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154:'s help, and with her wrists chained, while her hands have crossed fingers, like in a prayer. The composition shows Joan huddled to the right of the painting, as if she feels crushed by the presence of her interrogator. A third character, standing in the darkness, holds an open book and takes notes of the minutes of the interrogation.
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The cardinal's gestures express the tension of the interrogation: one hand is clenched on the arm of his chair, the other extends his index finger imperatively, like pointing to Hell, his mouth is tense and he has a severe expression. His profile posture against a dark background highlights an
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The darkened atmosphere only allows a few decorative elements to be seen. The large stones of the wall represent the dungeon, the partly torn pallet spills a few strands of straw on the ground, and symbolizes Joan's fragility, or, for the viewer warned of her martyrdom, prefigures her pyre.
124:, in order to confuse her about the religious justifications for her intervention in favor of the King of France. For two weeks, Joan maintained her arguments, while her health deteriorated. Delaroche replaced Cauchon with an ecclesiastic better known to the British public,
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The painting represents three characters who stand out against a very dark background. Slightly off-center in the composition, Beaufort is seated, dressed in a characteristic cardinal's outfit: he is wrapped in his cassock, with his
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150:. He fills the space with the red colour, which is the only mass of intense colour of the painting. Joan is seen bedridden, with her face tired, looking to above, like if asking
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After her capture by the
English, Joan was delivered on January 3, 1431, to the French ecclesiastical justice. She was questioned by the Bishop of Beauvais,
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The painting was shown by
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and his followers. He was aware of it through engravings. The pyramidal composition is based on a painting by
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223:"Joan of Arc, Sick, Interrogated in Prison by the Cardinal of Winchester | Musée des Beaux-Arts"
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277 cm Ă— 217.5 cm (109 in Ă— 85.6 in)
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La «Jeanne d'Arc » de Paul
Delaroche: Salon de 1824, dossier d'une Ĺ“uvre
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Joan of Arc, Sick, Interrogated in Prison by the
Cardinal of Winchester
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Joan of Arc, Sick, Interrogated in Prison by the
Cardinal of Winchester
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Joan of Arc, Sick, Interrogated in Prison by the
Cardinal of Winchester
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Paul
Delaroche. A Study in Nineteenth-Century French History Painting
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108:, despite the fact that the event never happened. It is held at the
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Delaroche was inspired by
English historical paintings created by
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The
Victors of the Bastille in Front of the HĂ´tel de Ville
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aquiline nose and accentuates the hardness of his gaze.
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A smaller version of the same painting is held at the
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314:Histoires de cœur et d'épée en Europe, 1802-1850
260:Paul Delaroche - Painting and Popular Spectacle
92:is an oil on canvas painting by French painter
446:Napoleon I at Fontainebleau on March 31, 1814
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308:Stephen Bann and Stéphane Paccoud (dir.),
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438:Charles I Insulted by Cromwell's Soldiers
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398:Cromwell Opening the Coffin of Charles I
96:, created in 1824. The painting depicts
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406:The Assassination of the Duke of Guise
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523:Cultural depictions of Joan of Arc
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262:, Liverpool University Press, 2022
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327:Paul Delaroche - History Painted
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414:The Execution of Lady Jane Grey
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110:Musée des Beaux-Arts de Rouen
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227:Museum of Fine Arts of Rouen
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518:Paintings by Paul Delaroche
454:Bonaparte Crossing the Alps
329:, Reaktion Books, pp. 13-14
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16:Painting by Paul Delaroche
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286:"Joan of Arc in Prison"
116:History and description
390:The Children of Edward
290:The Wallace Collection
310:L'Invention du Passé
130:William Shakespeare
182:Wallace Collection
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492:Romanticism
98:Joan of Arc
507:Categories
312:, vol. 2,
295:2024-04-05
232:2024-04-04
204:References
106:Winchester
64:Dimensions
433:(c. 1835)
374:Paintings
192:Reception
175:Jane Grey
482:(master)
198:Stendhal
144:mozzetta
135:Henry VI
132:'s play
72:Location
473:Related
148:biretta
465:(1855)
449:(1840)
441:(1836)
425:(1834)
417:(1833)
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401:(1831)
393:(1830)
385:(1824)
186:London
54:Medium
36:Artist
184:, in
104:, of
80:Rouen
49:1824
46:Year
152:God
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