: 1118: 1058: 1046: 1005: 990:(in Marathi). 967: 953: 939: 906:(in Marathi). 860: 859: 858: 857: 851: 850: 823:Sant Soyarabai 806: 745: 731: 718: 708: 690: 689: 688: 687: 682: 679: 563: 560: 516: 437: 399: 396: 382: 379: 315: 312: 272: 269: 229: 226: 220: 217: 178:of Vithoba in 176:central shrine 136: 135: 127: 123: 122: 112: 111:Literary works 108: 107: 103: 102: 97: 93: 92: 88: 87: 82: 78: 77: 71: 67: 63: 62: 56: 52: 48: 47: 43: 42: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1980: 1969: 1968:Women mystics 1966: 1964: 1961: 1959: 1956: 1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1880: 1878: 1871: 1867: 1864: 1862: 1859: 1858: 1848: 1842: 1838: 1834: 1830: 1826: 1821: 1817: 1811: 1807: 1806: 1800: 1796: 1790: 1786: 1782: 1778: 1773: 1772: 1759: 1753: 1737: 1733: 1727: 1718: 1716: 1714: 1707:Ranade p. 326 1704: 1696: 1690: 1686: 1685: 1677: 1669: 1667:81-208-0170-9 1663: 1659: 1658: 1650: 1641: 1632: 1623: 1614: 1605: 1603: 1593: 1584: 1582: 1580: 1563: 1559: 1558:"Mangalvedhe" 1553: 1545: 1539: 1535: 1534: 1526: 1518: 1512: 1508: 1504: 1500: 1493: 1491: 1482: 1476: 1472: 1468: 1461: 1459: 1457: 1450: 1449:2-07-076918-6 1446: 1442: 1436: 1428: 1422: 1418: 1414: 1413: 1405: 1403: 1401: 1391: 1385:Ranade p. 208 1382: 1380: 1378: 1376: 1367: 1361: 1357: 1356: 1348: 1346: 1337: 1331: 1315: 1314: 1309: 1302: 1300: 1298: 1288: 1286: 1284: 1275: 1269: 1265: 1264: 1256: 1254: 1252: 1250: 1248: 1246: 1236: 1234: 1232: 1230: 1228: 1226: 1224: 1222: 1220: 1211: 1203: 1194: 1192: 1190: 1171: 1167: 1163: 1159: 1147: 1143: 1139: 1135: 1134: 1131: 1129: 1127: 1125: 1123: 1103: 1099: 1095: 1091: 1087: 1083: 1076: 1069: 1067: 1065: 1063: 1055: 1049: 1047:81-208-0469-4 1043: 1039: 1035: 1031: 1024: 1022: 1020: 1018: 1016: 1014: 1012: 1010: 993: 989: 988: 983: 976: 974: 972: 963: 957: 949: 943: 935: 929: 913: 909: 905: 904: 899: 892: 890: 888: 886: 884: 882: 880: 878: 876: 874: 872: 870: 868: 866: 861: 855: 854: 848: 844: 840: 836: 832: 828: 824: 820: 816: 810: 803: 799: 795: 791: 787: 783: 779: 775: 771: 767: 763: 759: 755: 749: 741: 735: 728: 722: 712: 705: 701: 695: 691: 685: 684: 678: 676: 670: 668: 664: 660: 656: 652: 648: 644: 643:Bal Gandharva 640: 636: 632: 631: 626: 621: 619: 618: 613: 609: 605: 601: 600: 595: 591: 587: 586: 581: 573: 568: 559: 557: 553: 549: 545: 540: 535: 514: 510: 508: 504: 500: 496: 491: 487: 483: 479: 475: 471: 467: 460: 446: 435: 433: 429: 425: 421: 416: 414: 404: 395: 393: 388: 378: 376: 372: 368: 363: 361: 357: 353: 349: 340: 336: 331: 327: 325: 321: 311: 309: 308: 301: 299: 295: 291: 287: 281: 279: 268: 264: 262: 258: 253: 251: 247: 243: 234: 225: 216: 214: 213: 208: 203: 202: 197: 196: 192: 187: 185: 181: 177: 173: 169: 165: 160: 158: 154: 150: 146: 142: 133: 132: 128: 124: 120: 116: 113: 109: 104: 101: 98: 94: 89: 86: 83: 79: 74: 68: 64: 59: 53: 49: 44: 40: 34: 29: 22: 19: 1870: 1832: 1804: 1780: 1752: 1740:. 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Sant 835:Janabai 794:Chandra 740:Janabai 704:Krishna 675:samadhi 625:Marathi 608:Tukaram 604:Krishna 556:Chandra 499:Valmiki 495:Ajamila 474:Krishna 428:abhanga 420:Vithoba 375:samadhi 339:samadhi 320:Badshah 294:Ajamila 286:Lakshmi 201:abhanga 191:Marathi 184:samadhi 168:Vithoba 153:Varkari 149:Marathi 119:Abhanga 100:Varkari 1843:  1812:  1791:  1691:  1664:  1540:  1513:  1477:  1447:  1423:  1362:  1270:  1096:  1092:: 45. 1044:  839:Namdev 802:Taraka 790:Ahalya 778:Vishnu 774:Mohini 758:Ravana 727:Namdev 653:; and 544:Ravana 470:Vishnu 381:Dating 371:tarati 360:bhakti 356:siddhi 352:Namdev 261:Menaka 257:apsara 250:Damaji 126:Honors 1837:Brill 1827:. In 1105:(PDF) 1078:(PDF) 994:Group 813:Sant 782:Indra 700:Kamsa 681:Notes 627:film 552:Indra 493:king 445:caste 341:lies. 324:Bidar 314:Death 290:Kubja 172:Bidar 1841:ISBN 1810:ISBN 1789:ISBN 1744:2009 1689:ISBN 1662:ISBN 1570:2009 1538:ISBN 1511:ISBN 1475:ISBN 1445:ISBN 1421:ISBN 1360:ISBN 1336:link 1322:2009 1268:ISBN 1178:2009 1154:2009 1113:2009 1094:ISSN 1042:ISBN 1027:See 1000:2009 934:link 920:2009 825:and 766:Rama 762:Sita 649:and 612:guru 580:Sant 476:(an 248:and 219:Life 198:and 143:(or 131:Sant 117:and 66:Died 51:Born 1086:109 482:Sri 443:My 307:ovi 195:ovi 115:Ovi 1879:: 1839:. 1835:. 1783:. 1712:^ 1601:^ 1578:^ 1560:. 1489:^ 1455:^ 1399:^ 1374:^ 1344:^ 1332:}} 1328:{{ 1310:. 1296:^ 1282:^ 1244:^ 1218:^ 1188:^ 1164:. 1140:. 1121:^ 1084:. 1080:. 1061:^ 1036:. 1008:^ 984:. 970:^ 930:}} 926:{{ 900:. 864:^ 833:. 821:. 756:, 588:. 558:. 362:. 159:. 1849:. 1818:. 1797:. 1746:. 1697:. 1670:. 1572:. 1546:. 1519:. 1483:. 1429:. 1368:. 1338:) 1324:. 1276:. 1180:. 1156:. 1115:. 1056:. 1050:. 1002:. 964:. 950:. 936:) 922:.

Index


Vithoba Temple, Pandharpur
Mangalvedha
Pandharpur
Hinduism
Varkari
Ovi
Abhanga
Sant
Marathi
Varkari
Hinduism
courtesan
Vithoba
Bidar
central shrine
Pandharpur
samadhi
Marathi
ovi
abhanga
parampara

Mangalvedha
Chokhamela
Damaji
apsara
Menaka
Pandharpur
Lakshmi

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