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116:. In early adulthood, he worked as an accountant for the New York and Philadelphia Telephone and Telegraph Company, where he amused his colleagues with his impressions of older immigrant Jews learning to live in America. Some sources state that he was raised and worked in
165:, but the show was heavily criticized for its insensitivity and dependence on outdated stereotypes. As a result, his act became less popular, and Rose was removed from bookings on the Keith-Albee theatre circuit a few years later.
142:– for example, he would "appear in exaggerated costume, including a bald-headed wig and a long beard" – and joked about the difficulties Jewish immigrants experienced in American society.
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He modified his style, and regularly performed in
Britain as well as the United States, before moving to Britain on a more permanent basis in the 1910s. He appeared on
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and dialect parodies, spoken at up to two hundred words per minute. His early routines were based on long-established
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David Rose, "My great-grandfather played to Jewish stereotypes for laughs and fame...."
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By the mid-1890s, he decided on a career as a comedian, and worked on the
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Rose died in London in 1935, one week after his 67th birthday.
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Siegel and
Shuster's Funnyman: The First Jewish Superhero
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Kindly Leave the Stage: The Story of
Variety 1919-1960
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442:Comedians from New York City
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200:. He appeared in the 1932
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322:"Levinsky at the Wedding",
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266:"Julian Rose, 1879-1935",
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130:theatre circuit, with
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100:"Our Hebrew Friend".
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403:"Meet Julian Rose"
140:Jewish stereotypes
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