31:
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The title of the Ph.D. dissertation is "Immersive Ideals / Critical
Distances : A Study of the Affinity Between Artistic Ideologies Based in Virtual Reality and Previous Immersive Idioms". A url introduction to the thesis, entitled "Frame and Excess", can be read on-line and the entire thesis
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882:. Manfred Schneckenburger, Bazon Brock, Vittorio Fagone, Edward F. Fry, Documenta GmbH, Museum Fridericianum Veranstaltungs GmbH. Kassel: Weber & Weidemeyer. 1987.
698:. Marvin J. Taylor, Grey Art Gallery & Study Center, Fales Library, Andy Warhol Museum, Austin Museum of Art. Princeton, N.J.: Princeton University Press. 2006.
1129:, discusses Nechvatal's concept of viractualism on page 58. One of the images she chooses to illustrate that section of the book is Nechvatal's painting entitled
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Towards an
Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006)
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256:-like drawings that were often photo-mechanically enlarged. Beginning in 1979 he became associated with the artist group
241:. He has had many solo exhibitions and is one of five artists that art historian Patrick Frank examines in his 2024 book
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through a collaboration with the programmer
Stephane Sikora of music2eye in a work called the
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concept developed by
Nechvatal in 1999 from Ph.D. research Nechvatal conducted at the
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Library's
Scholarly Publishing Office. Nechvatal has also published three books with
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670:"THE MIGRANT AS CONSCIENTIOUS OBJECTOR JOSEPH NECHVATAL with Thyrza Nichols Goodeve"
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paintings in 1986 and later, in his signature work, began to employ self-created
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363:. In 2021 Pentiments released Nechvatal's retrospective audio cassette called
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The Allure of
Machinic Life: Cybernetics, Artificial Life, and the New AI
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which strives to create an interface between the actual and the virtual.
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944:. Chicago: University of Chicago Press. pp. 331–336 & 485–486.
1523:, Columbus, Ohio, Wexner Center for the Arts, The Ohio State University
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The laws of cool : knowledge work and the culture of information
528:"Systems, Power, and the Phenomenological Basis of Triadic Semiotics"
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Collins, Tricia; Milazzo, Richard (1990). "Deprivileging
Critique".
1448:, Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 48 –51
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999:"Joseph Nechvatal :: Viral symphony :: IEA :: 2007"
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Joseph
Nechvatal intervistato nel suo studio a New York (1985–86)
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in New York City (SVA). A book of his collected essays entitled
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His work in the late 1970s and early 1980s chiefly consisted of
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1469:, volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83
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1372:, Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38
1213:(2 ed.). London: Thames & Hudson. pp. 55–58.
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published by Open
Humanities Press in conjunction with the
926:
Theoretical
Statement Concerning Computer Robotic Paintings
747:(LP, CD), Table of the Elements/Radium 2006, CD Book, p. 14
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The downtown book : the New York art scene, 1974-1984
1521:
Body Mécanique: Artistic Explorations of Digital Realms
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Library's Scholarly Publishing Office. Ann Arbor. 2011.
300:. From 1991 to 1993, he was artist-in-residence at the
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Library's Scholarly Publishing Office. Ann Arbor. 2011
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L'art numerique: spectateur-acteuret vie artificielle
1474:È andata così: Cronaca e critica dell'arte 1970-2008
1428:, Un Point d'Actu, L'Art Numerique, pp. 124–125
1262:
VI: Digital Artists and the New Creative Renaissance
1156:
also writes about the viractual concept in his book
1137:(pp.123-124), discusses the viractual in his review
374:
From 1999 to 2013, Nechvatal taught art theories of
338:In 2002 he extended his experimentation into viral
275:. In 1984, Nechvatal began work on an opera called
867:Digital Hybrids, Art Press volume #255, pp. 75-76.
1460:Synthetic Lighting: Complex Simulations of Nature
1035:Interview at It’s Psychedelic Baby music magazine
879:Documenta 8 : Kassel 1987, 12. Juni-20. Sept
801:. Cambridge, Mass.: MIT Press. pp. 120–123.
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1462:, Photography Quarterly (#88) 2004, pp. 7–9
1351:. Open Humanities Press in conjunction with the
1139:Joseph Nechvatal at Universal Concepts Unlimited
639:. Paris: Editions Antoine Candau. pp. 3–7.
179:2001 computer-robotic assisted acrylic on canvas
1322:, Editions Antoine Candau, 1990, pp. 23–30
1305:, Tema Celeste Magazine, volume #93, p. 94
1365:, Redaktion Frank Berndt, 1996, pp. 10–13
1133:(2001). Joe Lewis, in the March 2003 issue of
632:
497:(5th ed.). Detroit, MI: St. James Press.
319:Foundation's computer lab. There he worked on
292:He began using computers and robotics to make
1455:, New Jersey: Prentice Hall, pp. 312–313
331:. He exhibited computer-robotic paintings at
1426:Conférence Report : Media Art in France
1409:, Thames & Hudson Ltd, 2006, p. 221
621:Art of the 1980s: As If the Digital Mattered
243:Art of the 1980s: As If the Digital Mattered
155:who creates computer-assisted paintings and
1330:Digital Currents: Art in the Electronic Age
1163:
444:was book published by Orbis Tertius Press.
763:. New York, N.Y.: Machine Language Books.
29:
1438:, édité Actes Sud, 2007, pp. 263–264
1363:Joseph Nechvatal : Critical Pleasure
1312:, London: Thames & Hudson, p. 65
1303:Voluptuary: An algorithic hermaphornology
1294:Joseph Nechvatal : Critical Pleasure
1506:Joseph Nechvatal: Computer Virus Project
623:by Patrick Frank, Walter de Gruyter GmbH
580:"bOdy pandemOnium. Immersion into Noise"
557:
555:
493:Sara Pendergast; Tom Pendergast (2002).
467:. There he developed his concept of the
201:. He studied fine art and philosophy at
182:
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144:(born January 15, 1951) is an American
667:
371:, a double vinyl LP of new audio work.
203:Southern Illinois University Carbondale
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1453:Drawing: Space, Form, & Expression
1274:, Thames & Hudson Ltd, p. 213
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794:
785:. Paris: Editions Antoine Candau, 1990
668:Goodeve, Thyrza Nichols (2015-12-09).
568:Joseph Nechvatal: Immersion Into Noise
564:ZKM Center for Art and Media Karlsruhe
1047:Immersive Ideals / Critical Distances
756:
552:
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396:Immersive Ideals / Critical Distances
323:, his first artistic experiment with
1692:20th-century American male musicians
1502:Nechvatal's Visionary Computer Virus
1436:Des Images, du temps et des machines
1206:
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1451:Wayne Enstice & Melody Peters,
1148:discusses the concept in his piece
937:
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1702:20th-century American male artists
1592:21st-century American male artists
1488:Del Atre Analogico al Arte Digital
1400:, Arts 8, Paris: L'Harmattan, 2004
1239:
836:. Köln: H.f. ullmann. p. 87.
14:
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1682:20th-century American printmakers
1677:American male classical composers
1545:
1282:From Technological to Virtual Art
1158:From Technological to Virtual Art
1014:"Joseph Nechvatal: nOise anusmOs"
798:From technological to virtual art
481:
398:was published. In 2011, his book
1510:Royal Saltworks at Arc-et-Senans
1342:, Technonoetic Arts 3, no3. 2005
1337:Immersive Excess in the Apse of
394:art theory and art history book
365:Selected Sound Works (1981-2021)
166:
1687:20th-century American composers
1632:American experimental composers
1398:Frontières esthétiques de l'art
1200:
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1051:LAP Lambert Academic Publishing
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928:, Documenta 8 Catalogue, Vol. 3
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1697:American contemporary painters
1612:American expatriates in France
1587:21st-century American painters
1577:20th-century American painters
1386:#47-48, 2004, pp. 124–125
1370:Phenomenology of New Tech Arts
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273:Tellus Audio Cassette Magazine
193:cover: art by Joseph Nechvatal
1:
1642:American installation artists
1622:Artists from New York (state)
1597:School of Visual Arts faculty
1284:, MIT Press, pp. 120–123
1125:Christiane Paul, in her book
974:"Artist in Residence Archive"
533:Cybernetics and Human Knowing
349:Nechvatal has also created a
264:. In 1983 he co-founded the
197:Joseph Nechvatal was born in
1112:Joseph Nechvatal Interview:
1097:Joseph Nechvatal Interview:
1012:Morgan, Robert (June 2012).
605:Joseph Nechvatal Interview:
474:
465:University of Wales, Newport
227:University of Wales, Newport
7:
1662:American postmodern artists
1602:American conceptual artists
428:(poetry—2022). In 2023 his
390:in 2009. Also in 2009, his
16:American artist (born 1951)
10:
1723:
1652:American new media artists
1552:Joseph Nechvatal's website
1504:, in Gruson, L. ed. 1993.
1467:Des artistes en leur monde
1131:the birth Of the viractual
757:Sharp, Willoughby (1984).
636:Collected essays 1983-1990
321:The Computer Virus Project
1533:. London: Phaidon, 2009.
1390:Christine Buci-Glucksmann
1207:Paul, Christiane (2008).
1146:Web 3-2004 Critic's Picks
378:and the viractual at the
376:immersive virtual reality
344:Computer Virus Project II
123:
63:
40:
28:
21:
1707:Techspressionist artists
1657:American noise musicians
1607:American digital artists
1531:Art and Electronic Media
1492:Arte Digital Y Videoarte
1394:L'art à l'époque virtuel
1258:The Matrix of Sensations
1249:, MIT Press, 2008, cover
420:(noise music—ed.—2014),
406:in conjunction with the
1541:, pp. 42, 285, 160
1320:Laminations of the Soul
442:venus©~Ñ~vibrator, even
1672:American sound artists
1582:American male painters
1519:Sarah J. Rogers (ed),
1353:University of Michigan
1310:Art of the Digital Age
1195:downloaded in PDF at:
1084:University of Michigan
910:: CS1 maint: others (
795:Popper, Frank (2007).
726:: CS1 maint: others (
408:University of Michigan
221:and Technology at the
194:
180:
177:birth Of the viractual
1514:Claude-Nicolas Ledoux
1384:Les images numeriques
830:Lieser, Wolf (2009).
526:Brier, Søren (2017).
426:Styling Sagaciousness
422:Destroyer of Naivetés
404:Open Humanities Press
380:School of Visual Arts
239:School of Visual Arts
186:
174:
159:, often using custom
1647:Mass media theorists
1627:Cellular automatists
1617:Artists from Chicago
1348:Immersion Into Noise
1079:Immersion Into Noise
924:Nechvatal, J. 1987.
495:Contemporary artists
400:Immersion Into Noise
311:, France and at the
269:electronic art music
215:Doctor of Philosophy
1637:Genetic programming
1465:Marie-Paule Nègre,
1150:#1 Joseph Nechvatal
1031:Joseph Nechvatal /
461:Planetary Collegium
327:and computer virus
223:Planetary Collegium
211:Columbia University
157:computer animations
68:post-conceptual art
1480:, pp. 130–135
1421:2009-06-17 at the
1345:Joseph Nechvatal.
1335:Joseph Nechvatal,
938:Liu, Alan (2004).
781:Joseph Nechvatal,
424:(poetry—2015) and
281:(1984-6) with the
278:XS: The Opera Opus
207:Cornell University
195:
181:
128:post-conceptualism
1539:978-0-7148-4782-5
1527:Edward A. Shanken
1266:Joline Blais and
1220:978-0-500-20398-9
1116:November 10, 2023
1114:The Viral Tempest
1101:November 10, 2023
1099:The Viral Tempest
1067:978-3-8383-0445-8
1033:The Viral Tempest
1018:The Brooklyn Rail
951:978-0-226-48700-7
843:978-3-8331-5338-9
808:978-0-262-16230-2
783:Selected Writings
674:The Brooklyn Rail
609:November 10, 2023
607:The Viral Tempest
402:was published by
386:was published by
369:The Viral Tempest
361:Alfred University
285:musical composer
219:Philosophy of Art
175:Joseph Nechvatal
139:
138:
56:Chicago, Illinois
35:Nechvatal in 2015
1714:
1498:Robert C. Morgan
1413:Dominique Moulon
1403:Brandon Taylor,
1376:Dominique Moulon
1316:Robert C. Morgan
1299:Robert C. Morgan
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1173:. Archived from
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367:and in 2022 his
325:computer viruses
298:computer viruses
161:computer viruses
153:art theoretician
142:Joseph Nechvatal
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44:January 15, 1951
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1458:Ellen K. Levy,
1446:Art et Internet
1423:Wayback Machine
1359:Johanna Drucker
1288:Johanna Drucker
1272:The Edge of Art
1245:John Johnston,
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1240:Further reading
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271:audio project
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190:viral symphOny
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1177:on 2012-02-05
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1171:"CTheory.net"
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