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political party in the 1930s, and then a school, the Lycée
Italien Leonardo-de-Vinci. While the style of the facade is largely Louis XV, it also includes a display of the imaginative details and exuberant decoration that characterize the work of Lavirotte. The use of a railing with ceramic columns on the first floor balcony was repeated by Lavirotte at 3 Square Rapp and 29 Avenue Rapp. The interior was extensively modified when the residence was made into a school. The winding stairway, with an art nouveau wrought iron railing, is one of the few original features that survived. The courtyard behind the house was made into a gymnasium; the former rear exterior wall of the house is now an interior wall of that room.
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313:; the building proved to be an effective advertisement for his wares. It was very lavishly adorned even by the standards of the many ceramically finished facades that were built in the following years, which were for the most part appointed this way because this was a way to protect and beautify the iron and concrete materials whose use was fast becoming the standard. The building at 29 avenue Rapp also had a highly exotic door frame designed by the sculptor Jean-Baptiste Larrive, and sculpted by Messrs Théobald-Joseph Sporrer, Firmin-Marcelin Michelet, and
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406:, a private residence, and was originally just three stories high. The four upper floors and small tower were added later. Number 23 was a winner in the 1907 facade competition. The style of both buildings was more subdued than his earlier buildings, but both still featured a lavish use of sculpted ceramic tiles, wrought iron balconies, and floral sculpture above the entrance on the rounded corner number 23. The sculpture on both buildings was the work of
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94:, 34 Avenue de Wagram, 8th arrondissement (1904), which also featured ceramic decoration by Bigot; and the building at 23 avenue de Messine in the 8th arrondissement (1906-1907). His last two major Paris buildings, next to each other at 23 Avenue de Messine and 6 rue de Messine, were in a more subdued style, with less flamboyant decoration, but with refined craftsmanship and sculptural ornament. They were his last art nouveau works.
86:, a chemistry professor who imported the technology of making glazed earthenware tiles, which he had seen at the 1889 Paris Exposition. His firm provided the exterior decoration for Lavirotte's most famous buildings, as well as for works by the other prominent art nouveau architects, Three of his buildings were awarded prizes in the Paris facade competition, which gave prizes to several buildings each year; The
393:, a furnished house or an establishment which rented furnished rooms. It later became a hotel, the Elysée-Ceramic Hôtel, and still later took its current name. Almost all of the original interior decoration disappeared when it became a hotel, but a few of the original details, including a stairway and a stained glass window in the stairway, remain. It was listed as an historic monument in 1964.
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This building is very close to two other notable
Lavirotte buildings, at 3 Square Rapp and 29 Avenue Rapp. The building was originally commissioned by the Comtesse de Montessuy as her residence, and is sometimes called the HĂ´tel Montessuy. It was completed in 1899. It became the headquarters of a
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on Avenue Rapp, was the residence of
Lavirotte, who had an apartment on the fifth floor. It featured many of the art nouveau features of his later buildings, including a very ornate doorway and whimsical borrowings from earlier architectural periods, and also made extensive use of the decorative
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In 1904, he traveled to
Tunisia, where he designed a villa and a chateau and restored a church in the town of Chaouat. In 1906, he built an experiment in low-cost housing, a bungalow at 169 Boulevard Lefebvre in 15th arrondissement (no longer existing). In 1907, he designed the villa Dupont,
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buildings he created in the 7th arrondissement in Paris. His buildings were known for his imaginative and exuberant decoration, and particularly for his use of sculpture and glazed ceramic tiles on the facades, made in collaboration with leading sculptors and the ceramic manufacturer
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The first five buildings built by
Lavirotte were all in the same part of Paris, the 7th arrondissement. Three were in close proximity to each other, at 3 Square Rapp, 29 Avenue Rapp, and 12 Rue Sedillot. The first two buildings benefited from Lavirotte's collaboration with
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ceramic tiles of
Alexanadre Bigot on the upper floors of the facade. The ornamental tower on the corner rests on column. The building is separated from the street by an ornamental grill and small fountain by Lavirotte, which frames a remarkable view of the
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The two buildings on Avenue and rue
Messine are next to each other, were built at about the same time, and followed a very similar design. Number 23, on the corner of avenue de Messine and rue Messine, was a
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The
Ceramic Hotel, located at 34 avenue de Wagram in the 8th arrondissement, was built in 1904. It was constructed of reinforced concrete, and the ceramic decoration on the facade was made by the firm of
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He died in 1929, and his work was largely ignored until the 1960s, when art nouveau was rediscovered. His major works were declared historic landmarks, and he was recognized, along with
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74:, and went on to study at the Ecole des Beaux-Arts in Lyon, where he was a pupil of Antoine Georges Louvier (1818–92). He subsequently studied at the
385:. The sculptural decoration of climbing plants on the exterior of the first floor is signed by the sculptor Camille Alaphilippe, a winner of the
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Fragrance 1900, a site devoted to art nouveau, with section on
Lavirotte and his buildings, including interior and exterior photos (in French)
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given by the
Academy of Fine Arts. The building was a winner of the city competition for best facade in 1905. It originally was a
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23 Avenue Messine (left) and 6 rue Massine (right) show the more subdued style of Lavirotte's later buildings (1906–07)
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23 Avenue de Messine, 8th arrondissement (1906, top floors added later, doing away with Lavirotte's garden roof)
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in Paris under the tutelage of Paul Blondel (1847–97), and gained his architect's diploma there in 1894.
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style—offers only hints of the theatrical displays for which Lavirotte was to become known.
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Number 6 Rue de Messine and number 23 Avenue de Messine (8th arrondissement) (1906-1907)
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62:(1904), and for the building at 23 avenue de Messine (8th arrondissement) in 1907.
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Maurice Rheims: The Age of Art Nouveau, page 32 (1966, Thames and Hudson, London)
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Maurice Rheims: The Age of Art Nouveau, page 32 (1966, Thames and Hudson, London)
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This apartment building, on a small square just around the corner from the
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head office and secondary school (Lycée Italien) at 12 rue Sedillot (1899)
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Exterior grill and fountain of 3 Square Rapp, with Eiffel Tower behind
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Pictures and description of many Lavirotte buildings around Paris
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Ceramic Hotel, 34 avenue de Wagram (8th arrondissement) (1904)
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Pictures of Jules Lavirotte Art Nouveau Buildings in Paris
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of which he was thrice one the winners (1901, 1905, 1907)
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Facade of 3 square Rapp (7th arrondissement) (1899-1900)
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Restoration of the Church at Chaouat (Tunisia, c.1904)
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Doorway of the building at 151 rue de Grenelle (1898)
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at 29 Avenue Rapp (1901), for the Ceramic hotel, 34
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The first major building designed by Lavirotte. Its
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701:- Biography and pictures of his works (in French)
305:in 1901 was the first example of its kind in the
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170:Detail of the Lycée Italien, rue Sedillot (1899)
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419:151 Rue de Grenelle, 7th arrondissement (1898)
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276:3 Square Rapp, 7th arrondissement (1899-1900)
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422:12 Rue Sedillot, 7th arrondissement (1899)
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653:Parisian Architecture of the Belle Epoque
431:29 Avenue Rapp, 7th arrondissement (1901)
293:29 Avenue Rapp, 7th arrondissement (1901)
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491:Concours de façades de la ville de Paris
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425:3 Square Rapp, 7th arrondissement (1899)
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615:Paris architectures de la Belle Époque
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346:Ceramic Hotel upper facade decoration
297:The large scale deployment of glazed
634:1000 Immeubles et monuments de Paris
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434:Chateau at Chaouat (Tunisia, c.1904)
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226:Doorway of 3 Square Rapp (1899-1900)
130:Facade of 151 rue de Grenelle (1898)
570:The Grove Dictionary of Art (1996,
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699:Jules Lavirotte - architect
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321:Later buildings (1904-1907)
98:located at 2 rue Balzac in
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184:—influenced by the French
45:who is best known for the
201:Notable works (1900-1901)
117:Notable works (1898-1899)
102:, in the Paris suburbs.
632:Poisson, Michel (2009).
100:Franconville, Val-d'Oise
617:. Éditions Parigramme.
740:Art Nouveau architects
651:Johnston, Roy (2007).
70:Lavirotte was born in
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693:- current photographs
613:Plum, Gilles (2014).
481:Architecture of Paris
301:on the facade of the
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735:Architects from Lyon
334:Ceramic Hotel (1904)
250:Upper floors of the
76:Ecole des Beaux-Arts
31:Jules Aimé Lavirotte
552:, pp. 215–217.
503:Notes and citations
37:– March 1, 1929 in
33:(March 25, 1864 in
404:hĂ´tel particulaire
303:Lavirotte Building
282:Lavirotte Building
268:Lavirotte Building
252:Lavirotte Building
88:Lavirotte Building
56:Lavirotte Building
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24:Lavirotte Building
662:978-0-470-01555-1
643:978-2-84096-539-8
624:978-2-84096-800-9
533:and Ezio Godoli,
414:List of buildings
315:Alfred Jean Halou
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486:Art Nouveau
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299:earthenware
47:Art Nouveau
714:Categories
535:Paris 1900
498:References
408:LĂ©on Binet
66:Biography
43:architect
470:See also
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270:(1901)
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182:facade
39:Paris
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307:West
154:The
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72:Lyon
35:Lyon
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