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Johnny Suede

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413:. Spinning personal experiences into monologues, he created a character whose vulnerability is obscured by a superficial fifties era cool, exaggerated to the point of foolishness. DiCillo first wove what he had into a one-hour one-man show, before setting the first draft of the screenplay to paper. Eight months later he had completed the fourth draft. Having received positive feedback from his friend 29: 295:
with whom he sleeps. Despite Darlette's jealous and abusive gun-toting boyfriend, Johnny sees Darlette daily. The destitute Johnny is forced to pawn his guitar to pay his rent while Darlette mysteriously vanishes. Johnny's friend Deke lends him the money to get his guitar back from the pawnshop, and
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Pre-production, early casting, and the search for Johnny quickly followed. By August 1989, having not found what they were looking for in New York, DiCillo and his casting director, Marcia Shulman, went to Los Angeles, where Brad Pitt was the second to last guy seen. DiCillo recalls, " didn’t have
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the duo forms a band. Sad and depressed about Darlette's desertion, Johnny wanders around New York aimlessly until he meets Yvonne, a woman more intelligent than Johnny. Yvonne teaches him that there are things in life more important than a pair of black suede shoes.
429:, DiCillo stumbled into a deal with a South African producer wherein he sold worldwide rights to his film for three hundred thousand dollars; an arrangement he would later call, "A shaky thing but still I felt it was worth the risk so I decided to go ahead with it." 468:
that removed 8 minutes of Wray's music. DiCillo objected to this version and subsequently was allowed to re-edit the film himself, removing scenes and voiceover that had been added by the distributor.
288:. He believes he has all the stylistic accoutrements sans a pair of black suede shoes. One night, a pair of black suede shoes mysteriously appear, landing on top of the telephone booth he was using. 444:
that no one had heard about because it hadn’t even been edited yet." Convinced Pitt was Johnny Suede, DiCillo forced the casting on his South African producer, who was thereafter replaced by
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much on his resume. In fact he only had two things; he’d done a small Canadian TV series and he’d just finished shooting what he’d listed as his only real film credit — something called
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The movie reportedly grossed $ 90,091 at the US box office, against a production budget of $ 500,000, though this was in one cinema - its widest release.
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for twenty-five thousand dollars, as well as a Panavision package and help with the script from the Sundance Lab. Around 1988 to 1989, while at the
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Around 1985, while taking acting classes in New York City, Tom DiCillo was impressed with the local punk movement and the resurgence of
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The 2009 Anchor Bay release of this film includes an audio commentary track from DiCillo.
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to make the unprecedented step of purchasing the rights to a film he had not yet seen.
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Tom DiCillo's blog entry on how the original financing of "Johnny Suede" fell through.
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Critical analysis of "Johnny Suede" by Critical-Film.com reviewer Scott Wood
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when the South African's option expired. The film was ultimately shot in
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won Best Picture at the festival, and the distribution deal was sealed.
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Original music for the film was performed by rockabilly guitar legend
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My First Movie: 20 Celebrated Directors Talk about Their First Film
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Johnny Suede is a young man with an attitude and an immense
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who, convinced Pitt would become a film star, urged
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in Switzerland, where it was seen by Mark Tusk from
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Shortly thereafter, Johnny meets Darlette, a sultry
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Index


Tom DiCillo
Ruth Waldburger
Brad Pitt
Catherine Keener
Calvin Levels
Nick Cave
Tina Louise
Geraldine Peroni
Miramax Films
Locarno Film Festival
Tom DiCillo
Brad Pitt
Catherine Keener
Calvin Levels
Nick Cave
pompadour
Ricky Nelson
bohemian
Brad Pitt
Michael Luciano
Calvin Levels
Nick Cave
Peter McRobbie
Ron Vawter
Dennis Parlato
Tina Louise
Michael Mulheren
Catherine Keener
Samuel L. Jackson

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