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Joan Goodfellow

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282:"one of the most obstinately compelling films I've ever seen," singled out her performance as "skillful and highly promising of a long and honorable career. The rape scene...is a directorial and acting masterpiece; Ms. Goodfellow manages to convey all the terror and bravery of a bird stalked by ruthless hunters. I commend her to your attention." Regarding her memories of making the film, Goodfellow later recalled, "We had a wonderful time. We boogied and played guitar, and Robert Ryan played the fiddle." She also became close friends with one of her co-stars 342:, “Jan-Michael Vincent is a talented and handsome performer who does excellent work here. As Billie, Joan Goodfellow is – to use an overworked adjective – perfect.” The members of Goodfellow's hometown press were especially complimentary. One critic wrote that "he has a tough part because she doesn’t talk much for a lead character. However, her gestures realistically portray a poor, clumsy girl trying to find something besides sex." And another local scribe asserted: 554:
immoral business. I’m very lucky I’ve never done anything that I’m horribly ashamed of. But there’s nothing you can do about it if you’re starving and you need work...It’s a very heart-breaking, very difficult, very scary business that will eat you alive, no questions asked. You really have to know what you’re getting into, and I don’t know that I have until now. But I have the feeling I’m here for the long pull.
323:, Goodfellow replied, "I play a socially retarded chick." Her character, Billie Jo Truluck, is the proverbial girl from the other side of the tracks with a reputation every boy knows. Craving some form of acknowledgement from her high-school peers, the quiet, introverted Billie accedes to nocturnal liaisons with sex-starved male classmates. Consequently, she increases her own marginalization at school. As 441:
in early 1976. It was at this time, however, that the actress was expecting a child, and some of the offers she did begin receiving from the studios were too physically demanding for one in her condition. According to Goodfellow's father, his daughter had even "tried out for several ‘pregnant parts’
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I thought I would be eaten alive. I wasn’t ready for all the responsibility at the time. I’ll always want to do film and I’ll always love the theater; it depends on what happens first. And I’ll always be able to sing; that’s what I want to do...I haven’t been terribly ambitious. This is a basically
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to pay Goodfellow's transportation costs for a promotional tour, the studio showed no interest. Additionally, no new film offers came her way. Still, during a time when she was enjoying critical recognition, Goodfellow celebrated a personal milestone with her marriage to country music composer and
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in 1985. Two years later, when the play toured the country, she became a regular part of the cast when it was staged in such venues as Theater On The Square in San Francisco. Later, she appeared as a guest soloist with the Performing Arts Society of Delaware chorus and orchestra and as part of a
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Joan’s work in a difficult role, where meaningful gestures and expressions rather than crisp readings of lines are required, is just plain excellent. Her acting is certainly of a caliber of many of the supporting-actress nominations of past years, and now Columbia Pictures should move into the
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Joan Goodfellow was so good as the girl ...and I think she'll act some more. She just doesn't look for work hard enough. I'd love to work with her again. She's such a funky lady, and then you discover these weird things about her, like she's a trained opera singer – and never told
333:) fall in love became a surprise box-office hit during the summer of 1974, when it played mostly in small-city venues before making its New York premiere in late August. Critical reaction, however, was mostly tepid, due to an outburst of violence in the film's final scenes. 424:
of 1964. But there were still no offers for her to perform leading parts in feature-films. According to a reporter for her hometown daily newspaper, "the roles have not been coming for Ms. Goodfellow." Nevertheless, she made a guest appearance in the television series
473:, a series of character vignettes, all taking place in a country road house on a rainy evening. According to one critic, the film was a "reasonably innocuous" effort. Yet many notable performers wandered back and forth through various scenes, including 493:. Goodfellow, for once, was allowed a song. She delivers an emotional ballad, the lyrics explaining why her character, a girl-next-door waitress obsessed with soap operas and mood rings, harbors a crush for a short-tempered roustabout, played by 286:, who at the time was another newcomer to films. According to Goodfellow, she and Hubley "lived together in a red convertible ’65 Galaxie 500 with two dogs. We were pretty wild, two crazy young kids in Hollywood. We were having a hoot." 586:. In late 1993, she obtained a part in a small independent film, appearing as one of two evil stepsisters in Sharon Baker’s never-released updating of the Cinderella story, relocated to a karaoke bar. Additionally, she performed in 413:
was made as a 90-minute pilot for a proposed television series but failed to attract interest. Then later in 1975, Goodfellow performed the minor role of a Brooklyn woman who barely escapes an attempted rape/murder in the TV-movie
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as patriarchs of two rival families in the Tennessee hills. Their feud turns into all-out war when the daughter of one family, Sister E (played by Goodfellow), is assaulted by two sons from the other clan. Of her performance, a
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performer Daniel Faircloth in June 1974. Afterwards, the couple moved to Malibu, California. Upon hearing news of her marriage, Jan-Michael Vincent feared that Goodfellow might give up acting. While promoting his film
379:, the film wound up playing on local and independent television stations in various cities. One such market was Dallas, where local film critic Philip Wuntch wrote a short blurb for the film's TV listing in the 548:
After living and working in California for a decade, Goodfellow moved back east in order to re-evaluate her career. During an interview with a Wilmington reporter, she recalled her Hollywood experiences:
385:. It read, "Very sweet, very sad teen romance. Joan Goodfellow makes a poignant impression, and what ever happened to her anyway?" To answer that question would require examining her career after 1974. 497:. About this time, Goodfellow, living in West Los Angeles with her 3-year-old son, was divorced from her husband, who would later move to Nashville to continue his songwriting and performing career. 592:
at Wilmington's Grand Opera House in 1997; she was cited as acting "the nonsinging role of a class-conscious duchess." And in 2011, she sang the part of Olga in an OperaDelaware production of
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magazine's reviewer observed, "Billie may not be quite all there." Set in 1948 rural Georgia, this sentimental, ironic story of how the outcast Billie and the popular Buster Lane (
1684:(December 16, 1993): p. E1-2. It was hoped that the resulting film would be purchased by a cable company. Evidently, it was not, because there is no mention of it in producer 164:
Martha Joan Goodfellow was born February 2, 1950, in Wilmington, Delaware. Her parents were the late Millard Preston Goodfellow and Allene Leach Goodfellow. She attended
125:(born February 2, 1950) is an American actress and singer who appeared on stage, screen, and television throughout the 1970s and 1980s. Best known for her performance in 442:
but found it was nearly impossible for a woman who is actually pregnant to play such roles.” Later in 1976, she gave birth to a son, Daniel Steed Faircloth.
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According to the film's credits, the song's title was "Let Somebody Love You", words and music by the film's composer, Bradford Craig. See
526:. But one of her more notable appearances occurred when casting director Judy Courtney, who had seen Goodfellow audition for a part in 1785: 1805: 1749: 1815: 1800: 1810: 575: 393:
This phase of Goodfellow's career began with her third Daniel Petrie film, a TV-movie remake of the Academy Award-winning
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reviewer praised Goodfellow for bringing about some of "the finest dramatic moments seen on film." And author/essayist
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in New York. Upon graduating in 1972, she received a call from her agent, who had secured an audition for her in a new
1780: 1347: 601:. Joan Goodfellow still resides in the Wilmington area, making occasional appearances on stage in local productions. 230: 1795: 1418: 196:, majoring in theater and dramatic arts. While there, she performed supporting roles in various plays, including 1161: 1032: 437: 309:, a veteran director who, in his next film, would cast Goodfellow in the most prominent role of her career. 522: 395: 1710: 1680:“Bringing Hollywood to Market St. Mall: Local Pro Acts Independently to Create Delaware Film Scene.” 1578: 999: 564:, Goodfellow was cast as understudy for the role of Rowena, a Southern prostitute, in Neil Simon's 427: 421: 358: 336:
The performers, however, received favorable notices, especially the two leads. According to the
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Van Gelder, Lawrence. "'Buster and Billie,' High School Youth in Rural Georgia of '48."
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Judd, Wally. “’Wilmington’s Own’ Makes Her Mark: But She Doesn’t Talk Much as Billie.”
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novel about small-town political corruption. This 1984 opus was her final film credit.
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Firestone, Greer. "Aisle Say: Opera DE With a Classic, UD Ensemble With a New Class."
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Mulrooney, Rick. “Delaware Opera Fanatics Stage Their Version of ’Die Fledermaus.’”
1216: 940: 916: 560: 219: 210: 148: 506:, she played a "blonde bombshell" nurse named BeeBee Darnell in an episode of the 1654:
Hayden, Bill. “’Best of Broadway’ Sings: But Hometown Tune is the Show-Stopper.”
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in a segment dealing with spousal abuse. In addition, she co-starred alongside
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publicity campaign needed to bring that performance into the public spotlight."
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Goodfellow's next assignment was a small role in an amiable TV-movie western,
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Wuntch, Philip. “It’s a Good Week to Set Your VCR for Late Night Classics.”
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performed an off-screen reprise of the song over the movie's final scenes.
405:(1975). Goodfellow acted the role of Peggy Stephenson, the part played by 1334:, cited in Themal, Harry F. “Oscar Nominations Mean Box Office Bonanza.” 1146: 958: 891: 828: 756: 651: 647: 494: 482: 266: 262: 238: 1730: 468: 400: 138: 133: 1685: 1175: 1110: 794: 786: 507: 250: 223:. Later, Goodfellow took the female lead in the school's production of 153: 1744:
Goodfellow was replaced midway through the series by another actress,
516:. The next year, she made another sitcom appearance, this time in the 467:, two major stars of that era. In 1979, she appeared in the TV-movie, 1314:
Themal, Harry F. “Raters Prune ‘Orange’: True to Hypocritical Oath.”
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In 1981, after completing work in a feminist-themed sports TV-movie,
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Goodfellow also appeared in a short documentary about the making of
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Cited in Themal, Harry F. “Goodfellow’s Career Back on Track," etc.
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Cited in Themal, Harry F. "Goodfellow’s Career Back on Track," etc.
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Encyclopedia of Television Series, Pilots and Specials, 1974-1984.
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Goodfellow's tryout landed her in the film, later to be re-dubbed
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Cited in Themal, Harry F. "Goodfellow’s Career Back on Track."
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Dekom, Otto. "Lively and Otherwise: Shaw’s Wit Attacked Wars."
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Crabtree, Margaret. “Goodfellow Makes Proud Grandparent,” etc.
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Crabtree, Margaret. “Goodfellow Makes Proud Grandparent,” etc.
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Mulrooney, Rick. “’Student Prince’ Plays on Simple Beauty.”
1288:"Reader’s Theater at U. of D. Presents 'Brecht on Brecht.'" 543: 1597:
Themal, Harry. F. “Goodfellow’s Career Back on Track,” etc.
214:. In 1970, she joined with other student/actors to present 1494:
Crabtree, Margaret. “Goodfellow Makes Proud Grandparent.”
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Kenney, Edward L. "Joan Goodfellow: Belting Some Tunes."
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Cited in Themal, Harry. "Wilmington Girl Stars in Film."
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in 1984. On stage, she was part of the original cast of
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By 1987, over a decade after the theatrical release of
168:, participating in theater arts productions, including 64:
Film, television, stage actress; singer (mezzo-soprano)
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Themal, Harry F. “Goodfellow’s Career Back on Track.”
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Themal, Harry. “Previously Barred Lucia to be Shown.”
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Judd, Wally. “’Wilmington’s Own’ Makes Her Mark, etc."
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In more recent years, Goodfellow has taught acting at
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Winn, Steven. "’Biloxi’ is Back – In Fighting Trim.”
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When asked about her character in a new teen romance
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Hayden, Bill. “NBC Finds Vehicle for Tanya Tucker.”
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Initial film and television performances (1972-1974)
187: 351:However, when a Philadelphia theater chain asked 1762: 174:, in which she sang and acted the lead role of 604: 229:. In Fall 1970, Goodfellow transferred to the 459:. The film was made in Acapulco and featured 389:Later work in film and television (1975-1984) 532:(1982), urged her to test for a new movie, 131:(1974), she also appeared in the TV-movies 1754:New York: New York Zoetrope, 1985. p. 157. 1551:“Delawarean Has a Top Role in ‘Sunburn’.” 1468:Themal, Harry. “Goodfellow Merits Oscar.” 571:Wilmington "Best of Broadway" production. 1524:, TV Magazine. (October 18, 1987): p. 40. 544:Broadway success and later (1985-present) 1791:American Academy of Dramatic Arts alumni 1581:Amateur Night at the Dixie Bar and Grill 806:Amateur Night at the Dixie Bar and Grill 470:Amateur Night at the Dixie Bar and Grill 140:Amateur Night at the Dixie Bar and Grill 1763: 970: 558:After brief work in the TV soap opera 445:In 1978, Goodfellow was reunited with 313:A hit movie and critical praise (1974) 301:the spring of 1974. The film starred 1579:the IMDB website for soundtracks of 1039:"Odyssey of Death" (Parts 1 & 2) 576:Delaware Technical Community College 184:just before her graduation in 1968. 1405:Cocks, Jay. "In the Pawpaw Patch." 1358:Harlan Ellison’s Watching: Stories. 13: 1682:The News Journal (Wilmington, DE). 1656:The News Journal (Wilmington, DE). 1608:The Morning News (Wilmington, DE). 1553:The News Journal (Wilmington, DE). 1448:The News Journal (Wilmington, DE). 1303:The News Journal (Wilmington, DE). 1264:The Morning News (Wilmington, DE). 1236:"'King and I' Set at Brandywine." 14: 1827: 1699:The News Journal (Wilmington, DE) 1669:The News Journal (Wilmington, DE) 1643:The News Journal (Wilmington, DE) 1566:The News Journal (Wilmington, DE) 1496:The Morning News (Wilmington, DE) 1483:The Morning News (Wilmington, DE) 1470:The Morning News (Wilmington, DE) 1446:Buster and Billie advertisement. 1435:The News Journal (Wilmington, DE) 1394:The Morning News (Wilmington, DE) 1372:The Morning News (Wilmington, DE) 1336:The News Journal (Wilmington, DE) 1316:The News Journal (Wilmington, DE) 1290:The News Journal (Wilmington, DE) 1251:The News Journal (Wilmington, DE) 1238:The Morning News (Wilmington, DE) 453:, for a minor supporting role in 231:American Academy of Dramatic Arts 192:In 1968, Goodfellow attended the 1786:Actors from Wilmington, Delaware 1374:. (October 6, 1985): pp. 99-100. 1277:The Morning News (Wilmington DE) 99: 1806:20th-century American actresses 1738: 1719: 1704: 1691: 1674: 1661: 1648: 1635: 1622: 1613: 1600: 1591: 1571: 1558: 1545: 1536: 1527: 1514: 1501: 1488: 1475: 1462: 1453: 1440: 1427: 1412: 1399: 1386: 1377: 1364: 1318:. (September 25, 1972): p. 32. 362:(1975), he reflected on making 188:Actress in training (1968-1972) 95: 1632:. (September 24, 1987). p. E1. 1610:(October 6, 1985): pp. 99-100. 1409:. (September 16, 1974): p. 16. 1341: 1321: 1308: 1295: 1282: 1269: 1256: 1243: 1230: 873:Trouble in High Timber Country 1: 1816:Brandywine High School alumni 1801:American television actresses 1498:. (September 3, 1976): p. 28. 1338:. (February 19, 1973): p. 36. 1224: 1279:. (October 29, 1969): p. 65. 7: 1811:21st-century American women 1658:(November 21, 1986): p. 51. 1568:. (January 8, 1979): p. 19. 1511:. (August 18, 1975): p. 14. 1509:Corpus Christi Caller-Times 1485:. (August 12, 1974): p. 17. 1472:. (August 14, 1974): p. 18. 1437:. (August 15, 1974): p. 30. 1352:, originally published for 1262:"French Farce at U. of D." 605:Feature films and TV-movies 396:The Best Years of Our Lives 366:, telling one interviewer: 143:(1979). Her final film was 10: 1832: 1240:. (March 22, 1968): p. 28. 422:Kitty Genovese murder case 1671:. (June 19, 1992): p. 63. 1645:. (April 5, 1986): p. 41. 1555:(August 19, 1979): p. 34. 1450:(August 16, 1974): p. 24. 1348:Ellison, Harlan. Rev. of 1201:"Alienation of Affection" 435:in a two-part episode of 295:, which debuted on ABC's 112: 76: 68: 60: 28: 21: 1781:American stage actresses 1396:. (May 27, 1974): p. 34. 1266:(August 6, 1969): p. 23. 1253:. (June 6, 1968): p. 44. 237:motion picture based on 178:. She also performed in 1796:American film actresses 1701:. (May 7, 1997): p. D2. 1630:San Francisco Chronicle 1305:(July 20, 1970): p. 15. 1292:. (May 8, 1970): p. 25. 1104:(Unsold pilot project) 907:The Oklahoma City Dolls 503:The Oklahoma City Dolls 1028:1976-01-09/1976-01-16 671:The Gun and the Pulpit 556: 373: 349: 339:St. Paul Pioneer Press 292:The Gun and the Pulpit 194:University of Delaware 166:Brandywine High School 116:Daniel Steed Faircloth 33:Martha Joan Goodfellow 1130:From Here to Eternity 551: 409:in the earlier work. 368: 344: 244:The Lolly-Madonna War 1423:. (August 22, 1974). 1088:Christopher Connelly 181:Beauty and the Beast 98: 1974; 85:Daniel T. Faircloth 50:Wilmington, Delaware 1715:. (April 25, 2011). 1522:Dallas Morning News 1139:Lt. Rosemary Clark 971:Television episodes 849:Richard C. Sarafian 719:Jan-Michael Vincent 643:Richard C. Sarafian 447:Richard C. Sarafian 382:Dallas Morning News 331:Jan-Michael Vincent 1750:Terrace, Vincent. 1249:"Traveling Cast." 782:Richard T. Heffron 710:Billie Jo Truluck 589:The Student Prince 449:, the director of 305:and was helmed by 1727:Lolly-Madonna XXX 1350:Lolly Madonna XXX 1332:Lolly Madonna XXX 1222: 1221: 1136:Various episodes 968: 967: 744:Peggy Stephenson 723:Pamela Sue Martin 705:Buster and Billie 694:Pamela Sue Martin 634:Lolly-Madonna XXX 538:John D. MacDonald 520:-inspired series 510:situation comedy 399:(1946), entitled 377:Buster and Billie 364:Buster and Billie 320:Buster and Billie 298:Movie of the Week 258:Lolly-Madonna XXX 202:A Flea in Her Ear 128:Buster and Billie 120: 119: 69:Years active 1823: 1756: 1742: 1736: 1729:. 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Holliman 1015: 1012: 1010:Hilary Barry 1009: 1007: 1006:"Bloody Nose" 1004: 1002: 1001: 997: 994: 993: 989: 986: 983: 980: 977: 976: 964: 960: 956: 953: 951: 948: 945: 943: 942: 938: 935: 934: 931: 927: 926:Ronee Blakley 923: 922:Susan Blakely 920: 918: 915: 912: 909: 908: 904: 901: 900: 897: 893: 889: 886: 884: 881: 878: 875: 874: 870: 867: 866: 863: 859: 855: 852: 850: 847: 844: 842: 841: 837: 834: 833: 830: 826: 825:Louise Latham 822: 821:Victor French 819: 817: 814: 811: 808: 807: 803: 800: 799: 796: 792: 788: 785: 783: 780: 778:Mrs. Daniels 777: 774: 773: 769: 766: 765: 762: 761:Whitney Blake 758: 754: 751: 749: 748:Daniel Petrie 746: 743: 740: 739: 735: 732: 731: 728: 724: 720: 717: 715: 714:Daniel Petrie 712: 709: 707: 706: 702: 699: 698: 695: 691: 687: 684: 682: 681:Daniel Petrie 679: 676: 673: 672: 668: 665: 664: 661: 657: 653: 649: 646: 644: 641: 638: 636: 635: 631: 628: 627: 623: 620: 617: 614: 612:Release Year 611: 610: 602: 600: 599: 595: 591: 590: 585: 584:OperaDelaware 581: 580:mezzo-soprano 577: 572: 569: 568: 563: 562: 555: 550: 541: 539: 536:, based on a 535: 531: 530: 525: 524: 519: 515: 514: 513:The Two of Us 509: 505: 504: 498: 496: 492: 488: 484: 480: 476: 472: 471: 466: 462: 458: 457: 452: 451:Lolly-Madonna 448: 443: 440: 439: 434: 430: 429: 423: 419: 418: 412: 408: 407:Teresa Wright 404: 403: 398: 397: 386: 384: 383: 378: 372: 367: 365: 361: 360: 354: 348: 343: 341: 340: 334: 332: 328: 327: 322: 321: 310: 308: 307:Daniel Petrie 304: 300: 299: 294: 293: 287: 285: 284:Season Hubley 281: 280:Lolly-Madonna 278:, who called 277: 273: 272:Daily Variety 268: 264: 261:. It starred 260: 259: 248: 246: 245: 240: 239:Sue Grafton's 236: 232: 228: 227: 222: 221: 217: 213: 212: 208: 204: 203: 199: 195: 185: 183: 182: 177: 173: 172: 167: 162: 160: 159: 155: 151: 150: 146: 142: 141: 136: 135: 130: 129: 124: 115: 111: 82: 81: 79: 75: 71: 67: 63: 61:Occupation(s) 59: 55: 51: 45:(age 74) 31: 27: 20: 1751: 1740: 1731: 1726: 1721: 1712: 1706: 1698: 1693: 1688:filmography. 1681: 1676: 1668: 1663: 1655: 1650: 1642: 1637: 1629: 1624: 1615: 1607: 1602: 1593: 1586:Tracy Nelson 1580: 1573: 1565: 1560: 1552: 1547: 1538: 1529: 1521: 1516: 1508: 1503: 1495: 1490: 1482: 1477: 1469: 1464: 1455: 1447: 1442: 1434: 1429: 1420: 1414: 1406: 1401: 1393: 1388: 1379: 1371: 1366: 1357: 1353: 1349: 1343: 1335: 1331: 1327: 1323: 1315: 1310: 1302: 1297: 1289: 1284: 1276: 1271: 1263: 1258: 1250: 1245: 1237: 1232: 1209:Miriam Flynn 1193: 1184:Mimi Kennedy 1160: 1151:Kim Basinger 1129: 1098: 1080:Jack Klugman 1076:Miss Gordon 1072:"Valleyview" 1066:Quincy, M.E. 1064: 1051:Brock Peters 1047:Robert Stack 1033:Police Story 1031: 1022:David Birney 1000:Police Woman 998: 950:Victor Nuñez 939: 913:Michael Ann 906: 896:James Sloyan 888:Eddie Albert 872: 862:Joan Collins 838: 805: 791:John P. Ryan 772:Death Scream 770: 737: 703: 669: 656:Scott Wilson 632: 596: 587: 573: 567:Biloxi Blues 565: 559: 557: 552: 547: 533: 527: 521: 518:Erma Bombeck 512: 501: 499: 491:Henry Gibson 487:Sheree North 479:Tanya Tucker 475:Dennis Quaid 469: 465:Joan Collins 454: 450: 444: 438:Police Story 436: 428:Police Woman 426: 417:Death Scream 415: 410: 401: 394: 392: 380: 376: 374: 369: 363: 357: 350: 345: 337: 335: 324: 318: 316: 296: 290: 288: 279: 271: 256: 254: 242: 224: 218: 209: 207:G. B. Shaw's 200: 191: 179: 169: 163: 158:Biloxi Blues 156: 154:Neil Simon’s 147: 139: 132: 126: 122: 121: 72:1972-present 1771:1950 births 1190:1982-05-07 1157:1981-04-27 1147:Roy Thinnes 1132:(TV series) 1094:1977-05-17 1061:1977-05-13 1043:Bobbie-Lou 995:1975-03-07 959:Blair Brown 910:(TV-movie) 892:Martin Kove 876:(TV-movie) 829:Candy Clark 809:(TV-movie) 775:(TV-movie) 757:Tom Selleck 741:(TV-movie) 674:(TV-movie) 652:Robert Ryan 648:Rod Steiger 582:roles with 495:Don Johnson 483:Candy Clark 267:Robert Ryan 263:Rod Steiger 241:1969 novel 137:(1975) and 1765:Categories 1330:review of 1225:References 1176:Peter Cook 1115:Brad Davis 1111:James Best 795:Les Lannom 787:Raul Julia 508:Peter Cook 39:1950-02-02 1356:in 1973. 1354:The Staff 1055:Ed Lauter 955:Ed Harris 660:Ed Lauter 639:Sister E 621:Director 433:Ed Lauter 984:Episode 946:Mitchie 371:anybody! 353:Columbia 161:(1985). 113:Children 1205:Gloria 845:Joanna 840:Sunburn 594:LehĂĄr's 529:Tootsie 456:Sunburn 104:​ 92:​ 88:​ 1748:. See 1735:(1973) 1195:Maggie 1107:Wanda 812:Marcy 677:Dixie 615:Title 523:Maggie 489:, and 77:Spouse 1125:1980 987:Role 981:Show 936:1984 902:1981 879:Lisa 868:1980 835:1979 801:1979 767:1975 733:1975 700:1974 666:1974 629:1973 618:Role 94:( 90: 1407:Time 463:and 326:Time 265:and 205:and 176:Anna 100:div. 54:U.S. 29:Born 235:MGM 1767:: 1584:. 1215:, 1211:, 1182:, 1178:, 1149:, 1145:, 1117:, 1113:, 1086:, 1082:, 1053:, 1049:, 1020:, 1016:, 961:, 957:, 928:, 924:, 894:, 890:, 860:, 856:, 827:, 823:, 793:, 789:, 759:, 755:, 725:, 721:, 692:, 688:, 658:, 654:, 650:, 485:, 481:, 477:, 247:. 96:m. 52:, 41:) 37:(

Index

Wilmington, Delaware
U.S.
Buster and Billie
Returning Home
Amateur Night at the Dixie Bar and Grill
Victor Nuñez's
A Flash of Green
Neil Simon’s
Biloxi Blues
Brandywine High School
The King and I
Anna
Beauty and the Beast
University of Delaware
George Feydeau's
A Flea in Her Ear
G. B. Shaw's
Arms and the Man
George Tabori's
Brecht on Brecht
Guys and Dolls
American Academy of Dramatic Arts
MGM
Sue Grafton's
The Lolly-Madonna War
Lolly-Madonna XXX
Rod Steiger
Robert Ryan
Harlan Ellison
Season Hubley

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