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145:, and he continued to suffer from resulting heart complications throughout his life. At the age of ten, he was sent to the National Children's Cardiac Hospital in Florida. It was during this period of isolation he began to organize theater games with other children. After two years in Florida, his health improved, and he was returned to his family, who had moved to
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Open
Theater allowed Chaikin and his colleagues the space to experiment with unconventional and organic drama techniques. They embraced dance and musical performance practices and encouraged actors to be more expressive in the body. When asked in a 1999 interview why he was compelled to start Open
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in Iran (1971)--as well as to many maximum and minimum security prisons in the eastern U.S. and Canada. The Open
Theater operated for about ten years. Chaikin closed the Open Theatre in 1973 because he said it was in danger of becoming an institution. Although it achieved much critical success,
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by Samuel
Beckett, with Chaikin playing the role of Hamm and Peter Maloney as Clov, at the Cite Universitaire, Paris, and in 1970 at the Grasslands Penitentiary, a fulfillment of Chaikin's desire to experiment with audiences who would be fundamentally and culturally different from cosmopolitan
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was first published in 1972 by
Theatre Communications Group, and a second edition followed in 1991. Based on his experiments with actors, the book includes exemplar notes, photographs, and exercises from Open Theatre productions, and records Chaikin's ideas about theater as a tool for social
31:
254:, as well as core members of the previous Open Theatre, among others. In the Winter Project, Chaikin proposed and participated in explorations of the boundary between life and death, the actor as storyteller, listening, found dialogue and more.
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395:(by Chaikin and Shepard), which was directed by Steven Kent. Chaikin performed the piece in San Diego, Atlanta, and Parma, Italy. Samuel Beckett's last poem, "What Is the Word?", was written for and dedicated to Chaikin.
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Theater, Chaikin responded, "I’m not crazy about naturalism on stage. An actor is an interpretive artist. They can take their talent further. I wanted them to stretch, be creative."
194:, was developed largely from the actors' own experiences, using the Bible as text, but incorporating current events, such as the violence of the 1960s. An Open Theatre exercise by
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391:. Following this, several writers, including Jean-Claude van Itallie, Susan Yankowitz, and Sam Shepard, wrote plays specifically for Chaikin to perform and direct, including
160:, and then returned to New York to begin a career in theater, studying with various acting coaches, while struggling to survive working a variety of jobs. He appeared as a
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in New York, at the
Roundhouse Theatre in London, the American Center in Paris, and in Toronto. Chaikin directed a number of Beckett's plays, including
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Chaikin said: "I have rarely known a case where a critic's response to actors, directors or writers has expanded or encouraged their talent- I
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at the Public
Theater in 1977-78 was, to some extent, influenced by some of these researches. Chaikin had a close working relationship with
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Chaikin was a lifelong teacher of acting and directing, and lived most of his adult life in New York's West
Village, at
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In 1977, Chaikin formed an experimental workshop company called The Winter
Project, whose members included
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a theater co-operative that progressed from a closed experimental laboratory to a performance ensemble.
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known cases where by panning or praising, the critic has crushed or discouraged creative inspiration".
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with Steven Kent who directed him in a solo show based on the material which performed at the
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The youngest of five children, Chaikin was born to a poor Jewish family living in the
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The Open
Theatre's most famous and critically acclaimed production,
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neighborhood of
Brooklyn. At the age of six, he was struck with
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431:"Miriam Chaikin, 90, children's book writer who loved Israel"
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222:, touring the production internationally—including at the
117:(September 16, 1935 – June 22, 2003) was an American
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Chaikin, Joseph; Shepard, Sam; Harris, Rick (1985).
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631:"Joseph Chaikin 67 : Actor and Innovative Director"
351:, including one for Lifetime Achievement, and two
366:In 2010, he was inducted, posthumously, into the
1014:20th-century American dramatists and playwrights
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402:. His sisters included the children's writer
279:, both of which premiered at San Francisco's
149:, where his father had taken a job teaching.
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463:, Summer, 1998. Retrieved on June 19, 2012.
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726:Drama Desk Award for Outstanding Director
964:American male dramatists and playwrights
581:"Remembering Joseph Chaikin (1935-2003)"
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493:"The War in Heaven (Angel's Monologue)"
198:, "Interview," became part of the play
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283:. They were commissioned to write
214:In 1970-71 Open Theatre performed
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1009:Jewish dramatists and playwrights
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629:Ralph Blumenthal (24 June 2003).
687:Website of the documentary film
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295:, later collaborating to write
689:The Presence of Joseph Chaikin
673:Internet Off-Broadway Database
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466:
449:
387:, which left him with partial
1:
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368:American Theater Hall of Fame
379:In 1984, Chaikin suffered a
267:and they co-wrote the plays
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1004:Jewish American male actors
579:Belluso, John (Fall 2004).
299:. Chaikin was an expert on
10:
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1029:21st-century American Jews
1024:20th-century American Jews
969:American theatre directors
659:Internet Broadway Database
555:Westbeth Artists Community
400:Westbeth Artists Community
974:American acting theorists
959:Male actors from Brooklyn
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600:10.1215/01610775-34-3-101
360:The Presence of The Actor
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152:Chaikin briefly attended
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999:Jewish theatre directors
979:Drama Desk Award winners
285:When The World Was Green
172:before founding in 1963
133:Early life and education
551:"Shami, Joe, and Molly"
497:Performing Arts Journal
196:Jean-Claude van Itallie
74:New York City, New York
353:Guggenheim Fellowships
324:Manhattan Theatre Club
994:Theatre practitioners
989:American stage actors
984:Obie Award recipients
347:Chaikin received six
923:Marvin Felix Camillo
224:Shiraz Arts Festival
336:Cherry Lane Theater
635:The New York Times
478:2014-02-22 at the
385:open-heart surgery
257:His production of
248:Christopher McCann
170:The Living Theatre
166:Metropolitan Opera
52:Brooklyn, New York
16:American dramatist
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549:Chaikin, Miriam.
393:The War in Heaven
383:during his third
342:Awards and honors
309:Texts for Nothing
297:The War in Heaven
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503:(2/3): 249–262.
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457:"Joseph Chaikin"
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437:. 11 June 2015
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777:Tom O'Horgan
771:Tom O'Horgan
767:Robert Moore
761:Joseph Hardy
755:Ulu Grosbard
749:William Ball
688:
638:. Retrieved
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619:. Retrieved
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68:(2003-06-22)
66:22 June 2003
954:2003 deaths
949:1935 births
875:Mel Shapiro
855:Mel Shapiro
833:Peter Brook
781:Neal Kenyon
737:Jack Landau
349:Obie Awards
276:Savage/Love
265:Sam Shepard
252:Will Patton
211:audiences.
191:The Serpent
943:Categories
863:Peter Hall
849:Paul Sills
807:Alan Arkin
785:Alan Arkin
640:2008-10-15
621:2008-10-15
414:References
329:Happy Days
260:The Dybbuk
123:playwright
93:playwright
44:1935-09-16
897:Bob Fosse
811:Ron Field
616:145765519
608:0161-0775
533:193962535
517:0735-8393
358:His book
127:pedagogue
121:, actor,
103:Relatives
97:pedagogue
91:, actor,
560:11 April
476:Archived
441:11 April
287:for the
216:Terminal
162:figurant
671:at the
657:at the
588:Theater
525:3245529
389:aphasia
322:at the
319:Endgame
270:Tongues
207:Endgame
164:at the
929:(1974)
907:(1973)
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406:, and
381:stroke
180:Career
125:, and
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584:(PDF)
529:S2CID
521:JSTOR
682:IMDb
604:ISSN
562:2023
513:ISSN
443:2023
435:amNY
326:and
273:and
250:and
229:have
158:Iowa
63:Died
38:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
