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975:, in London, where Battles was then starring in the West End musical "Belinda Fair." In the Times' announcement, Miss Anderson's profession was given as "short story writer." Miss Anderson was elsewhere noted as a former model and the daughter of evangelist and author George Wood Anderson. At the time of his death in
223:
opened on
Broadway at the Adelphi Theater on Dec. 28th, 1944. It moved briefly to the 44th Street Theater on June 4, 1945, and finally to the Martin Beck Theater on July 30, 1945, before closing on Feb. 2nd, 1946 after a run of 462 performances. Battles stayed with the production for the entirety of
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is parenthetically remarkable for being
Battles' ultimate appearance on Broadway, however brief, and for the notice in his program biography of his casting in a touring production of "Auntie Mame" at some point after he returned from Europe; Battles is credited there for the role of Brian O'Bannion
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These circumstances and themes as MacLiammoir related to them engendered hostile reactions from critics and audiences in both
Ireland and Scotland. Several in-theater disruptions of the show were reported, letters to the editor in newspapers voiced indignant disgust, and professional reviewers
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marked a five-year-long period of heavy activity on
Broadway for Battles and at this point he took a break from performing on its stages to pursue acting opportunities abroad. Battles turned down several Broadway offers in 1948 and accepted instead a contract for the 1948 season from the
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ran a short item announcing the date of the
Battles-Anderson wedding as February 14. Conversely, text accompanying a 1949 King Features Syndicate publicity photo of the couple on their wedding day gives the matrimony date as April 13 of the same year, and the wedding venue as
963:, Battles appeared to have an intense, amorous affair with the show's composer-conductor, Leonard Bernstein. In letters to Bernstein dating from early February 1945, Battles wrote of his love for the budding maestro and of the lingering sensations of their sexual encounters.
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Professional activity for
Battles slowed considerably after his failed bid at starting a career in British cinema. He made what proved to be his final appearance on Broadway in March 1961, nearly 13 years after the close of Allegro. This was for the short-lived
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in Dublin on
September 27, 1948. His role as the Second Duke was minor and he is little mentioned in reviews. Gate founders Edwards and MacLiammoir both took parts, the latter the lead role of the Prince, with Edwards wearing also the hat of director.
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Yet, 1949 proved a difficult year for the Rank
Organization and it was forced that year to sell off two of its five studios. It is perhaps owing to the timing of this tumult that no Rank film with John Battles appears to have ever been made.
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brought
Battles briefly back into the Broadway limelight. He featured among a cast of several stage luminaries assembled to give tribute in song to Hammerstein at the 46th Street Theater on April 8, 1962. Other notables partaking included
732:, trying to leave behind a past that includes a turn as a prostitute in London. Upon return to her native west of Ireland with her husband-to-be, she meets up with her past in the form of her fiancé's father, a former customer.
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called the play's
Elizabethan-era setting a slight disguise which at times wears off altogether. It is worth noting that Porter-Lowe was reported at the time as being a close friend of the Duchess of Windsor - the former
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debuted to much anticipation. It was a world premiere by a non-Irish playwright, at the time something of a novelty in Ireland, and the play was perceived to portray the unprecedented abdication in 1936 of England's
711:, received its world premiere at the Gaiety on October 25, 1948, and ran for the two-week remainder of the Gate's six-week home season in Dublin. Immediately following, Battles and company moved to the
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Battles's own notices as romantic lead Colonel Miles O'Malley in the production were similarly ambivalent. He was noted as handsome, playing up gallantly, and acting and singing sympathetically.
128:(August 10, 1921 – September 22, 2009) was a musical and dramatic theater actor and a native of New York City. Battles's breakout role and career highlight came in 1944 as Gabey in the original
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centers on the first 35 years of the unremarkable life and times of Joseph Taylor, Jr., the character played by Battles. Several critics likened the unpretentious tale of this musical play to
655:, was quoted at the time saying that "the parallel between this chronicle play and the facts of Edward VIII's abdication are incidental". Others saw it quite differently. A reporter for the
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ventured somewhat more positively that "While nobody would call it an original musical comedy the scenes all have the familiar freshness that springs from an uncondescending invention".
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over for additional performances. Significantly, this left time enough only for a two show season whereas three shows had initially been planned for the six-week season of Autumn 1948.
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called it "a work of great beauty and purity" and stated that Rodgers and Hammerstein had only "just missed the final splendor of a perfect work of art". Ward Morehouse, writing in
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also weighed in positively, if ambivalently, for Battles stating that while "John Battles miming as the sinister fool is good ... the part seems to have included only for effect".
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variously dismissed the play as "a sordid and unpleasant piece", and effort expended "on a subject that proves nothing, teaches nothing and is scarcely palatable entertainment".
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Critical reactions to the actors' performances were generally positive, even where the play itself was dismissed or castigated. "Those Irish can act" ran the headline in the
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critic assessed the show as "equally compounded of period dresses, romantic cliches, and vulgarity", while suggesting that it would be immensely popular. Anthony Cookman in
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as the Dancing Boy. Battles played the Yokel Sailor and understudied one of the male leads before resigning from the production when he was offered the role of Gabey in
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as one of the trio of sailors the show follows over a 24-hour period of leave in New York City. As Gabey, Battles featured in the singing of six of the show's songs: "
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Battles married Jane Anderson sometime between 1948 and 1949. There is conflicting information as to the actual date of Battles' wedding. On January 29, 1948,
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612:. Battles called the Gate one of the finest repertory companies in the world and expressed his regard for Edwards and MacLiammoir as great teachers.
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on October 10, 1947. It ran until July 10, 1948, for a total of 315 performances. Battles performed in his role for the entirety of the run.
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Rodgers and Hammerstein had already between them nearly six glory-filled decades of Broadway triumph and in their first collaboration,
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308:", "Lonely Town", "Lucky to be Me", "Subway Ride", "Imaginary Coney Island", and the show ending reprise of "New York, New York".
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and written by Eric Maschwitz and Gilbert Lennox with music by Jack Strachey, it opened on March 25, 1949. It transferred to the
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opened (without Mr. Battles) as a touring production two days later in Baltimore on February 4 and in 1949 a film version of
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severely disappointed Louis Kronenberger allowed that Battles was a likable Joe Taylor. It was only William Hawkins in the
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Mentions of Battles in the reviews, as for cast members generally, were brief but approving. From Howard Barnes of the
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the run, missing two periods due to illness and vacation break when understudy Marten Sameth stepped into his role.
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protagonist Joseph Taylor, Jr. was apparently among the first to be cast. On July 4, 1947, Zolotow reported in the
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who sounded a sour note in calling the cast (with two noted exceptions, not including Battles) simply colorless.
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concurred by calling it "much the best musical of the year". The show's detractors included John Chapman of the
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called Battles "an affecting Joe Taylor - forthright, bewildered, and believable". Even the New York newspaper
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called it "the most strenuously anticipated musical show of the post-war era" and advance ticket sales for
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and included Battles's singing on "Lonely Town" and "Lucky To Be Me" among features to recommend the show.
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confessed to a mild beguilement but wrote that the show's humor was "a dead horse flogged without mercy".
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also noted an enthusiastic reception from the audience and deemed the show a spectacular production. The
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said "only the flimsiest of veils separates the stage show from the historic events in England in 1936".
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as "a theatrical piece of taste, imagination, and showmanship". Not to be outdone, Robert Coleman in the
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391:. Langer and Helburn's previous collaborations with Rodgers and Hammerstein were several and included
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heralded the arrival of new legends on Broadway, Battles' next role, the male lead in the new musical
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The Gate Theatre was formed in Dublin in 1928 by the Irish actors and theatrical producing team of
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critic called it a powerful play that "put a spell on the audience" and Gabriel Fallon writing in
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was the first Broadway success for a quartet of American theater legends: composer and conductor
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Springtime of 1949 found Battles engaged in London as the male lead in the new musical romance
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As such, Battles joined yet another American theater luminary already attached to the project.
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centers on a young Irish woman, played in this production by British stage and screen veteran
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Like its predecessor, some controversy greeted this new play from Gate co-founder MacLiammor.
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In reporting on Mr. Battles 1948 departure from the U.S. for European stages, Louis Calta of
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said it was "the freshest and most engaging musical to come this way since the golden day of
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writer chimed in, stating that "John Battles produced some impressively tragic miming". The
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called it MacLiammoir's greatest play and "a work within a stone's throw of great tragedy".
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Lowe-Porter, known widely then as the authorized English translator for famed German writer
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called it a brilliant verse play and noted that the audience cheered and wildly applauded.
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and before its stage debut paid a $ 100,000 deposit towards securing the screen rights.
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cast photos in the Bryn Mawr, Haverford, and Swarthmore College Libraries collections.
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expressed a profoundly different view. Louis Kronenberger, in the New York newspaper
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that as of that date "only John Battles and John Conte are definite for the cast".
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323:: "John Battles as the lovelorn gob is an engaging youth". Robert Garland of the
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New York reviews for the show were mixed, but mostly favorable. Lewis Nichols in
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who offered merely that "if you are not too exacting it is pretty good fun".
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Starred in the original Broadway productions of "On The Town" and "Allegro"
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starring in the role originated by Battles. MGM was a financial backer of
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On balance, however, reaction to the play in both venues was mixed. The
315:: "Battles comes through with 'Lonely Town' and 'Lucky To Be Me'." From
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opined that "John Battles is perfect as the hero". Ward Morehouse in
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was "not that it's bad but that it's boring". William Hawkins in the
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were largely favorable and those nearly reverent. Brooks Atkinson of
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Before his departure for Ireland, Battles spoke with Louis Calta of
166:, had his early experience in theater with the Woodstock Players in
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His first role on Broadway was as a chorus member in Cole Porter's
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their professional acting debuts in 1931 and 1935, respectively.
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1011:"Internet Broadway Database page for Rodgers and Hammerstein's
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and the very woman at the center of King Edward's abdication.
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Battles's role as Gabey put him at the heart of the matter in
1621:"Belinda Fair - the Guide to Musical Theatre - Show Synopsis"
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Bernstein Meets Broadway: Collaborative Art in a Time of War
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noted that while in Europe Battles would do a film for the
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The New York critics' reaction to Battles's performance in
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proved popular with both critics and ticket buyers. The
438:, niece of Hollywood film producing and directing titan
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Internet Broadway Database entry for The Theatre Guild
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on June 20 and closed July 16 after 131 performances.
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In addition to giving Battles his career making role,
490:'s iconic drama of everyday small-town American life
857:. Several of Rank's films from the 1940s, including
719:, where the Gate began a four-week Scottish season.
1298:
Internet Broadway Database entry for Agnes de Mille
997:"Internet Broadway Database page for John Battles"
688:called it a skillfully staged and produced drama.
1687:Internet Broadway Database entry for John Battles
947:, and Hammerstein's long-time composing partner,
765:Fallon noted his performance as outstanding; the
622:Battles' first performance with the Gate came in
367:Rodgers and Hammerstein's producing partners for
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279:". Louis Kronenberger of the New York newspaper
841:Rank, founded in 1937 by English industrialist
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881:, are regarded as classics of British cinema.
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648:, this still quite fresh in people's minds.
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1418:The Gate Theatre web site, August 2009
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1092:Internet Broadway Database entry for
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132:production of the hit musical comedy
807:received a tepid critical response.
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878:The Life and Death of Colonel Blimp
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900:(28 performances), starring
726:The Mountains Look Different
708:The Mountains Look Different
700:The Mountains Look Different
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227:After closing on Broadway,
45:Francis Xavier Joseph Tuohy
16:American singer (1921-2009)
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1802:Singers from New York City
1726:. Oxford University Press.
866:A Matter of Life and Death
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235:was produced by MGM with
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1194:New York World-Telegram
567:New York World Telegram
555:New York Herald Tribune
546:a vast disappointment.
540:New York World Telegram
313:New York Herald Tribune
294:New York World Telegram
111:Jane Anderson (m. 1949)
1722:Oja, Carol J. (2014).
1560:Scottish Daily Express
752:Scottish Daily Express
632:, which opened at the
523:called it perfection.
454:and was fresh off her
197:and featuring a young
180:Something for the Boys
1521:Glasgow Evening Times
1485:Dublin Evening Herald
1458:Manchester Daily Mail
977:Fredericksburg, Texas
919:in the titular role.
826:The Rank Organization
678:Manchester Daily Mail
658:Manchester Daily Mail
499:New York reviews for
458:winning success with
144:. He last starred in
77:Fredericksburg, Texas
1487:, September 25, 1948
1475:, September 28, 1948
1460:, September 28, 1948
1445:, September 28, 1948
1428:irishplayography.com
1208:, December 29, 1944.
1123:, September 25, 1945
1119:, February 2, 1945.
1027:Tuohy Family Sources
959:Early in the run of
586:of Dublin, Ireland.
395:and the now revered
355:Oscar Hammerstein II
1608:The Times Pictorial
1598:, November 26, 1948
1574:, November 10, 1948
1523:, November 10, 1948
1511:, November 10, 1948
1361:New York newspaper
1232:, December 29, 1944
1220:, December 29, 1944
1196:, December 29, 1944
1184:, December 29, 1944
1182:New York Daily News
1172:, December 29, 1944
1168:New York newspaper
1159:, December 29, 1944
1147:, December 28, 1944
1107:, January 11, 1946.
1078:, October 10, 1947.
1058:, December 28, 1944
973:Hampstead Town Hall
595:Michael MacLiammoir
385:George Bernard Shaw
288:New York Daily News
1748:, January 29, 1948
1746:The New York Times
1710:The New York Times
1610:, October 27, 1948
1586:, October 26, 1948
1562:, November 5, 1948
1550:, November 5, 1948
1535:, October 26, 1948
1497:Sunday Independent
1407:The New York Times
1392:, October 11, 1947
1380:, October 11, 1947
1365:, October 13, 1947
1349:, October 11, 1947
1337:, October 11, 1947
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1320:The New York Times
1287:The New York Times
1277:, October 10, 1947
1275:The New York Times
1265:, October 11, 1947
1157:The New York Times
1145:The New York Times
1135:, January 11, 1946
1133:The New York Times
1121:The New York Times
1117:The New York Times
1105:The New York Times
1040:, October 10, 1947
968:The New York Times
851:Emeric Pressburger
832:The New York Times
793:. Produced at the
705:This second show,
686:Sunday Independent
610:The New York Times
573:Engagements abroad
505:The New York Times
423:Battles's role as
306:New York, New York
272:The New York Times
168:Woodstock, Vermont
147:Thirteen Daughters
69:September 22, 2009
59:New York, New York
1499:, October 3, 1948
1473:The Cork Examiner
1409:, August 24, 1948
924:Oscar Hammerstein
836:Rank Organization
682:The Cork Examiner
663:The Cork Examiner
252:Leonard Bernstein
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1584:Evening Herald
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1509:Glasgow Herald
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1289:, July 4, 1947
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945:Elaine Stritch
906:New York Times
890:
887:
847:Michael Powell
843:J. Arthur Rank
827:
824:
799:Strand Theatre
784:
779:
767:Evening Herald
763:The Standard's
730:Sheila Burrell
702:
697:
668:Wallis Simpson
634:Gaiety Theatre
619:
614:
591:Hilton Edwards
574:
571:
436:Agnes de Mille
418:New York Times
377:Eugene O'Neill
338:
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329:Herald Tribune
256:Jerome Robbins
217:
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195:Jackie Gleason
162:and raised in
155:
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100:Known for
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410:New York Post
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404:The debut of
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373:Theatre Guild
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1698:13 Daughters
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1572:The Bulletin
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1548:The Standard
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1533:Evening Mail
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1347:Daily Mirror
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965:
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937:Alfred Drake
921:
917:Shirl Conway
912:13 Daughters
911:
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897:13 Daughters
895:
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831:
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805:Belinda Fair
804:
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790:Belinda Fair
788:
786:
782:Belinda Fair
781:
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766:
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756:The Bulletin
755:
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745:The Standard
744:
741:Evening Mail
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599:Orson Welles
588:
584:Gate Theatre
578:
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531:
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521:Daily Mirror
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264:Betty Comden
260:Adolph Green
247:
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214:
202:
199:Danny Aiello
188:
185:Ethel Merman
178:
176:
172:Philadelphia
157:
145:
139:
133:
126:John Battles
125:
124:
71:(2009-09-22)
23:John Battles
1812:2009 deaths
1807:1921 births
1649:The Tattler
1596:Irish Times
1443:Irish Times
1094:On the Town
1072:On the Town
1056:On the Town
961:On the Town
933:Helen Hayes
929:Mary Martin
889:Late career
813:The Tattler
771:Irish Times
653:Thomas Mann
603:James Mason
343:On the Town
302:On the Town
248:On the Town
241:On the Town
233:On the Town
229:On the Town
221:On the Town
215:On the Town
203:On the Town
183:, starring
135:On the Town
1791:Categories
1696:Playbill,
1676:Daily Mail
1432:Abdication
1430:entry for
1070:Playbill,
1054:Playbill,
1036:Playbill,
983:References
941:John Raitt
915:alongside
902:Don Ameche
855:David Lean
693:Abdication
674:Abdication
641:Abdication
629:Abdication
617:Abdication
237:Gene Kelly
84:Occupation
51:1921-08-10
1664:The Times
1243:Oklahoma!
817:The Times
513:Oklahoma!
468:Brigadoon
448:Oklahoma!
425:Allegro's
393:Oklahoma!
362:Oklahoma!
277:Oklahoma!
193:starring
160:Manhattan
150:in 1961.
119:Catherine
95:1944–1962
1782:Obituary
908:review.
517:Carousel
493:Our Town
452:Carousel
398:Carousel
130:Broadway
116:Children
1775:Allegro
1335:The Sun
1309:Allegro
1076:Allegro
1038:Allegro
1013:Allegro
717:Glasgow
579:Allegro
559:The Sun
551:Allegro
544:Allegro
536:Allegro
528:Allegro
509:The Sun
501:Allegro
484:Allegro
474:Allegro
414:Allegro
406:Allegro
369:Allegro
347:Allegro
336:Allegro
319:of the
141:Allegro
875:, and
853:, and
387:, and
108:Spouse
429:Times
349:from
601:and
593:and
563:PM's
515:and
462:and
456:Tony
450:and
353:and
262:and
66:Died
41:Born
715:of
626:'s
466:'s
341:If
1793::
1656:^
1641:^
1540:^
1465:^
1450:^
1397:^
1370:^
1363:PM
1354:^
1327:^
1170:PM
1083:^
1063:^
1045:^
951:.
943:,
939:,
935:,
931:,
869:,
863:,
849:,
838:.
758:.
532:PM
496:.
470:.
401:.
383:,
379:,
282:PM
266:.
205:.
1623:.
1017:.
1015:"
999:.
53:)
49:(
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