5881:
1629:, in her debut screen appearance as the future Mrs. Lincoln, provides a key antidote to Cromwell's callow Lincoln who is lazy, skeptical and lacking in ambition. Gordon's Mary Todd forthrightly sets about preparing Lincoln to face his destiny in anticipation of marrying him, providing "a remarkably astute cinematic interpretation." Cinematographer James Wong Howe's lighting and camera work effectively documents the transformation in Lincoln that earned Howe an Oscar nomination.
307:
1499:" in her earlier roles). She benefited from the straightforward script "that allowed for a great deal of insight into the characters, and for an unusual amount of flexibility in the cast's playing." Lombard's dramatic interpretation of wife Jane Mason emerges as "casual and very human." Stewart is perfectly suited to the role of the unassertive yet endearing young husband in need of the tactful guidance of his more mature spouse.
2110:' in Hollywood, and I saw that this was pretty deliberate". Multiple screenwriters were tasked with developing a workable script from the flawed story. They came to loggerheads with Cromwell, finally convincing RKO management that it was "logically" impossible to make the picture. When delays in production threatened to trigger the "triple-salary" provision in Cromwell's contract, RKO loaned Cromwell to Warner Bros. to make
849:, demanded an overhaul of the Murfin's script. RKO managers protested, and a compromise was reached when Dunne's character was relieved of adultery charges by a change in her marital status. Although awarded approval, the film helped spur the formation of the Production Code Administration, which later rigorously censored films for almost 25 years, largely under Catholic moral crusader
4390:
by James
Wingate (whose deputy was future Production Code Administration head Joseph Breen, a Roman Catholic intellectual), condemned the script as 'vulgarly offensive' before production began. The SRC, which oversaw the Motion Picture Producers and Distributors Association's Production Code, refused to approve the script without major modifications, but RKO production chief
2090:. As Cromwell remembered, "the complete freedom from inter-studio politics went up in smoke." He said that the change in ownership caused an exodus of screenwriters and technicians from the studios whose "reputations" were perceived by Hollywood executives as "tinged" with sympathies for Communism: the writers "knew it was useless to stay there".
1852:. Cromwell's handling of the scenes establish, writes Canham "a warmth and conviction" that surpasses perfunctory performances. Despite Selznick's usual heavy involvement in the production, Cromwell's deployment of the cast and technicians was such that "his reputation as a Hollywood professional could have survived entirely on the strength of
1650:(1915), concerning an English expatriate who attempts to withdraw as a recluse to a small Indonesian island. His solitary existence is undone when he rescues a young woman, leading to the infiltration of his sanctuary by a gang of sociopaths, with tragic results. Cromwell personally contacted Conrad shortly after publication of
1611:(1939). Whereas Ford presents a mythological figure who rises from a humble rural lawyer to the most exalted position in the nation, Cromwell's relies less on iconography and emphasizes historic details which reveal Lincoln's early character as less exalted: "Raymond Massey as a far less confident Lincoln than Henry Fonda."
1210:"To Cromwell, the work of the director was not to throw off individual sparks of creaitivity, but to fuse the efforts of the entire creative team for the best interests of the finished work. Such selflessness has always been rare in film-making, and Cromwell has long been overlooked by critics and historians alike.
482:
cameraman I had was so different from the last in his technique that it became almost impossible to learn unless you just took out time and devoted yourself to it. So I had to be completely at their mercy...But I was very lucky. I had some wonderful cameramenâwonderful in that they never let me down...men like
963:). The scenes are shot with great efficiency and effect in which "the camera movement seems to represent the emotional state of the characters." Cromwell adapted to studio budget limitations, employing the spartan interior sets to good effect in emphasizing the "unreality" of medical student's daily routines.
2061:(HUAC) 1947 investigations into the film industry, John Cromwell was identified as a person of interest linked to supposed Communist subversion in Hollywood. Cromwell described himself as "a 'liberal' Democrat" and avers he did not become politically active until the re-election campaign for US President
4389:
Hopwood: Ann
Vickers "ran into censorship trouble... featured Irene Dunne as a reformer and birth control advocate who has a torrid extramarital affair. The novel had been condemned by the Catholic Church, and the proposed movie adaptation proved controversial. The Studio Relations Committee, headed
4370:
Canham, 1976, p. 65: The film version, The Silver Cord. "...the dialogue is forceful, but not pedantic, and while one is aware of the stage origin of the material, it is not distractingâŠCromwell welcomed the assignment...and felt he could pull it off better than any other director." And: "...attacked
2311:
Cromwell's heroine is both victim and monster; she is allowed an ambiguity of character that many of his villainesses share, but he shows no mercy or pity for the mechanics of the film industry whom he indicts for her downfall. The film offers him an opportunity to vent his love/hate relationship for
1355:
to instill a sharper expressive element into the acting or to provide a more graphic presentation of the action episodes. Cromwell's widely recognized "visual elegance" may have influenced
Selznick's "poor opinion of him as an action director." Both Cukor and Van Dyke went uncredited as was customary
4767:
Canham, 1976 p. 82: "The action scenes raise the question of authorship." And: See Cukor's handling of
Carroll that "not in keeping with her gentle tone" under Cromwell's direction. And see p. 82-84 on descriptions of Cromwell's scenes that belie Selznick's view, and more on Cromwell's "elegance and
4351:
wrote in his profile of
Cromwell, 'He believed in full rehearsals with camera before any shooting took place. "For every day of full rehearsal you give me,' he was fond of saying 'I'll knock off a day on the shooting schedule.' At RKO they gave him three days for rehearsal, and he obligingly came in
2081:
I began to feel the pressure alright...I had asked my agent to find out whether I was on a list of 200 names which was supposed to be universally circulated in all the big studios, and he did what he could to find out, and said: "Absolutely not!" And I felt this was virtually a clearance because my
1342:
and asked him if had a bad side, and he said: "You couldn't fault her if you stood her on her head!" So I went back to her, pointing out how ridiculous it was and that we wouldn't be able to shoot the picture if she had the same side as Colman. After that, she would not speak to me for the rest of
738:
I set up the usual rehearsal schedule , but at the production meeting
Schulberg said "We can't have anymore rehearsals, John." I asked him what he meant, and he continued: "It's a waste of time. The directors don't know what to do with rehearsals..." I had noticed this too, but I had improved every
5535:
Tatara. TCM: "Cromwell may have been exceptionally familiar with the material, but Hughes wasn't pleased with his cut of the film. After
Cromwell (who Ryan described as 'very old and sick') left Hollywood in disgust, Hughes called in Nicholas Ray to shoot a few more scenes..It's amazing the picture
5303:
Canham, 1976 pp. 103â104: Cromwell: "Harry Cohn had to lend a couple to Warner
Brothers, and was smart enough to do an exchange for a picture with Bogart." And: Cromwell: Warners "stalled...'O.K. you can have Bogart from this date to this date...' Bogart had the right to pick the director and the
5293:
was pushed into production quickly, because Warner Bros. owed
Columbia for various star loan-outs and Bogart was available to repay the debt." And: "Cromwell had given Bogart his very first role on the Broadway stage, and since director approval was in the star's contract, Cohn accepted his request
2143:
It builds up in a progression of accusations structured in terms of their importance. Men are seen as woman's downfall; harsh treatment in prison brutalizes them; official indifference and chicanery prevents liberal aid; and their corruption is completed by their contact with the hardened criminals
1519:
Lombard's Julie, a widow, suffering from "shattered illusions" of ever possessing Grant, must first abandon all hope before Fate intervenes on her behalf. Grant retains his "natural flippancy" to deliver a number of comic scenes which avoids undermining his character's credibility, and Kay
Francis'
4887:
LoBianco, TCM: "After a string of hugely popular and successful comedies, Carole Lombard was eager in 1938 to find a pure drama...eager to show off her dramatic acting chops. And: "In his advertising campaign for the film, Selznick played up the "new" Carole Lombard: 'CAROLE CRIES! It's a David O.
4547:
Hopwood, IMDb: "chapters of the Catholic Church's Legion of Decency condemned the film in Chicago, Detroit, Omaha and Pittsburgh. Despite a picket line manned by local priests in Chicago, Cromwell's film broke all records at the Hippodrome Theater when it played there in August 1934. Five hundred
5118:
Miller, TCM: "He brought Wilder to Hollywood to write the screenplay...he decided he could do it better himself...On his own, Selznick had turned her series of incidents, in which the wife was the only fully defined character, into a contemporary version of a Dickens novel, filled with compelling
4675:
Canham, 1976 pp. 76â77: Cromwell's "eye for correct casting" and the English Colony" providing a "strong presence" in the film. And: "Cromwell's...success in obtaining such a winning and confident performance from young Freddie BartholomewâŠ" And p. 78: "...a well-balanced, unsophisticated work a
4528:
was "highly offensive" because the prostitute "Mildred"... comes down with syphilis. Breen demanded that Mildred be turned into less of a tramp, that she be afflicted with tuberculosis rather than syphilis and that she be married to Carey's friend whom she cheats on him with. RKO gave in on every
2093:
Remaining under contract, Cromwell decided to persevere at RKO, confident that "they could not harm me much". On the contrary, Cromwell discerned a conscious effort to force him out when RKO executives presented him with an ultimatum: accept studio dictated screenplays and scripts, or violate his
449:
Though Cromwell had never worked behind a camera, Paramount was eager to hire experienced stage directors "because of their presumed knowledge in handling dialogue." However erroneous this assumption, Cromwell and Sutherland enjoyed a productive collaboration completing two early talkies, both in
982:. The PCA demanded a number of alterations to the scenario, among them that Mildred's diagnosis of syphilis be changed to tuberculosis, and that the coarseness of Davis' interpretation of the "slatternly waitress" be toned down. RKO readily complied under threat of a $ 25,000 fine per violation.
2236:
Cromwell's film version is a dark and pessimistic noir that parades the gangsterism of "the business corporation structureâŠthe brainless thugs...the crooked bail bondsmen and cops and corrupt judges to the unseen 'Man' at the top." The film, which includes suspenseful and effective fight scenes
1426:
I could sense her inadequacy , Wanger could sense it, and I could see Boyer getting worried...Sometimes the word personality is interchangeable with presence although they aren't the same thing. But the principle applies, and Hedy also had no personality. How could they think she could become a
4712:
Canham, 1976 pp. 79â80: "The river people are caricatures in the scenes depicting their distrust of land folk, and their cabaret appearances come over as freak shows rather than an expression of any genuine feeling for them. Camera movement is inhibited apart from an occasional pan or tracking
1179:
in the title role, according to Canham, was a masterstroke by Selznick and Cromwell's direction showcases the "sheer professionalism" of Bartholomew's acting abilities. Cromwell wisely selected his supporting cast from Hollywood's renowned "English Colony" of British expatriates. A film that
481:
I never got accustomed to the terrific range of the camera and what the choice of a shot can do to a scene... I was always very aware of composition. I had to rely enormously on my cameraman, especially at first. I was never able to learn much about lighting because it seems to me that every
2021:
I had put Humphrey Bogart on stage when he was a kid; he used to hang around the Playhouse Theater sat in on rehearsals⊠somebody thought of Bogart, who was at the time the most responsible, the most charming . He was, of course, goggled-eyed to do it, and I think he said to me once: "Mr.
2094:
contract. Cromwell was convinced that a screenwriter had approached Hughes, urging him to buy the rights of a story that was so repellent to Cromwell the director would be compelled to reject itâproviding RKO grounds for terminating his lucrative agreement. Cromwell describes his dilemma:
5349:
Sterritt, TCM: "a story with a flashback structure and constant voice overs" by Bogart5's character "that sometimes obscure more than they clarify. To his credit, Cromwell makes the convoluted tale reasonably coherent and occasionally quite surprising. ...There's plenty of darkness in
1933:. Her task is to tutor his numerous children sired with his harem, and "guide the King in matters of state and household" informed by her petty bourgeois sensibilities. Cromwell avoids both minor comedy relief and spectacle, concentrating on character development of the King and Anna.
1820:
as "undoubtedly one of the most superior, polished and effective wartime propaganda works to emerge from the cinema during the Second World War." Selznick, dissatisfied with the screenplay written by author Margaret Buell Wilder, overhauled it to create a celebration of the American
1427:
second Garbo?...Well, we got the picture going, and we did all right. The critics saw she couldn't act, but she got by, and they sold the picture by gushing how beautiful she was. I'll take some credit for making her acting passable but can only share credit with Boyer fifty-fifty.
4941:
Canham, 1976 p. 90-91: "Lombard is her unique self... between gay charm and noble, dignified self-sacrifice..." And: "Grant if believable...and works in some good comedy routines." And Kay Francis' character resembles the "stubborn, obsessive women" who appeared in Cromwell's
722:
who had been in Moscow at the time it happened...And so I had an idea of what chances there were to do a real picture. Then to have this...this almost disgusting tale, the same old hash served up as a script! I made up my mind that would be the last of it, I would try to get
1654:
to obtain production and dramatic rights to the work, only to discover that permission had been bestowed on producer Laurence Irving and McDonald Hastings, respectively. Cromwell directed a version of their adaptation in the United States in the 1920s that quickly folded.
743:
Cromwell bargained with the producer, and they agreed to trade shooting days in exchange for rehearsal days. Cromwell recalled: "I think I ended up with four days rehearsal cutting two days off the shooting schedule. Incredible! I couldn't believe it years afterwards."
5641:
5608:
4255:
Canham, 1976, pp. 58â59: During the conversion to sound films "studios hired stage directors" to direct sound films, however "many new directors turned out static stage- material that soured audiences." And p. 116: See Cromwell roles in these films. Sutherland
2274:. Historian Kingsley Canham reports that the erstwhile director was "active in the theater" during these intervening years. Cromwell was enticed to return to film directing when Columbia Pictures promised him the option make "first cut" on the proposed feature.
1790:
contains the two extremes of Cromwell's career, unfortunately, in the confrontation between good taste, a lavish budget and atmospheric characterization on the one hand and subservience to studio influence on the other, the latter proves to be the stronger
2287:
details the tragic rise and fall of a fictitious Hollywood actress, Emily Ann Faulkner/Rita Shawn. Cromwell chose to present the saga in three chronological and dramatic episodes: "Portrait of a Young Girl, Maryland 1930" (Faulkner played by the 9-year-old
993:. Perhaps in response to the reputation the film acquired by these demonstrations, the picture broke attendance records at Chicago's Hippodrome Theater with hundreds of moviegoers turned away. Nationwide, the movie enjoyed a tremendous box-office success.
2013:, making Bogart available for a limited period of time to the rival studio. Bogart had the option of picking his director and screenplay, and settled on Cromwell. Cromwell recalled his earliest encounter with the actor in the 1922 Broadway production of
896:
led to Cromwell's emphatic rejection of her requests and the director, "who did not like the film much", recalled that "I think those were reflected in the picture." Nonetheless, Cromwell's visual compositions, along with the work of his cinematographer
966:
Bette Davis' Mildred saw the emergence of the actress in a "breakthrough" performance and "her first truly great film role." Davis' rendition fully conveys "the vulgarity and venality" of the character, impressing studios executives and audiences.
727:
In the early sound films the studios, having experience only with dialogue-free (silent) pictures, deferred to the Broadway dialogue-savvy stage directors, like Cromwell, who they enlisted during the transition to "talkies". In early production of
4827:. Boyer justifiably complained, 'An actor never likes to copy another's style, and here I was copying Jean Gabin, one of the best.' Director John Cromwell used sequences of the Casbah from the original picture and much of the French musical score.
889:-tomboy and faith healer in a rural backcountry community. Cromwell admitted that he was skeptical as to Hepburn's suitability for the part and objected to her contrived country accent. Hepburn herself tried unsuccessfully to get out of the film.
395:
In 1928, Cromwell moved to Hollywood to serve as a dialogue director during the movie industry's transition to films with sound. Although Cromwell returned to Broadway in later years, his primary occupation after 1928 was as a movie director.
4868:
Quin, TCM: " Lombard's star was flying high ever since Twentieth Century (1934), her breakthrough film that established her as "The Queen of Screwball Comedy." She successfully negotiated the terms of her contract for In Name Only with RKO by
1286:, was cast as the rural patriarch Newt Holley, who emerges as welcome comedy relief in a picture writes Canham where "nothing ever comes easily to the people in Cromwell's films and ambition often cloaks failure or death for commoners or even
1315:
was under contract to Selznick was the key factor in proceeding with the project. The decision to pick John Cromwell as director was based on his demonstrated ability to handle actors, and his disciplined observance of budgetary restraints.
4421:
Canham, 1976, pp. 65â66: Canham's description of her screen character. And: Cromwell started with the conviction that "Hepburn was totally unsuited to the part." And: Hepburn plays a "witch-healer cum outcast." And: p. 67 "The narrative is
4398:
protested the SRC's actions to MPPDA President Will Hays, the studio agreed to make Ann Vickers an unmarried woman at the time of her affair, thus eliminating adultery as an issue, and the film received a Seal of Approval. The battle over
739:
minute of my time with rehearsals, so I said "Well, you know you don't have to do that with me, you know I don't waste my time." Schulberg replied "If I give you the privilege, they'll all want it, and that will just create a situation..."
2065:'s third run for the White House in 1940. Most of this, according to Cromwell, was limited to collecting membership dues for the Hollywood Democratic Committee which consisted of "3,000 members". In a 1973 interview with film historian
1691:
Then Mr. Hardwicke, whom I knewâor thought I knewâpretty well. I don't know what the hell happened to him. He just conked out on me entirely, and I felt he gave no indication what the part was aboutâŠthere seemed to be no effort on his
841:'s screenplay reflected the characterizations in the Lewis novel, where Vickers is a "birth control advocate" who engages in an extramarital affair. The script drew the ire of the Production Code Administration and the Catholic Church.
4567:
LoBianco, TCM: "Unlike many directors who worked well with women, he was not stereotyped as a 'woman's director...uring the 1930s Cromwell's films were highly successful in part because of his ability to get great performances out of
1000:). Nevertheless, his extensive experience as a stage performer endowed him a sympathy which elicited fine performances from his players, especially the women. Davis' performance was an early manifestation of this salutary influence.
2299:
Cromwell uses the film as a platform on which to "bitterly parody the emotionalism of his earlier films", linking the episodes together by the repetition of fragments of dialogue from the characters that "echo" throughout the film.
764:. At the time, David O. Selznick was running RKO, and Cromwell recalled his professional experience there fondly: "RKO was always an endearing place to me; it had a distinct feeling of independence and individuality it never lost."
1520:
obsessive matron agrees to give Grant a divorce with this malignant invective: "I hope you'll both be miserable!" Cromwell's overall grasp of the dramatic atmosphere serves to blend the performances and "nearly brings it off."
4283:
Canham, 1976, p. 61: Cromwell: "David and I found we hit it off very well together. I was always a great admirer of David..." And p. 62-63: Film was a success according to Cromwell, causing "quite a stir" And Selznick's first
710:
of 1917, Cromwell became disgusted with both the quality of the scenario, as well as the Paramount's sharp curtailment in rehearsal time. Cromwell's historical outlook and stage experience informed these following comments:
4557:
LoBianca, TCM: "The film was a smash at the box office, which was helped by Davis' performance, the censors who objected to the risqué storyline and the priests who picketed the film outside the theaters where it was
597:
During 1931-1932, Cromwell fulfilled his commitments to direct Bancroft in three more films. Indeed, Cromwell had agreed to continue working with Bancroft only if Paramount arranged to let him direct Gary Cooper and
2306:
emerges as Cromwell's reckoning with the Hollywood film industry. The characterization of Emily Ann Faulkner and Rita Shawn emerge as an indictment of the Hollywood system. Film historian Kingsley Canham observes:
2244:
to shoot additional scenes. Cromwell is reported to have walked off the set in disgust. Due to his blacklisting by the Hollywood studios, Cromwell did not work in the film industry again until later in the decade.
2044:
We had no story. provided the usual pile of stuff they always had handy to see whom they could pass it off on...I finally got this one, a noxious sort of thing, but I felt perhaps that could make something of
5408:
Barson, 2019: "Amid the House Un-American Activities Committee's Hollywood witch hunts, Cromwell's career soured. Howard Hughes accused him of being a communist, and although the charge was false, Cromwell was
4604:
Canham, 1976, p. 68â69: "The sensitivity and low-keyed nature of the direction and the leading performances are aided by some beautifully composed soft-focus photography and a surprisingly non-verbal script..."
4245:
Baxter, 1968 p. 8: "The studios were hiring "playwrights...directors from New York ...all brought in to satisfy the demand for sophisticated feeling of the stage which producers imagined" film audiences would
1859:
A commercial as well as critical success, the film received nine Oscar nominations - including Best Picture, virtually the entire cast and all technical credits - but winning only one, for Max Steiner's score.
4856:
LoBianco, TCM: "a simple story of a young, newlywed couple struggling with money, baby, and in-law problems."And: "David Selznick was so busy with Gone With the Wind at this time that he left Cromwell largely
718:
was the high point of degradation from my point of view. It was such an asinine, concocted story! I had personally taken an interest in the Russian Revolution, and had heard a great deal from a journalist...
5128:
Canham, 1976 p. 97: Selznick re-wrote the screenplay to create "a broad canvas of America at war...Dedicated to the bastion of the American Dream...the family." And p. 99: see caption on production photo.
5454:
Canham, 1976 p. 107-108: "Cromwell pulls no punches...using visual effects and hard-boiled dialogue a hard, flat visual influence and a hyper-evident musical background...a minimum of sets to make his
901:
showcase Hepburn's "exuberant" performance, in which "her physical celebrations of the joys of life make this an eccentric and likeable film." Surprisingly, the film was successful at the box office.
326:
in Chicago, then made his way to New York City in his early 20s. Billed as Elwood Dager in his youth, he changed his name to John Cromwell at the age of 26 following a 1912 New York stage appearance.
2139:(1950) is an indictment of an American social and sexual hierarchy set in the microcosm of a woman's prison. Among Cromwell's "bitterest films", historian Kingsley Canham describes its formulation:
2102:
and I thought this was kind of funny...I never read such a bad script in my life; the more I thought about it, the more convinced I became that it could never be made... I decided to stick it out.
4974:
Arnold, TCM: "The play had special resonance in Depression-era America; Lincoln's determination to fight for the moral principles upon which the United States was founded felt urgent and timely."
665:
should have been absolutely splendid for Bancroft except it required a consciousness of the materialâof which he had none! To him it was always just another part to play in the same old manner...
1052:) is conveyed through camera movements, and with a minimum of dialogue. The "metaphysical" nature of this romance is made explicit by Cromwell's insertion of an excerpt from the English poet
5137:
Canham, 1976 p. 98: "the Selznick/Cromwell collaboration...is so slickly welded that one hardly notices the device during viewing. The direction, the camera movements and to a great extent,
881:
RKO's 26-year-old Hepburn as "Spitfire" (her pejorative sobriquet) was conceived as a "character study" rather than a genuine narrative, to showcase the rising young star. Based on the play
5504:
Canham, 1976 p. 61: Cromwell: âI had gone to Hollywood in the spring of to play the leading role with Robinson of The Racket...the play was quite a hit and I was offered a contractâ by
1750:, as strictly "a studio project." Financed generously by 20th Century Fox but controlled at every phase to ensure its commercial success, Cromwell was limited to using its "lavish sets" by
1963:
concerning a wealthy society woman who strives to advance the career of a blind pianist. Termed âa disaster an unbelievable filmâ the picture's only saving grace is a cameo appearance by
5212:
Landazuri, TCM: âThe real Mongkut was an educated and remarkably progressive ruler, and it was his own inspiration to open up his country to modernization and Western ideas and customs.â
5256:
Barson, 2019: âCromwell had gone more than 10 years without a misfire, an incredible streak that even the greatest directors would be hard pressed to match, but Night Song (1947), with
416:
signed the 42-year-old Cromwell as a screen actor in October 1928 at the time of the industry-wide transition from silent productions to the new sound technology. After a satisfactory
4972:
Passafiume, TCM: "The positive values that Lincoln represented lent optimism to Americans, as the threats of Hitler and Totalitarianism were very much in the public consciousness."
2148:
A Warner Brothers production, Cromwell adopted the visual effects, subject matter and dramatic music characteristic of the studio's pictures, including its âhard-boiledâ dialogue.
1676:
as the pathological Mr. Jones (also serving as narrator). Cromwell's professional relationship with March had commenced on Broadway in 1925 when he directed March in Kay Horton's
2359:
Cromwell devoted the rest of his career primarily to the theater where he had begun. He wrote three plays, all staged in New York; starred opposite Helen Hayes in a revival of
2434:
Cromwell married four times. His first wife, stage actress Alice Lindahl died of influenza in 1918. He and stage actress Marie Goff divorced. Cromwell next married actress
1492:(1939). The simple narrative of young newlyweds struggling with both "the trivial and the traumatic" provided a platform to showcase Cromwell's adept handling of the cast.
1180:
emphasizes characterization over incident, Cromwell's handling of the camera endows the picture with a cinematic quality that avoids the impression of "filmed literature."
5495:(1951), with Scott as a parole officer and Jane Greer as an ex-convict, both of whom have set their sights on a newspaper columnist (Dennis OâKeefe)." Canham, 1976, p. 110
4722:
Canham, 1976 pp. 78â79: "The leisurely plot development offers ample scope to the comic antics of Walter Brennan." And p. 80: "...Brennan steals the honors.." in the film.
5141:'s score are understated, allowing the performances fluidity, natural warmth and conviction that belies actingâa quality that is seldom achieved with such a starry cast."
1347:
Despite the generally "fluid style of the finished work" the authorship of several of the action scenes remain in question. Selznick was adamant about engaging directors
5482:
Canham, 1976 p. 108: "stressing character in the individual performance to make his caseâŠhis skillful handling of a strong cast...without allowing to interfere," p. 129
1527:
Reality is ever present in Cromwell's work, surfacing even in his lightest offerings...the director's attitude to his 'soap opera' material differs from other artists
5176:(1939). Still, everybody knew that Selznick was the real power on the picture. For the first time, he insisted that no scene be shot until he had seen it rehearsed...â
3159:
4847:
Canham, 1976 p. 84: Goldwyn fired Cromwell after a week "for not informing Goldwyn of his intended shooting schedule." And March and Eldridge play title not provided.
5545:
Canham, 1976 p. 111: Cromwell was offered "complete freedom with the editing" of a future picture. And: role in "Douglas/Hayward vehicle." And: "best films" comment.
5473:
Barson, 2019: "one of the best (and most harrowing) of the women's prison pictures; Eleanor Parker was cast against type as the new inmate who must learn the ropes."
4921:
LoBianco, TCM: "Director Cromwell praised Lombard as "just a joy" to work with, "a wonderful gal," and soon directed her again in In Name Only (1939), another drama.
294:
Born as Elwood Dager in Toledo, Ohio to an affluent Anglo-Scottish family, executives in the steel and iron industry, Cromwell graduated from private high school at
4859:
Canham, 1976 p. 87: "The honors for the polished momentum of the film belong as much to John Cromwell as to the players for it is he who tied all the loose ends..."
2372:
2316:
Cromwell discovered that his âfirst cutâ rights were inadequate to preserve his work, and in subsequent editing effected through the efforts of writer Chayefsky,
2022:
Cromwell...Do I face the audience when I speak my lines or do I talk to the characters?" I went through all these things with him, but the play was an awful flop.
1331:
soon approached Cromwell, claiming a facial defect on the same side as Colman, meaning any face-to-face on-screen close-up would put one actor at disadvantage.
4932:
Canham, 1976 p. 88: "demonstrates Cromwell's skill in welding together his material...He controls the performances, modulating them to the tone of the scenes."
1502:
A distinct critical success, but undistinguished at the box-office, Cromwell was delighted to have the opportunity to direct Lombard in his next feature film:
7252:
6340:
1037:
Film historian Kingsley Canham considers this a "key" film in Cromwell's oeuvre, showcasing the director's "elegance" and "assurance" in his handling of the
1005:"Whether by luck or design, Cromwell's eclectic career has been redeemed by the iconographical contributions of Irene Dunne, Katharine Hepburn, Bette Davis,
2375:
in Minneapolis, founded by the expatriate British director in 1963 when he, like Cromwell, had grown disenchanted with Broadway's increasing commercialism.
551:
In 1930, Paramount Famous Lasky Corporation changed its name to Paramount Publix Corporation because of the growing importance of the Publix Theater chain.
2221:
had been produced on Broadway in 1927, with Cromwell in the leading role of Capt. McQuigg (with future film star Edward G. Robinson in a bit part). In the
1588:
that dramatized the same events in Lincoln's life, this did not deter bids for the film rights to the Sherwood's historical drama and independent producer
1399:, attempting to lure the French fugitive from his refuge in the "Casbah", the native quarter of Algiers. The dialogue, "tight and logical", was crafted by
354:, the play closed in two days. By 1914, he was acting in and co-directing productions, including "Too Many Cooks" (1914), which ran for 223 performances.
1508:(1939). Another production in a genre that Cromwell was well-equipped to presentâthe marital melodramaâLombard plays "the other woman" to the wealthy
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concerning an Englishwoman who must tell her devoted German husband returning from the war that she has fallen in love with her childhood sweetheart.
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LoBianco, TCM: "Cromwell's own life took a dark turn in the early 1950s when he was falsely accused of being a Communist by producer Howard Hughes."
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LoBianco, TCM: "Cromwell made history by starring as Charles Lomax in the first Broadway performance of George Bernard Shaw's Major Barbara (1915)."
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Cromwell, struggling with setting up his shots and conscious of avoiding cost overruns, disputed with Hepburn as to re-shooting of a key scene. The
1220:, have established him as a director of substance as well as style, not merely the hired litteratuer of Paramount, RKO, or Selznick." â Biographer
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shot...Pearl is confined to suffering falls in line with other Cromwell heroines who are losers...Ernie a strong bull-headed male chauvinismâŠ"
1970:
During the post-World War II period, Cromwell's created a number of films that are considered film noir and reflect the director's frame-up as a
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Baxter, 1970 p. 69: Warners "made films for and about the working class." And p. 94: Warners "realism and devotion to sexual and social detail."
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people had to be turned away opening night. It seemed that wherever the Legion of Decency had condemned the film, it played to capacity crowds."
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A romantic fantasy, âhandled with perception and feelingâ by Cromwell, tells the story (presented in flashbacks) of a disfigured combat veteran
1712:(1939), Fredrick March plays an anti-Nazi fugitive pursued by fascist Austrian authorities. In his flight he encounters other exiles, played by
1618:(played by May Howard) is used by Cromwell to establish aspects of Lincoln's essential character and avoids Ford's romantization of Rutledge in
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Landazuri, TCM: âAnna and the King of Siam won two Academy Awards for cinematography and art direction, and nominations for supporting actress
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Canham, 1976 p. 102: Canham warns that "over-credit" Selznick would be an âinjusticeâ to Cromwell's âsuccinctâ handling of the cast and crew.
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Canham, 1976, pp. 65-68: See thumbnail sketch on Spitfire regarding Hepburn character and Cromwell. And: "...an eccentric and likeable film."
1596:, who played the role of Lincoln in the Broadway production was selected, with Sherwood's fulsome approval, to perform in the screen role of
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Canham, 1976 p. 102-103: âThe narrative is presented as a series of incidents...notable for its non-reliance on spectacle and light relief.â
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6349:
5247:'s musical score...In 1951, Rodgers and Hammerstein's Broadway musical version of the Leonowen's story, The King and I, became a huge hit.â
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Canham, 1976 pp. 86, 91â92; Canham emphasizes these scenes as central to Cromwell's narrative and "...one of the highlights of the film..."
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played the eponymous character, a social reformer who exposes the degrading conditions in American prisons and has an affair with a jurist
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TSPDT: "...as an actor himself, developed a reputation in the 1930s as one of Hollywood's finest and most sympathetic women's directors."
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Cromwell's first two pictures of 1934 are considered "largely forgettable" according to author Michael Barson, beginning with a "miscast"
278:; December 23, 1886 â September 26, 1979) was an American film and stage director and actor. His films spanned the early days of sound to
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Quin, TCM: "Carole , 'If I played the girl would you direct?' Cromwell's reply was "Oh my, yes...then I'm sure we could also get Cary ."
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reprises the role of the honest police Captain Thomas McQuigg, the same character director Cromwell had performed on Broadway in 1927.
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and produced by the 22-year-old Howard Hughes, Robinson is elevated to the role of gangster Nick Scanlon for this silent film version.
1395:. Cromwell elicited a fine performance from Boyer as an international thief who matches wits with the local police inspector played by
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Canham, 1976 p. 84: A "copy job" performed by Cromwell at Wanger's request. And p. 125: James M. Cain provided "additional dialogue."
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Canham, 1976, p. 68: ..."various forms of tyranny..." And pp. 72â73: On film technique. And p. 74: Philip's "obsession with MildredâŠ"
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in adulthood. Curiously, although a time lapse shows the juvenile Blake's transformation from boy to man, his uncle Sir Arthur Blake
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Cromwell strained to extract an impressive American acting debut from the Austrian Lamarr, whom Wanger wished to mold into a "second
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1913:(1947), "a demonstration of Cromwell's craftsmanship" earning Oscars for cinematography and art direction. The 1944 story by author
1097:(both 1935), represent a return to Cromwell's "soap opera" depictions of familial relations and marital strife. The director's wife
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During the years of forced studio inactivity beginning in 1952, Cromwell's only engagement in Hollywood was a small acting role in
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Cromwell's agent had negotiated an excellent film contract, but within weeks RKO was purchased by film producer and anti-Communist
346:. Indeed, virtually all of the stage productions Cromwell participated in before he began his film career were produced by Brady.
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Historian Kingley Canham offers an insight into Cromwell's handling of "romantic illusions" inherent to melodramatic narratives:
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Throughout Cromwell's stage career, he worked in close collaboration with one of the outstanding Broadway producers of the day,
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Canham, 1976 pp. 92â94: Canham presents the unsuccessful efforts of Cromwell to acquire production rights to the literary work.
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1975:
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Canham, 1976 pp. 111â114: Canham offer multiple examples of these repetitions that connect the scenes from episode to episode.
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Despite these conceptual limitations, Cromwell achieves a level of coherency that delivers a vigorous film in the noir style.
376:
or William Brady. Cromwell frequently performed on stage in this period which included works by future Pulitzer-Prize-winners
2032:(1947), Bogart portrays a hardened WWII veteran who engages in a deadly pursuit to locate the murderer of a comrade-in-arms.
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Canham, 1976 p. 7: Selznick âlaunching his new protĂ©gĂ© Jennifer Jones.â And: formation of Selznick's new production company.
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Cromwell reports that the studio immediately assigned a screenwriter to the pre-production team who was "one of the worst '
2040:. The often incoherent narrative reflects Cromwell's struggle to make sense of the disconcerting script. Cromwell recalled:
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as the beginning of his "golden age" among Hollywood directors, and a production that deserves designation as a "classic".
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As to Cromwell's successful handling of Davis' role, he was never labelled a "woman's director" (as were directors such as
767:
Cromwell was initially assigned by RKO to direct "a series of soap operas and films about family strife". Among these were
4954:. And p. 90: "Cromwell's perfect judging of mood and his skill at blending contrasting performances nearly brings it off."
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Canham, 1976, p. 121: This Man Is Mine "a romantic comedy-drama with winning back philandering husband from seductress."
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The film dramatizes forms of personal tyranny and obsession, in which an unsophisticated and heartless waitress, Mildred (
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IMDb, Other Works: See cast list. Robinson plays only âAn Unidentified Man.â in the 1927â28 stage production on Broadway.
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Sterritt, TCM: "Warner Bros. owed Columbia for various star loan-outs and Bogart was available to repay the debt". And: "
502:, the studio's top property. Bancroft had performed in a number successful silent films with Paramount's rising director
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LoBianco, TCM : Cromwell said "...the only way to treat a fantasyâ is to treat it realistically; âIt always works."
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Miller, TCM: Selznick â hired John Cromwell; the latter was an expert at directing women who had worked for Selznick on
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Cromwell embarked on a film that proved to be highly offensive to the censors, but immensely popular among moviegoers:
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Canham, 1976 p. 87: "The role perfectly tailored for Stewart a mixture of innocence, naivete and perhaps immaturity."
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Canham, 1976 p. 78: The film "...displaying a strong visual likeness to several number in Show Boat with the stagingâŠ"
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580:(also 1930), a legal drama involving a lawyer and his criminal fiancée. He directed the second cinematic version of
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2200:(1951). Cromwell failed to fully make use of the talented cast and to effectively dramatize the confusing script.
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point, as the PCA, unlike the SRC, had the ability to levy a $ 25,000 fine for violations of the Production Code.
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As familiar with the material as Cromwell was, RKO's Howard Hughes rejected his final cut and enlisted director
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They just sent me a script and said âthis will be your next assignment. I looked at the script and the name was
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Canham, 1976 p. 91: "Cromwell plays down role, using it as a foil to establish qualities of Lincoln's nature."
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1986:, and there never was the slightest evidence with which to accuse me of being one." Nevertheless, Cromwell was
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1077:(1935), "one of Cromwell's favorite projects." Comprising a series of character studies, the picture features
655:(also 1931), a romance set in revolutionary Russia. Cromwell's professional view of Bancroft's performance in
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Canham, 1976 p. 80: The conflict exacerbated as already "strained" relationship between Cromwell and Carroll.
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Barston, 2019: "The acclaimed drama was especially notable for a breakthrough performance by Bette Davis."
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Cromwell's last film before his expulsion by the Hollywood studios under the anti-Communist blacklist was
948:"overrated", critic Jon Hopwood posited that the director "made his name" in Hollywood with this picture.
477:, Cromwell offered a frank assessment of his difficulties adapting to the new medium as a movie director:
372:
By the 1920s, Cromwell had become a respected Broadway director, often in collaboration with co-directors
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characters and incidents that re-created the day-to-day life of a family keeping the home fires burning."
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Selznick tasked Cromwell with filming "another marital drama" released by 20th Century Fox studios with
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1017:... Fortunately, his formal deficiencies seldom obscure the beautiful drivers of Cromwell's vehicles."â
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Canham, 1976 p. 102: Cromwell âvery fondâ of the movie. And p. 128: A âsensitively handled fantasy...â
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Barson, 2019: "David O. Selznick, who had formed his own production company, hired Cromwell to direct
392:
debuting in a tough guy role of the type for which Robinson became known throughout his film career.
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Hopwood, IMDb: "Joseph Breen, now head of the PCA, warned that the script for W. Somerset Maugham's
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gave Bette Davis her first truly great film role and cemented her reputation as a powerful actress.
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Lombard was eager for a role with dramatic potential (she had been designated as "The Queen of the
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was received the disapproval of the Production Code Administration (PCA), led by Catholic activist
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518:(1930) was Cromwell's first of four pairings with Bancroft, and his first solo debut as director.
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In 1915, he joined the New York Repertory Company and performed in the American premieres of two
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Canham, 1976 p. 112: The films ends with Stanley "a broken woman, lacking purpose or direction."
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name was on the local state list and had cropped up very often. So I got the contract from RKO.
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Canham, 1976, p. 75: On "vulgarity" And p. 122: "...one of Bette Davis' first important rolesâŠ"
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was one of the reasons the more powerful PCA was created in 1934 to take the place of the SRC."
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1951:
783:, an adaptation of a play he directed in 1926. His 1933 film adaptation concerns a young wife,
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During Cromwell's early films with Paramount, he was tasked with directing stage and film star
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1327:) favored presenting just one facial profile to the camera to conceal his "bad side". Co-star
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and a comedy-of-errors interspersed with musical productions, included a fulsome rendition of
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David O. Selznick enlisted Cromwell to make a heavily invested re-make of the silent era film
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1577:. The unfolding war in Europe and the Far East gave special resonance to the subject matter.
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845:(SRC) chairman James Wingate called the script "vulgarly offensive". The SRC, overseeing the
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magazine, Cromwell recounted studio efforts to undermine his work during the anti-Communist
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At the center of Cromwell's workâand âcasting against typeââare the strong performances by
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Cromwell recalled enjoying his work with leading man Tyrone Power "and particularly with
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5732:. International Film Guide Series. Paperback Library, New York. LOC Card Number 68-24003.
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Barson, Britannica: Barson reports that Cronwell's "original name Elwood Dager Cromwell"
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in 1947, lasted until his death in 1979. Cromwell and Johnson had two sons; one is actor
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1900:, who marry and together discover the transformative power of love. Pianist and composer
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Cromwell, according to Canham, fails to cinematically develop the characters of co-stars
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2292:), "Portrait of a Young Woman," and "Portrait of a Goddessâ (the later two performed by
2280:(1958) was his last major cinematic work, and "in many respects one of his best films."
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Historian Kingsley Canham issued this judgement on Cromwell's direction of the picture:
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and I think that was because I worked so hard to get her to stop acting and be simple."
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Canham, 1976 p. 104: Cromwell's name was "mentioned several times during the hearings."
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Cromwell considered his next project more satisfactory. In Cromwell's film adaptation,
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1807:, Selznick enlisted Cromwell to direct a paean to the American family during wartime,
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was reduced to half its original length. Cromwell ultimately walked off the project.
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2010:
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A success at the box-office and the Academy Awards, the Leonowens tale appeared as a
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successfully manufactured a "polished" facsimile of Duvivier's original for producer
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in his first production, then an assistant to B.P. Schulberg. The picture, starring
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in the early 1950s, by which time his directing career was almost terminated by the
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LoBianco, TCM: Cromwell "worked as a theater director for the great William Brady."
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791:. The picture, which disparaged "motherhood", was considered audacious in its day.
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734:, Cromwell reports he was informed about a change in policy concerning rehearsals:
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Canham, 1976 p. 80: That Cromwell worked within budget "endeared him to Selznick."
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The last film released in 1934 directed by Cromwell was a post-WWI romantic drama
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LoBianco, TCM: "The film was a remake of Julien Duvivier's acclaimed French film
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2002:
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Cromwell returned to RKO to make one of his most personally gratifying pictures,
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arose during script and storyboard development. Ronald Colman (like screen actor
1311:, David O. Selznick took a calculated risk as to popular taste. That leading man
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and reduces the plebeian denizens of the Mississippi River Delta to caricatures.
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was picketed in the major cities in the Midwestern United States by the Catholic
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640:
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5660:"James Cromwell: 'My father told me: "Don't be an actor, you're too damn tall"'"
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story...out of curiosity on his part and when my name was mentioned, he agreed."
1907:
Returning to 20th Century Fox, Cromwell embarked on another satisfying project,
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and other producers, Cromwell reunited with David O. Selznick, following him to
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http://www.tcm.com/this-month/article/216307%7C0/Directed-By-John-Cromwell.html
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The Hollywood Professionals, Volume 5: King Vidor, John Cromwell, Mervyn LeRoy.
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in which Bogart was cast in the roles of Ernie Crockett and The Third Husband:
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The protagonist, Benjamin Blake, heir to a baronetcy, is played by child actor
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Canham, 1976 p. 103: "the musical are often more interesting" than the movie.
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Cromwell's characterization of Lincoln is distinct from that of the Ford's in
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financed its purchase for $ 250,000, to be filmed by RKO studios. Stage actor
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Cromwell made three more pictures for Paramount-Publix, all released in 1931:
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Upon leaving school, Cromwell immediately began his stage career touring with
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by Lula Vollmer, Hepburn is improbably tasked with portraying an anti-social
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339:'s novel. The production was an immediate hit and ran for 184 performances.
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5273:"John Cromwell - Director - Films as Director:, Other Films:, Publications"
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controversy and success discussed at length by Hopwood. See link in Sources
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LoBianco, TCM: LoBianco lists his birth name as Elwood Dager John Cromwell.
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Cromwell's disaffection from Paramount led him to "walk off the lot" after
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http://www.tcm.com/tcmdb/title/1309/Abe-Lincoln-in-Illinois/articles.html
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https://www.tcm.com/tcmdb/title/71346/The-Company-She-Keeps/articles.html
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http://www.tcm.com/tcmdb/title/1309/Abe-Lincoln-in-Illinois/articles.html
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Canham, 1976 p. 80: Selznick would not have made the film without Colman.
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He died at age 92 in Santa Barbara, California of a pulmonary embolism.
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Despite the fact that 20th Century Fox was well-advanced in producing a
384:. In 1927, Cromwell directed and played the lead in the gangster drama,
350:(1913) marked Cromwell's first assignment as stage director. Written by
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5785:. Oxford University Press. Library of Congress Catalog Number: 76-9262.
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http://www.tcm.com/tcmdb/title/90225/Since-You-Went-Away/articles.html
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Despite Cromwell's skill with both male and female actors, an amusing
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But recent assessments of his work, notably such bitter late films as
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5609:"Ban Is Lifted - - Theaters Re-Open This Week in Dayton to Stay Open"
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1565:-winning stage production concerned the early career of US President
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Arnold, Jeremy. TCM. Abe Lincoln in Illinois. Turner Movie Classics.
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Canham, 1976 p. 125: "George Cukor and Woody van Dyke uncredited..."
2371:, and eventually found artistic satisfaction in four seasons at the
1561:, which had been produced to great acclaim on Broadway in 1938. The
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as "undoubtedly one of Cromwell's most outstanding achievements..."
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The "restlessness and soul searching" of the expatriate wife Julie (
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560:
4666:; the family drama starred Freddie Bartholomew and Mickey Rooney."
2116:. The final film, eventually released in 1949, had to be retitled
1982:
era. Cromwell claimed that "I was never anything that suggested a
1896:
returning from the Second World War and an "ugly duckling" maiden
1720:, and his freedom is only achieved through an ultimate sacrifice.
1259:". The film bears similarities in setting and staging to director
470:). Cromwell had a minor acting role in each of these productions.
6679:
3428:
1922:
1640:
As early as 1919, Cromwell had taken a keen interest in novelist
1116:
574:
Paramount again enlisted actors Powell and Francis in Cromwell's
527:, Cromwell formed a personal and professional bond with producer
6348:
5849:
http://www.tcm.com/this-month/article/103611%7C0/The-Racket.html
5055:
Canham, 1976 p, 95: Cromwell: â...the film was not a success...â
1754:
to manufacture "a stock 20th Century Fox costume" period-piece.
1687:
particularly with that of British actor Cedric Hardwicke :
5150:
Miller, TCM: Selznick âset out to assemble an all-name cast...â
2053:
Hollywood and the House Un-American Activities Committee (HUAC)
1387:(1936), launched the Hollywood careers of two European actors:
329:
Cromwell made his Broadway debut in the role of John Brooke in
5838:
http://www.tcm.com/tcmdb/title/2238/In-Name-Only/articles.html
5776:
https://www.imdb.com/name/nm0188669/otherworks?ref_=nmbio_ql_2
5759:
http://www.tcm.com/tcmdb/title/15894/The-Goddess/articles.html
1449:
in 1938), followed briefly by a return to the stage to direct
4888:
Selznick stroke of showmanship to make Lombard go dramatic!'"
4507:
TSPDT: "It was who gave Bette Davis her first meaty part in
2005:
under contract, reluctantly agreed to an actor exchange with
1904:, blinded in the war, contributes to their personal triumph.
777:
in an unusually "restrained" performance. Cromwell directed
4186:
Imdb, Other Works: The work was adapted to film in 1917 as
2438:
in 1928, divorcing in 1946. His final marriage, to actress
2426:. His wife Ruth Nelson also appeared in both Altman films.
2178:
producing) in the studiosâ bid to duplicate the success of
1993:
1978:
investigators and Hollywood executives during the emerging
1925:
of Siam (now Thailand) in the 1860s. The King is played by
1825:
as an âimpregnable fortressâ sustaining the US war effort.
1614:
The presentation of Lincoln's historical relationship with
904:
Cromwell completed another soap opera with Irene Dunne and
365:
in 1916, as character "Charles Lomax", and in a revival of
1724:
appears in a supporting role as Nazi SS officer Brenner.
7016:
Screen Directors Guild and the Directors Guild of America
5685:"John Cromwell - Hollywood Star Walk - Los Angeles Times"
5554:
Brottman and Sterritt, TCM: Sections of film listed here.
5243:, for Talbot Jennings and Sally Benson's screenplay, and
4141:
Canham, 1976 p. 60: Graduated from "Howe School in 1905."
2323:
Cromwell's film career closed with two lackluster films:
1472:
While Selznick was deeply immersed in pre-production for
985:
Despite studio executives' submitting to the censorship,
800:(1933), "a shrewd and sophisticated interior drama" with
506:, culminating in a Best Actor nomination for Bancroft in
4394:
balked over its excessive demands. Although studio head
4150:
Canham, 1976 p. 60: "changed his name to John CromwellâŠ"
1658:
Twenty years later, Cromwell filmed his screen version,
1551:
RKO executives tasked Cromwell with adapting playwright
442:, Cromwell was invited to share directorial duties with
856:
819:
Cromwell filmed a then-controversial adaptation of the
747:
1683:
Cromwell was dissatisfied with some of the casting in
4662:(1936), a tasteful treatment of the popular novel by
1803:
As part of his promotion of his protégé, 25-year-old
1727:
Cromwell was particularly pleased with the script by
1512:, trapped in an unhappy marriage with the possessive
5766:
https://www.imdb.com/name/nm0188669/bio?ref_=nm_sa_1
1431:
Cromwell made an aborted attempt to direct producer
5925:
2337:, made in the Philippines, and a low-budget drama,
5860:https://www.theyshootpictures.com/cromwelljohn.htm
5723:https://www.britannica.com/biography/John-Cromwell
5028:Canham, 1976 p, 94, p. 127: Hardwicke as narrator.
4912:. Garden City NY: Doubleday & Company. p. 112.
1990:by the Hollywood film industry from 1952 to 1958.
1622:, which features a sentimental graveside eulogy.
4440:Barson, 2019: This Man of Mine "...a soap operaâŠ"
1543:
959:and self-effacing young medical student, Philip (
787:, who battles with her interfering mother-in-law
301:
7184:
1403:, with contributions from novelist-screenwriter
1359:Film critic Michael Barson considers Cromwell's
955:) employs low-cunning to win the affection of a
5764:Hopwood, Jon C. IMDb. John Cromwell: Biography
5491:Barson, 2019: "Returning to RKO, Cromwell made
1776:" as he "never saw her in a film I liked until
1293:
1071:, Cromwell enjoyed a pleasant interlude making
404:
5725:. December 19, 2019. Retrieved 11 August 2020.
1885:'s 1924 silent film production, both based on
1117:United Artists and 20th Century Fox, 1936â1939
1048:) and her lover interned British flyer Lewis (
546:
466:(Sutherland's co-direction went uncredited in
6999:
6334:
5911:
1795:
298:in 1905, but never pursued higher education.
7253:Presidents of the Directors Guild of America
6350:Tony Award for Best Featured Actor in a Play
5615:. November 3, 1918. Retrieved June 11, 2020.
2365:, directed the original Broadway company of
616:, a project that eventually was directed by
5631:. October 3, 1979. Retrieved June 11, 2020.
4538:Canham, 1976, p. 122: "slatternly waitress"
1746:Cromwell's disparaged his next assignment,
462:, based on the George Mankers Watters play
289:
7006:
6992:
6341:
6327:
5918:
5904:
5879:
5771:Internet Movie Database (IMDb). Date unk.
5719:John Cromwell: American Actor and director
4128:Canham, 1976 p. 60: Given name, stage name
1200:
917:
241:Co. G, 3rd Infantry Replenishment Regiment
16:American film actor, director and producer
5651:
2001:Warner Bros. studios, with top film star
1191:was his most profitable production until
6212:Son of Fury: The Story of Benjamin Blake
3106:Son of Fury: The Story of Benjamin Blake
1940:Broadway musical in 1951 and on film in
1917:is based on the memoirs of Anglo-Indian
1816:Film historian Kingley Canham describes
559:(1930) was Cromwell's adaptation of the
305:
4107:
4105:
2354:
1974:accused of Communist sympathies by the
1377:(1938), Cromwell's re-make of director
1041:and its relationship to performances.
794:Cromwell finished off this series with
567:" and starring Paramount's rising star
7185:
5657:
2059:House Un-American Activities Committee
1976:House Un-American Activities Committee
1478:(1939), he engaged Cromwell to direct
310:Cromwell (seated) as John Brooke with
6987:
6322:
5899:
5640:Moore, Charles R. (October 9, 1941).
3478:
2467:
2382:in the role of Mr. Rose for the film
2248:
1769:shows no discernible signs of aging.
1738:
1121:After his recent collaborations with
811:
420:performance in the 1929 early talkie
314:as Meg in the Broadway production of
4371:one of the sacred cows: motherhood."
4111:Walling, Paula (September 7, 1946).
4102:
3475:
2464:
2203:
2171:, through whom he âmakes his caseâ.
1224:from Hollywood Directors: 1914-1940
748:Radio-Keith-Orpheum (RKO): 1933â1935
399:
7223:American people of Scottish descent
5536:holds together as well as it does."
5260:as a blind pianist, ended his run.â
1921:, who served as governess for King
1407:. Cromwell and his cinematographer
543:, was a success at the box office.
13:
7218:American people of English descent
4823:, starring France's biggest star,
2283:The story and script by dramatist
2237:delivers "capable entertainment".
1441:(ultimately completed by director
702:During pre-production of the 1932
14:
7269:
7203:20th-century American male actors
5866:
4792:. New York: Viking Press. p. 115.
4113:"Sweden Can Keep Sex Films Clean"
1668:as the recluse Hendrik Heyst and
1632:
1366:
1334:As director Cromwell remembered:
938:considers Cromwell's adaption of
756:, and with the help of his agent
5721:. Encyclopedia Britannica, inc.
5691:
5677:
5658:Pelley, Rich (January 7, 2021).
5634:
5618:
5602:
5593:
5584:
5575:
5566:
5557:
5548:
5539:
5529:
5520:
5511:
5498:
5485:
5476:
5467:
5458:
5448:
5439:
5430:
5421:
5412:
5402:
5393:
5384:
5375:
5366:
5357:
5343:
5334:
5325:
5316:
5307:
5297:
5283:
5265:
5250:
5233:
5224:
5215:
5206:
5197:
5188:
5179:
5162:
5153:
5144:
5131:
4640:Canham, 1976, p. 76, pp. 123â125
2429:
2312:a lifetime in the film industry.
1949:RKO assigned Cromwell the drama
225:September 26 - December 14, 1918
154:
128:
5122:
5112:
5103:
5094:
5085:
5076:
5067:
5058:
5049:
5040:
5031:
5022:
5013:
5004:
4995:
4986:
4977:
4966:
4957:
4935:
4926:
4915:
4900:
4891:
4881:
4872:
4862:
4850:
4841:
4832:
4813:
4804:
4795:
4780:
4771:
4761:
4752:
4743:
4734:
4725:
4716:
4706:
4697:
4688:
4679:
4669:
4652:
4643:
4634:
4631:Canham, 1976, pp. 75-76, p. 122
4625:
4616:
4607:
4598:
4589:
4580:
4571:
4561:
4551:
4541:
4532:
4518:
4491:
4482:
4473:
4464:
4455:
4434:
4425:
4415:
4406:
4383:
4374:
4364:
4355:
4341:
4332:
4323:
4314:
4305:
4296:
4287:
4277:
4268:
4259:
4249:
4239:
4230:
4221:
4212:
4203:
3634:Captain Brassbound's Conversion
3465:
2174:Cromwell returned to RKO (with
2125:
1889:'s 1921 play of the same name.
1185:Selznick International Pictures
594:starring as the eponymous Tom.
367:Captain Brassbound's Conversion
173:
150:
124:
107:
7233:Deaths from pulmonary embolism
5858:They Shoot Horses Don't They.
5783:Hollywood Directors: 1914-1940
5697:Internet Movie Database (IMDb)
5646:The Clinton Journal and Public
4515:(A-Z of Movie Directors, 1983)
4194:
4180:
4171:
4162:
4153:
4144:
4135:
4122:
2457:
1356:under Director's Guild rules.
843:The Studio Relations Committee
302:Early acting career, 1905â1912
1:
7248:Male actors from Toledo, Ohio
5704:
5046:Canham, 1976 p. 94-95, p. 127
3513:John Brooke (Broadway debut)
1881:(1945), a remake of director
1183:The first film created under
5790:The Company She Keeps (1951)
4095:
4034:Producer w/William A. Brady
3938:Producer w/William A. Brady
3910:Producer w/William A. Brady
3472:
2461:
1438:The Adventures of Marco Polo
639:(both 1931), an adaption of
446:, an experienced filmmaker.
405:Paramount Famous Lasky, 1929
7:
5773:John Cromwell: Other works.
5739:The Tantivy Press, London.
5625:"Obituaries: John Cromwell"
4789:Memo From David O. Selznick
4786:Behlmer, Rudy, ed. (1972).
3362:General Daniel A. Grimshaw
2343:(1961), made in Swede with
2182:again a crime drama, where
2144:who are themselves victims.
1702:(1941), an adaption of the
1664:(1940), for Paramount with
1175:The casting of child actor
1022:(The American Cinema, 1968)
623:The Bancroft films include
547:Paramount-Publix, 1930â1931
456:, a jazz-band romance, and
10:
7274:
7228:American theatre directors
7213:American male stage actors
5877:Internet Broadway Database
5812:Since You Went Away (1944)
5781:Koszarski, Richard. 1976.
5648:. Retrieved June 11, 2020.
4177:Imdb Cromwell: Other Works
4119:. Retrieved June 11, 2020.
2396:, and as Bishop Martin in
1967:performing at the piano.
991:National Legion of Decency
7208:American male film actors
7022:
6786:
6575:
6356:
6242:Anna and the King of Siam
5934:
5862:Retrieved 11 August 2020.
5851:Retrieved 21 August 2020.
5847:. Turner Movie Classics.
5840:Retrieved 16 August 2020.
5836:. Turner Movie Classics.
5825:. Turner Movie Classics.
5821:Passafiume, Andrea. TCM.
5818:Retrieved 15 August 2020.
5814:. Turner Movie Classics.
5807:Retrieved 11 August 2020.
5803:. Turner Movie Classics.
5801:Directed by John Cromwell
5799:LoBianco, Lorraine. TCM.
5796:Retrieved 21 August 2020.
5792:. Turner Movie Classics.
5778:Retrieved 11 August 2020.
5761:Retrieved 17 August 2020.
5757:. Turner Movie Classics.
5730:Hollywood in the Thirties
5714:Retrieved 15 August 2020.
4059:
4025:
3948:
3887:
3793:
3729:
3697:
3664:
3615:
3567:
3534:
3492:
3481:
3249:
3179:Anna and the King of Siam
3138:
3042:
3007:
2918:
2867:
2800:
2731:
2696:
2629:
2609:Second Reporter at Trial
2558:
2486:
2481:
2470:
2223:1928 silent film adaption
2063:Franklin Delano Roosevelt
1997:(1947): Columbia Pictures
1910:Anna and the King of Siam
1869:Anna and the King of Siam
1573:forces to victory in the
473:In a 1973 interview with
335:(1912), an adaptation of
265:
255:
245:
237:
229:
221:
209:
199:
194:
183:
100:
92:
75:
68:Santa Barbara, California
56:
30:
23:
7238:Film directors from Ohio
6235:Watchtower Over Tomorrow
5829:Retrieved 14 August 2020
5788:LoBianco, Lorraine. TCM
5768:Retrieved 9 August 2020.
5735:Canham, Kingsley. 1976.
5436:Canham, 1976 pp. 106â107
5322:Canham, 1976 pp. 103â104
5294:for Cromwell to direct."
4117:The Brisbane Sunday Mail
3489:
3486:
3160:Watchtower Over Tomorrow
2478:
2475:
2449:
2225:of the play directed by
2133:Cromwell's noir picture
1269:released the same year.
1079:Guinn "Big Boy" Williams
934:Although film historian
661:elicited these remarks:
290:Early life and education
6188:Abe Lincoln in Illinois
6028:The World and the Flesh
5823:Abe Lincoln in Illinois
5717:Barson, Michael. 2019.
4664:Frances Hodgson Burnett
4320:Canham, 1976, pp. 63â64
4209:Canham, 1976, pp. 60â61
3559:Yes w/William A. Brady
3332:Studio One in Hollywood
3048:Abe Lincoln in Illinois
2702:The World and the Flesh
1938:Rodgers and Hammerstein
1647:Victory: An Island Tale
1644:'s psychological drama
1599:Abe Lincoln in Illinois
1558:Abe Lincoln in Illinois
1545:Abe Lincoln in Illinois
1486:in the romantic comedy
754:The World and the Flesh
716:The World and the Flesh
704:The World and the Flesh
652:The World and the Flesh
6132:Little Lord Fauntleroy
5508:of Paramount Pictures.
5109:Canham, 1976 pp. 97â98
5091:Canham, 1976 pp. 95â96
5064:Canham, 1976 pp. 95â96
4963:Canham, 1976 pp. 88â89
4758:Canham, 1976 pp. 80â81
4685:Koszarski, 1976 p. 299
4660:Little Lord Fauntleroy
4227:Canham, 1976 pp. 60â61
4079:Gentlemen of the Press
3342:Senator Harvey Rogers
2924:Little Lord Fauntleroy
2373:Tyrone Guthrie theater
2362:What Every Woman Knows
2314:
2186:is the love object of
2146:
2104:
2084:
2047:
2024:
1793:
1694:
1541:
1468:: Carole Lombard, 1939
1429:
1422:". Cromwell recalled:
1345:
1226:
1189:Little Lord Fauntleroy
1169:Little Lord Fauntleroy
1136:Little Lord Fauntleroy
1025:
741:
725:
667:
565:A Double-Dyed Deceiver
496:
410:Paramount Famous Lasky
352:Frederic Arnold Kummer
319:
7123:Franklin J. Schaffner
6744:Ruben Santiago-Hudson
6274:The Company She Keeps
6228:The Enchanted Cottage
6156:The Prisoner of Zenda
5749:Brottman, Mikita and
5642:"Hollywood Film Shop"
5599:Canham, 1976 p. 130:
5493:The Company She Keeps
5170:The Prisoner of Zenda
3683:She Would and She Did
3643:Captain Kearney, USN
3255:The Company She Keeps
3144:The Enchanted Cottage
2975:The Prisoner of Zenda
2378:Cromwell was cast by
2309:
2197:The Company She Keeps
2141:
2100:I Married a Communist
2096:
2079:
2042:
2019:
1929:and the governess by
1878:The Enchanted Cottage
1865:The Enchanted Cottage
1785:
1689:
1525:
1424:
1361:The Prisoner of Zenda
1336:
1308:The Prisoner of Zenda
1301:In reviving novelist
1295:The Prisoner of Zenda
1241:as the happy couple.
1208:
1154:The Prisoner of Zenda
1003:
970:Like Cromwell's 1933
851:Joseph Ignatius Breen
736:
713:
663:
479:
309:
296:Howe Military Academy
222:Years of service
7063:Joseph L. Mankiewicz
6955:Jesse Tyler Ferguson
6875:John Benjamin Hickey
5832:Quin, Eleanor. TCM.
5810:Miller, Frank. TCM.
5728:Baxter, John. 1970.
4906:Thomas, Bob (1970).
4676:fluid camera styleâŠ"
4622:Canham, 1976, p. 122
4595:Canham, 1976, p. 122
4030:Women Go On For Ever
3841:The World We Live In
3652:The Land of the Free
2355:Life after Hollywood
2262:(1957), directed by
2217:(1951). The play by
2119:The Woman on Pier 13
1761:as a youth, then by
1704:Erich Maria Remarque
1133:to make five films:
708:Bolshevik Revolution
524:The Street of Chance
153: 1928;
127: 1919;
7243:Hollywood blacklist
7171:Lesli Linka Glatter
6795:Robert Sean Leonard
6405:Francis L. Sullivan
6220:Since You Went Away
6172:Made for Each Other
6140:To Mary â with Love
5843:Tatara, Paul. TCM.
5590:Canham, 1976 p. 111
5581:Canham, 1976 p. 114
5445:Canham, 1976 p. 107
5427:Canham, 1976 p. 106
5418:Canham, 1976 p. 106
5390:Canham, 1976 p. 105
5381:Canham, 1976 p. 105
5372:Canham, 1976 p. 105
5340:Canham, 1976 p. 104
5331:Canham, 1976 p. 104
5230:Camham, 1976 p. 128
5194:Canham, 1976 p. 102
4694:Canham, 1976 p. 123
4649:Canham, 1976, p. 76
4488:Canham, 1976, p. 73
4380:Canham, 1976, p. 65
4347:LoBianco, TCM: "As
4338:Canham, 1976, p. 64
4329:Canham, 1976, p. 64
4311:Canham, 1976, p.118
4274:Canham, 1976, p. 62
4265:Canham, 1976, p. 60
4064:The Queen's Husband
3781:Bought and Paid For
3769:Yes w/Grace George
3656:Yes w/Frank Craven
3543:Yes w/Frank Craven
3470:From 1912 to 1928.
3292:Producers' Showcase
3125:Since You Went Away
3013:Made for Each Other
2940:To Mary - with Love
2796:Sad-Faced Doughboy
2036:serves as the noir
1854:Since You Went Away
1818:Since You Went Away
1810:Since You Went Away
1797:Since You Went Away
1489:Made for Each Other
1462:Made for Each Other
1381:'s French thriller
1247:(1936), set in the
1233:the interloper and
1142:To Mary â with Love
940:W. Somerset Maugham
504:Josef von Sternberg
359:George Bernard Shaw
284:Hollywood blacklist
7258:Tony Award winners
7014:Presidents of the
6712:Laurence Fishburne
6306:A Matter of Morals
5926:Films directed by
5755:The Goddess (1958)
5082:Canham, 1976 p. 96
5073:Canham, 1976 p. 96
5037:Canham, 1976 p. 94
4983:Canham, 1976 p. 91
4878:Canham, 1976 p. 86
4613:Canham, 1976 p. 72
4361:Canham, 1976, p.62
4352:three days early."
4302:Canham, 1976, p.63
4293:Canham, 1976, p.62
4236:Canham, 1976 p. 61
3962:Engineer Borgheim
3410:A Matter of Morals
2340:A Matter of Morals
1887:Arthur Wing Pinero
1828:The cast features
1735:"one of my best."
1722:Erich von Stroheim
1575:American Civil War
1475:Gone with the Wind
1401:John Howard Lawson
1194:Gone With the Wind
1177:Freddy Bartholomew
1060:". Canham praises
613:A Farewell to Arms
468:The Dance of Death
390:Edward G. Robinson
382:Robert E. Sherwood
320:
216:United States Army
60:September 26, 1979
7180:
7179:
6981:
6980:
6963:Brandon Uranowitz
6891:Courtney B. Vance
6640:Matthew Broderick
6316:
6315:
6204:So Ends Our Night
5948:The Dance of Life
5854:TSPDT, Date Unk.
5845:THE RACKET (1951)
5613:Dayton Daily News
5526:IMDb, Other Works
5277:filmreference.com
5019:IMDb, Other Works
4093:
4092:
3586:The New York Idea
3522:The Painted Woman
3463:
3462:
3352:Top Secret Affair
3087:So Ends Our Night
2525:The Dance of Life
2412:Geraldine Chaplin
2345:Maj-Britt Nilsson
2259:Top Secret Affair
2011:Columbia Pictures
1965:Arthur Rubinstein
1883:John S. Robertson
1830:Claudette Colbert
1733:So Ends the Night
1718:Margaret Sullavan
1699:So Ends Our Night
1620:Young Abe Lincoln
1608:Young Mr. Lincoln
1584:picture starring
1455:Florence Eldridge
1329:Madeleine Carroll
1222:Richard Koszarski
1007:Madeleine Carroll
870:Katharine Hepburn
773:(1933), starring
675:, with Bancroft,
590:(also 1930) with
529:David O. Selznick
521:On his next film
459:The Dance of Life
444:Edward Sutherland
400:Early film career
348:The Painted Woman
337:Louisa May Alcott
269:
268:
93:Years active
45:December 23, 1886
7265:
7008:
7001:
6994:
6985:
6984:
6974:
6966:
6958:
6950:
6947:David Alan Grier
6942:
6934:
6926:
6918:
6910:
6902:
6894:
6886:
6878:
6870:
6862:
6854:
6846:
6838:
6830:
6822:
6819:BrĂan F. O'Byrne
6814:
6806:
6798:
6779:
6771:
6763:
6755:
6747:
6739:
6731:
6723:
6720:Stephen Spinella
6715:
6707:
6699:
6691:
6683:
6675:
6667:
6659:
6651:
6643:
6635:
6627:
6619:
6611:
6603:
6595:
6587:
6568:
6560:
6552:
6544:
6541:Vincent Gardenia
6536:
6528:
6520:
6512:
6504:
6496:
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6384:
6376:
6368:
6343:
6336:
6329:
6320:
6319:
6148:Banjo on My Knee
6124:I Dream Too Much
6092:Of Human Bondage
6084:This Man Is Mine
6020:Rich Man's Folly
5964:Street of Chance
5920:
5913:
5906:
5897:
5896:
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5314:
5313:IMDb Other Works
5311:
5305:
5301:
5295:
5287:
5281:
5280:
5269:
5263:
5254:
5248:
5245:Bernard Herrmann
5241:Gale Sondergaard
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4587:
4586:TSPDT, Date Unk.
4584:
4578:
4575:
4569:
4565:
4559:
4555:
4549:
4545:
4539:
4536:
4530:
4526:Of Human Bondage
4522:
4516:
4509:Of Human Bondage
4501:Of Human Bondage
4495:
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4477:
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4468:
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4459:
4453:
4450:Of Human Bondage
4438:
4432:
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4423:
4419:
4413:
4410:
4404:
4392:Merian C. Cooper
4387:
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4237:
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4228:
4225:
4219:
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4207:
4201:
4198:
4192:
4189:The Slave Market
4184:
4178:
4175:
4169:
4166:
4160:
4157:
4151:
4148:
4142:
4139:
4133:
4126:
4120:
4109:
3765:Marie Antoinette
3473:
2956:Banjo on My Knee
2905:I Dream Too Much
2838:Of Human Bondage
2822:This Man Is Mine
2683:Rich Man's Folly
2564:Street of Chance
2462:
2420:Vittorio Gassman
2402:(1978) starring
2388:(1977) starring
2329:(1959) starring
2219:Bartlett Cormack
1955:(1948) starring
1902:Herbert Marshall
1842:Lionel Barrymore
1752:Darryl F. Zanuck
1674:Cedric Hardwicke
1497:Screwball comedy
1305:'s swashbuckler
1274:Barbara Stanwyck
1244:Banjo on My Knee
1202:Banjo on My Knee
1148:Banjo on My Knee
1131:20th Century Fox
1123:Pandro S. Berman
1111:I Dream too Much
1101:was featured in
1094:I Dream Too Much
1069:Of Human Bondage
1067:After finishing
987:Of Human Bondage
976:Of Human Bondage
945:Of Human Bondage
928:Of Human Bondage
919:Of Human Bondage
911:This Man is Mine
899:Edward Cronjager
862:This Man Is Mine
789:Laura Hope Crews
775:Lionel Barrymore
720:Lincoln Steffens
706:, a tale of the
658:Rich Man's Folly
636:Rich Man's Folly
388:, with newcomer
344:William A. Brady
211:
195:Military Service
177:
175:
158:
156:
152:
132:
130:
126:
110:19??; died 1918)
109:
63:
44:
42:
21:
20:
7273:
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7268:
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7264:
7263:
7262:
7183:
7182:
7181:
7176:
7165:Thomas Schlamme
7153:Taylor Hackford
7141:Martha Coolidge
7105:George Schaefer
7057:George Marshall
7018:
7012:
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6977:
6969:
6961:
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6883:Christian Borle
6881:
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6758:
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6696:Charles Durning
6694:
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6678:
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6584:Edward Herrmann
6582:
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6509:James Patterson
6507:
6499:
6491:
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6459:
6451:
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6437:Charlie Ruggles
6435:
6427:
6419:
6411:
6403:
6395:
6387:
6379:
6371:
6363:
6352:
6347:
6317:
6312:
6052:The Silver Cord
5980:For the Defense
5930:
5924:
5869:
5751:Sterritt, David
5707:
5702:
5701:
5696:
5692:
5683:
5682:
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4562:
4556:
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4537:
4533:
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4519:
4506:
4504:
4499:LoBianca, TCM "
4498:
4496:
4492:
4487:
4483:
4478:
4474:
4469:
4465:
4460:
4456:
4444:Hopwood, IMDb:
4443:
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4439:
4435:
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4384:
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4172:
4167:
4163:
4158:
4154:
4149:
4145:
4140:
4136:
4131:
4129:
4127:
4123:
4110:
4103:
4098:
4013:The Silver Cord
3978:Matthew Dibble
3892:She Had To Know
3711:Mr. Tackaberry
3702:Immodest Violet
3596:William Ludley
3468:
2753:The Silver Cord
2598:For the Defense
2502:Walter Babbing
2460:
2452:
2432:
2404:Desi Arnaz, Jr.
2357:
2285:Paddy Chayefsky
2254:
2227:Lewis Milestone
2209:
2157:Agnes Moorehead
2131:
2055:
2003:Humphrey Bogart
1999:
1972:Fellow-traveler
1915:Margaret Landon
1898:Dorothy McGuire
1873:
1850:Agnes Moorehead
1801:
1744:
1729:Talbot Jennings
1638:
1567:Abraham Lincoln
1553:Robert Sherwood
1549:
1470:
1409:James Wong Howe
1379:Julien Duvivier
1372:
1299:
1257:St. Louis Blues
1227:
1211:
1206:
1119:
1026:
923:
866:
817:
780:The Silver Cord
750:
731:For the Defense
683:Ruth Chatterton
629:, with co-star
577:For the Defense
549:
500:George Bancroft
428:Ruth Chatterton
426:which featured
414:B. P. Schulberg
407:
402:
324:stock companies
304:
292:
179:
176: 1946)
171:
167:
161:
160:
157: 1946)
148:
144:
141:
135:
134:
131: 1921)
122:
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115:
111:
105:
88:
71:
65:
61:
52:
46:
40:
38:
37:
36:
26:
17:
12:
11:
5:
7271:
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7230:
7225:
7220:
7215:
7210:
7205:
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7178:
7177:
7175:
7174:
7168:
7162:
7156:
7150:
7144:
7138:
7132:
7126:
7120:
7114:
7108:
7102:
7099:Robert Aldrich
7096:
7090:
7084:
7078:
7072:
7066:
7060:
7054:
7048:
7042:
7039:George Stevens
7036:
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7011:
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6996:
6988:
6979:
6978:
6976:
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6959:
6951:
6943:
6935:
6927:
6923:Michael Aronov
6919:
6911:
6907:Richard McCabe
6903:
6895:
6887:
6879:
6871:
6867:Eddie Redmayne
6863:
6859:Roger Robinson
6855:
6847:
6839:
6831:
6827:Liev Schreiber
6823:
6815:
6807:
6803:Frank Langella
6799:
6790:
6788:
6784:
6783:
6781:
6780:
6772:
6764:
6756:
6748:
6740:
6732:
6728:Jeffrey Wright
6724:
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6708:
6700:
6692:
6684:
6676:
6668:
6660:
6652:
6644:
6636:
6628:
6620:
6612:
6604:
6600:Lester Rawlins
6596:
6592:Jonathan Pryce
6588:
6579:
6577:
6573:
6572:
6570:
6569:
6565:Frank Langella
6561:
6553:
6545:
6537:
6529:
6521:
6513:
6505:
6497:
6489:
6485:Jack Albertson
6481:
6473:
6465:
6461:Walter Matthau
6457:
6449:
6445:Roddy McDowall
6441:
6433:
6425:
6417:
6409:
6401:
6393:
6385:
6377:
6369:
6365:Arthur Kennedy
6360:
6358:
6354:
6353:
6346:
6345:
6338:
6331:
6323:
6314:
6313:
6311:
6310:
6302:
6298:The Scavengers
6294:
6286:
6278:
6270:
6262:
6254:
6250:Dead Reckoning
6246:
6238:
6232:
6224:
6216:
6208:
6200:
6192:
6184:
6176:
6168:
6160:
6152:
6144:
6136:
6128:
6120:
6112:
6104:
6096:
6088:
6080:
6072:
6064:
6060:Double Harness
6056:
6048:
6040:
6036:Hell's Highway
6032:
6024:
6016:
6012:The Vice Squad
6008:
6000:
5992:
5984:
5976:
5968:
5960:
5952:
5944:
5935:
5932:
5931:
5923:
5922:
5915:
5908:
5900:
5894:
5893:
5884:
5868:
5867:External links
5865:
5864:
5863:
5856:John Cromwell.
5852:
5841:
5830:
5819:
5808:
5797:
5786:
5779:
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5457:
5447:
5438:
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5420:
5411:
5401:
5392:
5383:
5374:
5365:
5356:
5352:Dead Reckoning
5342:
5333:
5324:
5315:
5306:
5296:
5291:Dead Reckoning
5282:
5264:
5249:
5232:
5223:
5214:
5205:
5196:
5187:
5178:
5161:
5152:
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5012:
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4994:
4985:
4976:
4965:
4956:
4934:
4925:
4914:
4899:
4890:
4880:
4871:
4861:
4857:unsupervised."
4849:
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4100:
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4087:
4084:
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4073:
4071:
4069:
4066:
4061:
4057:
4056:
4055:Capt. McQuigg
4053:
4050:
4048:
4040:
4039:
4037:
4035:
4032:
4027:
4023:
4022:
4020:
4018:
4015:
4009:
4008:
4005:
4002:
4000:
3994:
3993:
3991:
3989:
3986:
3984:Kitty's Kisses
3980:
3979:
3976:
3973:
3970:
3964:
3963:
3960:
3957:
3955:
3950:
3946:
3945:
3942:
3939:
3936:
3930:
3929:
3927:
3925:
3922:
3916:
3915:
3913:
3911:
3908:
3906:It All Depends
3902:
3901:
3899:
3897:
3894:
3889:
3885:
3884:
3882:
3880:
3879:Producer only
3877:
3872:
3868:
3867:
3865:
3863:
3860:
3855:
3851:
3850:
3848:
3846:
3843:
3837:
3836:
3834:
3832:
3829:
3823:
3822:
3819:
3816:
3814:
3812:The Lawbreaker
3808:
3807:
3805:
3803:
3800:
3795:
3791:
3790:
3788:
3786:
3783:
3777:
3776:
3773:
3770:
3767:
3761:
3760:
3757:
3754:
3752:
3746:
3745:
3744:Ruddy Caswell
3742:
3739:
3736:
3731:
3727:
3726:
3724:
3722:
3719:
3717:Young Visitors
3713:
3712:
3709:
3706:
3704:
3699:
3695:
3694:
3693:Frank Groward
3691:
3688:
3685:
3679:
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3625:
3622:
3617:
3613:
3612:
3611:Charles Lomax
3609:
3606:
3604:
3598:
3597:
3594:
3591:
3588:
3582:
3581:
3579:
3577:
3574:
3569:
3565:
3564:
3562:
3560:
3557:
3551:
3550:
3547:
3544:
3541:
3539:Too Many Cooks
3536:
3532:
3531:
3529:
3527:
3524:
3519:
3515:
3514:
3511:
3508:
3506:
3499:
3495:
3494:
3491:
3488:
3484:
3483:
3480:
3477:
3467:
3464:
3461:
3460:
3459:Bishop Martin
3457:
3454:
3452:
3445:
3441:
3440:
3437:
3434:
3432:
3425:
3421:
3420:
3418:
3416:
3413:
3406:
3402:
3401:
3399:
3397:
3394:
3391:The Scavengers
3387:
3383:
3382:
3380:
3378:
3375:
3368:
3364:
3363:
3360:
3357:
3355:
3348:
3344:
3343:
3340:
3337:
3335:
3328:
3324:
3323:
3320:
3317:
3315:
3308:
3304:
3303:
3300:
3297:
3295:
3288:
3284:
3283:
3281:
3279:
3276:
3268:
3267:
3264:
3261:
3258:
3251:
3247:
3246:
3244:
3242:
3239:
3232:
3228:
3227:
3225:
3223:
3220:
3213:
3209:
3208:
3206:
3204:
3201:
3198:Dead Reckoning
3194:
3190:
3189:
3187:
3185:
3182:
3175:
3171:
3170:
3168:
3166:
3163:
3155:
3154:
3152:
3150:
3147:
3140:
3136:
3135:
3133:
3131:
3128:
3121:
3117:
3116:
3114:
3112:
3109:
3102:
3098:
3097:
3095:
3093:
3090:
3083:
3079:
3078:
3076:
3074:
3071:
3063:
3062:
3057:
3054:
3051:
3044:
3040:
3039:
3037:
3035:
3032:
3024:
3023:
3021:
3019:
3016:
3009:
3005:
3004:
3002:
3000:
2997:
2990:
2986:
2985:
2983:
2981:
2978:
2971:
2967:
2966:
2964:
2962:
2959:
2951:
2950:
2948:
2946:
2943:
2935:
2934:
2932:
2930:
2927:
2920:
2916:
2915:
2913:
2911:
2908:
2900:
2899:
2897:
2895:
2892:
2884:
2883:
2881:
2879:
2876:
2869:
2865:
2864:
2862:
2860:
2857:
2849:
2848:
2846:
2844:
2841:
2833:
2832:
2830:
2828:
2825:
2817:
2816:
2814:
2812:
2809:
2802:
2798:
2797:
2794:
2791:
2788:
2780:
2779:
2777:
2775:
2772:
2769:Double Harness
2764:
2763:
2761:
2759:
2756:
2748:
2747:
2745:
2743:
2740:
2733:
2729:
2728:
2726:
2724:
2721:
2718:Hell's Highway
2713:
2712:
2710:
2708:
2705:
2698:
2694:
2693:
2691:
2689:
2686:
2678:
2677:
2675:
2673:
2670:
2667:The Vice Squad
2662:
2661:
2659:
2657:
2654:
2646:
2645:
2643:
2641:
2638:
2631:
2627:
2626:
2624:
2622:
2619:
2611:
2610:
2607:
2604:
2601:
2593:
2592:
2590:
2588:
2585:
2577:
2576:
2573:
2570:
2567:
2560:
2556:
2555:
2552:
2549:
2546:
2538:
2537:
2534:
2531:
2528:
2520:
2519:
2517:
2515:
2512:
2504:
2503:
2500:
2497:
2495:
2488:
2484:
2483:
2480:
2477:
2473:
2472:
2469:
2466:
2459:
2456:
2451:
2448:
2444:James Cromwell
2431:
2428:
2390:Shelley Duvall
2356:
2353:
2349:Patrick OâNeal
2326:The Scavengers
2253:
2247:
2231:Robert Mitchum
2208:
2202:
2192:Lizabeth Scott
2184:Dennis O'Keefe
2153:Eleanor Parker
2130:
2124:
2067:Leonard Maltin
2054:
2051:
2034:Lizabeth Scott
2029:Dead Reckoning
1998:
1995:Dead Reckoning
1992:
1943:The King and I
1919:Anna Leonowens
1872:
1862:
1834:Shirley Temple
1805:Jennifer Jones
1800:
1794:
1767:George Sanders
1759:Roddy McDowell
1743:
1737:
1666:Fredrick March
1637:
1631:
1594:Raymond Massey
1569:, who led the
1563:Pulitzer Prize
1548:
1542:
1480:Carole Lombard
1469:
1459:
1397:Joseph Calleia
1371:
1365:
1353:Woody van Dyke
1325:John Barrymore
1298:
1292:
1284:Walter Brennan
1207:
1205:
1199:
1127:United Artists
1118:
1115:
1015:Carole Lombard
1002:
922:
916:
865:
855:
821:Sinclair Lewis
816:
810:
806:William Powell
797:Double Harness
760:, he moved to
758:Myron Selznick
749:
746:
688:The Vice Squad
646:Dombey and Son
548:
545:
533:William Powell
475:Leonard Maltin
412:film producer
406:
403:
401:
398:
303:
300:
291:
288:
267:
266:
263:
262:
257:
253:
252:
247:
243:
242:
239:
235:
234:
231:
227:
226:
223:
219:
218:
213:
207:
206:
201:
197:
196:
192:
191:
189:James Cromwell
185:
181:
180:
169:
163:
162:
146:
142:
137:
136:
120:
116:
113:
112:
102:
98:
97:
94:
90:
89:
87:
86:
83:
79:
77:
73:
72:
66:
64:(aged 92)
58:
54:
53:
47:
34:
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
7270:
7259:
7256:
7254:
7251:
7249:
7246:
7244:
7241:
7239:
7236:
7234:
7231:
7229:
7226:
7224:
7221:
7219:
7216:
7214:
7211:
7209:
7206:
7204:
7201:
7199:
7196:
7194:
7191:
7190:
7188:
7172:
7169:
7166:
7163:
7160:
7159:Paris Barclay
7157:
7154:
7151:
7148:
7147:Michael Apted
7145:
7142:
7139:
7136:
7133:
7130:
7129:Gene Reynolds
7127:
7124:
7121:
7118:
7117:Gilbert Cates
7115:
7112:
7109:
7106:
7103:
7100:
7097:
7094:
7091:
7088:
7085:
7082:
7081:George Sidney
7079:
7076:
7073:
7070:
7069:George Sidney
7067:
7064:
7061:
7058:
7055:
7052:
7051:John Cromwell
7049:
7046:
7045:Mark Sandrich
7043:
7040:
7037:
7034:
7031:
7028:
7025:
7024:
7021:
7017:
7009:
7004:
7002:
6997:
6995:
6990:
6989:
6986:
6972:
6968:
6964:
6960:
6956:
6952:
6948:
6944:
6940:
6939:Bertie Carvel
6936:
6932:
6928:
6924:
6920:
6916:
6912:
6908:
6904:
6900:
6896:
6892:
6888:
6884:
6880:
6876:
6872:
6868:
6864:
6860:
6856:
6852:
6848:
6844:
6840:
6836:
6835:Ian McDiarmid
6832:
6828:
6824:
6820:
6816:
6812:
6808:
6804:
6800:
6796:
6792:
6791:
6789:
6785:
6777:
6773:
6769:
6765:
6761:
6757:
6753:
6749:
6745:
6741:
6737:
6733:
6729:
6725:
6721:
6717:
6713:
6709:
6705:
6701:
6697:
6693:
6689:
6685:
6681:
6677:
6673:
6672:John Randolph
6669:
6665:
6661:
6657:
6653:
6649:
6645:
6641:
6637:
6633:
6629:
6625:
6621:
6617:
6613:
6609:
6608:Michael Gough
6605:
6601:
6597:
6593:
6589:
6585:
6581:
6580:
6578:
6574:
6566:
6562:
6558:
6554:
6550:
6546:
6542:
6538:
6534:
6530:
6526:
6522:
6518:
6514:
6510:
6506:
6502:
6498:
6494:
6493:Patrick Magee
6490:
6486:
6482:
6478:
6474:
6470:
6466:
6462:
6458:
6454:
6450:
6446:
6442:
6438:
6434:
6430:
6426:
6422:
6418:
6414:
6410:
6406:
6402:
6398:
6394:
6390:
6389:John Williams
6386:
6382:
6381:John Cromwell
6378:
6374:
6370:
6366:
6362:
6361:
6359:
6355:
6351:
6344:
6339:
6337:
6332:
6330:
6325:
6324:
6321:
6308:
6307:
6303:
6300:
6299:
6295:
6292:
6291:
6287:
6284:
6283:
6279:
6276:
6275:
6271:
6268:
6267:
6263:
6260:
6259:
6255:
6252:
6251:
6247:
6244:
6243:
6239:
6236:
6233:
6230:
6229:
6225:
6222:
6221:
6217:
6214:
6213:
6209:
6206:
6205:
6201:
6198:
6197:
6193:
6190:
6189:
6185:
6182:
6181:
6177:
6174:
6173:
6169:
6166:
6165:
6161:
6158:
6157:
6153:
6150:
6149:
6145:
6142:
6141:
6137:
6134:
6133:
6129:
6126:
6125:
6121:
6118:
6117:
6113:
6110:
6109:
6105:
6102:
6101:
6097:
6094:
6093:
6089:
6086:
6085:
6081:
6078:
6077:
6073:
6070:
6069:
6065:
6062:
6061:
6057:
6054:
6053:
6049:
6046:
6045:
6041:
6038:
6037:
6033:
6030:
6029:
6025:
6022:
6021:
6017:
6014:
6013:
6009:
6006:
6005:
6001:
5998:
5997:
5996:Scandal Sheet
5993:
5990:
5989:
5985:
5982:
5981:
5977:
5974:
5973:
5969:
5966:
5965:
5961:
5958:
5957:
5953:
5950:
5949:
5945:
5942:
5941:
5940:Close Harmony
5937:
5936:
5933:
5929:
5928:John Cromwell
5921:
5916:
5914:
5909:
5907:
5902:
5901:
5898:
5892:
5888:
5887:John Cromwell
5885:
5882:
5878:
5874:
5873:John Cromwell
5871:
5870:
5861:
5857:
5853:
5850:
5846:
5842:
5839:
5835:
5831:
5828:
5824:
5820:
5817:
5813:
5809:
5806:
5802:
5798:
5795:
5791:
5787:
5784:
5780:
5777:
5774:
5770:
5767:
5763:
5760:
5756:
5752:
5748:
5746:
5745:0-498-01689-7
5742:
5738:
5734:
5731:
5727:
5724:
5720:
5716:
5713:
5709:
5708:
5694:
5686:
5680:
5665:
5661:
5654:
5647:
5643:
5637:
5630:
5626:
5621:
5614:
5610:
5605:
5596:
5587:
5578:
5569:
5560:
5551:
5542:
5532:
5523:
5514:
5507:
5501:
5494:
5488:
5479:
5470:
5461:
5451:
5442:
5433:
5424:
5415:
5409:blacklisted."
5405:
5396:
5387:
5378:
5369:
5360:
5353:
5346:
5337:
5328:
5319:
5310:
5300:
5292:
5286:
5278:
5274:
5268:
5259:
5253:
5246:
5242:
5236:
5227:
5218:
5209:
5200:
5191:
5182:
5175:
5171:
5165:
5156:
5147:
5140:
5134:
5125:
5115:
5106:
5097:
5088:
5079:
5070:
5061:
5052:
5043:
5034:
5025:
5016:
5007:
4998:
4989:
4980:
4969:
4960:
4953:
4952:
4947:
4946:
4938:
4929:
4918:
4911:
4910:
4903:
4894:
4884:
4875:
4865:
4853:
4844:
4838:LoBianco, TCM
4835:
4826:
4822:
4816:
4810:LoBianca, TCM
4807:
4798:
4791:
4790:
4783:
4774:
4764:
4755:
4746:
4737:
4728:
4719:
4709:
4700:
4691:
4682:
4672:
4665:
4661:
4655:
4646:
4637:
4628:
4619:
4610:
4601:
4592:
4583:
4574:
4564:
4554:
4544:
4535:
4527:
4521:
4514:
4513:Ronald Bergan
4510:
4502:
4494:
4485:
4476:
4470:Hopwood, IMDb
4467:
4458:
4451:
4447:
4437:
4428:
4422:unimportant."
4418:
4409:
4402:
4397:
4393:
4386:
4377:
4367:
4358:
4350:
4349:DeWitt Bodeen
4344:
4335:
4326:
4317:
4308:
4299:
4290:
4280:
4271:
4262:
4252:
4242:
4233:
4224:
4215:
4206:
4200:LoBianco, TCM
4197:
4191:
4190:
4183:
4174:
4165:
4156:
4147:
4138:
4125:
4118:
4114:
4108:
4106:
4101:
4088:
4085:
4083:
4081:
4080:
4076:
4075:
4072:
4070:
4067:
4065:
4062:
4058:
4054:
4051:
4049:
4047:
4046:
4042:
4041:
4038:
4036:
4033:
4031:
4028:
4024:
4021:
4019:
4016:
4014:
4011:
4010:
4007:Gyp Gradyear
4006:
4003:
4001:
3999:
3996:
3995:
3992:
3990:
3987:
3985:
3982:
3981:
3977:
3974:
3971:
3969:
3966:
3965:
3961:
3958:
3956:
3954:
3951:
3947:
3944:Sam McCarver
3943:
3940:
3937:
3935:
3932:
3931:
3928:
3926:
3923:
3921:
3918:
3917:
3914:
3912:
3909:
3907:
3904:
3903:
3900:
3898:
3895:
3893:
3890:
3886:
3883:
3881:
3878:
3876:
3873:
3870:
3869:
3866:
3864:
3861:
3859:
3856:
3853:
3852:
3849:
3847:
3844:
3842:
3839:
3838:
3835:
3833:
3830:
3828:
3825:
3824:
3821:Walter Homer
3820:
3817:
3815:
3813:
3810:
3809:
3806:
3804:
3801:
3799:
3796:
3792:
3789:
3787:
3784:
3782:
3779:
3778:
3774:
3771:
3768:
3766:
3763:
3762:
3758:
3755:
3753:
3751:
3748:
3747:
3743:
3740:
3737:
3735:
3732:
3728:
3725:
3723:
3720:
3718:
3715:
3714:
3710:
3707:
3705:
3703:
3700:
3696:
3692:
3689:
3686:
3684:
3681:
3680:
3677:
3675:
3672:
3670:
3667:
3663:
3660:
3658:
3655:
3653:
3650:
3647:
3646:
3642:
3639:
3637:
3635:
3632:
3631:
3628:
3626:
3623:
3621:
3618:
3614:
3610:
3607:
3605:
3603:
3602:Major Barbara
3600:
3599:
3595:
3592:
3589:
3587:
3584:
3583:
3580:
3578:
3575:
3573:
3570:
3566:
3563:
3561:
3558:
3556:
3553:
3552:
3549:Mr. Jamieson
3548:
3545:
3542:
3540:
3537:
3533:
3530:
3528:
3525:
3523:
3520:
3517:
3516:
3512:
3509:
3507:
3505:
3504:
3500:
3497:
3496:
3485:
3474:
3471:
3458:
3455:
3453:
3451:
3450:
3446:
3443:
3442:
3438:
3435:
3433:
3431:
3430:
3426:
3423:
3422:
3419:
3417:
3414:
3412:
3411:
3407:
3404:
3403:
3400:
3398:
3395:
3393:
3392:
3388:
3385:
3384:
3381:
3379:
3376:
3374:
3373:
3369:
3366:
3365:
3361:
3358:
3356:
3354:
3353:
3349:
3346:
3345:
3341:
3338:
3336:
3334:
3333:
3329:
3326:
3325:
3322:Mr. Lattimer
3321:
3318:
3316:
3314:
3313:
3312:Ponds Theater
3309:
3306:
3305:
3301:
3298:
3296:
3294:
3293:
3289:
3286:
3285:
3282:
3280:
3277:
3275:
3274:
3270:
3269:
3265:
3262:
3259:
3257:
3256:
3252:
3248:
3245:
3243:
3240:
3238:
3237:
3233:
3230:
3229:
3226:
3224:
3221:
3219:
3218:
3214:
3211:
3210:
3207:
3205:
3202:
3200:
3199:
3195:
3192:
3191:
3188:
3186:
3183:
3181:
3180:
3176:
3173:
3172:
3169:
3167:
3164:
3162:
3161:
3157:
3156:
3153:
3151:
3148:
3146:
3145:
3141:
3137:
3134:
3132:
3129:
3127:
3126:
3122:
3119:
3118:
3115:
3113:
3110:
3108:
3107:
3103:
3100:
3099:
3096:
3094:
3091:
3089:
3088:
3084:
3081:
3080:
3077:
3075:
3072:
3070:
3069:
3065:
3064:
3061:
3058:
3055:
3052:
3050:
3049:
3045:
3041:
3038:
3036:
3033:
3031:
3030:
3026:
3025:
3022:
3020:
3017:
3015:
3014:
3010:
3006:
3003:
3001:
2998:
2996:
2995:
2991:
2988:
2987:
2984:
2982:
2979:
2977:
2976:
2972:
2969:
2968:
2965:
2963:
2960:
2958:
2957:
2953:
2952:
2949:
2947:
2944:
2942:
2941:
2937:
2936:
2933:
2931:
2928:
2926:
2925:
2921:
2917:
2914:
2912:
2909:
2907:
2906:
2902:
2901:
2898:
2896:
2893:
2891:
2890:
2886:
2885:
2882:
2880:
2877:
2875:
2874:
2870:
2866:
2863:
2861:
2858:
2856:
2855:
2851:
2850:
2847:
2845:
2842:
2840:
2839:
2835:
2834:
2831:
2829:
2826:
2824:
2823:
2819:
2818:
2815:
2813:
2810:
2808:
2807:
2803:
2799:
2795:
2792:
2789:
2787:
2786:
2782:
2781:
2778:
2776:
2773:
2771:
2770:
2766:
2765:
2762:
2760:
2757:
2755:
2754:
2750:
2749:
2746:
2744:
2741:
2739:
2738:
2734:
2730:
2727:
2725:
2722:
2720:
2719:
2715:
2714:
2711:
2709:
2706:
2704:
2703:
2699:
2695:
2692:
2690:
2687:
2685:
2684:
2680:
2679:
2676:
2674:
2671:
2669:
2668:
2664:
2663:
2660:
2658:
2655:
2653:
2652:
2648:
2647:
2644:
2642:
2639:
2637:
2636:
2635:Scandal Sheet
2632:
2628:
2625:
2623:
2620:
2618:
2617:
2613:
2612:
2608:
2605:
2602:
2600:
2599:
2595:
2594:
2591:
2589:
2586:
2584:
2583:
2579:
2578:
2574:
2571:
2568:
2566:
2565:
2561:
2557:
2554:Mr. Jamieson
2553:
2550:
2547:
2545:
2544:
2540:
2539:
2535:
2532:
2529:
2527:
2526:
2522:
2521:
2518:
2516:
2513:
2511:
2510:
2509:Close Harmony
2506:
2505:
2501:
2498:
2496:
2494:
2493:
2489:
2485:
2474:
2463:
2455:
2447:
2445:
2441:
2437:
2430:Personal life
2427:
2425:
2421:
2417:
2413:
2409:
2408:Carol Burnett
2405:
2401:
2400:
2395:
2391:
2387:
2386:
2381:
2380:Robert Altman
2376:
2374:
2370:
2369:
2364:
2363:
2352:
2350:
2346:
2342:
2341:
2336:
2332:
2331:Vince Edwards
2328:
2327:
2321:
2319:
2313:
2308:
2305:
2301:
2297:
2295:
2291:
2286:
2281:
2279:
2278:
2273:
2272:Susan Hayward
2269:
2266:and starring
2265:
2261:
2260:
2251:
2246:
2243:
2238:
2234:
2232:
2228:
2224:
2220:
2216:
2215:
2206:
2201:
2199:
2198:
2193:
2189:
2185:
2181:
2177:
2176:John Houseman
2172:
2170:
2166:
2162:
2158:
2154:
2149:
2145:
2140:
2138:
2137:
2128:
2123:
2121:
2120:
2115:
2114:
2109:
2108:witch-hunters
2103:
2101:
2095:
2091:
2089:
2088:Howard Hughes
2083:
2078:
2076:
2072:
2068:
2064:
2060:
2050:
2046:
2041:
2039:
2035:
2031:
2030:
2023:
2018:
2016:
2012:
2008:
2004:
1996:
1991:
1989:
1985:
1981:
1977:
1973:
1968:
1966:
1962:
1958:
1954:
1953:
1947:
1945:
1944:
1939:
1934:
1932:
1928:
1924:
1920:
1916:
1912:
1911:
1905:
1903:
1899:
1895:
1890:
1888:
1884:
1880:
1879:
1870:
1866:
1861:
1857:
1855:
1851:
1847:
1846:Robert Walker
1843:
1839:
1838:Joseph Cotten
1835:
1831:
1826:
1824:
1819:
1814:
1812:
1811:
1806:
1798:
1792:
1789:
1784:
1781:
1779:
1775:
1770:
1768:
1764:
1760:
1755:
1753:
1749:
1741:
1736:
1734:
1730:
1725:
1723:
1719:
1715:
1711:
1710:
1705:
1701:
1700:
1693:
1688:
1686:
1681:
1679:
1675:
1672:as Alma, and
1671:
1667:
1663:
1662:
1656:
1653:
1649:
1648:
1643:
1642:Joseph Conrad
1635:
1630:
1628:
1623:
1621:
1617:
1612:
1610:
1609:
1603:
1601:
1600:
1595:
1591:
1587:
1583:
1578:
1576:
1572:
1568:
1564:
1560:
1559:
1554:
1546:
1540:
1538:
1534:
1530:
1524:
1521:
1517:
1515:
1511:
1507:
1506:
1500:
1498:
1493:
1491:
1490:
1485:
1484:James Stewart
1481:
1477:
1476:
1467:
1463:
1458:
1456:
1452:
1451:Fredric March
1448:
1444:
1440:
1439:
1434:
1428:
1423:
1421:
1416:
1414:
1413:Walter Wanger
1410:
1406:
1405:James M. Cain
1402:
1398:
1394:
1390:
1389:Charles Boyer
1386:
1385:
1380:
1376:
1369:
1364:
1362:
1357:
1354:
1350:
1344:
1341:
1335:
1332:
1330:
1326:
1322:
1317:
1314:
1313:Ronald Colman
1310:
1309:
1304:
1296:
1291:
1289:
1285:
1281:
1279:
1275:
1270:
1268:
1267:
1262:
1258:
1254:
1250:
1246:
1245:
1240:
1239:Warner Baxter
1236:
1232:
1231:Claire Trevor
1225:
1223:
1219:
1215:
1203:
1198:
1196:
1195:
1190:
1186:
1181:
1178:
1173:
1171:
1170:
1164:
1162:
1161:
1156:
1155:
1150:
1149:
1144:
1143:
1138:
1137:
1132:
1128:
1124:
1114:
1112:
1108:
1104:
1100:
1096:
1095:
1090:
1089:
1084:
1080:
1076:
1075:
1070:
1065:
1063:
1059:
1055:
1051:
1047:
1042:
1040:
1035:
1033:
1032:
1024:
1023:
1021:
1020:Andrew Sarris
1016:
1012:
1008:
1001:
999:
994:
992:
988:
983:
981:
977:
973:
968:
964:
962:
961:Leslie Howard
958:
954:
949:
947:
946:
941:
937:
932:
930:
929:
920:
915:
913:
912:
907:
906:Ralph Bellamy
902:
900:
895:
890:
888:
884:
879:
877:
876:
871:
863:
859:
854:
852:
848:
844:
840:
836:
835:Walter Huston
832:
828:
827:
822:
814:
809:
807:
803:
799:
798:
792:
790:
786:
782:
781:
776:
772:
771:
765:
763:
759:
755:
745:
740:
735:
733:
732:
724:
721:
717:
712:
709:
705:
700:
698:
694:
690:
689:
684:
680:
679:
674:
673:
672:Scandal Sheet
666:
662:
660:
659:
654:
653:
648:
647:
642:
638:
637:
632:
628:
627:
626:Scandal Sheet
621:
619:
618:Frank Borzage
615:
614:
609:
605:
601:
595:
593:
592:Jackie Coogan
589:
588:
583:
579:
578:
572:
570:
566:
563:short story "
562:
558:
557:
552:
544:
542:
538:
534:
530:
526:
525:
519:
517:
516:
511:
510:
505:
501:
495:
493:
492:Arthur Miller
489:
485:
478:
476:
471:
469:
465:
461:
460:
455:
454:
453:Close Harmony
447:
445:
441:
437:
433:
432:Fredric March
429:
425:
424:
419:
415:
411:
397:
393:
391:
387:
383:
379:
378:Sidney Howard
375:
370:
368:
364:
363:Major Barbara
360:
355:
353:
349:
345:
340:
338:
334:
333:
327:
325:
317:
313:
308:
299:
297:
287:
285:
281:
277:
273:
272:John Cromwell
264:
261:
260:Victory Medal
258:
254:
251:
248:
244:
240:
236:
232:
228:
224:
220:
217:
214:
208:
205:
204:United States
202:
198:
193:
190:
187:2, including
186:
182:
166:
140:
104:Alice Lindahl
103:
99:
95:
91:
84:
81:
80:
78:
74:
69:
59:
55:
50:
33:
29:
25:John Cromwell
22:
19:
7087:Delbert Mann
7050:
6899:Mark Rylance
6843:Billy Crudup
6811:Denis O'Hare
6787:2001âpresent
6704:Kevin Spacey
6664:John Mahoney
6656:Barry Miller
6648:Joe Mantegna
6624:Brian Backer
6616:David Rounds
6549:John Lithgow
6453:Martin Gabel
6421:Frank Conroy
6380:
6304:
6296:
6288:
6280:
6272:
6264:
6256:
6248:
6240:
6234:
6226:
6218:
6210:
6202:
6194:
6186:
6180:In Name Only
6178:
6170:
6162:
6154:
6146:
6138:
6130:
6122:
6114:
6108:Village Tale
6106:
6100:The Fountain
6098:
6090:
6082:
6074:
6066:
6058:
6050:
6042:
6034:
6026:
6018:
6010:
6002:
5994:
5986:
5978:
5970:
5962:
5954:
5946:
5938:
5927:
5855:
5844:
5834:In Name Only
5833:
5822:
5811:
5800:
5789:
5782:
5772:
5754:
5736:
5729:
5718:
5693:
5679:
5667:. Retrieved
5664:The Guardian
5663:
5653:
5645:
5636:
5628:
5620:
5612:
5604:
5595:
5586:
5577:
5568:
5559:
5550:
5541:
5531:
5522:
5513:
5500:
5492:
5487:
5478:
5469:
5460:
5450:
5441:
5432:
5423:
5414:
5404:
5395:
5386:
5377:
5368:
5359:
5351:
5345:
5336:
5327:
5318:
5309:
5299:
5290:
5285:
5276:
5267:
5258:Dana Andrews
5252:
5235:
5226:
5217:
5208:
5199:
5190:
5181:
5174:In Name Only
5173:
5169:
5164:
5155:
5146:
5133:
5124:
5114:
5105:
5096:
5087:
5078:
5069:
5060:
5051:
5042:
5033:
5024:
5015:
5006:
4997:
4988:
4979:
4968:
4959:
4949:
4943:
4937:
4928:
4917:
4908:
4902:
4893:
4883:
4874:
4864:
4852:
4843:
4834:
4821:Pepe le Moko
4820:
4815:
4806:
4801:Barson, 2019
4797:
4788:
4782:
4773:
4763:
4754:
4745:
4736:
4727:
4718:
4708:
4699:
4690:
4681:
4671:
4659:
4654:
4645:
4636:
4627:
4618:
4609:
4600:
4591:
4582:
4573:
4563:
4553:
4543:
4534:
4525:
4520:
4508:
4500:
4493:
4484:
4475:
4466:
4461:Baxter, 1970
4457:
4449:
4445:
4436:
4427:
4417:
4412:Barson, 2019
4408:
4400:
4396:B. B. Kahane
4385:
4376:
4366:
4357:
4343:
4334:
4325:
4316:
4307:
4298:
4289:
4279:
4270:
4261:
4251:
4241:
4232:
4223:
4214:
4205:
4196:
4187:
4182:
4173:
4164:
4155:
4146:
4137:
4124:
4116:
4077:
4063:
4043:
4029:
4012:
3997:
3983:
3967:
3953:Little Eyolf
3952:
3934:Sam McCarver
3933:
3919:
3905:
3891:
3874:
3857:
3840:
3826:
3811:
3797:
3780:
3764:
3749:
3733:
3716:
3701:
3682:
3668:
3651:
3633:
3619:
3601:
3585:
3571:
3554:
3538:
3521:
3503:Little Women
3501:
3482:Credited as
3469:
3466:Stage career
3447:
3427:
3408:
3389:
3370:
3350:
3330:
3310:
3302:Jim Conover
3290:
3271:
3253:
3234:
3215:
3196:
3177:
3158:
3142:
3123:
3104:
3085:
3066:
3046:
3029:In Name Only
3027:
3011:
2992:
2973:
2954:
2938:
2922:
2903:
2887:
2873:Village Tale
2871:
2854:The Fountain
2852:
2836:
2820:
2804:
2783:
2767:
2751:
2735:
2716:
2700:
2681:
2665:
2649:
2633:
2614:
2596:
2580:
2562:
2541:
2523:
2507:
2490:
2471:Credited as
2453:
2433:
2424:Lillian Gish
2397:
2394:Sissy Spacek
2383:
2377:
2366:
2360:
2358:
2338:
2335:Carol Ohmart
2324:
2322:
2317:
2315:
2310:
2303:
2302:
2298:
2282:
2275:
2268:Kirk Douglas
2257:
2255:
2249:
2242:Nicholas Ray
2239:
2235:
2212:
2210:
2204:
2195:
2179:
2173:
2161:Hope Emerson
2150:
2147:
2142:
2134:
2132:
2126:
2117:
2111:
2105:
2099:
2097:
2092:
2085:
2080:
2070:
2056:
2048:
2043:
2038:femme-fatale
2037:
2027:
2025:
2020:
2014:
2000:
1994:
1969:
1961:Merle Oberon
1957:Dana Andrews
1950:
1948:
1941:
1935:
1927:Rex Harrison
1908:
1906:
1894:Robert Young
1891:
1876:
1874:
1868:
1864:
1858:
1853:
1827:
1817:
1815:
1808:
1802:
1796:
1787:
1786:
1782:
1777:
1774:Gene Tierney
1771:
1763:Tyrone Power
1756:
1747:
1745:
1739:
1732:
1726:
1707:
1697:
1695:
1690:
1684:
1682:
1677:
1659:
1657:
1651:
1645:
1639:
1633:
1624:
1619:
1616:Ann Rutledge
1613:
1606:
1604:
1597:
1579:
1556:
1550:
1544:
1526:
1522:
1518:
1505:In Name Only
1503:
1501:
1494:
1487:
1473:
1471:
1466:In Name Only
1465:
1461:
1436:
1430:
1425:
1417:
1384:Pepe Le Moko
1382:
1374:
1373:
1367:
1360:
1358:
1349:George Cukor
1346:
1343:the picture.
1338:I called on
1337:
1333:
1320:
1318:
1306:
1303:Anthony Hope
1300:
1294:
1282:
1271:
1264:
1242:
1228:
1221:
1217:
1213:
1209:
1201:
1192:
1188:
1182:
1174:
1167:
1165:
1158:
1152:
1146:
1140:
1134:
1120:
1110:
1102:
1092:
1086:
1074:Village Tale
1072:
1068:
1066:
1062:The Fountain
1061:
1050:Brian Aherne
1043:
1038:
1036:
1031:The Fountain
1029:
1027:
1018:
1004:
998:George Cukor
995:
986:
984:
980:Joseph Breen
975:
971:
969:
965:
950:
943:
933:
926:
924:
918:
909:
903:
893:
891:
882:
880:
873:
867:
861:
857:
824:
818:
812:
795:
793:
778:
768:
766:
753:
751:
742:
737:
729:
726:
715:
714:
703:
701:
686:
676:
670:
668:
664:
656:
650:
644:
634:
624:
622:
611:
596:
585:
575:
573:
554:
553:
550:
522:
520:
513:
507:
497:
488:Charlie Lang
480:
472:
467:
463:
457:
451:
448:
421:
417:
408:
394:
385:
374:Frank Craven
371:
356:
347:
341:
332:Little Women
330:
328:
321:
316:Little Women
315:
293:
276:Elwood Dager
275:
271:
270:
246:Battles/wars
62:(1979-09-26)
49:Toledo, Ohio
35:Elwood Dager
18:
7198:1979 deaths
7193:1886 births
7093:Robert Wise
7075:Frank Capra
7033:Frank Capra
6931:Nathan Lane
6915:Reed Birney
6776:Roy Dotrice
6736:John Glover
6688:Boyd Gaines
6632:Zakes Mokae
6557:Ed Flanders
6477:Hume Cronyn
6429:Henry Jones
6373:Eli Wallach
6290:The Goddess
6068:Ann Vickers
5172:(1937) and
5139:Max Steiner
4951:The Goddess
4568:actresses."
4511:âŠ" Quoting
4446:Ann Vickers
4401:Ann Vickers
4256:uncredited.
4089:Wick Snell
3750:Personality
3372:The Goddess
2785:Ann Vickers
2536:Doorkeeper
2458:Filmography
2440:Ruth Nelson
2436:Kay Johnson
2318:The Goddess
2304:The Goddess
2294:Kim Stanley
2277:The Goddess
2264:H.C. Potter
2250:The Goddess
2169:Lee Patrick
2165:Betty Garde
2075:witch-hunts
2057:During the
1988:blacklisted
1980:McCarthyite
1931:Irene Dunne
1867:(1945) and
1788:Son of Fury
1778:Son or Fury
1748:Son of Fury
1740:Son of Fury
1670:Betty Field
1627:Ruth Gordon
1586:Henry Fonda
1514:Kay Francis
1443:Archie Mayo
1433:Sam Goldwyn
1393:Hedy Lamarr
1321:contretemps
1278:Joel McCrea
1261:James Whale
1253:W. C. Handy
1249:New Orleans
1218:The Goddess
1157:(1937) and
1109:starred in
1107:Henry Fonda
1099:Kay Johnson
1046:Ann Harding
972:Ann Vickers
957:club-footed
953:Bette Davis
936:John Baxter
894:contretemps
839:Jane Murfin
831:Irene Dunne
826:Ann Vickers
813:Ann Vickers
802:Ann Harding
785:Irene Dunne
697:Kay Francis
631:Clive Brook
600:Helen Hayes
569:Gary Cooper
541:Jean Arthur
537:Kay Francis
509:Thunderbolt
312:Alice Brady
250:World War I
165:Ruth Nelson
139:Kay Johnson
76:Occupations
7187:Categories
7111:Jud Taylor
7027:King Vidor
6971:Will Brill
6851:Jim Norton
6768:Frank Wood
6760:Tom Murphy
6752:Owen Teale
6525:Ken Howard
6469:Alan Arkin
6282:The Racket
6258:Night Song
6004:Unfaithful
5988:Tom Sawyer
5956:The Mighty
5705:References
4825:Jean Gabin
4045:The Racket
3734:The Teaser
3273:The Racket
3266:Policeman
3217:Night Song
3060:John Brown
2651:Unfaithful
2616:Tom Sawyer
2543:The Mighty
2416:Mia Farrow
2290:Patty Duke
2214:The Racket
2205:The Racket
2188:Jane Greer
2007:Harry Cohn
1952:Night Song
1714:Glenn Ford
1590:Max Gordon
1510:Cary Grant
1340:Jimmy Howe
1290:royalty."
1288:Ruritanian
1083:Ann Dvorak
1011:Mary Astor
693:Paul Lukas
678:Unfaithful
587:Tom Sawyer
582:Mark Twain
515:The Mighty
484:Jimmy Howe
440:ZaSu Pitts
436:Jack Oakie
386:The Racket
200:Allegiance
114:Marie Goff
41:1886-12-23
7135:Jack Shea
6949:(2020/21)
6576:1976â2000
6533:Paul Sand
6517:Al Pacino
6413:Ed Begley
6397:John Kerr
6357:1949â1975
6044:Sweepings
5972:The Texan
5506:Schulberg
4869:herself."
4096:Footnotes
3875:Bewitched
3827:Manhattan
3775:Maillard
3620:The Earth
3487:Director
3449:A Wedding
3439:Mr. Rose
2737:Sweepings
2582:The Texan
2492:The Dummy
2476:Director
2399:A Wedding
1823:homefront
1582:John Ford
1447:John Ford
1266:Show Boat
1235:Myrna Loy
1058:Dejection
1056:'s poem "
1054:Coleridge
942:'s novel
887:hillbilly
770:Sweepings
610:'s novel
608:Hemingway
556:The Texan
464:Burlesque
423:The Dummy
280:film noir
101:Spouse(s)
96:1912â1979
6501:Ian Holm
6076:Spitfire
5669:June 23,
4909:Selznick
4284:project.
4246:demand."
4159:See IMDb
3798:Drifting
3759:Simpson
2806:Spitfire
2368:Desk Set
2015:Drifting
1946:(1956).
1813:(1944).
1685:Victory,
1555:'s play
1197:(1939).
1163:(1938).
1151:(1936),
1145:(1936),
1139:(1936),
914:(1934).
875:Spitfire
858:Spitfire
829:(1933).
604:adaption
561:O. Henry
512:(1930).
233:Corporal
210:Service/
184:Children
82:Director
6680:BD Wong
6196:Victory
6164:Algiers
5875:at the
5753:. TCM.
5629:Variety
4768:styleâŠ"
3920:Harvest
3858:Tarnish
3669:At 9:45
3572:Sinners
3429:3 Women
3068:Victory
2994:Algiers
2575:Imbrie
2385:3 Women
1923:Mongkut
1791:factor.
1709:Flotsam
1678:Harvest
1661:Victory
1652:Victory
1634:Victory
1533:Borzage
1375:Algiers
1368:Algiers
1172:(1921)
1160:Algiers
883:Trigger
681:, with
641:Dickens
361:plays:
178:
170:
159:
147:
143:
133:
121:
117:
7173:(2021)
7167:(2017)
7161:(2013)
7155:(2009)
7149:(2003)
7143:(2002)
7137:(1997)
7131:(1993)
7125:(1987)
7119:(1983)
7113:(1981)
7107:(1979)
7101:(1975)
7095:(1971)
7089:(1967)
7083:(1961)
7077:(1960)
7071:(1951)
7065:(1950)
7059:(1948)
7053:(1944)
7047:(1943)
7041:(1941)
7035:(1939)
7029:(1936)
6973:(2024)
6965:(2023)
6957:(2022)
6941:(2019)
6933:(2018)
6925:(2017)
6917:(2016)
6909:(2015)
6901:(2014)
6893:(2013)
6885:(2012)
6877:(2011)
6869:(2010)
6861:(2009)
6853:(2008)
6845:(2007)
6837:(2006)
6829:(2005)
6821:(2004)
6813:(2003)
6805:(2002)
6797:(2001)
6778:(2000)
6770:(1999)
6762:(1998)
6754:(1997)
6746:(1996)
6738:(1995)
6730:(1994)
6722:(1993)
6714:(1992)
6706:(1991)
6698:(1990)
6690:(1989)
6682:(1988)
6674:(1987)
6666:(1986)
6658:(1985)
6650:(1984)
6642:(1983)
6634:(1982)
6626:(1981)
6618:(1980)
6610:(1979)
6602:(1978)
6594:(1977)
6586:(1976)
6567:(1975)
6559:(1974)
6551:(1973)
6543:(1972)
6535:(1971)
6527:(1970)
6519:(1969)
6511:(1968)
6503:(1967)
6495:(1966)
6487:(1965)
6479:(1964)
6471:(1963)
6463:(1962)
6455:(1961)
6447:(1960)
6439:(1959)
6431:(1958)
6423:(1957)
6415:(1956)
6407:(1955)
6399:(1954)
6391:(1953)
6383:(1952)
6375:(1951)
6367:(1949)
6309:(1961)
6301:(1959)
6293:(1958)
6285:(1951)
6277:(1951)
6269:(1950)
6261:(1948)
6253:(1947)
6245:(1946)
6237:(1945)
6231:(1945)
6223:(1944)
6215:(1942)
6207:(1941)
6199:(1940)
6191:(1940)
6183:(1939)
6175:(1939)
6167:(1938)
6159:(1937)
6151:(1936)
6143:(1936)
6135:(1936)
6127:(1935)
6119:(1935)
6111:(1935)
6103:(1934)
6095:(1934)
6087:(1934)
6079:(1934)
6071:(1933)
6063:(1933)
6055:(1933)
6047:(1933)
6039:(1932)
6031:(1932)
6023:(1931)
6015:(1931)
6007:(1931)
5999:(1931)
5991:(1930)
5983:(1930)
5975:(1930)
5967:(1930)
5959:(1929)
5951:(1929)
5943:(1929)
5743:
5455:case."
4558:shown.
3968:Devils
3490:Actor
3479:Title
2479:Actor
2468:Title
2252:(1958)
2207:(1951)
2180:Caged,
2129:(1950)
2071:Action
1871:(1946)
1799:(1944)
1742:(1942)
1706:novel
1636:(1940)
1625:Actor
1547:(1940)
1370:(1938)
1297:(1937)
1204:(1936)
1105:, and
921:(1934)
864:(1934)
823:novel
815:(1933)
723:away."
602:in an
450:1929:
318:(1912)
274:(born
256:Awards
212:branch
70:, U.S.
51:, U.S.
6266:Caged
6116:Jalna
4945:Caged
4060:1928
4026:1927
3998:Fanny
3949:1926
3888:1925
3871:1924
3854:1923
3794:1922
3730:1921
3698:1920
3665:1919
3648:1917
3616:1916
3568:1915
3535:1914
3518:1913
3498:1912
3493:Role
3476:Year
3444:1978
3424:1977
3405:1961
3386:1959
3367:1958
3347:1957
3327:1956
3307:1955
3287:1954
3250:1951
3236:Caged
3231:1950
3212:1948
3193:1947
3174:1946
3139:1945
3120:1944
3101:1942
3082:1941
3043:1940
3008:1939
2989:1938
2970:1937
2919:1936
2889:Jalna
2868:1935
2801:1934
2732:1933
2697:1932
2630:1931
2559:1930
2487:1929
2482:Role
2465:Year
2450:Death
2136:Caged
2127:Caged
2113:Caged
1692:part.
1571:Union
1537:Stahl
1529:Cukor
1420:Garbo
1214:Caged
1103:Jalna
1088:Jalna
1039:décor
847:MPPDA
691:with
418:début
172:(
168:
149:(
145:
123:(
119:
85:actor
5891:IMDb
5741:ISBN
5671:2024
4948:and
4448:and
4086:Yes
4068:Yes
4052:Yes
4017:Yes
4004:Yes
3988:Yes
3975:Yes
3972:Yes
3959:Yes
3941:Yes
3924:Yes
3896:Yes
3862:Yes
3845:Yes
3831:Unk
3818:Yes
3802:Yes
3785:Yes
3772:Yes
3756:Yes
3741:Yes
3738:Yes
3721:Yes
3708:Yes
3690:Yes
3687:Yes
3673:Yes
3640:Yes
3624:Yes
3608:Yes
3593:Yes
3590:Yes
3576:Yes
3555:LIfe
3546:Yes
3526:Yes
3510:Yes
3456:Yes
3436:Yes
3415:Yes
3396:Yes
3377:Yes
3359:Yes
3339:Yes
3319:Yes
3299:Yes
3278:Yes
3263:Yes
3260:Yes
3241:Yes
3222:Yes
3203:Yes
3184:Yes
3165:Yes
3149:Yes
3130:Yes
3111:Yes
3092:Yes
3073:Yes
3056:Yes
3053:Yes
3034:Yes
3018:Yes
2999:Yes
2980:Yes
2961:Yes
2945:Yes
2929:Yes
2910:Yes
2894:Yes
2878:Yes
2859:Yes
2843:Yes
2827:Yes
2811:Yes
2793:Yes
2790:Yes
2774:Yes
2758:Yes
2742:Yes
2723:Yes
2707:Yes
2688:Yes
2672:Yes
2656:Yes
2640:Yes
2621:Yes
2606:Yes
2603:Yes
2587:Yes
2572:Yes
2569:Yes
2551:Yes
2548:Yes
2533:Yes
2530:Yes
2514:Yes
2499:Yes
2422:and
2392:and
2347:and
2333:and
2270:and
2190:and
2167:and
2069:for
1959:and
1848:and
1716:and
1535:and
1482:and
1464:and
1453:and
1445:and
1391:and
1351:and
1276:and
1255:'s "
1237:and
1216:and
1129:and
1091:and
1081:and
860:and
804:and
695:and
685:and
649:and
539:and
438:and
380:and
238:Unit
230:Rank
155:div.
129:div.
57:Died
31:Born
5889:at
2296:).
2045:it.
2026:In
2009:'s
1984:Red
1856:."
1435:'s
1263:'s
872:in
762:RKO
620:.
606:of
584:'s
7189::
5662:.
5644:.
5627:.
5611:.
5275:.
4115:.
4104:^
2446:.
2418:,
2414:,
2410:,
2406:,
2351:.
2194::
2163:,
2159:,
2155:,
2122:.
2077::
1844:,
1840:,
1836:,
1832:,
1680:.
1602:.
1531:,
1516:.
1457:.
1415:.
1187:,
1113:.
1085:.
1013:,
1009:,
974:,
931:.
908:,
878:.
853:.
837:.
808:.
699:.
643:'
633:,
571:.
535:,
490:,
486:,
434:,
430:,
286:.
174:m.
151:m.
125:m.
108:m.
7007:e
7000:t
6993:v
6342:e
6335:t
6328:v
5919:e
5912:t
5905:v
5687:.
5673:.
5279:.
494:.
106:(
43:)
39:(
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