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Argentine tango

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1930s to 1950s. Tango lyrics often challenge the images of Argentina made by foreigners: The true Argentina was the country with both black and white people who originated the tango, not the rich people who danced the foxtrot. Additionally, Argentine tango lyrics presented humility as main theme and mass culture promoted tango to encourage humility as national identity. The Buenos Aires city government and the federal government started actively promoting tango by establishing a federal law to build Academia Nacional del tango. The law "Ley Nacional del Tango", which recognized tango as an Argentine cultural tradition, was passed in 1996. At the beginning, Argentine tango was rejected by the middle and upper classes who were engaging in ballroom dances including the
253:, which now includes a milonga in its program. In conclusion, early tango was developed by black community and supported by immigrants who wished social mobility. Tango was much not accepted by elites in its early stages, and was actively repressed. However, tango gained recognition by the government and elites during 1930s to 1950s, and became unique national identity of Argentina. At the same time, the tango which was eventually embraced by elites may have obscured the fact that tango was invented by black people in Argentina. It is important to acknowledge the origins of tango and understand its unique history and influence in Argentina's national identity. 217:
forced into ghetto cohabitation. Tango was practiced in streets and patios, particularly dark street corners. Additionally, Afro-Argentines played important roles in evolution both musically and choreographically in the early stage of tango. The term "tango" was originated from Afro-Argentine dance forms, and black people are still connected to tango well into the 20th century. Tango developed with expression of political struggles by black community and was loved by many immigrants who lived in shanty town and wished to change their socio-economic situation.
36: 708:". Enthusiastic Anglo-Argentine milonguero (dance hall tango dancer) Andrew Potter who had followed "Forever Tango" to London and stayed for its extensive run, got together with some Londoner friends to start the city's first-ever tango milonga (tango dance party/hall) in The London Welsh Centre at 157 Grays Inn Road, known as "Tango The Argentine Way" which would pack out every Friday night. From that moment, the tango dances and classes proliferated throughout the capital and then throughout the rest of the UK. 596: 538: 915:
Pugliese. He made video tapes of the lessons he took and translated the Spanish instruction into English. In the late 1980s, Trenner brought his newfound appreciation of traditional tango back to New York and conducted classes. In 1991, Trenner began working with Rebecca Shulman in performing and teaching tango. (Shulman would go on to be a co-founder and director of TangoMujer in New York and Berlin.) In 1995, Trenner taught for ten weeks in
93: 644: 284:, all four descendent from Italian immigrant families. They are dance orchestras, playing music for dancing. When the spirit of the music is characterized by counterpoint marking, clarity in the articulation is needed. It has a clear, repetitive pulse or beat, a strong tango-rhythm which is based on the 2x4, 2 strong beats on 4 (dos por cuatro). 854:, inviting Nora Dinzelbacher and two others to teach with him. Realizing there were no other alternatives and wanting to keep interest in Argentine Tango alive, Richard directed 8 more Tango Weeks in the years to come. The Stanford Tango Weeks became a popular annual event with 32 instructors teaching at the Roble Dance Hall at 792:. Though based in Berlin, Winkler traveled often to teach at tango festivals in North America throughout the following two decades. Winkler was a seminal influence of Daniel Trenner. Montreal's first tango teachers, French-born Lily Palmer and her Argentine friend, Antonio Perea, offered classes in 1987. 207:
The origins of tango are unclear because little historical documentation from that era exists. In recent years, a few tango aficionados have undertaken a thorough research of that history and so it is less mysterious today than before. It is generally thought that the dance developed in the late 19th
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and Pablo Veron, both well-known teachers from Buenos Aires and actors in Argentine Tango inspired movies showed up to teach. Nora taught at each of the 9 Stanford Tango Weeks. The Stanford Tango Weeks have been credited by Tango dancers and teachers for being an essential catalyst for the growth of
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and was practiced by Argentine dancers, musicians, and immigrant laborers. Unlike other Latin American countries, Argentine elites rejected a racial mixture with darker skin colored Argentines. Argentines repeated stereotypes that were common in Europe in the colonial era: non-caucasian people were
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and saw the traditional improvisational style being danced. Trenner was introduced to Miguel and Nelly Balmacera, a couple who would become his first tango teachers. Being fluent in both Spanish and English he was able to study with many Argentine tango masters, including Gustavo Naveira and Mingo
304:, in the '90s a younger generation of tango dancers began dancing tango steps to alternatives to tango music; music from other genres like, "world music", "electro-tango", "experimental rock", "trip hop", and "blues", to name a few. Tango nuevo dance is often associated with alternative music, see 220:
Argentine elites viewed tango as dangerous association and gathering place for lower-class people. However, as famous tango stars such as Alberto Castillo gained popularity in Argentina, the positive image of blackness related to tango started to widely share in Argentina's mass culture during the
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It is a very little-known fact, but Luis Bravo debuted Forever Tango in 1990 when Tango Argentino was on a break. He took 3 couples from the show & Gloria and Eduardo to be the artistic directors. The show went on a hiatus until 1994 when it re-opened in San Francisco and then hit Broadway in
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and asked the Dinzelbachers back. Unfortunately, Raul Dinzelbacher, 40 years old, collapsed and died at the end of the third day of the festival. Nora Dinzelbacher was devastated but threw herself into her work, forming a dance performance troupe and teaching. She asked a student, George Guim, to
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Argentine tango music is much more varied than ballroom tango music. A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well,
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In the first half of 1994, Barbara Garvey's BAATA mailing list grew from 400 to 1,400 dancers. Garvey places the critical mass of the San Francisco Bay Area's tango resurgence at this point. The number of regional milongas went from three per month to 30.
225:. Only in the decade between 1910 and 1920, Argentine tango started becoming fashionable in the major European capitals such as Paris, Berlin, Rome and Vienna. Within the European society, the feelings towards this new dance were mixed. In Rome, 907:'s first tango festival; and the Portland October Tangofest was launched, again by Clay Nelson. 1999 saw a split in Miami: Nel and Mandel scheduled their "United States Tango Congress" to open a month prior to the Tango Fantasy event. 769:; all in the style of choreographed show tango. In 1987, the Garveys traveled to Buenos Aires to discover the traditional improvisational social dance style at a large milonga (Centro Akarense) filled with older dancers in 288:
stretched the classical harmony and counterpoint and moved the tango from the dance floor to the concert stage. His compositions tell us something of our contemporary life and dancing it relates much to modern dance.
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There are numerous tango festivals in the United States: Seattle Tango Magic, Denver Memorial Day, Portland Valentango in Portland, Oregon, Denver Tango Festival in Denver, Colorado, Boston Tango Festival in Boston.
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invented a dramatically different tango embrace in which both dancers leaned forward against each other more than was traditionally accepted. Gavito's ultimate rise to fame came from this starring appearance in
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Daniel Trenner has been credited with bringing improvisational social Argentine tango to the United States. Like the Garveys, he first went to Buenos Aires in 1987, where he went to a milonga in
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provided a dance center for the performers to teach new students. At the same time, Danel and Maria Bastone were teaching tango in New York, and Orlando Paiva was offering tango classes in
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which makes it easier for Argentine tango dancers to spend the whole night dancing only Argentine tango. The four representative schools of the Argentine tango music are
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In 1998, with Bob Moretti, a retired USAF Lt. Col. and one of her students, Nora Dinzelbacher began a new festival in the same vein: "Nora's Tango Week", held in
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Argentine Tango in the United States. Richard produced the last Stanford Tango Week in 1997 and the same year the Tango Congress in Florida was being organized.
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The Dinzelbachers settled in San Francisco in 1988, in response to the demand for tango teachers following a visit to San Francisco by the touring production of
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Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective
799:. Nora and Raul Dinzelbacher taught a core group of students who would later become teachers themselves, including the Garveys, Polo Talnir and Jorge Allende. 241:
forbid their officers in uniform to dance this new rhythm. In the Austrian capital Vienna, Argentine tango was deliberately excluded from the program of the
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announced that the Argentine tango would be added to the list of dances for its eighth season, following the initiative by its British parent show
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Argentine tango dancing in the UK began in the early 1990s in response to the hugely popular internationally touring shows "Forever Tango" and "
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While Argentine tango dancing has historically been danced to tango music, such as that produced by such orchestra leaders as
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group is formed through their work as Argentine tango dance band leaders. In February 2009, the popular ABC series
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played in eight West Coast cities, increasing viewer's interest in learning the tango.
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For the modern international dance form that evolved from the Argentine tango, see
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Culture of Class Radio and Cinema in the Making of a Divided Argentina, 1920–1946
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in New York City. Cast members gave classes to a number of students, including
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took tango classes from them as well as from Jorge and Rosa Ledesma from
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has several melodic instruments and is given a distinctive air by the
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Argentine queer tango: dance and sexuality politics in Buenos Aires
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become her assistant. They taught at a week-long dance festival in
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In 1986, Brigitta Winkler appeared in her first stage performance,
1451:(1st ed.). Lexington Books/Fortress Academic. pp. 1–20. 904: 892: 1712: 1638: 1379:"Finding Tango: From the Golden Age to the Twenty-First Century" 2464: 2172: 2021:"'Oldest Tango Festival' Randy of Miami, March 23 and 26, 2007" 1476:
Eder, Otto (2018). el tango.revista Viena – Sonderedition, ed.
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Re: Going to Bs As (Detecting sham and incompetent Teachers)
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originating at the end of the 19th century in the suburbs of
20: 2068:"Daniel Trenner. 'Tango: the Argentine Social Dance' (1998)" 618:, staged by Claudio Segovia and Hector Orezzolli, opened in 96:
Two dancers of Argentine tango on the street in Buenos Aires
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Re: ; Revival of Tango in North America / Pellicoro Book
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returned to the United States late in 1994, landing in
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aboard a cruise ship where they were dancing tango and
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Technische UniversitÀt Ball (Technical University Ball)
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Liska, Mercedes; Westwell, Peggy; Vila, Pablo (2016).
1423:(1st ed.). Duke university press. pp. 1–19. 1851:"George A. Nicol. 'Interview with Nora Dinzelbacher'" 1288: 1286: 887:
In June 1995, Janis Kenyon held a tango festival at
2065: 1502: 1500: 1498: 895:event. The next year, Kenyon moved her festival to 1446: 1283: 3279: 2044:. Pythia.uoregon.edu. 2003-04-24. Archived from 1495: 1206:Integrative Psychological and Behavioral Science 1900: 1616:. Juan Carlos Copes. 1931-05-31. Archived from 1385:, University Press of Florida, pp. 30–48, 1195: 1193: 527: 603:in the Buenos Aires neighborhood of San Telmo. 3094: 2222: 1522:Evolution of Tango in Vienna and Buenos Aires 1472: 1470: 1468: 1054: 1052: 545:The examples and perspective in this article 1827: 1665:"Carlos Rivarola (Dancer and Choreographer)" 1190: 745:In 1986, Nora and Raul Dinzelbacher visited 1111:: CS1 maint: numeric names: authors list ( 802:In 1989, the Dinzelbachers were invited to 672:. Unsourced material may be challenged and 16:Musical genre and accompanying social dance 3101: 3087: 2229: 2215: 1465: 1299:Tango and the Political Economy of Passion 1292: 1049: 208:century in working-class neighborhoods of 157:, sadness, and laments for lost love. The 1954:. Batango.com. 2005-06-22. Archived from 1554:Tango als Wissenschaft, Wissenschaftsball 692:Learn how and when to remove this message 622:, starring dancers Juan Carlos Copes and 583:Learn how and when to remove this message 308:, but it can be danced to tango as well. 229:banned Argentine tango from the balls in 80:Learn how and when to remove this message 3293:Intangible Cultural Heritage of Humanity 1127:"OrĂ­genes del Tango – Todo Buenos Aires" 594: 91: 43:This article includes a list of general 2139:. Grand Rapids Magazine, December 2009. 1376: 1254: 1149: 3280: 1987:Re: Revival of Tango in North America 1492:, 19th November 1913, Vienna (Austria) 1418: 1391:10.5744/florida/9780813042190.003.0003 1341: 3082: 2210: 1534:Elefante, Stefano (September, 2019). 1442: 1440: 1199: 1085:Drago, duce menandro the 3rd (2008). 1084: 1058: 311:List of tango bandleaders during the 2093:"Dance Manhattan. 'Rebecca Shulman'" 1662: 1337: 1335: 1333: 1331: 670:adding citations to reliable sources 637: 531: 29: 2165:musicians, lyricists, discographies 2070:. Danieltrenner.com. Archived from 1781:"Keith Elshaw. 'Juan Carlos Copes'" 1710: 1536:"Tango in Vienna's imperial palace" 1293:Savigliano, Marta E. (2018-02-06), 858:over the course of its 7-year run. 196: 13: 1874: 1757: 1437: 1261:. University of California Press. 49:it lacks sufficient corresponding 14: 3319: 2187:Basic Tango principles and advice 2146: 2134: 1736:. Milenatango.com. Archived from 1667:. Carlos Rivarola. Archived from 1645:from the original on 4 April 2010 1328: 1156:Journal of Latin American Studies 1150:Andrews, George Reid (May 1979). 633: 1734:"Milena Tango. Milena Plebs bio" 1595:from the original on May 2, 2008 1591:. Users.pandora.be. 2007-06-23. 1295:"Scandalizing National Identity" 711: 642: 536: 34: 25:Argentine tango (disambiguation) 3023:Dance in mythology and religion 2128: 2106: 2085: 2059: 2034: 2013: 1992: 1969: 1944: 1919: 1903:Inside the Show Tango Argentino 1901:Anton Gazenbeek, Anton (2021). 1894: 1877:"Carlos Gavito 1942–2005" 1868: 1843: 1821: 1798: 1773: 1751: 1726: 1704: 1683: 1656: 1631: 1606: 1581: 1560: 1545: 1528: 1513: 1483: 1412: 1377:Merritt, Carolyn (2012-11-11), 1301:, Routledge, pp. 137–168, 1255:Shumway, Nicolas (2023-04-28). 716:In 1985, the French dance show 431:Jose Garcia Y Sus Zorros Grices 243:23rd ball of the City of Vienna 2185:The Basics of Tango (Part One) 2066:daniel trenner :: tango. 2002:. Starbulletin.com. 2000-03-24 1853:. Inscenes.com. Archived from 1639:"Keith Elshaw. 'Maria Nieves'" 1570:. Users.pandora.be. 2008-08-25 1478:Tango!!! Ein Fremdling in Wien 1370: 1248: 1143: 1119: 1078: 822:Throughout 1990, Luis Bravo's 227:Vittorio Emanuele III of Savoy 1: 1929:. Batango.com. Archived from 1879:. totango.net. Archived from 1783:. Totango.net. Archived from 1510:, Italia: Radiocrossovertango 1508:"La mappa del tango nel 1914" 1061:"The Hidden History of Tango" 1043: 2198:. 2012-09-27. Archived from 1342:Karush, M. B. (2012-07-23). 1038:World tango dance tournament 528:Resurgence outside Argentina 7: 2171:musicians, lyricists, CDs, 1828:Kelly Wilson (2008-11-06). 1065:The Hidden History of Tango 961: 559:, discuss the issue on the 10: 3324: 2151: 1419:Karush, Matthew B (2012). 1258:The Invention of Argentina 1200:Tateo, Luca (2014-01-25). 968:Figures of Argentine tango 599:Sunday afternoon tango at 260: 247:traditional Viennese balls 237:, the King of Bavaria and 200: 18: 3254: 3216: 3167: 3114: 3108: 2978: 2665: 2575: 2450: 2340: 2272: 2244: 2236: 1589:"Tango and modern dance'" 1218:10.1007/s12124-014-9258-2 1168:10.1017/s0022216x00022288 817:Port Townsend, Washington 773:. Upon returning home to 607: 169:and composers/performers 2178: 2042:"Daniel Trenner Tribute" 852:The Stanford Tango Weeks 612:In 1983, the dance show 256: 249:through the prestigious 2135:Rylah, Juliet Bennett. 1540:Tango y Cultura Popular 1525:, Auckland, New Zealand 1307:10.4324/9780429497001-4 1131:www.todobuenosaires.com 889:Northwestern University 64:more precise citations. 1830:"Brigitta Winkler bio" 1059:Denniston, Christine. 945:Dancing with the Stars 868:Emeryville, California 779:San Francisco Bay Area 604: 446:Juan de Dios Filiberto 386:Enrique Mario Francini 97: 23:. For other uses, see 2159:Argentine Tango Radio 2095:. Dance-manhattan.com 1614:"resume and timeline" 1551:(DE) Oliver Lehmann, 1490:"Das Wiener Tagblatt" 1008:Milonga (dance event) 951:Strictly Come Dancing 767:Quilmes, Buenos Aires 763:Al and Barbara Garvey 598: 115:. It typically has a 95: 2988:Dance and disability 1356:10.1093/pastj/gts008 988:History of the tango 666:improve this section 565:create a new article 557:improve this article 547:may not represent a 203:History of the tango 3033:Dance on television 2137:"Joined at the Hip" 954:the previous year. 856:Stanford University 812:Stanford University 775:Fairfax, California 239:Kaiser Franz Joseph 2118:2011-07-20 at the 1981:2011-07-20 at the 1810:2006-02-07 at the 1663:Rivarola, Carlos. 1480:, Vienna (Austria) 1348:Past & Present 1267:10.2307/jj.2711610 751:La Paz, Entre RĂ­os 605: 331:Alfredo De Angelis 98: 3275: 3274: 3076: 3075: 3028:Dance occupations 2965:Wallis and Futuna 1832:. Members.aol.com 1506:Roberto Finelli, 1430:978-0-8223-5264-8 1316:978-0-429-49700-1 1276:978-0-520-91385-1 860:Juan Carlos Copes 702: 701: 694: 593: 592: 585: 567:, as appropriate. 476:Miguel Villasboas 411:Francisco Rotundo 391:Enrique Rodriguez 366:Juan Maglio Pacho 235:Kaiser Wilhelm II 187:Elvira SantamarĂ­a 159:typical orchestra 107:and accompanying 90: 89: 82: 3315: 3103: 3096: 3089: 3080: 3079: 3063:History of dance 3048:Dance technology 2993:Dance and health 2943:African-American 2231: 2224: 2217: 2208: 2207: 2203: 2169:tango.info/music 2141: 2140: 2132: 2126: 2125:, July 25, 2003] 2110: 2104: 2103: 2101: 2100: 2089: 2083: 2082: 2080: 2079: 2063: 2057: 2056: 2054: 2053: 2038: 2032: 2031: 2029: 2028: 2017: 2011: 2010: 2008: 2007: 1996: 1990: 1985:Barbara Garvey. 1973: 1967: 1966: 1964: 1963: 1948: 1942: 1941: 1939: 1938: 1923: 1917: 1916: 1898: 1892: 1891: 1889: 1888: 1872: 1866: 1865: 1863: 1862: 1847: 1841: 1840: 1838: 1837: 1825: 1819: 1814:Barbara Garvey. 1802: 1796: 1795: 1793: 1792: 1787:on 28 April 2010 1777: 1771: 1770: 1768: 1767: 1755: 1749: 1748: 1746: 1745: 1730: 1724: 1723: 1721: 1719: 1708: 1702: 1701: 1699: 1697: 1687: 1681: 1680: 1678: 1676: 1660: 1654: 1653: 1651: 1650: 1635: 1629: 1628: 1626: 1625: 1610: 1604: 1603: 1601: 1600: 1585: 1579: 1578: 1576: 1575: 1564: 1558: 1557:, 18 Marzo 2021. 1549: 1543: 1532: 1526: 1519:Auckland Tango, 1517: 1511: 1504: 1493: 1487: 1481: 1474: 1463: 1462: 1444: 1435: 1434: 1416: 1410: 1409: 1408: 1407: 1374: 1368: 1367: 1350:(216): 215–245. 1339: 1326: 1325: 1324: 1323: 1290: 1281: 1280: 1252: 1246: 1245: 1197: 1188: 1187: 1147: 1141: 1140: 1138: 1137: 1123: 1117: 1116: 1110: 1102: 1082: 1076: 1075: 1073: 1071: 1056: 933:Johnny Appleseed 901:Portland, Oregon 830:and his partner 761:professionally. 697: 690: 686: 683: 677: 646: 638: 588: 581: 577: 574: 568: 540: 539: 532: 491:Osvaldo Pugliese 406:Francisco Lomuto 401:Francisco Canaro 396:Florindo Sassone 376:Donato Racciatti 371:Domingo Federico 341:Angel D'Agostino 326:Alberto Di Paulo 321:Adolfo Carabelli 294:Osvaldo Pugliese 197:History of tango 183:Osvaldo Pugliese 171:Francisco Canaro 145: 144: 143: 142: 130: 129: 128: 127: 85: 78: 74: 71: 65: 60:this article by 51:inline citations 38: 37: 30: 3323: 3322: 3318: 3317: 3316: 3314: 3313: 3312: 3288:Argentine tango 3278: 3277: 3276: 3271: 3250: 3212: 3177:Argentine tango 3163: 3159:Orquesta tĂ­pica 3149:Uruguayan tango 3124:Argentine tango 3110: 3107: 3077: 3072: 3008:Dance etiquette 2974: 2733:Burma (Myanmar) 2673: 2669: 2661: 2610:Lead and follow 2571: 2507:Country–western 2446: 2427:Novelty and fad 2385:Hoochie coochie 2336: 2295:closed position 2268: 2264:List of dancers 2240: 2235: 2196:users.skynet.be 2192:"Tango Secrets" 2190: 2181: 2154: 2149: 2144: 2133: 2129: 2120:Wayback Machine 2111: 2107: 2098: 2096: 2091: 2090: 2086: 2077: 2075: 2064: 2060: 2051: 2049: 2040: 2039: 2035: 2026: 2024: 2019: 2018: 2014: 2005: 2003: 1998: 1997: 1993: 1983:Wayback Machine 1974: 1970: 1961: 1959: 1958:on May 17, 2008 1950: 1949: 1945: 1936: 1934: 1933:on May 17, 2008 1925: 1924: 1920: 1913: 1899: 1895: 1886: 1884: 1875:Elshaw, Keith. 1873: 1869: 1860: 1858: 1849: 1848: 1844: 1835: 1833: 1826: 1822: 1812:Wayback Machine 1803: 1799: 1790: 1788: 1779: 1778: 1774: 1765: 1763: 1762:. Todotango.com 1756: 1752: 1743: 1741: 1732: 1731: 1727: 1717: 1715: 1713:"Nicole y Luis" 1709: 1705: 1695: 1693: 1689: 1688: 1684: 1674: 1672: 1671:on 14 July 2011 1661: 1657: 1648: 1646: 1641:. 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Index

tango
Argentine tango (disambiguation)
references
inline citations
improve
introducing
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musical genre
social dance
Buenos Aires

4
or
4

time signature
nostalgia
typical orchestra
bandoneon
Carlos Gardel
Francisco Canaro
Juan D'Arienzo
Carlos Di Sarli
Osvaldo Pugliese
Elvira SantamarĂ­a
Ástor Piazzolla
History of the tango
Buenos Aires
Argentina
Viennese waltz
Vittorio Emanuele III of Savoy
Quirinal Palace
Kaiser Wilhelm II

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