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68:, although the time gaps between them make the similarities harder to find. These worlds are created with great consistency and attention to detail.
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128:, in a genre he calls "speculative history." As a scriptwriter, he has worked on the film
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In his solo work, he spends less time on scientific detail and incorporates elements of
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He was first trained as an industrial designer. As an author, he has received the
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134:. He has been the illustrator for a number of science fiction book covers.
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56:His first works were written in collaboration with
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88:with elements of hard science fiction.
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60:. These are histories influenced by
113:Aguilera has also collaborated with
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320:20th-century Spanish male writers
106:, communication between species,
23:A picture of Juan Miguel Aguilera
305:Spanish science fiction writers
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153:Sangrando correctamente (1981)
16:Spanish science fiction author
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175:En un vacĂo insondable (1994)
325:21st-century Spanish writers
315:20th-century Spanish writers
172:Hijos de la eternidad (1990)
84:) combine a plot typical of
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169:Mundos en el abismo (1988)
272:The New York Times Movies
242:Mundos y demonios (2005).
223:El bosque de hielo (1995)
183:Works with Ricardo Lázaro
64:, set in the universe of
259:"Juan Miguel Aguilera",
236:La locura de Dios (1998)
193:La llavor del mal (1996)
208:Contra el tiempo (2001)
198:Works with Rafael MarĂn
143:Works with Javier Redal
34:in 1960) is a Spanish
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310:Writers from Valencia
78:Hijos de la Eternidad
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300:Spanish illustrators
156:Ari, el tonto (1992)
82:Children of Eternity
62:hard science fiction
28:Juan Miguel Aguilera
131:Stranded: Náufragos
74:Worlds in the Abyss
70:Mundos en el Abismo
47:Alberto Magno prize
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178:El refugio (1994)
76:) and its sequel
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159:Maleficio (1995)
51:Juli Verne prize
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290:1960 births
86:space opera
66:Akasa-Puspa
284:Categories
261:Kosmopolis
247:References
96:The Refuge
92:El Refugio
49:, and the
213:Solo work
108:evolution
30:(born in
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32:Valencia
126:fantasy
232:Novels
204:Novels
165:Novels
45:, the
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