1598:-style" special effects. Sylvia Anderson suggested that American audiences, who were less familiar with Century 21's puppet productions than their British counterparts, were more enthusiastic about the film. She explained: "It was all too easy to compare our real actors with our puppet characters and descriptions such as 'wooden', 'expressionless', 'no strings attached' and 'puppet-like' were cheap shots some of the UK critics could not resist ... Typecasting is the lazy man's friend, and boy, were we typecast in Britain". In 1992, she said of the film: "I saw it on TV a couple of years ago and I was very pleased with it. I thought it came over quite well". To Chris Bentley, the film is a "stylish and thought-provoking science fiction thriller".
1000:
1071:
number of scenes, saying that he would only end up deleting them. According to
Anderson, when he reminded Parrish of his contractual obligations, the director loudly announced to the cast and crew: "Hell, you heard the producer. If I don't shoot these scenes which I don't really want, don't need and will cut out anyway, I'll be in breach of contract. So what we'll do is shoot those scenes next!" In his biography, Anderson stated that his one regret about the film " that I hired Bob Parrish in the first place". Sylvia described Parrish's direction as "uninspired. We had a lot of trouble getting what we wanted from him".
1104:
31:
972:
1250:
1261:. Rank delayed the film's release by over a year. On 26 March 1969, the BBFC passed the film with an A certificate, which allowed children under 11 to see the film provided that they were accompanied by a parent or guardian. To secure this rating, cuts to shots of contraceptive pills were required. Rank enquired whether the film could be cut further to secure a U certificate, removing the need for parental supervision; the BBFC rejected the idea, stating that this would cause the film to lose all narrative sense.
984:
827:. In a 2008 interview, Thinnes said of the film: "I thought was an interesting premise, although now we know that there isn't another planet on the other side of the Sun, through our space exploration and telescopic abilities. But at that time it was conceivable, and it could have been scary". To reflect the script's characterisation of Ross as a heavy smoker, Thinnes went through numerous packets of cigarettes over the course of the production, to the detriment of his health. In September 1969,
4775:
1664:
728:, the Andersons' employer and financial backer, set up a meeting for Gerry Anderson to pitch a story about a hypothetical "mirror" Earth. On the inspiration for the film, Anderson said: "I thought, rather naively, what if there was another planet on the other side of the Sun, orbiting at exactly the same speed and the same size as Earth? That idea then developed into the planet being a replicated Earth and that's how it ended up, a mirrored planet".
1930:
1222:, who wrote the music for all of Century 21's productions, said that his score for this film was his favourite. The score was recorded over three studio sessions held between 27 and 29 March 1969. The first session used a 55-member orchestra, the second 44, and the third 28. The sequence showing Ross and Kane's journey to the Counter-Earth was accompanied by a piece titled "Sleeping Astronauts", featuring an
1944:
30:
751:". According to Gerry, the term "means 'a copy of oneself', and the legend goes that if you meet your doppelganger, it is the point of your death. Following that legend, clearly, I had to steer the film so that I could end it illustrating the meaning of that word". Responding to claims that the tone was overly "dark", Anderson said that he wanted the film to have an interesting premise.
920:, which were liked by the Andersons. Publicity material described the character as "John Wilder (2069 model)". According to Gerry, Wymark's heavy drinking caused him to slur his lines: in one scene, the actor "had to list these explanations ... and on take after take he couldn't remember that 'two' followed 'one'. We had to do it over and over again". Anderson's biographers,
1046:". This technique spared the production considerable time and money building specially "reversed" props and sets and organising road closures to film cars driving on the "wrong" side of the road. However, it meant that scenes set on the Counter-Earth required careful planning and rehearsal with the cast and crew. It also resulted in a number of
1420:
There were some great sequences and the special effects were outstanding. Perhaps the mistake I made was in insisting that we incorporate "Gerry's view of the future", where everybody is squeaky clean and everything is sparkling and shining and sanitised. Unfortunately that isn't what most people see
1351:
operator who was unfamiliar with the film believed that the
Counter-Earth scenes had been flopped in error, so made a second flop to reverse it. This de-flopped picture, which became the standard for all TV showings, makes it appear that the Ross of the Counter-Earth has landed on the "normal" Earth.
847:
crash sequence: "... he was pissed as a newt, and it was as much as he could do to stagger away. Despite all that, it looked exactly as it was supposed to on screen." In the original script, Kane's first name was Philip and he had a wife called Susan. Scenes deleted from the finished film showed
1642:
website gives the film two-and-a-half stars out of five, summing it up as "an occasionally interesting failure". The review praises the effects and costume design but judges the subplots about
Hassler's treachery and the Rosses' marital problems to be unnecessary distractions from the main story. It
1507:
wrote that the film "never really gets off the ground" and "remains a little too civilised and restrained for its own good." He praised the "crispness" of certain dialogue, along with the visual style and
Parrish's direction, but argued that the story deserved "a larger movie, at least one with more
1090:
spacecraft model using a hand-held camera. In his biography, Anderson recalled: "I knew enough about space travel to know that in a vacuum a spacecraft will travel as straight as a die ... told me that people were not familiar with space travel and therefore they would expect to see this kind
1078:
Other scenes led to disagreements within
Century 21. For a scene depicting Lise Hartman (Loni von Friedl) taking a shower, cinematographer John Read did the lighting in silhouette as instructed by Parrish. Gerry Anderson, who had intended the scene to show Friedl nude, demanded a reshoot, insisting
891:
for mature content, he stated that it was
Century 21's desire to "work with live artists doing subjects unsuitable for children". The finished film replaced the nude scene with milder shots showing Sharon stepping into and out of a shower. A subplot concerns the Rosses' attempts to conceive a child
1447:
described the theme as "more abstruse" than that a of a typical science fiction feature. It added: "the intricacies are insufficiently clarified, and Robert
Parrish's direction is so leaden-footed, that despite the explosive finale the film as a whole is simply dull." The film was also negatively
1070:
As filming progressed, Anderson and
Parrish came into conflict. Anderson said that Kanter was brought in more than once to mediate between them: " both knew how important the picture was to our careers, and we both desperately wanted to be in the big time". At one point, Parrish refused to film a
1074:
Parrish also clashed with
Thinnes over the actor's refusal to have his hair cut a certain way for the scenes set on the Counter-Earth. Thinnes, whose hair had already been repeatedly styled, later decided that this was merely Parrish's way of asserting authority, having received a letter from a
1522:
as "a science fiction film that comes up with a fascinating premise three-quarters of the way along and does nothing with it." She commended the film for being "nicely gadget-ridden", as well as raising questions about the conflict between science and politics, but criticised the editing.
430:
must send a crewed mission to the planet before
Hassler's allies in the East. NASA astronaut Colonel Glenn Ross and EUROSEC astrophysicist Dr John Kane are assigned to the mission. After undergoing training at the EUROSEC Space Centre in Portugal, Ross and Kane blast off in the spacecraft
1711:' and crash on the planet. And do they ever have their hands full in getting back to Earth!" Suggesting that the performances are hampered by an excess of technical dialogue, the review concluded: "... the makers of this space exploiter may get lots of mileage at the box office, but
1062:
to reflect the film's futuristic setting, instead of using real viewing monitors the crew cut screen-sized gaps in a wall and positioned the actors playing the conference delegates behind them. Silver paper was added to reflect the studio lights and simulate a high-resolution image, with
1335:
format credits Thinnes first. Some British prints feature an alternative version of the final scene with a short voice-over from Ross, repeating a line of dialogue the character says to Webb earlier in the film: "Jason, we were right. There are definitely two identical planets."
1618:
a "good" film but writes that it "takes an okay premise but does next to nothing with it. We see 100 minutes of bad drama and good special effects, and then the script opts for frustration and meaningless mystery". He criticises the cinematography, comparing it to that of
1875:
appeared as the exterior of Harlington-Straker Film Studios, where SHADO, the organisation headed by Straker, is based. The recycled music included the tracks "Sleeping Astronauts" and "Strange Planet", the latter accompanying the series' end credits. Additionally,
1226:
played by French ondiste Sylvette Allart. Archer and Hearn describe this piece as "one of the most enchanting" ever written by Gray, adding that the soundtrack as a whole evoked a "traditional Hollywood feel" which contrasted with the film's futuristic setting.
387:. The film has received mixed reviews from critics; while the special effects and production design have been praised, some commentators have judged the parallel Earth premise to be clichéd and uninspired. Various plot devices and imagery have been viewed as
1594:, calling the film "enigmatic" and a "fine example of speculative fantasy in the late '60s". He praises Thinnes' and Wymark's performances, as well as the characterisation, the film's secondary themes (such as adultery, infertility and corruption) and the "
1754:, he notes similar use of "psychedelic" images and close-ups of human eyes but calls such imitation "fluff without any deeper meaning". Film4's review describes the final scene featuring the elderly Webb as "hell-bent on recreating the enigmatic finale of
372:, the director of photography, led to Read's resignation from Century 21. In an effort to distinguish the film from their puppet productions, the Andersons wrote adult themes into the script, although cuts were required for the film to be awarded an
2704:
1765:
s", adding that it "attempts to kindle a profundity similar to that of in its abstract philosophising about the dichotomy of dual worlds, but fails with a combination of meat-and-potatoes science fiction and quasi-profound themes." He argues that
1631:, Martin Anderson praises the direction and effects but states that the film's "robust and prosaic" dialogue sits "ill-at-ease with the metaphysical ponderings". He criticises some of the editing, noting that many of the effects shots have "that '
758:
as a co-writer to improve the characterisation. The revisions included substantial changes to the parts set on the mirror Earth, essentially causing the characters of Ross and Kane to switch roles. In the original script, Ross was blinded in the
904:, is renamed Paulo Landi and appears only briefly; the affair is implied in one scene but not explored further. In a deleted scene, Glenn finds Paolo and Sharon in bed together at the Rosses' villa and throws them both into a swimming pool.
1902:, whose characters "were constantly having to deal with the pressures of having to show progress under the scrutiny of accountants and elected officials, much the same way NASA was starting to in the US". On the links between the film and
797:(1967). According to Gerry, Parrish "told us he loved the script and said it would be an honour to work with us. Jay Kanter gave Bob the thumbs up and we were in business". Anderson said that while the negative critical response to
1264:
The film was distributed by Rank in Europe and Universal in the US and Australia. While Rank kept the original title, Universal, which judged that non-Europeans would be less familiar with the term "doppelganger", renamed the film
520:
Years later, former EUROSEC director Jason Webb, now confined to a wheelchair and in a much diminished mental state, is admitted to a nursing home. He sees his reflection in a mirror. He rolls forward quickly, trying to touch his
1057:
The crew had difficulty creating a scene in which the EUROSEC board hold an international videoconference on high-resolution viewing monitors. Due to the high cost of colour TV at the time of production and the need to avoid
367:
and on location in England and Portugal. As filming progressed, the working relationship between Parrish and the Andersons became strained. Meanwhile, creative disagreements between Gerry Anderson and business partner
1134:
rocket. During filming, the six-foot-long (1.8 m) scale model unexpectedly caught fire and had to be completely rebuilt. For realism, the launch sequence was shot in the studios' car park against the actual sky.
963:, but the producers thought that he bore a strong resemblance to Wymark and re-cast the role, concerned that scenes with Dyneley and Wymark would cause audiences to confuse the characters of Poulson and Webb.
1091:
of movement". Read refused to reshoot the scenes, stating that Parrish's instructions took precedence over Anderson's. He resigned from both the production and Century 21 at the request of the Andersons and
770:
Despite James's efforts, Kanter remained unenthusiastic. However, he agreed to finance the film provided that the Andersons chose a "bankable" director who met with his approval. Gerry's first choice was
2712:
1146:, which stated that all Pinewood film props were to be made in-house. The prop was destroyed, and although the Pinewood carpenters built a replacement, Anderson considered it inferior to the original.
833:
reported that the actor would demand a non-smoking clause for his next film: "He smokes about two packets a day, but the perpetual lighting up of new cigarettes for continuity purposes was too much".
1067:
creating the illusion that each delegate is looking into a camera. Archer and Hearn praise this scene as an example of how Anderson "proved once again that his productions were ahead of their time".
1095:, his fellow company directors. Anderson elaborated: "Clearly, John was in a difficult position. I do now understand how he must have felt, but in my heart I feel he couldn't play a double role".
517:
crashes into a parked spacecraft, killing Ross and starting a chain reaction that destroys much of the Space Centre. All records of Ross's presence on the Counter-Earth are lost in the disaster.
383:
The film premiered in August 1969 in the United States and October 1969 in the United Kingdom. It performed poorly at the box office during its initial theatrical run but has since garnered a
1623:
in the sense that the characters "stand and talk a lot", while defining the script as "at least 60 per cent hardware-talk and exposition ... How people move about – airplane, parachute,
955:, who respectively played EUROSEC operations chief Mark Neuman (Mark Hallam in the original script), Dr Pontini, and NASA representative David Poulson. Sewell and Madoc had both appeared in
1906:, Martin Anderson makes another connection to Kubrick: "... the most interesting common ground between the two projects remains the bleak ending(s) and the slight flirtation with the
1533:
crash to the quality of the writing: "Astronauts take a pill to induce a three-week sleep during their flight. Thereafter the script falls to pieces in as many parts as their craft."
1643:
also questions the originality of the premise and the depth of the writing: "Anderson's has to be the cheapest alternate Earth ever. Whereas audiences might expect a world where the
1075:
friend warning him that Thinnes could be difficult to work with. Gerry Anderson said that his own relationship with Thinnes was awkward, but that he liked the actor's performance.
1143:
1564:
stated that "in today's space terminology almost rates as science – and pure reportage through film. Still, it evolves as a fascinating motion-picture entertainment." In 1975,
805:
could not have been made without him: "It wasn't a question of, 'Will we get on with him?' or, 'Is he the right man?' He was a name director, so we signed him up immediately".
451:
is damaged in a thunderstorm and crashes in a mountain range, seriously injuring Kane. The astronauts are picked up by a human rescue team, who tell Ross they have landed near
1230:
The title sequence, set inside Dr Hassler's laboratory, was accompanied by a spy theme. This was inspired by the character's undercover activities, which he performs using an
458:
Neuman and EUROSEC official Lise Hartman question Ross, who denies that he aborted the mission. Later, Kane dies of his injuries. Ross discovers that people are now driving
1863:
and George Sewell as his deputy, Colonel Alec Freeman. Many of the film's costumes, shooting locations and musical tracks were also re-used, along with props including the
883:, Gerry expressed a desire to change the public's perception of Century 21, saying that his company had been "typecast as makers of children's films". On rumours that the
1368:
DVD in 1998 and both Region 1 and 2 DVD (digitally remastered) in 2008. Prior to the 2008 release, the BBFC re-classified the film PG for "mild violence and language".
1079:
that Read honour his obligations not only to Parrish as director, but also to the producers. According to Sylvia, "Gerry was very keen to show that he was part of the '
513:. However, the electrical systems malfunction, crippling the spacecraft, causing it to fall back towards the Space Centre. EUROSEC are unable to correct the fault and
2213:
4952:
2821:
1554:
dismissed it as "a churned out science fiction yarn ... Let's hope there's only one movie like this one", and ranked it among the worst films of the year. The
4957:
2623:
1693:
Archer and Nicholls suggest as possible causes of the film's box office failure its "quirky, offbeat nature" and waning public interest in space exploration after
443:
reaches the planet and Ross and Kane are revived. Scans for life prove inconclusive, so the astronauts decide to make a surface landing in their auxiliary craft,
363:. Though underwhelmed by the script, Kanter greenlit the film after the Andersons hired Parrish as director. The film was shot between July and October 1968 at
3070:
2353:
4947:
1635:' factor, slowing up the narrative unnecessarily". He rates the film three stars out of five, summing it up as "an interesting journey with many rewards".
470:
of his Earth. Ross's wife Sharon refuses to accept his claims, but Webb is convinced when Ross demonstrates his ease in reading reflected text and Kane's
867:, but the original actress quit early in the production after falling ill. This led to the casting of Loring, Thinnes' then wife and a star of TV series
1475:
3533:
4862:
1770:
is "neither a kid's film nor a cult film" but rules that "the elements that comprise the finished effort are more than individually successful."
462:
and that he can no longer read printed text because it is all backwards. He comes to the realisation that he is indeed on the unknown planet, a
4817:
3128:
1039:. Parrish was concerned that this political instability might hold up the shoot, so reduced the filming schedule from one month to two weeks.
1015:
and ended on 16 October. The exterior of the EUROSEC Headquarters was represented by Neptune House in Borehamwood, Hertfordshire (now part of
4827:
2978:
1813:
which sees an astronaut returning to Earth only to find it mysteriously changed, and realising that he has ended up in a parallel universe.
924:
and Marcus Hearn, consider Wymark's portrayal of Webb to be the film's standout performance. The original script described Webb as a former
4857:
419:
by double agent Dr Hassler. Tracing the messages to Hassler's laboratory, Security Chief Mark Neuman corners the scientist and kills him.
1824:
767:
caused it to burn up in the atmosphere with Kane inside, and the film ended with Kane's wife, the Rosses and Webb attending his funeral.
4892:
4822:
910:
played Jason Webb, the director of EUROSEC. Wymark was cast for his performance as antiheroic businessman John Wilder in the TV dramas
2662:
4902:
4852:
3421:
1648:
1558:
added that while the film gets worse towards the end, "until then it's a reasonably diverting futuristic melodrama." A review in the
888:
843:
project. In his biography, Anderson recalled that Hendry "was always drinking" and was visibly intoxicated during the filming of the
373:
4301:
4092:
330:. The mission ends in disaster and the death of one of the astronauts, following which his colleague realises that the planet is a
2944:
4927:
4922:
4802:
4037:
3737:
900:
and had her begin an affair with EUROSEC public relations officer Carlo Monetti. In the finished film, this character, played by
2909:
1835:
Despite the film's failure, Grade gave the Andersons further commissions with live actors. The first of these was the TV series
1427:
was similar but succeeded because it had a philosophy attached to it. It also had believable people with good characterisation.
735:. At one point it ran to 194 pages, enough for a three-hour film. The Andersons had conceived the story as a one-hour drama for
415:
discovers a planet in the same orbital path as Earth on the far side of the Sun. The findings are transmitted to a power in the
4867:
4812:
3999:
3964:
3942:
3919:
3900:
3877:
3850:
3820:
3716:
3498:
3337:
1386:
by Gerry Anderson, and a double-sided sleeve, which enables the Blu-ray case to be stored under either of the film's titles.
2199:
2165:
2779:
482:
and that his counterpart from this world is experiencing similar events on his Earth. Webb proposes that Ross retrieve the
337:
The film was the first major live-action production by the Andersons, known for their puppet television programmes such as
2813:
1277:
argue that while this title provides a clearer explanation of the plot, it lacks the "intrigue and even poetic quality of
4576:
2615:
787:(1968), but Kanter wanted an experienced mainstream director. After weeks of searching, in June 1968 the Andersons hired
4932:
4714:
3354:
1809:
1494:
praised it as "quite ingenious" but suggested that the title and pre-release publicity gave away too much of the plot.
1347:
picture. This originated from a mistake made in the 1980s when an original print was being transferred to videotape: a
1142:
module prop in Slough. However, it could not be used for the film due to an agreement between Pinewood Studios and the
1083:' and felt that seeing a detailed nude shot – as he visualised it – was more 'with it' than the more subdued version".
813:
Leading the cast was Roy Thinnes as Colonel Glenn Ross of NASA. Thinnes was cast on the basis of his starring role in
4942:
4408:
3650:
3405:
2880:
1149:
Meddings also oversaw the construction of several futuristic land vehicles operated by EUROSEC. These included three
754:
Kanter was dissatisfied with the Williamson script, so the Andersons' began to re-write it themselves and brought in
3056:
1210:(1979). Archer and Hearn describe the sequence as "one of the most spectacular" of its kind produced by Century 21.
3569:
2345:
1750:
for presenting a "working future" that is still dominated by commercialism. Comparing the visual style to that of
439:
for the outbound journey, with "Heart-Lung-Kidney" machines maintaining their vital functions. Three weeks later,
4917:
4887:
1983:
1783:, identifying a "lyrical" tone to the dialogue. However, he concedes that the film "doesn't bear comparison with
1686:
1606:
magazine gives the film two stars out of four, calling it a "strange little film" with an "overwritten script".
4912:
4907:
4722:
3674:
2872:
1819:
1800:
1734:
1423:
877:, written into the film to distinguish it from the Andersons' previous productions. In a 1968 interview in the
455:, Mongolia. It appears that Ross and Kane have returned to Earth, and they are flown back to the Space Centre.
3678:
2771:
2008:
1032:
4837:
3052:
1978:
1498:
884:
479:
377:
4882:
4807:
4294:
4194:
4085:
1682:
1681:-itis'", noting that the "feeble asylum patient" Jason Webb "sits in a wheelchair in a corridor resembling
1455:
459:
326:
mission to investigate a newly discovered planet which lies directly opposite Earth on the far side of the
3162:
4569:
4503:
4178:
1720:
1651:, here the shocking discovery is that people write backwards. That's it". A similar view is expressed by
4872:
4730:
3708:
3523:
1907:
1036:
3009:
1042:
To create an illusion of a mirror Earth, the crew reversed the film negatives using a process called "
1003:
No TV monitors were used in the videoconference scene. Instead, the crew employed set alterations and
4897:
4842:
4682:
4394:
4354:
4226:
3142:
1443:
1328:
793:
4832:
4401:
4266:
1966:
339:
4048:
3288:. Vol. 65, no. 279. Cape Girardeau, Missouri: Naeter Bros. 4 September 1970. p. 9.
4877:
4778:
4759:
4429:
4331:
4287:
4138:
4130:
4078:
1837:
1758:
by using a mirror, a wheelchair and a tartan blanket." Rovin argues that the effects " outshine"
1375:
621:
399:
4536:
4364:
4258:
4043:
3602:
1949:
1320:
1295:
925:
869:
739:, but Sylvia thought the premise "too good for a television play" and suggested making it as a
1308:. The film ran for less than a week in Odeon venues. A second round of US screenings began in
4478:
4250:
4065:
3830:
3597:
2956:
1728:
1669:
1395:
1300:
1270:
1258:
1119:
921:
897:
824:
772:
736:
393:
183:
3952:
1290:
After premiering in the US on 27 August 1969, the film had its UK debut on 8 October at the
4937:
4380:
3451:
3284:
3260:
3226:
2673:
1655:, who describes the setting as "the most boring and unimaginative alien world imaginable".
1560:
1550:
1480:
1379:
1249:
744:
403:, the Andersons' first live-action TV series, which also re-used many of the film's props.
369:
276:
136:
8:
4797:
4763:
4753:
4614:
4606:
4485:
4202:
3097:
1779:
1708:
1514:
1491:
1460:
777:
675:
663:
4514:
4457:
4422:
4373:
3137:
3065:
1582:
1525:
1503:
1340:
1016:
1004:
893:
721:
697:
360:
190:
3751:
4847:
4585:
4210:
4021:
3995:
3960:
3938:
3915:
3896:
3873:
3846:
3816:
3712:
3646:
3614:
3606:
3443:
3435:
3401:
3362:
3333:
3297:
3289:
3264:
3235:
3231:
3203:
3195:
3154:
3146:
3110:
3102:
2921:
2876:
2394:
2386:
2209:
1699:
1231:
645:
1234:
containing a micro-camera. Archer and Hearn regard this as a stylistic imitation of
4664:
4547:
4326:
4162:
4070:
3560:"Gary Westfahl's Biographical Encyclopedia of Science Fiction Film: Gerry Anderson"
3484:
3255:
1544:
1383:
1316:
1235:
1206:
1170:
1080:
1047:
1023:
appeared as the old Jason Webb's nursing home. In September, the crew travelled to
1012:
912:
502:
436:
364:
505:
of the electrical circuits. Ross blasts off in the spacecraft, which he has named
4688:
4471:
4186:
3804:
3494:
3191:
3018:
2173:
1632:
1407:
1365:
1150:
1059:
1028:
1020:
988:
860:
849:
732:
564:
483:
344:
308:
296:
118:
61:
2656:
4464:
4436:
4310:
4122:
4102:
3480:
3329:
3186:
1712:
1674:
1607:
1595:
1538:
1433:
1305:
1223:
1166:
1123:
907:
901:
864:
848:
the character pursuing a romance with EUROSEC official Lise Hartman, played by
788:
651:
594:
570:
552:
475:
304:
300:
280:
113:
57:
44:
3935:
The Worlds of Gerry and Sylvia Anderson: The Story Behind International Rescue
1911:
971:
316:
169:
4791:
4657:
4649:
4622:
4525:
4059:
3991:
3861:
3705:
Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares
3610:
3555:
3439:
3397:
3366:
3293:
3199:
3150:
3106:
2398:
2390:
2382:
1958:
1872:
1652:
1465:
1399:
1344:
1274:
1064:
1043:
999:
960:
944:
783:
703:
639:
600:
576:
463:
427:
416:
331:
3618:
3370:
3301:
3239:
3207:
1898:
goes against the conventions of 1960s science fiction. This is reflected in
1394:
Since its original release, the film has had a mixed response from critics.
1103:
1054:
are first shown connected to Ross and Kane's left wrists, then their right.
940:). This subplot was one of several that were cut to avoid an X certificate.
4387:
4234:
4170:
3869:
3812:
3447:
3268:
3158:
3114:
3101:. Vol. 2, no. 46. New York: New York Media Holdings. p. 64.
2871:(2nd ed.). Berkeley, California; Los Angeles, California; London, UK:
1973:
1804:
1644:
1509:
1470:
1450:
1291:
948:
929:
815:
763:
crash, while Kane survived but was declared insane. A structural defect in
755:
740:
691:
669:
633:
588:
522:
352:
312:
66:
4443:
4154:
3700:
2204:
1935:
1884:
1851:
1814:
1716:
1628:
1181:
1162:
856:
823:. In the Andersons' script, Ross's first name was Stewart and he was the
820:
627:
606:
558:
540:
452:
292:
284:
123:
108:
98:
4026:
4015:
3559:
4450:
4146:
4114:
4054:
3983:
3747:
2987:
2658:
1860:
1849:
and has also been described as a "trial run" for the follow-up series,
1697:. The topic of the Moon landing dominated a contemporary review in the
1624:
1565:
1219:
1174:
992:
879:
874:
836:
717:
685:
546:
356:
288:
154:
103:
1118:
The film's special effects were produced at Century 21 Studios on the
4738:
4336:
3842:
3528:
3095:
Christie, Judith (17 November 1969). "Movies: Brave Are the Lonely".
2917:
1788:
1694:
1486:
1403:
1382:
features a transfer of Fanderson's original film print, an exclusive
1361:
1324:
1312:
on 1 November. Overall, the film performed poorly at the box office.
1269:" – the title by which it is now more commonly known.
1189:
1154:
1024:
976:
952:
725:
582:
384:
348:
4706:
4321:
4218:
4032:
3666:
3489:
3430:
2783:
1663:
1611:
1602:
1348:
1131:
1092:
839:
was cast as Dr John Kane, a British astrophysicist and head of the
657:
388:
983:
4279:
3564:
2377:
1784:
1371:
1327:, the official Anderson fan club. While original prints give top
1309:
1257:
The finished film failed to impress Universal or UK distributors
1158:
829:
4766:, sometimes in addition to other roles, on all later TV series.)
3643:
Doug Pratt's DVD: Movies, Television, Music, Art, Adult and More
1144:
National Association of Theatrical Television and Kine Employees
1027:
in Portugal for location shooting. Shortly after their arrival,
4415:
873:
An earlier version of the script had the character appear in a
1667:
The ending scene has drawn comparisons to the visual style of
1627:– is more important than what they're doing". In a review for
1943:
1639:
1126:. More than 200 effects shots were filmed. The design of the
1572:"confusing but colourful" and praised its "superb" effects.
928:
who is romantically involved with his secretary, Pam Kirby (
896:. The original script described Sharon as the daughter of a
497:
designed to be compatible with the reversed technologies of
411:
In 2069, the European Space Exploration Council's (EUROSEC)
2851:
2849:
2847:
2845:
2843:
2841:
2839:
2293:
2291:
1887:
shots which formed the basis of the film's title sequence.
1343:. Some TV broadcasts of the film have shown an incorrectly
1339:
The film had its British TV premiere on 7 December 1974 on
423:
323:
2869:
American Film Institute Catalogue: Feature Films 1961–1970
1894:
argues that the presentation of politics and economics in
1319:
prints of the film are known to exist. One is kept by the
3912:
The Complete Gerry Anderson: The Authorised Episode Guide
3742:
1891:
1817:
likens the film's theme of duplication to the premise of
1738:, both released the year before, set a high standard for
1374:
versions followed in 2015. The US Blu-ray release was by
1197:
397:(1968). Several members of the cast went on to appear in
334:
in every detail, with a parallel and duplicate timeline.
327:
322:
Set in the year 2069, the film concerns a joint European-
3775:
2836:
2559:
2557:
2555:
2553:
2551:
2549:
2547:
2545:
2543:
2524:
2522:
2520:
2518:
2516:
2514:
2512:
2510:
2508:
2506:
2496:
2494:
2492:
2490:
2488:
2486:
2484:
2482:
2480:
2416:
2414:
2412:
2410:
2408:
2321:
2319:
2317:
2315:
2313:
2311:
2309:
2307:
2305:
2303:
2288:
1548:
regarded the film as better than average for its genre,
1298:. It went on general release on 26 October, paired with
2115:
2113:
2111:
2109:
2107:
2079:
2077:
1050:: for example, the "Heart-Lung-Kidney" machines aboard
747:, the Andersons' business partner, proposed the title "
3275:
724:. Kanter was open to funding promising film ideas, so
3784:
3766:
3219:
3217:
3038:
3036:
2540:
2503:
2477:
2450:
2441:
2405:
2300:
1529:
magazine considered the plot confusing, equating the
1180:
Commenting on the film's effects, Martin Anderson of
4100:
2104:
2074:
1925:
1086:
Another dispute arose when Read filmed shots of the
3957:
Filmed in Supermarionation: A History of the Future
1827:abduct humans and replace them with alien doubles.
1707:: "... the spacemen find a few bugs in their '
3914:(4th ed.). London, UK: Reynolds & Hearn.
3214:
3033:
2752:
2750:
2748:
2746:
2744:
2586:
2584:
2582:
2580:
2578:
1823:, in which a race of extraterrestrials called the
892:and Glenn's discovery that Sharon has been taking
731:The earliest version of the script was written by
720:arrived in London to set up a European office for
2097:
2095:
2093:
2091:
2089:
474:examination reveals that his internal organs are
4953:English-language science fiction adventure films
4789:
3584:
3224:Stoneham, Gordon (22 April 1972). "Movie Week".
2609:
2607:
2605:
2337:
2263:
2261:
2259:
2257:
2255:
2253:
2251:
1742:and other films to follow. Erickson argues that
4958:English-language science fiction thriller films
3797:
3434:. Radnor, Pennsylvania: Triangle Publications.
3385:
3246:
2741:
2657:Titterton, Ralph; Ford, Cathy; Bentley, Chris;
2575:
2566:
2249:
2247:
2245:
2243:
2241:
2239:
2237:
2235:
2233:
2231:
2067:
2065:
2063:
2061:
2059:
2057:
2055:
2053:
2051:
2049:
1859:, notably Ed Bishop as the protagonist Colonel
1685:'s holding cell on the alien planet beyond the
3895:(3rd ed.). Signum Books. pp. 20–28.
3859:
3839:Go! The Authorised Biography of Gerry Anderson
2705:"Complete Studio-Recording List of Barry Gray"
2698:
2696:
2694:
2147:
2145:
2143:
2131:
2122:
2086:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2029:
4295:
4086:
2602:
1114:. The film's effects have been well received.
775:, who had directed Century 21's puppet films
343:. Having originally conceived the story as a
4948:English-language science fiction drama films
3988:A Pictorial History of Science Fiction Films
3323:
3177:
2904:
2902:
2900:
2898:
2896:
2894:
2892:
2807:
2805:
2803:
2801:
2652:
2650:
2616:"Top 75 Spaceships in Movies and TV: Part 2"
2593:
2228:
2166:"Gerry Anderson: The Puppet Master – Part 3"
2159:
2157:
1871:miniatures and the EUROSEC ground vehicles.
1253:UK poster, showing the film's original title
3829:
2734:
2732:
2730:
2691:
2200:"The Den of Geek Interview: Gerry Anderson"
2140:
2026:
1192:without losing too much NASA-ness" and the
1161:-based company, and three cars modelled on
4302:
4288:
4093:
4079:
3959:. Neshannock, Pennsylvania: Hermes Press.
3951:
3475:
3473:
3471:
3469:
3090:
3088:
1703:, which found similarities in the plot of
1200:gloss with classic lines". He regards the
801:raised questions about Parrish's ability,
29:
3893:The Complete Book of Gerry Anderson's UFO
2889:
2798:
2647:
2154:
2013:British Film Institute Collections Search
1454:, which called it "corny", as well as by
1204:launch as Meddings' finest work prior to
478:. Ross theorises that the two Earths are
347:, they were encouraged by their employer
3866:Gerry Anderson: The Authorised Biography
3803:
3625:
3591:Waxse, Bennett F. (26 September 1969). "
3518:
3516:
3479:
3223:
3094:
3051:
2811:
2727:
2702:
2613:
2197:
2193:
2191:
2001:
1855:. Most of the cast went on to appear in
1662:
1575:
1406:. The film has a 40% approval rating on
1248:
1169:, the adapted Fords were constructed by
1153:utility vehicles, which were built from
1102:
998:
982:
970:
525:, but crashes into the mirror and dies.
391:of other science fiction films, such as
3909:
3886:
3693:
3667:"Institute of Contemporary Arts Review"
3466:
3414:
3391:
3308:
3121:
3085:
2766:
2764:
2762:
1970:, a 1973 TV film with a similar premise
1413:
932:, who had played Wilder's secretary in
4863:British science fiction thriller films
4790:
4691:(former creative partner, second wife)
3973:
3781:Archer and Nicholls 1996, p. 146.
3732:
3730:
3728:
3707:. Vol. 1. Westport, Connecticut:
3572:from the original on 14 September 2009
3548:
3361:. Blackpool, UK: Super M Productions.
3346:
3317:
2942:
2863:
2861:
2855:Archer and Nicholls 1996, p. 138.
2368:
2343:
2297:Archer and Nicholls 1996, p. 136.
2163:
426:representative David Poulson that the
422:EUROSEC director Jason Webb convinces
4818:1960s science fiction adventure films
4634:(co‑wrote, co‑produced)
4591:(co‑wrote, co‑produced)
4283:
4074:
3982:
3928:
3699:
3640:
3634:
3590:
3513:
3501:from the original on 25 December 2010
3073:from the original on 1 September 2019
2936:
2824:from the original on 27 December 2011
2812:Anderson, Martin (7 September 2008).
2188:
1421:as humanity's natural state ...
1098:
959:. Poulson was to have been played by
852:, whom the Andersons cast in Berlin.
4828:1960s science fiction thriller films
3937:. Fonthill Media. pp. 138–143.
3738:"Featured Filmmaker: Gerry Anderson"
3645:. UNET 2 Corporation. p. 1281.
3554:
3394:The Complete Book of Captain Scarlet
2780:British Board of Film Classification
2759:
2009:"Journey to the Far Side of the Sun"
1962:, a 2011 film with a similar premise
1777:to other science fiction films like
859:. The role had first gone to either
315:, and produced by the Andersons for
4858:British science fiction drama films
3790:Archer and Hearn 2002, p. 192.
3772:Archer and Hearn 2002, p. 188.
3725:
3659:
3631:Rovin 1975, pp. 124–127.
2858:
2703:de Klerk, Theo (25 December 2003).
2563:Archer and Hearn 2002, p. 178.
2528:Archer and Hearn 2002, p. 176.
2500:Archer and Hearn 2002, p. 177.
2456:Archer and Hearn 2002, p. 190.
2447:Archer and Hearn 2002, p. 193.
2420:Archer and Hearn 2002, p. 175.
2325:Archer and Hearn 2002, p. 174.
2198:Anderson, Martin (27 August 2008).
2119:Archer and Hearn 2002, p. 172.
2083:Archer and Hearn 2002, p. 173.
1508:stratospheric sweep and suspense".
1213:
975:Location shooting was conducted in
13:
4631:Journey to the Far Side of the Sun
4309:
4243:Journey to the Far Side of the Sun
4061:Journey to the Far Side of the Sun
4050:Journey to the Far Side of the Sun
4039:Journey to the Far Side of the Sun
4028:Journey to the Far Side of the Sun
4017:Journey to the Far Side of the Sun
3750:. 3 September 2002. Archived from
3355:"Sylvia Anderson Interview (1992)"
3352:
3184:"Miami News Entertainment Guide".
3012:Journey to the Far Side of the Sun
2981:Journey to the Far Side of the Sun
2947:Journey to the Far Side of the Sun
2626:from the original on 11 March 2010
2216:from the original on 17 April 2010
1896:Journey to the Far Side of the Sun
1843:Journey to the Far Side of the Sun
1775:Journey to the Far Side of the Sun
1768:Journey to the Far Side of the Sun
1744:Journey to the Far Side of the Sun
1740:Journey to the Far Side of the Sun
1705:Journey to the Far Side of the Sun
1616:Journey to the Far Side of the Sun
1588:Journey to the Far Side of the Sun
1570:Journey to the Far Side of the Sun
1520:Journey to the Far Side of the Sun
1267:Journey to the Far Side of the Sun
987:The closing scenes were filmed at
435:. They are put into an artificial
266:Journey to the Far Side of the Sun
24:Journey to the Far Side of the Sun
14:
4969:
4893:Films about extraterrestrial life
4823:1960s science fiction drama films
4530:Captain Scarlet and the Mysterons
4409:Captain Scarlet and the Mysterons
4009:
3681:from the original on 22 July 2011
3536:from the original on 21 July 2011
3194:. 25 September 1969. p. 13.
2820:. London, UK: Dennis Publishing.
2622:. London, UK: Dennis Publishing.
2614:Anderson, Martin (15 July 2009).
2385:. 18 September 1969. p. 25.
2164:Marcus, Laurence (October 2005).
1658:
1196:lander as "a beautiful fusion of
855:Ross's wife Sharon was played by
4903:Films directed by Robert Parrish
4853:British adventure thriller films
4774:
4773:
3978:. Network Distributing. 7958059.
3263:. 28 December 1969. p. 50.
2356:from the original on 2 June 2008
1942:
1928:
1726:It has also been suggested that
1011:Filming began on 1 July 1968 at
3045:
3002:
2971:
2638:
2531:
2468:
2459:
2432:
2423:
2328:
2279:
2270:
1984:List of films set in the future
1188:command module as "beautifully
476:on the "wrong" side of his body
4928:Films shot at Pinewood Studios
4923:Films set on fictional planets
4803:1960s adventure thriller films
3675:Institute of Contemporary Arts
3042:Pixley 2016, pp. 157–158.
2943:Wickes, Simon (26 June 2008).
2873:University of California Press
1883:s opening titles imitated the
1841:, which began airing in 1970.
1820:Invasion of the Body Snatchers
1801:Institute of Contemporary Arts
1677:calls the film "infected with
1138:Century 21 built a full-sized
887:(BBFC) would give the film an
1:
4868:British space adventure films
3809:My Fab Years! Sylvia Anderson
2590:La Rivière 2009, p. 189.
2572:La Rivière 2009, p. 188.
2438:Pixley 2016, pp. 17, 21.
1989:
1979:List of British films of 1969
1845:is considered a precursor to
1355:
943:The supporting cast included
885:British Board of Film Censors
711:
642:as Air-Sea Rescue Crew Member
614:
460:on the wrong side of the road
378:British Board of Film Censors
170:Century 21 Cinema Productions
4813:1960s English-language films
3811:. Neshannock, Pennsylvania:
3798:General and cited references
3259:. Pittsburgh, Pennsylvania:
3190:. West Palm Beach, Florida:
2644:Pixley 2016, pp. 32–33.
2465:Pixley 2016, pp. 14–15.
2429:Pixley 2016, pp. 17–18.
2344:Harris, Will (24 May 2008).
1994:
1389:
1378:. The Australian release by
1130:spacecraft was based on the
1031:succeeded the incapacitated
706:as Launch Control Technician
666:as Launch Control Technician
509:, and attempts to dock with
35:US theatrical release poster
7:
3891:". In Hearn, Marcus (ed.).
3141:. Los Angeles, California:
2910:"Feature Film Productions:
1921:
1364:, the film was released on
1331:to Ian Hendry, Universal's
1033:AntĂłnio de Oliveira Salazar
630:as Security Vaults Sergeant
533:
16:1969 film by Robert Parrish
10:
4974:
4731:Filmed in Supermarionation
4496:Episodes co‑written
3709:Greenwood Publishing Group
3059:Journey to Far Side of Sun
2599:Anderson 2007, p. 36.
2267:Bentley 2008, p. 307.
2151:Anderson 2007, p. 65.
2071:Bentley 2008, p. 306.
1580:Gary Gerani, co-writer of
1244:
1037:Prime Minister of Portugal
966:
808:
654:as Clavel (Paris delegate)
351:to pitch the project as a
4933:Films shot in the Algarve
4771:
4749:
4698:
4675:
4641:
4598:
4561:
4495:
4355:The Adventures of Twizzle
4345:
4317:
4109:
3887:Bentley, Chris (2016) . "
3595:Rides Apollo Coattails".
3328:. San Diego, California:
3143:Reed Business Information
2772:"BBFC Certifications for
2756:Bentley 2016, p. 22.
2346:"A Chat with Roy Thinnes"
2137:Bentley 2016, p. 25.
2128:Bentley 2016, p. 20.
2101:Bentley 2016, p. 27.
1830:
1773:Martin Anderson compares
1444:The Monthly Film Bulletin
1173:under the supervision of
254:
246:
236:
201:
176:
160:
150:
142:
132:
91:
87:Gerry and Sylvia Anderson
83:
79:Gerry and Sylvia Anderson
75:
50:
40:
28:
23:
4943:Universal Pictures films
3990:. Secaucus, New Jersey:
3910:Bentley, Chris (2008) .
3833:; Hearn, Marcus (2002).
3601:. Milwaukee, Wisconsin:
3314:Rovin 1975, p. 223.
3282:"On the Rialto Screen".
2738:Fryer 2016, p. 141.
2537:Fryer 2016, p. 140.
2474:Fryer 2016, p. 142.
2334:Pixley 2016, p. 17.
2285:Pixley 2016, p. 16.
2276:Fryer 2016, p. 139.
1799:. Douglas Pratt and the
1441:Rating the film "poor",
1360:Previously available on
501:. Modifications include
466:where every detail is a
221:8 October 1969
210:27 August 1969
4779:Category:Gerry Anderson
4332:Century 21 Organisation
4131:The San Francisco Story
3974:Pixley, Andrew (2016).
3641:Pratt, Douglas (2005).
3392:Bentley, Chris (2001).
3359:Supermarionation is Go!
2381:. Melbourne, Victoria:
1376:Universal Entertainment
1122:under the direction of
819:and his resemblance to
603:as Dr Bernhardt Brisson
528:
406:
4918:Films set in the 2060s
4888:Films about astronauts
4752:‡ Credited as a
4723:The Indestructible Man
4578:The Day After Tomorrow
4537:The Most Special Agent
4365:Torchy the Battery Boy
4259:The Marseille Contract
4044:British Film Institute
3603:Journal Communications
2875:. 1997 . p. 560.
2663:"Barry Gray Biography"
1950:Science fiction portal
1723:did it better on TV."
1690:
1649:Nazis won World War II
1429:
1321:British Film Institute
1296:Kensington High Street
1254:
1115:
1008:
996:
980:
926:Minister of Technology
791:, who had co-directed
447:. During its descent,
4913:Films set in Portugal
4908:Films set in Mongolia
4251:A Town Called Bastard
4195:The Wonderful Country
3598:The Milwaukee Journal
3326:Top 100 Sci-Fi Movies
3324:Gerani, Gary (2011).
1910:-induced imagery and
1803:compare the film to "
1729:2001: A Space Odyssey
1670:2001: A Space Odyssey
1666:
1592:Top 100 Sci-Fi Movies
1576:Retrospective reviews
1418:
1301:Death of a Gunfighter
1259:The Rank Organisation
1252:
1120:Slough Trading Estate
1106:
1002:
986:
974:
898:United States senator
737:Associated Television
648:as Medical Technician
636:as Medical Technician
543:as Colonel Glenn Ross
493:EUROSEC builds a new
394:2001: A Space Odyssey
332:mirror image of Earth
184:The Rank Organisation
4838:1969 adventure films
4610:(produced, directed)
4573:(produced, directed)
3976:Gerry Anderson's UFO
3929:Fryer, Ian (2016). "
3285:Southeast Missourian
3261:E.W. Scripps Company
3230:. Montreal, Quebec:
3227:The Montreal Gazette
3055:(12 November 1969).
2814:"Den of Geek Review"
2350:premiumhollywood.com
1791:", the directors of
1561:Southeast Missourian
1551:The Pittsburgh Press
1481:The Sunday Telegraph
1436:'s views on the film
1414:Contemporary reviews
1380:Madman Entertainment
1165:. Fitted with dummy
825:first person on Mars
624:as Launch Controller
503:reverse-polarisation
303:. It was written by
277:science fiction film
275:) is a 1969 British
4883:Fiction set in 2069
4808:1960s British films
4615:Thunderbirds Are Go
4607:Crossroads to Crime
4486:New Captain Scarlet
4203:In the French Style
4139:Assignment – Paris!
3953:La Rivière, Stephen
3485:"DVD Savant Review"
3253:"The Lively Arts".
2949:DVD Released in US"
2924:on 21 February 2008
2176:on 21 February 2008
1890:A retrospective by
1518:magazine described
1492:John Russell Taylor
1461:The Financial Times
1163:Ford Zephyr Zodiacs
894:birth control pills
778:Thunderbirds Are Go
688:as Assistant Doctor
664:Constantine Gregory
4718:(children's comic)
4710:(children's comic)
4653:(children's comic)
4515:Trapped in the Sky
4458:Dick Spanner, P.I.
4423:The Secret Service
4374:Four Feather Falls
4101:Films directed by
4066:TCM Movie Database
3165:on 5 February 2013
3066:The New York Times
1735:Planet of the Apes
1691:
1647:never fell or the
1504:The New York Times
1341:Granada Television
1255:
1116:
1099:Design and effects
1017:BBC Elstree Centre
1009:
1005:forced perspective
997:
981:
722:Universal Pictures
716:In 1967, producer
700:as London Delegate
682:Service Technician
609:as Dr Kurt Hassler
486:from the orbiting
361:Universal Pictures
191:Universal Pictures
4873:British spy films
4785:
4784:
4626:(co‑wrote)
4618:(co‑wrote)
4580:: "Into Infinity"
4562:Television pilots
4346:Television series
4277:
4276:
4267:Mississippi Blues
4211:Up from the Beach
4001:978-0-8065-0263-2
3966:978-1-932563-23-8
3944:978-1-781555-04-0
3921:978-1-905287-74-1
3902:978-0-9955191-0-7
3879:978-0-09-922442-6
3852:978-0-563-53481-5
3822:978-1-932563-91-7
3718:978-0-313-33781-9
3339:978-1-60010-879-2
3232:Postmedia Network
2679:on 3 October 2011
2210:Dennis Publishing
1810:The Twilight Zone
1807:", an episode of
1700:Milwaukee Journal
1590:81st in his book
1333:Journey to the...
1048:continuity errors
646:Nicholas Courtney
490:and return home.
262:
261:
4965:
4898:Films about NASA
4843:1969 drama films
4777:
4776:
4757:
4665:Gemini Force One
4570:The Investigator
4369:
4359:
4327:Supermarionation
4304:
4297:
4290:
4281:
4280:
4163:The Purple Plain
4095:
4088:
4081:
4072:
4071:
4005:
3979:
3970:
3948:
3925:
3906:
3883:
3856:
3826:
3805:Anderson, Sylvia
3791:
3788:
3782:
3779:
3773:
3770:
3764:
3763:
3761:
3759:
3754:on 26 March 2012
3734:
3723:
3722:
3697:
3691:
3690:
3688:
3686:
3663:
3657:
3656:
3638:
3632:
3629:
3623:
3622:
3588:
3582:
3581:
3579:
3577:
3552:
3546:
3545:
3543:
3541:
3520:
3511:
3510:
3508:
3506:
3477:
3464:
3463:
3461:
3459:
3450:. Archived from
3418:
3412:
3411:
3389:
3383:
3382:
3380:
3378:
3373:on 16 March 2011
3369:. Archived from
3350:
3344:
3343:
3321:
3315:
3312:
3306:
3305:
3279:
3273:
3272:
3256:Pittsburgh Press
3250:
3244:
3243:
3221:
3212:
3211:
3181:
3175:
3174:
3172:
3170:
3161:. Archived from
3125:
3119:
3118:
3092:
3083:
3082:
3080:
3078:
3053:Thompson, Howard
3049:
3043:
3040:
3031:
3030:
3028:
3026:
3006:
3000:
2999:
2997:
2995:
2975:
2969:
2968:
2966:
2964:
2955:. Archived from
2940:
2934:
2933:
2931:
2929:
2920:. Archived from
2906:
2887:
2886:
2865:
2856:
2853:
2834:
2833:
2831:
2829:
2809:
2796:
2795:
2793:
2791:
2786:on 15 April 2012
2782:. Archived from
2768:
2757:
2754:
2739:
2736:
2725:
2724:
2722:
2720:
2711:. Archived from
2700:
2689:
2688:
2686:
2684:
2678:
2672:. Archived from
2667:
2654:
2645:
2642:
2636:
2635:
2633:
2631:
2611:
2600:
2597:
2591:
2588:
2573:
2570:
2564:
2561:
2538:
2535:
2529:
2526:
2501:
2498:
2475:
2472:
2466:
2463:
2457:
2454:
2448:
2445:
2439:
2436:
2430:
2427:
2421:
2418:
2403:
2402:
2372:
2366:
2365:
2363:
2361:
2341:
2335:
2332:
2326:
2323:
2298:
2295:
2286:
2283:
2277:
2274:
2268:
2265:
2226:
2225:
2223:
2221:
2195:
2186:
2185:
2183:
2181:
2172:. Archived from
2170:teletronic.co.uk
2161:
2152:
2149:
2138:
2135:
2129:
2126:
2120:
2117:
2102:
2099:
2084:
2081:
2072:
2069:
2024:
2023:
2021:
2019:
2005:
1952:
1947:
1946:
1938:
1933:
1932:
1931:
1882:
1764:
1545:Montreal Gazette
1476:Margaret Hinxman
1448:received by the
1437:
1384:audio commentary
1286:
1280:
1214:Music and titles
1171:Alan Mann Racing
1081:Swinging Sixties
1065:altered eyelines
1013:Pinewood Studios
1007:to reduce costs.
934:The Plane Makers
913:The Plane Makers
585:as David Poulson
365:Pinewood Studios
228:
226:
217:
215:
194:
33:
21:
20:
4973:
4972:
4968:
4967:
4966:
4964:
4963:
4962:
4833:1960s spy films
4788:
4787:
4786:
4781:
4767:
4758:(Credited as a
4751:
4745:
4694:
4689:Sylvia Anderson
4671:
4660:" (music video)
4637:
4594:
4557:
4491:
4472:Lavender Castle
4362:
4352:
4341:
4313:
4308:
4278:
4273:
4187:Saddle the Wind
4179:Fire Down Below
4105:
4099:
4012:
4002:
3967:
3945:
3922:
3903:
3880:
3860:Archer, Simon;
3853:
3823:
3800:
3795:
3794:
3789:
3785:
3780:
3776:
3771:
3767:
3757:
3755:
3736:
3735:
3726:
3719:
3711:. p. 205.
3698:
3694:
3684:
3682:
3665:
3664:
3660:
3653:
3639:
3635:
3630:
3626:
3589:
3585:
3575:
3573:
3553:
3549:
3539:
3537:
3522:
3521:
3514:
3504:
3502:
3495:Internet Brands
3481:Erickson, Glenn
3478:
3467:
3457:
3455:
3454:on 2 April 2012
3420:
3419:
3415:
3408:
3400:. p. 114.
3390:
3386:
3376:
3374:
3353:Turner, Steve.
3351:
3347:
3340:
3322:
3318:
3313:
3309:
3281:
3280:
3276:
3252:
3251:
3247:
3222:
3215:
3192:Cox Enterprises
3183:
3182:
3178:
3168:
3166:
3127:
3126:
3122:
3093:
3086:
3076:
3074:
3050:
3046:
3041:
3034:
3024:
3022:
3019:Rotten Tomatoes
3008:
3007:
3003:
2993:
2991:
2977:
2976:
2972:
2962:
2960:
2959:on 26 July 2010
2953:tvcentury21.com
2941:
2937:
2927:
2925:
2908:
2907:
2890:
2883:
2867:
2866:
2859:
2854:
2837:
2827:
2825:
2810:
2799:
2789:
2787:
2770:
2769:
2760:
2755:
2742:
2737:
2728:
2718:
2716:
2709:tvcentury21.com
2701:
2692:
2682:
2680:
2676:
2670:lampmusic.co.uk
2665:
2655:
2648:
2643:
2639:
2629:
2627:
2612:
2603:
2598:
2594:
2589:
2576:
2571:
2567:
2562:
2541:
2536:
2532:
2527:
2504:
2499:
2478:
2473:
2469:
2464:
2460:
2455:
2451:
2446:
2442:
2437:
2433:
2428:
2424:
2419:
2406:
2375:"Up in Smoke".
2374:
2373:
2369:
2359:
2357:
2342:
2338:
2333:
2329:
2324:
2301:
2296:
2289:
2284:
2280:
2275:
2271:
2266:
2229:
2219:
2217:
2196:
2189:
2179:
2177:
2162:
2155:
2150:
2141:
2136:
2132:
2127:
2123:
2118:
2105:
2100:
2087:
2082:
2075:
2070:
2027:
2017:
2015:
2007:
2006:
2002:
1997:
1992:
1948:
1941:
1934:
1929:
1927:
1924:
1880:
1833:
1762:
1746:is inferior to
1661:
1578:
1499:Howard Thompson
1439:
1431:
1416:
1408:Rotten Tomatoes
1392:
1358:
1323:; the other by
1284:
1278:
1247:
1216:
1167:gull-wing doors
1101:
1060:black and white
1029:Marcelo Caetano
1021:Heatherden Hall
989:Heatherden Hall
969:
861:Gayle Hunnicutt
850:Loni von Friedl
811:
733:Tony Williamson
714:
709:
622:Keith Alexander
617:
612:
597:as Dr Beauville
567:as Lise Hartman
565:Loni von Friedl
549:as Dr John Kane
536:
531:
484:flight recorder
409:
345:television play
309:Sylvia Anderson
297:Loni von Friedl
269:(also known as
239:
232:
224:
222:
213:
211:
204:
197:
193:(International)
189:
172:
165:
163:
128:
119:Loni von Friedl
71:
62:Sylvia Anderson
36:
17:
12:
11:
5:
4971:
4961:
4960:
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4895:
4890:
4885:
4880:
4878:Counter-Earths
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4783:
4782:
4772:
4769:
4768:
4750:
4747:
4746:
4744:
4743:
4735:
4727:
4719:
4711:
4702:
4700:
4696:
4695:
4693:
4692:
4686:
4683:Jamie Anderson
4679:
4677:
4673:
4672:
4670:
4669:
4668:(novel series)
4661:
4654:
4645:
4643:
4642:Other projects
4639:
4638:
4636:
4635:
4627:
4619:
4611:
4602:
4600:
4596:
4595:
4593:
4592:
4583:
4574:
4565:
4563:
4559:
4558:
4556:
4555:
4544:
4533:
4522:
4511:
4499:
4497:
4493:
4492:
4490:
4489:
4482:
4475:
4468:
4465:Space Precinct
4461:
4454:
4447:
4440:
4437:The Protectors
4433:
4426:
4419:
4412:
4405:
4398:
4391:
4384:
4377:
4370:
4360:
4349:
4347:
4343:
4342:
4340:
4339:
4334:
4329:
4324:
4318:
4315:
4314:
4311:Gerry Anderson
4307:
4306:
4299:
4292:
4284:
4275:
4274:
4272:
4271:
4263:
4255:
4247:
4239:
4231:
4223:
4215:
4207:
4199:
4191:
4183:
4175:
4167:
4159:
4151:
4143:
4135:
4127:
4119:
4110:
4107:
4106:
4103:Robert Parrish
4098:
4097:
4090:
4083:
4075:
4069:
4068:
4057:
4046:
4035:
4024:
4011:
4010:External links
4008:
4007:
4006:
4000:
3980:
3971:
3965:
3949:
3943:
3926:
3920:
3907:
3901:
3884:
3878:
3868:. London, UK:
3862:Nicholls, Stan
3857:
3851:
3841:. London, UK:
3827:
3821:
3799:
3796:
3793:
3792:
3783:
3774:
3765:
3724:
3717:
3692:
3673:. London, UK:
3658:
3651:
3633:
3624:
3605:. p. 39.
3583:
3556:Westfahl, Gary
3547:
3524:"Film4 Review"
3512:
3465:
3413:
3406:
3396:. London, UK:
3384:
3345:
3338:
3332:. p. 29.
3330:IDW Publishing
3316:
3307:
3274:
3245:
3234:. p. 93.
3213:
3187:The Miami News
3176:
3120:
3084:
3044:
3032:
3001:
2970:
2935:
2888:
2881:
2857:
2835:
2797:
2758:
2740:
2726:
2690:
2646:
2637:
2601:
2592:
2574:
2565:
2539:
2530:
2502:
2476:
2467:
2458:
2449:
2440:
2431:
2422:
2404:
2367:
2336:
2327:
2299:
2287:
2278:
2269:
2227:
2208:. London, UK:
2187:
2153:
2139:
2130:
2121:
2103:
2085:
2073:
2025:
1999:
1998:
1996:
1993:
1991:
1988:
1987:
1986:
1981:
1976:
1971:
1963:
1954:
1953:
1939:
1923:
1920:
1832:
1829:
1675:Glenn Erickson
1660:
1659:Interpretation
1657:
1608:Glenn Erickson
1596:Fourth of July
1577:
1574:
1539:The Miami News
1484:. Writing for
1456:David Robinson
1434:Gerry Anderson
1417:
1415:
1412:
1402:consider it a
1391:
1388:
1357:
1354:
1306:double feature
1246:
1243:
1232:artificial eye
1224:ondes Martenot
1215:
1212:
1184:describes the
1124:Derek Meddings
1110:(right) exits
1100:
1097:
968:
965:
957:The Power Game
938:The Power Game
918:The Power Game
908:Patrick Wymark
902:Franco De Rosa
865:Tisha Sterling
810:
807:
789:Robert Parrish
713:
710:
708:
707:
701:
695:
689:
683:
673:
667:
661:
655:
652:Arnold Diamond
649:
643:
637:
631:
625:
618:
616:
613:
611:
610:
604:
598:
595:Vladek Sheybal
592:
586:
580:
579:as Mark Neuman
574:
573:as Paulo Landi
571:Franco De Rosa
568:
562:
561:as Sharon Ross
556:
553:Patrick Wymark
550:
544:
537:
535:
532:
530:
527:
408:
405:
385:cult following
301:Patrick Wymark
281:Robert Parrish
260:
259:
256:
252:
251:
250:United Kingdom
248:
244:
243:
240:
237:
234:
233:
231:
230:
219:
207:
205:
202:
199:
198:
196:
195:
187:
180:
178:
177:Distributed by
174:
173:
168:
166:
161:
158:
157:
152:
148:
147:
144:
140:
139:
134:
133:Cinematography
130:
129:
127:
126:
121:
116:
114:Patrick Wymark
111:
106:
101:
95:
93:
89:
88:
85:
81:
80:
77:
73:
72:
70:
69:
64:
54:
52:
48:
47:
45:Robert Parrish
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
4970:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4795:
4793:
4780:
4770:
4765:
4761:
4755:
4748:
4741:
4740:
4736:
4734:(documentary)
4733:
4732:
4728:
4725:
4724:
4720:
4717:
4716:
4712:
4709:
4708:
4704:
4703:
4701:
4699:Related media
4697:
4690:
4687:
4685:(younger son)
4684:
4681:
4680:
4678:
4674:
4667:
4666:
4662:
4659:
4658:Calling Elvis
4655:
4652:
4651:
4650:TV Century 21
4647:
4646:
4644:
4640:
4633:
4632:
4628:
4625:
4624:
4623:Thunderbird 6
4620:
4617:
4616:
4612:
4609:
4608:
4604:
4603:
4601:
4599:Feature films
4597:
4590:
4589:: "Star Laws"
4588:
4584:
4581:
4579:
4575:
4572:
4571:
4567:
4566:
4564:
4560:
4553:
4549:
4545:
4542:
4538:
4534:
4531:
4527:
4526:The Mysterons
4523:
4520:
4516:
4512:
4509:
4505:
4501:
4500:
4498:
4494:
4488:
4487:
4483:
4481:
4480:
4476:
4474:
4473:
4469:
4467:
4466:
4462:
4460:
4459:
4455:
4453:
4452:
4448:
4446:
4445:
4441:
4439:
4438:
4434:
4432:
4431:
4427:
4425:
4424:
4420:
4418:
4417:
4413:
4411:
4410:
4406:
4404:
4403:
4399:
4397:
4396:
4392:
4390:
4389:
4385:
4383:
4382:
4378:
4376:
4375:
4371:
4367:
4366:
4361:
4357:
4356:
4351:
4350:
4348:
4344:
4338:
4335:
4333:
4330:
4328:
4325:
4323:
4320:
4319:
4316:
4312:
4305:
4300:
4298:
4293:
4291:
4286:
4285:
4282:
4269:
4268:
4264:
4261:
4260:
4256:
4253:
4252:
4248:
4245:
4244:
4240:
4237:
4236:
4232:
4229:
4228:
4227:Casino Royale
4224:
4221:
4220:
4216:
4213:
4212:
4208:
4205:
4204:
4200:
4197:
4196:
4192:
4189:
4188:
4184:
4181:
4180:
4176:
4173:
4172:
4168:
4165:
4164:
4160:
4157:
4156:
4152:
4149:
4148:
4144:
4141:
4140:
4136:
4133:
4132:
4128:
4125:
4124:
4120:
4117:
4116:
4112:
4111:
4108:
4104:
4096:
4091:
4089:
4084:
4082:
4077:
4076:
4073:
4067:
4063:
4062:
4058:
4056:
4052:
4051:
4047:
4045:
4041:
4040:
4036:
4034:
4030:
4029:
4025:
4023:
4019:
4018:
4014:
4013:
4003:
3997:
3993:
3992:Citadel Press
3989:
3985:
3981:
3977:
3972:
3968:
3962:
3958:
3954:
3950:
3946:
3940:
3936:
3932:
3927:
3923:
3917:
3913:
3908:
3904:
3898:
3894:
3890:
3885:
3881:
3875:
3871:
3867:
3863:
3858:
3854:
3848:
3844:
3840:
3836:
3832:
3831:Archer, Simon
3828:
3824:
3818:
3814:
3810:
3806:
3802:
3801:
3787:
3778:
3769:
3753:
3749:
3745:
3744:
3739:
3733:
3731:
3729:
3720:
3714:
3710:
3706:
3702:
3696:
3680:
3676:
3672:
3668:
3662:
3654:
3652:1-932916-01-6
3648:
3644:
3637:
3628:
3620:
3616:
3612:
3608:
3604:
3600:
3599:
3594:
3587:
3571:
3567:
3566:
3561:
3557:
3551:
3535:
3531:
3530:
3525:
3519:
3517:
3500:
3496:
3492:
3491:
3486:
3482:
3476:
3474:
3472:
3470:
3453:
3449:
3445:
3441:
3437:
3433:
3432:
3427:
3425:
3417:
3409:
3407:1-84222-405-0
3403:
3399:
3398:Carlton Books
3395:
3388:
3372:
3368:
3364:
3360:
3356:
3349:
3341:
3335:
3331:
3327:
3320:
3311:
3303:
3299:
3295:
3291:
3287:
3286:
3278:
3270:
3266:
3262:
3258:
3257:
3249:
3241:
3237:
3233:
3229:
3228:
3220:
3218:
3209:
3205:
3201:
3197:
3193:
3189:
3188:
3180:
3164:
3160:
3156:
3152:
3148:
3144:
3140:
3139:
3134:
3132:
3124:
3116:
3112:
3108:
3104:
3100:
3099:
3091:
3089:
3072:
3068:
3067:
3062:
3060:
3054:
3048:
3039:
3037:
3021:
3020:
3015:
3013:
3005:
2990:
2989:
2984:
2982:
2974:
2958:
2954:
2950:
2948:
2939:
2923:
2919:
2915:
2913:
2905:
2903:
2901:
2899:
2897:
2895:
2893:
2884:
2882:0-520-20970-2
2878:
2874:
2870:
2864:
2862:
2852:
2850:
2848:
2846:
2844:
2842:
2840:
2823:
2819:
2815:
2808:
2806:
2804:
2802:
2785:
2781:
2777:
2775:
2767:
2765:
2763:
2753:
2751:
2749:
2747:
2745:
2735:
2733:
2731:
2715:on 1 May 2010
2714:
2710:
2706:
2699:
2697:
2695:
2675:
2671:
2664:
2660:
2653:
2651:
2641:
2625:
2621:
2617:
2610:
2608:
2606:
2596:
2587:
2585:
2583:
2581:
2579:
2569:
2560:
2558:
2556:
2554:
2552:
2550:
2548:
2546:
2544:
2534:
2525:
2523:
2521:
2519:
2517:
2515:
2513:
2511:
2509:
2507:
2497:
2495:
2493:
2491:
2489:
2487:
2485:
2483:
2481:
2471:
2462:
2453:
2444:
2435:
2426:
2417:
2415:
2413:
2411:
2409:
2400:
2396:
2392:
2388:
2384:
2383:Fairfax Media
2380:
2379:
2371:
2355:
2351:
2347:
2340:
2331:
2322:
2320:
2318:
2316:
2314:
2312:
2310:
2308:
2306:
2304:
2294:
2292:
2282:
2273:
2264:
2262:
2260:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2238:
2236:
2234:
2232:
2215:
2211:
2207:
2206:
2201:
2194:
2192:
2175:
2171:
2167:
2160:
2158:
2148:
2146:
2144:
2134:
2125:
2116:
2114:
2112:
2110:
2108:
2098:
2096:
2094:
2092:
2090:
2080:
2078:
2068:
2066:
2064:
2062:
2060:
2058:
2056:
2054:
2052:
2050:
2048:
2046:
2044:
2042:
2040:
2038:
2036:
2034:
2032:
2030:
2014:
2010:
2004:
2000:
1985:
1982:
1980:
1977:
1975:
1972:
1969:
1968:
1964:
1961:
1960:
1959:Another Earth
1956:
1955:
1951:
1945:
1940:
1937:
1926:
1919:
1917:
1913:
1909:
1905:
1901:
1897:
1893:
1888:
1886:
1879:
1874:
1873:Neptune House
1870:
1866:
1862:
1858:
1854:
1853:
1848:
1844:
1840:
1839:
1828:
1826:
1822:
1821:
1816:
1812:
1811:
1806:
1802:
1798:
1794:
1790:
1786:
1782:
1781:
1776:
1771:
1769:
1761:
1757:
1753:
1749:
1745:
1741:
1737:
1736:
1731:
1730:
1724:
1722:
1718:
1714:
1710:
1706:
1702:
1701:
1696:
1688:
1684:
1680:
1676:
1672:
1671:
1665:
1656:
1654:
1653:Gary Westfahl
1650:
1646:
1641:
1636:
1634:
1630:
1626:
1622:
1617:
1613:
1609:
1605:
1604:
1599:
1597:
1593:
1589:
1585:
1584:
1573:
1571:
1567:
1563:
1562:
1557:
1553:
1552:
1547:
1546:
1541:
1540:
1534:
1532:
1528:
1527:
1521:
1517:
1516:
1511:
1506:
1505:
1500:
1495:
1493:
1489:
1488:
1483:
1482:
1477:
1473:
1472:
1467:
1466:Derek Malcolm
1463:
1462:
1457:
1453:
1452:
1446:
1445:
1438:
1435:
1428:
1426:
1425:
1411:
1409:
1405:
1401:
1400:Stan Nicholls
1397:
1387:
1385:
1381:
1377:
1373:
1369:
1367:
1363:
1353:
1350:
1346:
1342:
1337:
1334:
1330:
1326:
1322:
1318:
1315:Two original
1313:
1311:
1307:
1303:
1302:
1297:
1293:
1288:
1283:
1276:
1275:Stan Nicholls
1272:
1268:
1262:
1260:
1251:
1242:
1240:
1238:
1233:
1228:
1225:
1221:
1211:
1209:
1208:
1203:
1199:
1195:
1191:
1187:
1183:
1178:
1176:
1172:
1168:
1164:
1160:
1157:chassis by a
1156:
1152:
1147:
1145:
1141:
1136:
1133:
1129:
1125:
1121:
1113:
1109:
1105:
1096:
1094:
1089:
1084:
1082:
1076:
1072:
1068:
1066:
1061:
1055:
1053:
1049:
1045:
1040:
1038:
1034:
1030:
1026:
1022:
1018:
1014:
1006:
1001:
994:
990:
985:
978:
973:
964:
962:
961:Peter Dyneley
958:
954:
950:
946:
945:George Sewell
941:
939:
935:
931:
927:
923:
919:
915:
914:
909:
905:
903:
899:
895:
890:
889:X certificate
886:
882:
881:
876:
872:
871:
866:
862:
858:
853:
851:
846:
842:
838:
834:
832:
831:
826:
822:
818:
817:
806:
804:
800:
799:Casino Royale
796:
795:
794:Casino Royale
790:
786:
785:
784:Thunderbird 6
780:
779:
774:
768:
766:
762:
757:
752:
750:
746:
742:
738:
734:
729:
727:
723:
719:
705:
704:Jeremy Wilkin
702:
699:
696:
693:
690:
687:
684:
681:
677:
674:
671:
668:
665:
662:
659:
656:
653:
650:
647:
644:
641:
640:Anthony Chinn
638:
635:
632:
629:
626:
623:
620:
619:
608:
605:
602:
601:George Mikell
599:
596:
593:
591:as Dr Pontini
590:
587:
584:
581:
578:
577:George Sewell
575:
572:
569:
566:
563:
560:
557:
555:as Jason Webb
554:
551:
548:
545:
542:
539:
538:
526:
524:
518:
516:
512:
508:
504:
500:
496:
491:
489:
485:
481:
477:
473:
469:
465:
464:Counter-Earth
461:
456:
454:
450:
446:
442:
438:
434:
429:
425:
420:
418:
414:
404:
402:
401:
396:
395:
390:
386:
381:
379:
375:
374:A certificate
371:
366:
362:
358:
354:
350:
346:
342:
341:
335:
333:
329:
325:
320:
318:
314:
310:
306:
302:
298:
294:
290:
286:
283:and starring
282:
278:
274:
273:
268:
267:
257:
253:
249:
245:
241:
235:
220:
209:
208:
206:
203:Release dates
200:
192:
188:
185:
182:
181:
179:
175:
171:
167:
159:
156:
153:
149:
145:
141:
138:
135:
131:
125:
122:
120:
117:
115:
112:
110:
107:
105:
102:
100:
97:
96:
94:
90:
86:
82:
78:
74:
68:
65:
63:
59:
56:
55:
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
19:
4742:(web series)
4737:
4729:
4721:
4713:
4705:
4663:
4648:
4630:
4629:
4621:
4613:
4605:
4587:Space Police
4586:
4577:
4568:
4551:
4540:
4529:
4519:Thunderbirds
4518:
4507:
4484:
4477:
4470:
4463:
4456:
4449:
4442:
4435:
4428:
4421:
4414:
4407:
4402:Thunderbirds
4400:
4393:
4388:Fireball XL5
4386:
4379:
4372:
4363:
4353:
4265:
4257:
4249:
4242:
4241:
4233:
4225:
4217:
4209:
4201:
4193:
4185:
4177:
4171:Lucy Gallant
4169:
4161:
4153:
4145:
4137:
4129:
4121:
4113:
4060:
4049:
4038:
4027:
4016:
3987:
3975:
3956:
3934:
3931:Doppelgänger
3930:
3911:
3892:
3889:Doppelgänger
3888:
3870:Legend Books
3865:
3838:
3837:Thunderbirds
3834:
3813:Hermes Press
3808:
3786:
3777:
3768:
3756:. Retrieved
3752:the original
3741:
3704:
3701:Joshi, S. T.
3695:
3683:. Retrieved
3670:
3661:
3642:
3636:
3627:
3596:
3592:
3586:
3574:. Retrieved
3563:
3550:
3538:. Retrieved
3527:
3503:. Retrieved
3488:
3456:. Retrieved
3452:the original
3429:
3423:
3416:
3393:
3387:
3375:. Retrieved
3371:the original
3358:
3348:
3325:
3319:
3310:
3283:
3277:
3254:
3248:
3225:
3185:
3179:
3167:. Retrieved
3163:the original
3136:
3130:
3123:
3096:
3075:. Retrieved
3064:
3058:
3047:
3023:. Retrieved
3017:
3011:
3004:
2992:. Retrieved
2986:
2980:
2973:
2961:. Retrieved
2957:the original
2952:
2946:
2938:
2926:. Retrieved
2922:the original
2912:Doppelgänger
2911:
2868:
2826:. Retrieved
2817:
2788:. Retrieved
2784:the original
2774:Doppelgänger
2773:
2717:. Retrieved
2713:the original
2708:
2681:. Retrieved
2674:the original
2669:
2640:
2628:. Retrieved
2619:
2595:
2568:
2533:
2470:
2461:
2452:
2443:
2434:
2425:
2376:
2370:
2358:. Retrieved
2349:
2339:
2330:
2281:
2272:
2218:. Retrieved
2203:
2178:. Retrieved
2174:the original
2169:
2133:
2124:
2016:. Retrieved
2012:
2003:
1974:1969 in film
1967:The Stranger
1965:
1957:
1915:
1903:
1899:
1895:
1889:
1877:
1868:
1864:
1856:
1850:
1846:
1842:
1836:
1834:
1818:
1808:
1805:The Parallel
1796:
1792:
1778:
1774:
1772:
1767:
1759:
1755:
1751:
1747:
1743:
1739:
1733:
1727:
1725:
1704:
1698:
1692:
1678:
1668:
1645:Roman Empire
1637:
1621:Thunderbirds
1620:
1615:
1601:
1600:
1591:
1587:
1581:
1579:
1569:
1559:
1555:
1549:
1543:
1537:
1535:
1530:
1524:
1519:
1513:
1510:Judith Crist
1502:
1496:
1485:
1479:
1471:The Guardian
1469:
1459:
1451:Daily Mirror
1449:
1442:
1440:
1430:
1422:
1419:
1396:Simon Archer
1393:
1370:
1359:
1338:
1332:
1314:
1304:to create a
1299:
1292:Odeon Cinema
1289:
1282:Doppelgänger
1281:
1271:Simon Archer
1266:
1263:
1256:
1236:
1229:
1217:
1205:
1201:
1193:
1185:
1179:
1148:
1139:
1137:
1127:
1117:
1111:
1107:
1087:
1085:
1077:
1073:
1069:
1056:
1051:
1041:
1010:
956:
949:Philip Madoc
942:
937:
933:
930:Norma Ronald
922:Simon Archer
917:
911:
906:
878:
868:
854:
844:
840:
835:
828:
816:The Invaders
814:
812:
803:Doppelgänger
802:
798:
792:
782:
776:
769:
765:Doppelganger
764:
760:
756:Donald James
753:
749:Doppelgänger
748:
741:feature film
730:
715:
694:as Pam Kirby
692:Norma Ronald
679:
670:Annette Kerr
660:as Dr Gordon
634:Peter Burton
589:Philip Madoc
523:doppelganger
519:
515:Doppelganger
514:
510:
507:Doppelganger
506:
498:
494:
492:
487:
471:
468:mirror image
467:
457:
448:
444:
440:
432:
421:
412:
410:
398:
392:
382:
353:feature film
340:Thunderbirds
338:
336:
321:
313:Donald James
279:directed by
272:Doppelgänger
271:
270:
265:
264:
263:
238:Running time
67:Donald James
18:
4938:Sun in film
4444:Space: 1999
4155:Rough Shoot
3984:Rovin, Jeff
2994:17 February
2818:Den of Geek
2659:Gray, Barry
2620:Den of Geek
2205:Den of Geek
1936:Film portal
1885:teleprinter
1852:Space: 1999
1815:S. T. Joshi
1683:Dave Bowman
1629:Den of Geek
1583:Pumpkinhead
1497:In the US,
1182:Den of Geek
1151:six-wheeled
979:, Portugal.
857:Lynn Loring
821:Paul Newman
781:(1966) and
676:Martin King
628:Edward Cast
607:Herbert Lom
559:Lynn Loring
541:Roy Thinnes
472:post mortem
453:Ulaanbaatar
437:hibernation
293:Lynn Loring
285:Roy Thinnes
242:101 minutes
124:Herbert Lom
109:Lynn Loring
99:Roy Thinnes
84:Produced by
41:Directed by
4798:1969 films
4792:Categories
4582:(produced)
4548:Identified
4451:Terrahawks
4147:My Pal Gus
4115:Cry Danger
4055:Letterboxd
3835:What Made
3748:Ziff Davis
3671:ica.org.uk
3077:6 December
2988:Amazon.com
2983:(Blu-ray)"
1990:References
1912:mind fucks
1861:Ed Straker
1825:Pod People
1625:centrifuge
1614:considers
1566:Jeff Rovin
1356:Home media
1237:James Bond
1220:Barry Gray
1175:Len Bailey
993:Iver Heath
880:Daily Mail
875:nude scene
870:The F.B.I.
837:Ian Hendry
773:David Lane
718:Jay Kanter
712:Production
698:John Stone
686:Basil Moss
615:Uncredited
547:Ian Hendry
357:Jay Kanter
317:Century 21
289:Ian Hendry
225:1969-10-08
214:1969-08-27
162:Production
155:Barry Gray
146:Len Walter
104:Ian Hendry
4739:Nebula-75
4715:Countdown
4479:Firestorm
4337:Fanderson
3843:BBC Books
3611:1082-8850
3529:film4.com
3440:0039-8543
3367:499379680
3294:0746-4452
3200:1528-5758
3151:0042-2738
3107:0028-7369
2918:Fanderson
2399:222703030
2391:0312-6307
1995:Citations
1789:Tarkovsky
1695:Apollo 11
1687:Star Gate
1490:, critic
1487:The Times
1424:Star Trek
1404:cult film
1390:Reception
1362:LaserDisc
1325:Fanderson
1218:Composer
1207:Moonraker
1190:ergonomic
1155:Mini Moke
1044:flop-over
1025:Albufeira
1019:), while
977:Albufeira
953:Ed Bishop
745:John Read
743:instead.
726:Lew Grade
583:Ed Bishop
413:Sun Probe
389:pastiches
370:John Read
349:Lew Grade
229: (UK)
218: (US)
143:Edited by
137:John Read
4848:AP Films
4764:producer
4754:director
4707:TV Comic
4508:Stingray
4504:Stingray
4395:Stingray
4381:Supercar
4368: ‡
4358: ‡
4322:AP Films
4219:The Bobo
4033:AllMovie
3986:(1975).
3955:(2009).
3864:(1996).
3807:(2007).
3703:(2007).
3679:Archived
3619:55506548
3570:Archived
3534:Archived
3499:Archived
3490:DVD Talk
3483:(2008).
3431:TV Guide
3424:TV Guide
3302:10049209
3240:44269305
3208:10000467
3145:. 1969.
3098:New York
3071:Archived
3025:2 August
2822:Archived
2624:Archived
2354:Archived
2214:Archived
1922:See also
1612:DVD Talk
1603:TV Guide
1586:, ranks
1542:and the
1515:New York
1366:Region 1
1349:telecine
1132:Saturn V
1093:Reg Hill
672:as Nurse
658:Cy Grant
534:Credited
480:parallel
255:Language
151:Music by
92:Starring
76:Story by
4760:creator
4726:(novel)
4123:The Mob
4064:at the
4042:at the
3758:22 July
3685:22 July
3593:Journey
3576:22 July
3565:SF Site
3540:22 July
3505:22 July
3458:22 July
3448:1585969
3426:Review"
3377:22 July
3269:9208497
3169:22 July
3159:1768958
3138:Variety
3133:Review"
3131:Variety
3115:1760010
2963:22 July
2928:22 July
2828:22 July
2790:22 July
2719:22 July
2683:22 July
2630:22 July
2378:The Age
2360:22 July
2220:22 July
2180:22 July
1865:Phoenix
1797:Solaris
1785:Kubrick
1780:Solaris
1568:called
1556:Gazette
1526:Variety
1432:–
1372:Blu-ray
1345:flopped
1329:billing
1310:Detroit
1245:Release
1202:Phoenix
1186:Phoenix
1159:Feltham
1128:Phoenix
1112:Phoenix
1088:Phoenix
1052:Phoenix
967:Filming
841:Phoenix
830:The Age
809:Casting
511:Phoenix
499:Phoenix
488:Phoenix
441:Phoenix
433:Phoenix
376:by the
258:English
247:Country
223: (
212: (
164:company
4676:Family
4541:Joe 90
4416:Joe 90
4270:(1983)
4262:(1974)
4254:(1971)
4246:(1969)
4238:(1968)
4230:(1967)
4222:(1967)
4214:(1965)
4206:(1963)
4198:(1959)
4190:(1958)
4182:(1957)
4174:(1955)
4166:(1954)
4158:(1953)
4150:(1952)
4142:(1952)
4134:(1952)
4126:(1951)
4118:(1951)
3998:
3963:
3941:
3918:
3899:
3876:
3849:
3819:
3715:
3649:
3617:
3609:
3446:
3438:
3404:
3365:
3336:
3300:
3292:
3267:
3238:
3206:
3198:
3157:
3149:
3113:
3105:
3061:Opens"
2879:
2397:
2389:
2018:1 July
1831:Legacy
1633:Hornby
1536:While
4756:only.
4235:Duffy
2677:(PDF)
2666:(PDF)
1881:'
1763:'
1640:Film4
1317:35 mm
1285:'
1279:'
1239:films
305:Gerry
58:Gerry
4022:IMDb
3996:ISBN
3961:ISBN
3939:ISBN
3916:ISBN
3897:ISBN
3874:ISBN
3847:ISBN
3817:ISBN
3760:2010
3713:ISBN
3687:2010
3647:ISBN
3615:OCLC
3607:ISSN
3578:2010
3542:2010
3507:2010
3460:2010
3444:OCLC
3436:ISSN
3402:ISBN
3379:2010
3363:OCLC
3334:ISBN
3298:OCLC
3290:ISSN
3265:OCLC
3236:OCLC
3204:OCLC
3196:ISSN
3171:2010
3155:OCLC
3147:ISSN
3111:OCLC
3103:ISSN
3079:2020
3027:2023
2996:2015
2965:2010
2930:2010
2877:ISBN
2830:2010
2792:2010
2721:2010
2685:2010
2632:2010
2395:OCLC
2387:ISSN
2362:2010
2222:2010
2182:2010
2020:2024
1916:2001
1908:acid
1869:Dove
1867:and
1795:and
1793:2001
1760:2001
1756:2001
1752:2001
1748:2001
1732:and
1721:Mike
1719:and
1717:Buzz
1713:Neil
1679:2001
1638:The
1531:Dove
1474:and
1398:and
1273:and
1194:Dove
1140:Dove
1108:Dove
951:and
936:and
916:and
845:Dove
761:Dove
680:Dove
529:Cast
495:Dove
449:Dove
445:Dove
428:West
424:NASA
417:East
407:Plot
324:NASA
311:and
307:and
299:and
186:(UK)
60:and
4762:or
4552:UFO
4550:" (
4539:" (
4528:" (
4517:" (
4506:" (
4430:UFO
4053:at
4031:at
4020:at
3933:".
3743:IGN
1918:".
1914:of
1904:UFO
1900:UFO
1892:IGN
1878:UFO
1857:UFO
1847:UFO
1838:UFO
1787:or
1610:of
1512:of
1501:of
1478:of
1468:of
1458:of
1294:on
1287:".
1198:JPL
1035:as
991:in
863:or
678:as
400:UFO
359:of
355:to
328:Sun
4794::
3994:.
3872:.
3845:.
3815:.
3746:.
3740:.
3727:^
3677:.
3669:.
3613:.
3568:.
3562:.
3558:.
3532:.
3526:.
3515:^
3497:.
3493:.
3487:.
3468:^
3442:.
3428:.
3357:.
3296:.
3216:^
3202:.
3153:.
3135:.
3109:.
3087:^
3069:.
3063:.
3035:^
3016:.
2985:.
2951:.
2916:.
2891:^
2860:^
2838:^
2816:.
2800:^
2778:.
2761:^
2743:^
2729:^
2707:.
2693:^
2668:.
2661:.
2649:^
2618:.
2604:^
2577:^
2542:^
2505:^
2479:^
2407:^
2393:.
2352:.
2348:.
2302:^
2290:^
2230:^
2212:.
2202:.
2190:^
2168:.
2156:^
2142:^
2106:^
2088:^
2076:^
2028:^
2011:.
1715:,
1709:LM
1689:."
1673:.
1464:,
1410:.
1241:.
1177:.
947:,
380:.
319:.
295:,
291:,
287:,
4656:"
4554:)
4546:"
4543:)
4535:"
4532:)
4524:"
4521:)
4513:"
4510:)
4502:"
4303:e
4296:t
4289:v
4094:e
4087:t
4080:v
4004:.
3969:.
3947:.
3924:.
3905:.
3882:.
3855:.
3825:.
3762:.
3721:.
3689:.
3655:.
3621:.
3580:.
3544:.
3509:.
3462:.
3422:"
3410:.
3381:.
3342:.
3304:.
3271:.
3242:.
3210:.
3173:.
3129:"
3117:.
3081:.
3057:"
3029:.
3014:"
3010:"
2998:.
2979:"
2967:.
2945:"
2932:.
2914:"
2885:.
2832:.
2794:.
2776:"
2723:.
2687:.
2634:.
2401:.
2364:.
2224:.
2184:.
2022:.
1265:"
995:.
227:)
216:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.