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spent four and a half years as a prisoner of war in
Germany during World War I, and must have been captured shortly after the war began. Hémard had his most prolific period of book illustrations in the 1920s and 1930s. Although he remained in Paris and continued to work as an illustrator during the War, his anti-Nazi sentiments were expressed in illustrations and stories he contributed to a collection of humorous stories about the Occupation. Hémard continued his work at a reduced level after the War. In 1947, for example, he illustrated an edition of
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in French in 1928 and in
English translation in 1929, which is largely devoid of factual detail. For example, after a random history of several "Hémards", purportedly his ancestors, ending with his birth and two paragraphs on his childhood, he states, "And then I drew for books." Hémard said that he
133:" (French for stencil) method in which stencils for each color to be printed are hand cut, typically out of celluloid or plastic, and the colors painted on using special brushes. Pochoir produces intensely colored prints with a distinct fresh look and is best known for its use in French
111:, a technical pharmacological manual with formulas for preparing medications, as well as a French grammar and an arithmetic textbook, both of which he also authored, all published in 1927. The following year he published books he wrote and illustrated on French history and geography.
28:, France, a small town on the Seine, northwest of Paris, on 2 August 1880. He died on 9 August 1961 in Paris. He was a prolific artist. During the early years of the 20th century he published cartoons and comics in illustrated newspapers like
40:. His lasting fame, however, lies in his book illustrations – always distinctly French in character and often erotic – which he produced for a great number of titles including many classics of French literature such as
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Hémard also provided illustrations – typically humorous cartoon-like drawings – for many unlikely non-fiction works including a variety of technical and reference books. These included drawings for
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237:, Smithsonian Institution Press, Washington, D.C. 1977. See also "Vibrant Visions: Pochoir Prints in the Cooper-Hewitt National Design Museum Library", on line at
36:. He also designed costumes and sets for several operas, patterns for printed textiles, bookbindings, posters and even a facade for a bar in the 1925
280:(Paris 1919), indicates he was imprisoned no later than November 1914 and remained as late as 22 December 1918, after the war had ended.
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Valotaire, supra, at pp. 7-14. France was in the war from August 3, 1914, to
November 11, 1918, four years and three months. See
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The illustrations in these three works, along with many others of Hémard's, were printed in color using the "
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Hémard also published a number of humorously illustrated law codes, including the family law provisions of
206:. Portions of this Knowledge article are adapted from "The Art of Taxation" by permission of the author.
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published in about 1929, and, in 1944, he published a lengthy, illustrated tax code of France, the
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Farley P. Katz, "The Art of
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Hémard wrote a brief autobiographical essay, published by Babou and
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Gavroche sous La Botte: Les
Meilleures Histories Drôles 1940 - 1945
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Dictionnaire des
Peintres, Sculpteurs, Dessinateurs et Graveurs
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Hemard's published notes and sketches while imprisoned,
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http://www.abanet.org/tax/pubs/ttl/601fa06/3--KAT.pdf
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Code Général des Impôts
Directs et Taxes Assimilées
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24:, a popular French book illustrator, was born in
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70:(1936).
58:(1923),
52:(1922),
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