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119:"the most distinguished wood-engraver of his time", and "perhaps the ablest exponent that has ever lived of the style of wood engraving which aimed at rivalling the effect of copper". He is thanked by
198:, Eliza Thompson and Augusta Thompson, were also accomplished wood-engravers. Cowper followed her brother, Charles Thurston Thompson into photography, assuming his role as the
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John
Thompson's eldest son, Charles Thurston Thompson (1816–1868), followed his father into the wood-engraving profession. After assisting in organising the
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167:(1791–1843), was likewise an engraver. Charles studied under the Newcastle engraver John Bewick, the younger brother of
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His other son, Richard
Anthony Thompson was an assistant director at the South Kensington Museum (until 1892).
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Rare signature "Thompson Del et Sc" (Thompson drew and carved this) at lower right of black redstart
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133:, "nearly five hundred of the drawings on wood here employed", in what was a "very long series of
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Stipple engraving of Revd. John
Warburton of Trowbridge by John Thompson, 1832. Sold by E. Fowler.
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177:(first published 1797–1804). Charles won a gold medal for his illustrations in Paris in 1824.
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103:. He engraved around 900 of Thurston's designs from 1814 onwards including illustrations for
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envelope "in relief on brass" in 1839, and in 1852 he engraved on steel the figure of
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He illustrated many books, becoming in the words of
Freeman Marius O'Donoghue in the
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which appeared on
British banknotes for the rest of the nineteenth century.
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As well as wood-engravings for books, Thompson engraved the design for the
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Thompson was born in
Manchester to a London merchant, Richard Thompson.
65:. He was described as the most distinguished wood-engraver of his time.
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envelope, on a brass plate; and the design for the iconic figure of
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Thompson won the grand medal of honour for wood-engraving at the
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in 1918. He is described as
Branston's "most celebrated pupil".
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of 1851 in London, he moved into photography and became the
305:"Yarrell, William (1784-1856). A History of British Birds"
307:. Amherst College. Soffer Ornithology Collection Notes
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68:Thompson also engraved the design for the 1839
51:(25 May 1785 – 20 February 1866) was a British
249:. Vol. 56. London: Smith, Elder & Co.
341:. Vol. 4. London: Smith, Elder & Co.
22:John Thompson's drawing and engraving of the
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55:. He is best known for his contribution to
292:. London: John Van Voorst. pp. v–xii.
263:. University of Manchester. Archived from
261:"George Johnson Wood-Engraving Collection"
202:'s official photographer upon his death.
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129:for engraving the original drawings by
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76:which appeared on British banknotes.
289:A History of British Birds: Preface
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95:He trained under the wood-engraver
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240:"Thompson, John (1785-1866)"
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338:Dictionary of National Biography
246:Dictionary of National Biography
117:Dictionary of National Biography
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1:
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194:Thompson's three daughters,
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188:'s official photographer.
286:Yarrell, William (1843).
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174:History of British Birds
126:History of British Birds
62:History of British Birds
33:History of British Birds
200:South Kensington Museum
186:South Kensington Museum
369:English wood engravers
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163:His younger brother,
153:1855 Paris exhibition
97:Allen Robert Branston
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332:"Bewick, John"
196:Isabel Agnes Cowper
123:in the preface to
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303:Soffer, Richard.
131:Alexander Fussell
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267:on 19 April 2013
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182:Great Exhibition
165:Charles Thompson
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121:William Yarrell
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57:William Yarrell
28:William Yarrell
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329:, ed. (1885).
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24:black redstart
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101:John Thurston
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80:Life and work
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70:penny postage
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53:wood-engraver
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49:John Thompson
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309:. Retrieved
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269:. Retrieved
265:the original
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364:1866 deaths
359:1785 births
235:Lee, Sidney
353:Categories
311:23 January
271:24 January
206:References
135:engravings
146:Britannia
74:Britannia
109:Hudibras
105:Butler's
59:'s 1843
30:'s 1843
159:Family
313:2013
273:2013
137:".
26:in
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