28:
342:). He arranged many of his songs in several versions and provided an insight into his creative evolution and development toward a seasoned compositional and technical mastery. Marinković exhibits the ability of deep delving into the meaning and mood of selected lyrics, following the correct diction, with inventive, broad melodies, and an overall direct expression. Melody represents his primary tool; although in his later works noticeable is a rather elaborated piano part and somewhat free harmonic language, within the realm of the late romanticist means of expression.
524:
126:(1886–87). He acted as choral director of the Belgrade Singing Society (1881–87), Academic Singing Society Obilić (1889–1900), as well as other choral ensembles (The Laborers’ Singing Society and Serbian-Jewish Singing Society, among others). He also taught music at the Serbian Orthodox Seminary, Teachers’ Preparatory School, and The Second Men's Gymnasium. Marinković was inducted into the Serbian Royal Academy (today
385:. Utilizing a large number of songs lacking a more complex adaptation, Marinković failed to reach a well rounded and complex form later manifested in Mokranjac's works, but however, anticipated some of Mokranjac's procedures (linking and repetition of song excerpts, songs, and alike). The actual selection of the
114:, he was devoted to mainly vocal genres—lied and choral. Marinković was a romanticist with a pronounced affinity for melodic expression. He invested exceptional attention to the text declamation, which represented a rather novel quality in Serbian music at the time.
392:
does not demonstrate the level of fastidiousness and cogitation in the scope the works’ entirety, so representative for
Mokranjac, while the developing procedures are mainly restrained, but still refreshing and uplifting. In the later
213:). In his lieder, Marinković paid closed attention to the correct diction, lilting melody, and expressive piano accompaniment with which he depicted certain desired atmosphere. He composed lieder after the lyrics of Serbian poets
1173:
Pejović, Roksanda. “Evaluating achievements of Josif
Marinković and Stevan Mokranjac within the history of Serbian music” (Vrednovanje dostignuća Josifa Marinkovića i Stevana Mokranjca u istoriji srpske muzike).
310:. The most compelling are lieder composed upon art poetry lyrics (by J. J. Zmaj, J. G. Milenko, Đ. Jakšić, and V. Ilić). In his lieder, Marinković achieved a broad range of moods—hearty lyricism (
306:
Lieder, composed after the lyrics by romanticist poets and folk motives, occupy the most significant place in
Marinković's oeuvre. He is considered the founder of this genre in
397:(Eleventh and Twelfth), Marinković achieved a higher formal conciseness, better choral texture, contrasts of solo and tutti parts, and bolder harmonic solutions. The three
133:
As a composer of a distinct romanticist expression, Marinković often utilized folk melodies. He composed patriotic songs for men's choir, the most popular among them being
1163:
Milojević, Miloje. An
Intimate artistic portrait of Josif Marinković (Intimni umetnički lik Josifa Marinkovića). Srpski književni glasnik LVIII, 3, 1939, 158–165.
1208:Čolić, Dragutin. “The Liturgy by Josif Marinković published by the State printing company” (Liturgija Josifa Marinkovića u izdanju Državne štamparije).
141:) 1876, after the text by S. Kaćanski) of an upbeat, march-like character, thus considered a symbol of the feisty spirit of Serbian people,
373:
Marinković composed pieces for men's, mixed, women's, and children's choirs, but particularly nurtured the genre of choral pieces with
928:, „Josif Marinković“ choir, conductor Andrej Bursać. Zrenjanin Cultural Centre. CD004, recording from 1997, missing publication year.
483:). By their broadness and complexity of the piano accompaniment, some of these works confirm that the piano was in fact used as an
409:)) since they are composed after this poet's lyrics entitled The School friends’ parting and are only indirectly folk-inspired.
1225:
1110:
Marinković, Ilija. “New
Contributions for a biography of Josif Marinković” (Novi prilozi za biografiju Josifa Marinkovića).
1284:
1274:
1069:, An Autobiography and an inventory of J. Marinković's works (autobiografija i popis dela J. Marinkovića). Belgrade, 1907.
127:
1294:
1117:
Marinković, Sonja. “A Comparison between
Mokranjac and Marinković today” (Poređenje Mokranjca i Marinkovića danas).
381:(1881–97)—wreaths of adapted folk tunes for men's and mixed choirs, are considered precursors of S. St. Mokranjac's
1279:
1269:
1139:(Transfiguracije srpskog romantizma – Muzika u kontekstu studija kulture). Belgrade: Univerzitet umetnosti, 2005.
1103:
Marinković, Ilija. “An
Inventory of compositions of Josif Marinković” (Spisak kompozicija Josifa Marinkovića).
1238:
1072:Đorđević, Vladimir. “Bibliography of works of Josif Marinković” (Bibliografija radova Josifa Marinkovića).
106:: Јосиф Маринковић; Vranjevo, near Novi Bečej, 15 September 1851 – Belgrade, 13 May 1931) was a Serbian
1299:
1156:
Milojević, Miloje. “Josif
Marinković as a Lied composer” (Josif Marinković kao kompozitor solo pesme).
202:
1170:(Srpska muzika 19. veka (Izvođaštvo. Članci i kritike. Muzička pedagogija)). Belgrade, FMU, 2001.
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Marinković graduated at the Prague Organ School (1873–81) and attended specialized studies in
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Serbian music in the 19th century (Performing. Articles and critiques. Music pedagogy)
1128:(Josif Marinković (1861–1931). Muzika na raskršću dva veka). Novi Bečej: Radnički dom
412:
Much like his contemporaries, Marinković composed works upon patriotic poetry lyrics (
349:
and composed in the manner close to folk, establishing in
Serbian art music a popular
1222:
1007:
960:(Čežnja), for voice and orchestra. Sofija Janković, soprano, Symphonic Orchestra of
499:
reconstructed certain movements he found in
Marinković's legacy collection into the
293:, etc.). Marinković often reworked his pieces, thus they exist in several versions.
1012:
269:), etc.). In his church works, Marinković was inspired by Serbian Church chanting (
111:
100:
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1137:
Transfigurations of Serbian romanticism – Music in the context of culture studies
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365:). He also continued and preserved the tradition of rearranging the folk tunes.
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and compositions for children's choir, among others. Marinković composed eleven
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646:(1882, version for mixed choir 1896), for men's choir, after Branko Radičević
307:
185:). Among piano-accompanied choral works similar to cantatas, significant are
201:) with text-painting), of lyrical character, both written after the text by
51:
455:
Marinković established a piano accompanied choral genre in Serbian music (
576:
523:
507:). Among the Liturgy movements particularly expressive and inspiring is
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1126:
Josif Marinković (1861–1931). Music at the crossroads of two centuries
1057:
A History of Serbian music: Serbian music and European music heritage
484:
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182:
949:(Heruvimska pesma). Belgrade chamber choir. PGP RTS CD 431142, 2000.
1236:
List of Serbian choral chants and occasion songs made by Marinkovic
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820:) (1899), lied (versions for mixed and children's choir, and duet)
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Istorija srpske muzike: srpska muzika i evropsko muzičko nasleđe
736:) (1889, lied versions 1889 and 1931), for mixed choir and piano
401:(The Third, Fifth, and Ninth) are named after Branko Radičević (
123:
942:. RTB Choir, conductor Bojan Suđić. PGP RTS, CD 430824, 1999.
684:(1883, version 1889), for men's choir, after Branko Radicević
515:), considered one of the master pieces of choral literature.
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448:. As one of the most popular Marinković's songs, it was the
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Marinković also found his inspiration in the texts close to
273:, for mixed choir) and influences of Russian Church music (
1195:(Josif Marinković – život i dela). Belgrade, SANU, 1967.
444:(1876) famous for its opening verse, as well as the song
971:. CD Serbian singing society „Jedinstvo,” Kotor. 2004.
964:, conductor Davorin Županić. CD New Sound 118/2001.
161:, based on a mosaic-like assemblage of folk tunes (
110:and choral director. Like his younger contemporary
1251:
440:), some of which became rather popular, such as
770:(1892), for men's choir, after Branko Radičević
531:Among instrumental pieces, Marinković composed
518:
551:by Lj. Petrović (with very successful numbers
368:
1067:Godišnjak Srpske kraljevske akademije za 1906
490:
935:, Belgrade nonet. PGP RTS, CD 430480, 1998.
982:. CD 01/2, Saborna crkva, Belgrade, 2005.
878:(1911), lied and version for women's choir
26:
1198:Perković Radak, Ivana. Josif Marinković:
1200:Blagoobrazni Josif i Mironosnicam ženam.
522:
326:), romanticist warmth, melodic breadth (
32:Josif Marinković on a 2009 Serbian stamp
1149:Milojević, Miloje. “Josif Marinković.”
1142:Milojević, Miloje. “Josif Marinković.”
940:Divine Liturgy of Saint John Chrysostom
501:Divine Liturgy of Saint John Chrysostom
1252:
1063:). Belgrade: Zavod za udžbenike, 2007.
786:(1894), stage music after Lj. Petrović
1185:. Novi Bečej: Obzorja na Tisi, 2002.
592:What a sight, this world’s so bright
527:Bust of Josif Marinković in Belgrade
312:What a sight, this world’s so bright
128:Serbian Academy of Sciences and Arts
1055:Veselinović Hofman, Mirjana (ed.).
980:Belgrade Singing society: 153 years
872:) (1910), for mixed choir and piano
694:) (1884), for mixed choir and piano
668:) (1883), for mixed choir and piano
618:) (1881), for mixed choir and piano
205:, and also a patriotic choral work
181:, featuring stylized melodies from
13:
640:) (prior to 1882), for men's choir
598:), lied, first version around 1880
505:Liturgija Svetog Jovana Zlatoustog
165:being the third, fifth, and ninth
14:
1311:
1216:
1193:Josif Marinković – life and works
884:(1911), for mixed choir and piano
562:
547:. His stage music includes plays
894:) (around 1929), for mixed choir
862:) (around 1910), for men's choir
1112:Godišnjak Muzeja grada Beograda
1105:Godišnjak Muzeja grada Beograda
1050:Godišnjak Muzeja grada Beograda
1038:
852:(around 1908), for men's choir
846:(around 1907), for men's choir
748:(around 1889), for mixed choir
1:
918:
588:) (1876, second version 1902)
535:for piano in four hands, and
1151:Muzičke studije i članci, 2,
882:Cantata to Dositej Obradović
519:Instrumental and stage music
481:Cantata to Dositej Obradović
153:); lyrical pieces for mixed
117:
7:
1285:20th-century male musicians
1275:19th-century male musicians
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438:The Serbian Muslims’ anthem
369:Choral music: secular works
171:The School friends’ parting
10:
1316:
491:Choral music: sacred works
377:accompaniment. His eleven
1160:XLVIII, 8, 1936, 630–634.
1146:XXXIII, 3, 1931, 206–211.
1124:Marković, Tatjana (ed.).
1076:XXXIII, 3. 1931, 238–240.
830:) (1899), for mixed choir
758:) (1890), for mixed choir
710:) (1884), for men's choir
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1158:Srpski književni glasnik
1144:Srpski književni glasnik
1084:Srpski književni glasnik
1074:Srpski književni glasnik
1048:(O Josifu Marinkoviću).
898:Tell me, please, tell me
656:With a song to the heart
434:With a song to the heart
296:
223:Tell me, please, tell me
217:, J. Grčić Milenko, and
143:With a song to the heart
962:Radio Television Serbia
840:) (prior to 1907), lied
810:(1897), for mixed choir
804:(1897), for mixed choir
798:(1896), for men's choir
792:(1896), for mixed choir
764:(1890), for men's choir
742:(1889), for men's choir
726:(1889), for men's choir
720:) (prior to 1886), lied
700:(1884), for mixed choir
658:(1882), for men's choir
652:(1882), for men's choir
630:(1882), for men's choir
624:(1881), for men's choir
452:anthem for many years.
1295:People from Novi Bečej
1280:20th-century composers
1270:19th-century composers
1082:. “Josif Marinković.”
1046:About Josif Marinković
933:Večeri tvojeja tajnija
814:Oh, How the sun shines
528:
320:Oh, How the sun shines
247:Oh, How the sun shines
1241:10 April 2021 at the
1153:Beograd, 1933, 39–47.
1130:Jovan Veselinov Žarko
1092:. “Josif Marinković”
608:) (around 1880), lied
582:The People’s assembly
526:
442:The People’s assembly
414:The People’s assembly
135:The People’s assembly
78:Kingdom of Yugoslavia
1228:28 June 2020 at the
947:Song of the Cherubim
802:An Apotheosis to Vuk
796:Bulgarian folk songs
596:Ala je lep ovaj svet
316:Ala je lep ovaj svet
215:Jovan Jovanović Zmaj
112:Stevan St. Mokranjac
1181:Pejović, Roksanda.
1166:Pejović, Roksanda.
1135:Marković, Tatjana.
856:A Heroic battle cry
818:Oh, kako sunce sija
545:Nocturne for violin
418:A Heroic battle cry
251:Oh, kako sunce sija
203:Jovan Milenko Grčić
1189:Peričić, Vlastimir
974:Josif Marinković.
967:Josif Marinković.
954:The stream gurgles
952:Josif Marinković.
945:Josif Marinković.
938:Josif Marinković.
931:Josif Marinković.
924:Josif Marinković.
850:The Balkans anthem
752:The Laborers’ song
688:A Suffering mother
537:Two Serbian dances
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465:A Suffering mother
426:The Balkans anthem
324:The stream gurgles
239:The stream gurgles
1300:Serbian composers
1178:, 2001, 3, 21–25.
1121:, 2002, 4, 42–45.
1090:Manojlović, Kosta
1044:Bingulac, Petar.
1023:Stanislav Binički
876:Ženam mironosicam
724:The Kosovo anthem
430:The Kosovo anthem
363:From town to town
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48:15 September 1851
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1183:Josif Marinković
1114:, 1955, 431–442.
1107:, 1954, 284–287.
1100:), III, 7, 1935.
1052:. 1954, 255–278.
1013:Stevan Mokranjac
1003:Miloje Milojević
993:Kosta Manojlović
969:Na mnogaja ljeta
602:Under the window
569:Rise up brothers
497:Kosta Manojlović
283:O, Heavenly King
279:Orthodox Requiem
179:Branko Radičević
97:Josif Marinković
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643:
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621:
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611:
606:Pod prozorom
605:
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586:Narodni zbor
585:
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487:substitute.
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383:Song Wreaths
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243:Potok žubori
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177:) lyrics by
174:
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139:Narodni zbor
138:
134:
132:
121:
96:
95:
68:(1931-05-13)
1265:1931 deaths
1260:1851 births
908:The Parting
762:Eighth kolo
692:Jadna majka
650:Fourth kolo
634:First Opelo
628:Second kolo
577:mixed choir
553:The Lullaby
469:Jadna majka
336:The Parting
231:The Parting
130:) in 1907.
66:13 May 1931
1254:Categories
1203:Mokranjac,
919:Recordings
838:Oj, meseče
790:Tenth kolo
768:Ninth kolo
714:Šana, dear
698:Sixth kolo
682:Fifth kolo
644:Third kolo
622:First kolo
509:Our Father
355:Šana, dear
351:sevdalinka
347:folk songs
85:Occupation
52:Novi Bečej
44:1851-09-15
1232:(English)
1223:Biography
1176:Mokranjac
1119:Mokranjac
1098:The Sound
718:Šano duso
495:In 1935,
485:orchestra
183:Vojvodina
118:Biography
1239:Archived
1226:Archived
987:See also
926:Otče naš
912:Rastanak
888:Memorial
870:Potočara
834:Oh, Moon
672:Stojanka
541:Fantasia
533:Sonatina
513:Otce nas
405:(sing.,
359:Stojanka
235:Rastanak
199:Potočara
108:composer
104:Cyrillic
89:Composer
74:Belgrade
1210:Pravda,
1132:, 2002.
958:Longing
774:A Shrub
746:Liturgy
734:Molitva
638:Requiem
353:genre (
340:A Shrub
328:Longing
271:Liturgy
263:A Shrub
259:Molitva
169:, upon
151:Slavija
101:Serbian
844:Slavia
784:Suđaje
730:Prayer
549:Suđaje
543:, and
479:, and
473:Prayer
450:Obilić
361:, and
332:Čežnja
302:Lieder
255:Prayer
193:) and
147:Slavia
145:, and
124:Vienna
892:Pomen
399:kolos
395:kolos
390:songs
379:kolos
375:piano
297:Works
275:Opelo
159:Kolos
155:choir
1094:Zvuk
555:and
387:kolo
167:kolo
63:Died
38:Born
778:Grm
559:).
471:),
424:),
318:),
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267:Grm
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