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Julio de Caro

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horn at one end) had been invented for radio performances for its ability to project sound above the rest of the orchestra, and the conductor soon found it an indispensable tool. The renowned bandleader composed numerous pieces in honor of some of the prominent figures in Argentine life that attended
172:, respectively; though their father ultimately granted them their wish to exchange instruments (a third brother, Emilio, learned the violin). Against his father's wishes, Julio obtained a spot as a second violinist at the Lorea Theatre for a 1915 performance of a 447:(1936), where they presented a comprehensive "Evolution of the Tango" - leading listeners through its development from 1870, onwards. A surprise visit by the brothers' aging parents following one of these performances led to the family's reconciliation. 203:' offer for a permanent spot in his orchestra. The elder de Caro (who disdained popular music generally) resisted it, and the talented young musician resorted to stealth to join Arolas' orchestra, for which he wrote his first tango, 454:(a consular figure in tango), for instance. His audiences later declining, Julio de Caro retired from his orchestra in 1954, however. He remarried in 1959 and returned to a recording studio only in 1975, collaborating with author 352:
led to the de Caro brothers' being reunited in need of a band, at the end of 1923. Their success at a high society New Year's Eve ball led to lucrative contracts in popular downtown cafés and for a new medium:
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Eventually, his father forced the 18-year-old out of the house, a drastic move that pushed Francisco to join his brother. The two traveled with Arolas' orchestra, a success in both Argentina and neighboring
474:). He was honored by the national government with a declaration of December 11 (his birthday - which he shared with Gardel) as "National Tango Day;" on that day in 1977, he received a standing ovation at 507: 199:, an elegant multi-purpose venue, in 1917. Granted an instrument by Firpo's violinist, de Caro's performance elicited a standing ovation, as well as 503: 584: 679: 463: 669: 160:
district, in 1913, soon becoming one of the city's best known sources for music, instruments, parts, and lessons. He and his brother,
689: 699: 664: 624: 153: 89: 694: 341:, where he married and joined Minotto Di Cicco's orchestra (1922). He was then reunited with Maffia in Buenos Aires under 61: 674: 410: 108: 68: 709: 704: 314:
A business disagreement led de Caro and pianist José María Rizzuti to leave Arolas' group in 1919. They formed a
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His orchestra continued its prominence among tango fans for years, introducing young talent such as vocalist
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At his friends' prompting, de Caro rose to the stage during a tango performance at the
554: 620: 530: 422: 418: 414: 161: 455: 435:). The orchestra remained successful in Argentina, debuting at the nation's leading 325:
and violinist José Rosito, with whom they performed to acclaim at a café facing the
612: 440: 329:. The group separated in 1920, however, and de Caro and Rizzuti joined bandleader 330: 196: 177: 121: 451: 200: 181: 643: 492: 432: 370: 349: 334: 189: 141: 580: 475: 444: 393: 374: 322: 506:(July 11, 1917 - June 26, 2009) and his grand-niece, the American fencer 436: 397:
Old friends, Ernesto Sábato, Ben Molar and Julio de Caro together in 1977
362: 358: 357:. The Julio de Caro Orchestra later received a recording contract from 338: 596: 459: 319: 157: 137: 24: 173: 495:, on March 11, 1980, at age 80. He was interred at Buenos Aires' 315: 212: 402: 378: 345:'s direction, in 1923. His marriage ended, shortly afterwards. 169: 180:
recitals. Some of these early influences included bandleaders
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Other notable relatives include his cousin, the poet
140:composer, musician, and conductor prominent in the 49:. Unsourced material may be challenged and removed. 605:"The Guardia Nueva and the Golden Age (1932–1955)" 491:Julio de Caro died in the seaside resort city of 641: 377:, later that year. The device (a violin with a 348:Cobián's decision to follow a love interest to 603:Link, Kacey; Wendland, Kristin (March 2016). 585:Discography of American Historical Recordings 602: 16:Argentine composer, musician, and conductor 431:(one of several the studio made, starring 405:by invitation, in 1931. They performed at 617:10.1093/acprof:oso/9780199348220.003.0005 109:Learn how and when to remove this message 392: 382:his performances, notably chief surgeon 120: 642: 528: 524: 522: 47:adding citations to reliable sources 18: 680:Argentine people of Italian descent 333:, with whom they would tour in the 13: 361:and, in April 1925, performed for 14: 721: 670:Argentine male conductors (music) 574: 519: 499:, beside his brother, Francisco. 690:Burials at La Chacarita Cemetery 147: 23: 700:20th-century conductors (music) 34:needs additional citations for 547: 1: 513: 665:Argentine conductors (music) 7: 695:Musicians from Buenos Aires 535:brisbanehouseoftango.com.au 363:Edward, the Prince of Wales 269:She Was a Good Country Girl 129:) and his orchestra, c.1925 10: 726: 482:, complete with a rousing 388:Marcelo Torcuato de Alvear 373:introduced de Caro to the 675:Argentine tango musicians 555:"Julio De Caro Biography" 411:Palais de la Méditerranée 581:Julio de Caro recordings 462:, composer and arranger 710:20th-century violinists 468:Los 14 de Julio de Caro 337:. De Caro relocated to 327:Argentine Supreme Court 164:, were both taught the 705:20th-century composers 443:, in 1935, and at the 398: 130: 510:(b. April 19, 1986). 485:Happy Birthday to You 428:Luces de Buenos Aires 401:The orchestra toured 396: 124: 685:Argentine violinists 611:. pp. 137–199. 529:David (2022-09-18). 274:Percanta arrepentida 264:Era buena la paisana 152:His father opened a 43:improve this article 660:Argentine composers 466:and others to make 384:Enrique Finochietto 497:Chacarita Cemetery 472:Julio de Caro's 14 399: 343:Juan Carlos Cobián 186:Juan Carlos Cobián 131: 626:978-0-19-934822-0 508:Natalie Julia Vie 425:in the making of 423:Paramount Studios 421:' galas, and for 415:Umberto di Savoia 119: 118: 111: 93: 717: 636: 634: 633: 609:academic.oup.com 593:on todotango.com 569: 568: 566: 565: 551: 545: 544: 542: 541: 526: 114: 107: 103: 100: 94: 92: 51: 27: 19: 725: 724: 720: 719: 718: 716: 715: 714: 640: 639: 631: 629: 627: 577: 572: 563: 561: 553: 552: 548: 539: 537: 527: 520: 516: 480:Luna Park Arena 331:Osvaldo Fresedo 197:Palais de Glace 150: 125:Julio de Caro ( 115: 104: 98: 95: 58:"Julio de Caro" 52: 50: 40: 28: 17: 12: 11: 5: 723: 713: 712: 707: 702: 697: 692: 687: 682: 677: 672: 667: 662: 657: 652: 638: 637: 625: 600: 594: 588: 576: 575:External links 573: 571: 570: 546: 517: 515: 512: 456:Ernesto Sábato 452:Edmundo Rivero 386:and President 279:Lamentful girl 201:Eduardo Arolas 182:Eduardo Arolas 149: 146: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 722: 711: 708: 706: 703: 701: 698: 696: 693: 691: 688: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 647: 645: 628: 622: 618: 614: 610: 606: 601: 599:on tango.info 598: 597:Julio de Caro 595: 592: 591:Julio de Caro 589: 586: 582: 579: 578: 560: 556: 550: 536: 532: 525: 523: 518: 511: 509: 505: 504:Julia de Caro 500: 498: 494: 493:Mar del Plata 489: 487: 486: 481: 477: 473: 469: 465: 461: 457: 453: 448: 446: 442: 441:Colón Theatre 438: 434: 433:Carlos Gardel 430: 429: 424: 420: 416: 413:, for Prince 412: 408: 404: 395: 391: 389: 385: 380: 376: 372: 371:Paul Whiteman 368: 364: 360: 356: 351: 350:New York City 346: 344: 340: 336: 335:United States 332: 328: 324: 321: 317: 312: 310: 306: 305: 300: 296: 295: 290: 286: 285: 280: 276: 275: 270: 266: 265: 260: 256: 255: 250: 249: 244: 240: 239: 234: 230: 229: 224: 220: 219: 214: 208: 206: 202: 198: 193: 191: 190:Roberto Firpo 187: 183: 179: 175: 171: 167: 163: 159: 155: 148:Life and work 145: 143: 139: 135: 134:Julio de Caro 128: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 630:. Retrieved 608: 562:. Retrieved 558: 549: 538:. Retrieved 534: 501: 490: 483: 476:Buenos Aires 471: 467: 449: 445:Teatro Opera 426: 400: 375:Stroh violin 347: 323:Pedro Maffia 320:bandoneonist 313: 308: 303: 302: 298: 293: 292: 289:Lil' Biscuit 288: 283: 282: 278: 273: 272: 268: 263: 262: 258: 253: 252: 247: 246: 242: 237: 236: 232: 227: 226: 222: 217: 216: 209: 204: 194: 154:conservatory 151: 133: 132: 126: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 655:1980 deaths 650:1899 births 458:, composer 437:opera house 419:Rothschilds 369:bandleader 248:Don Antonio 644:Categories 632:2024-06-14 564:2024-06-18 540:2024-06-14 514:References 464:Luis Stazo 417:, for the 359:RCA Victor 339:Montevideo 284:Bizcochito 238:Pura labia 228:Mi encanto 223:Shady Look 218:Mala pinta 205:Mon beguin 99:March 2021 69:newspapers 559:jango.com 460:Ben Molar 309:The Brook 304:La cañada 294:Gringuita 259:In Spades 243:All Words 162:Francisco 158:San Telmo 138:Argentine 254:A palada 233:My Charm 174:zarzuela 583:at the 365:. U.S. 316:quartet 299:Blondie 213:Uruguay 156:in the 144:genre. 83:scholar 623:  439:, the 403:France 379:cornet 188:, and 170:violin 85:  78:  71:  64:  56:  355:radio 318:with 178:tango 166:piano 142:Tango 90:JSTOR 76:books 621:ISBN 407:Nice 367:jazz 301:) y 168:and 127:left 62:news 613:doi 409:'s 311:). 291:), 281:), 271:), 261:), 245:), 235:), 225:), 45:by 646:: 619:. 607:. 557:. 533:. 521:^ 488:. 478:' 390:. 251:, 207:. 192:. 184:, 635:. 615:: 587:. 567:. 543:. 470:( 307:( 297:( 287:( 277:( 267:( 257:( 241:( 231:( 221:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Argentine
Tango
conservatory
San Telmo
Francisco
piano
violin
zarzuela
tango
Eduardo Arolas
Juan Carlos Cobián
Roberto Firpo
Palais de Glace
Eduardo Arolas
Uruguay
quartet
bandoneonist
Pedro Maffia

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