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horn at one end) had been invented for radio performances for its ability to project sound above the rest of the orchestra, and the conductor soon found it an indispensable tool. The renowned bandleader composed numerous pieces in honor of some of the prominent figures in
Argentine life that attended
172:, respectively; though their father ultimately granted them their wish to exchange instruments (a third brother, Emilio, learned the violin). Against his father's wishes, Julio obtained a spot as a second violinist at the Lorea Theatre for a 1915 performance of a
447:(1936), where they presented a comprehensive "Evolution of the Tango" - leading listeners through its development from 1870, onwards. A surprise visit by the brothers' aging parents following one of these performances led to the family's reconciliation.
203:' offer for a permanent spot in his orchestra. The elder de Caro (who disdained popular music generally) resisted it, and the talented young musician resorted to stealth to join Arolas' orchestra, for which he wrote his first tango,
454:(a consular figure in tango), for instance. His audiences later declining, Julio de Caro retired from his orchestra in 1954, however. He remarried in 1959 and returned to a recording studio only in 1975, collaborating with author
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led to the de Caro brothers' being reunited in need of a band, at the end of 1923. Their success at a high society New Year's Eve ball led to lucrative contracts in popular downtown cafés and for a new medium:
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Eventually, his father forced the 18-year-old out of the house, a drastic move that pushed
Francisco to join his brother. The two traveled with Arolas' orchestra, a success in both Argentina and neighboring
474:). He was honored by the national government with a declaration of December 11 (his birthday - which he shared with Gardel) as "National Tango Day;" on that day in 1977, he received a standing ovation at
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district, in 1913, soon becoming one of the city's best known sources for music, instruments, parts, and lessons. He and his brother,
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A business disagreement led de Caro and pianist José María
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His orchestra continued its prominence among tango fans for years, introducing young talent such as vocalist
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At his friends' prompting, de Caro rose to the stage during a tango performance at the
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and violinist José Rosito, with whom they performed to acclaim at a café facing the
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Old friends, Ernesto Sábato, Ben Molar and Julio de Caro together in 1977
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recitals. Some of these early influences included bandleaders
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136:(December 11, 1899 – March 11, 1980) was an
531:"Tango Composer, Julio De Caro | Brisbane House Of Tango"
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Other notable relatives include his cousin, the poet
140:composer, musician, and conductor prominent in the
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605:"The Guardia Nueva and the Golden Age (1932–1955)"
491:Julio de Caro died in the seaside resort city of
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377:, later that year. The device (a violin with a
348:Cobián's decision to follow a love interest to
603:Link, Kacey; Wendland, Kristin (March 2016).
585:Discography of American Historical Recordings
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16:Argentine composer, musician, and conductor
431:(one of several the studio made, starring
405:by invitation, in 1931. They performed at
617:10.1093/acprof:oso/9780199348220.003.0005
109:Learn how and when to remove this message
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333:, with whom they would tour in the
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269:She Was a Good Country Girl
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373:introduced de Caro to the
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555:"Julio De Caro Biography"
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510:(b. April 19, 1986).
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529:David (2022-09-18).
274:Percanta arrepentida
264:Era buena la paisana
152:His father opened a
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466:and others to make
384:Enrique Finochietto
497:Chacarita Cemetery
472:Julio de Caro's 14
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343:Juan Carlos Cobián
186:Juan Carlos Cobián
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626:978-0-19-934822-0
508:Natalie Julia Vie
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655:1980 deaths
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458:, composer
437:opera house
419:Rothschilds
369:bandleader
248:Don Antonio
644:Categories
632:2024-06-14
564:2024-06-18
540:2024-06-14
514:References
464:Luis Stazo
417:, for the
359:RCA Victor
339:Montevideo
284:Bizcochito
238:Pura labia
228:Mi encanto
223:Shady Look
218:Mala pinta
205:Mon beguin
99:March 2021
69:newspapers
559:jango.com
460:Ben Molar
309:The Brook
304:La cañada
294:Gringuita
259:In Spades
243:All Words
162:Francisco
158:San Telmo
138:Argentine
254:A palada
233:My Charm
174:zarzuela
583:at the
365:. U.S.
316:quartet
299:Blondie
213:Uruguay
156:in the
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403:France
379:cornet
188:, and
170:violin
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318:with
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90:JSTOR
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407:Nice
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