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99:. It is in this deposition of 1738 that Dahl describes Goupy as 'esteemed the best hand in England at his trade'. Like his uncle Charles and his cousin William, Joseph Goupy is also known to have been 'the most eminent of fan painters'. From 1724 he worked intermittently designing scenery for the theatre. He counted among his numerous artistic friends the sculptor
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whom Goupy went on to paint another set of
Raphael Cartoons. On Hedges' death, his brother brought a lawsuit against Goupy by his brother Charles Hedges for failing to repay debts. Goupy claimed the money was for work for Hedges that he delivered. Numerous witnesses were called to testify on the good
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Goupy died sometime in 1769 'in very indigent circumstances' owing to his care of an old mistress of his, Sarah Wright, 'who became mad to his own house'. Goupy left an estate in trust to her sister
Elizabeth Williams. Additionally he left to different people a 'book of nudities', four flutes, and
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The pair were then on good terms, with Goupy painting a portrait of Handel in 1742 for the Prince of Wales. In 1743, however, Goupy was chosen to present a commission to Handel on behalf of the prince's circle of friends, but was apparently rebuffed. Goupy's subsequent insulting painting, a
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In 1755 his copperplates were sold and in 1765 he sold his collection of paintings in ninety-three lots. In 1765 he exhibited 2 watercolours at the
Society of Artists of Great Britain and was elected a fellow although he appears as a non-exhibitor for the next several years.
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caricature of Handel as a hog surrounded by symbols of gluttony, is now in the
Fitzwilliam Museum. Goupy alignment with Handel's operatic rivals under the patronage of the prince could be another reason for the rift between the two.
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three years later. Their careers ran close together for some years. On the death of their m patron George I, their paths diverged, with Handel falling under the patronage of George II, while Goupy moved closer to his son
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Harris, Ellen T. "Joseph Goupy and George
Frideric Handel: From Professional Triumphs to Personal Estrangement." Huntington Library Quarterly 71, no. 3 (2008): 397-452. Accessed February 7, 2020. p.400
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could have afforded the naturalist the connections and skills he needed to begin his 'Natural
History'. He also gave lessons to his landlady, a Mrs. Dorothy Chambéry with whom he lodged for 17 years.
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Following the prince's death Goupy seems to have retired or severely reduced his artistic output. There are no extant paintings that can be dated after 1751 with limited references to works.
116:. From 1736 he worked as cabinet painter to the Prince of Wales and regularly supplied new pictures and restored paintings to Leicester House up until the prince's death in 1751.
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Grundy, C. Reginald. "DOCUMENTS RELATING TO AN ACTION BROUGHT AGAINST JOSEPH GOUPY IN 1738." The Volume of the
Walpole Society 9 (1920): 77-87. Accessed February 7, 2020. p.79
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Shortly before Prince
Frederick's death in 1751, Goupy submitted several designs for buildings at Kew Gardens that were subsequently realized.
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he made use of his connections to the royal family to begin work painting snuff boxes for the king. He worked consistently for 20 years for
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S. Krech III, The Birds in Mark
Catesby's Natural History; in 'Collecting Nature', ed. A. Galdy, S. Heudecker; (2014), p.81
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As well as being a subscriber to the Great Queen Street
Academy he went on to join the Virtuosi of St. Luke and the later
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group portrait of a 'club of artists' at the King's Arms. Goupy himself won the portrait in a raffle of April 1735.
201:. After the closure of the Royal Academy of Music and Handel's break with other members of the company, especially
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Harris, Ellen T. "Joseph Goupy and George Frideric Handel: From Professional Triumphs to Personal Estrangement",
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and developed a reputation for reproducing old masters. He was especially known for reproducing the works of
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Goupy's milieu was the artistic world of 18th century London. From 1724 he worked on designing sets with
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with whom he campaigned successfully for the granting of copyright to the designers of prints in 1735.
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At the time of his death, Handel still owned a considerable number of Goupy's paintings and prints.
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his painting materials. Posthumous sales of his collection fetched a total of £296 3s 6d.
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as a student. It has been suggested his connections to the art world whilst teaching the
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Harris, E. Huntington Library Quarterly, (2008), p.434, Accessed February 7, 2020
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Harris, E. Huntington Library Quarterly, (2008), p.411, Accessed February 7, 2020
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Desmond, Ray. 'Kew: The History of the Royal Botanic Gardens', (1995) p.28
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Harris, E. Huntington Library Quarterly, (2008), Accessed February 7, 2020
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He was also appointed drawing master to Prince Frederick himself in 1733.
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Born in London, he began as a student of his uncle, the notable painter
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Handel, Hogarth, Goupy: Artistic intersections in Handelian biography
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Handel caricatured: Joseph Goupy (1686–1770), The charming brute ...
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He was also a teacher to an illustrious clientele including
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In 1726 he was paid £170 to restore elements of Mantegna's
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on commission for Baron von Kielmansegg, the husband of
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and his influence can be seen in his own compositions.
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at the Haymarket Theatre, and took on the scenery for
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Handel: Water Music and Music for the Royal Fireworks
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