328:, which is both the first weapon discussed, and the weapon treated in most detail, forming an exemplar-teaching tool for the rest of the system. However, the rapier, dagger and polearm techniques and devices described in Meyer's book do not appear to concede much to sporting considerations, featuring as they do the thrusts omitted from the longsword section, as well as a range of possibly lethal fight ending techniques. Furthermore, the longsword section of Meyer's book in particular shows definite descent from the earlier corpus of the
196:
367:, he (Meyer) became a burgher of Strasbourg by marrying a widow in 1560, most likely during his apprenticeship as a cutler. He made a living as both a cutler and a professional fencer until 1570, in which year he published the book that was to make him famous. The making of this book left him deeply indebted, and the search for potential buyers led him to leave Strasbourg and work as a Master-of-Arms at the court of the Duke of
151:
28:
288:) settings. These woodcuts typically depict the postures, cutting schemes (signs or 'segno' in Italian) as well as several players enacting various techniques described in the text itself. The book consists of five sections, covering the
421:." Maîtres & Techniques de Combat à la fin du Moyen Age et au Début de la Renaissance: 107-120. Ed. by Fabrice Cognot. Paris: Association pous l'Edition et la Diffusion des Études Historiques. ISBN 2-907594-10-9.
467:
VanSlambrouck, Christopher. The Brief Life and Times of
Joachim Meyer, in (vol 1 of 2) Foundational Description of the Art of Fencing (Reference Edition). Medford: HEMA Bookshelf, 2023. ISBN 978-1-953683-30-4
441:
Mondschein, Ken; Dupuis, Olivier. Martial Sport, and Urban
Culture in Early Modern Germany: The Case of Strasbourg, in Journal of Medieval Military History, Vol. 17, The Boydell Press, 2019, pp. 237–57. DOI:
357:
353:
222:. Meyer's book was reprinted in 1600, and may have been an influential source for other 16th- and 17th-century German fencing books, including a 1612 book by
438:
Forgeng, Jeffrey L. Introduction in The Art of the Sword combat, a 1568 German
Treatise on Swordmanship (London: Front Line, 2016, pp. 2-7). ISBN 1473876753
349:
363:
Little is known about Meyer himself. Some information on Meyer's life has come to light as a result of recent scholarship (Dupuis). "Originally from
204:
179:
123:
435:, in Jeffrey L. Forgeng The Art of the Sword combat, a 1568 German Treatise on Swordmanship (London: Front Line, 2016, pp. 171-190). ISBN 1473876753
230:, each of which depicts several players enacting various techniques described in the text itself. The book consists of five chapters, covering the
352:. Both versions were simplified redactions of Meyer's more detailed work. Meyer is mentioned in a brief Latin treatise on martial arts by
332:
tradition (Meyer mentions
Liechtenauer by name), and remains one of the most detailed, systematic and complete sources for this weapon.
344:, and became a highly influential source for other 16th- and 17th-century German fencing books, including the aforementioned book by
371:. Unfortunately, death seized him a short time after his arrival, leaving the burden of his debt to his widow and brother-in-law."
486:
International
Fencing Guild with a mission to educate people on the efficacy and art of Medieval & Renaissance martial arts.
514:
477:
460:
Norling, Roger. Joachim Meyer and His World, in
Foundational Description of the Art of Fencing (Reading Edition). Medford:
509:
356:(1579) and is also the only German among the famous masters listed in the late 17th century fencing treatise by
454:
Dupuis, Olivier. A new manuscript of
Joachim Meyer (1561), in Acta Periodica Duellatorum, Vol.9-1 (2021). DOI:
258:
483:
425:
265:, though Meyer's civilian system also appears to draw from contemporary Italian swordplay, including
400:
Dupuis, Olivier. Joachim Meyer, escrimeur libre, bourgeois de
Strasbourg (1537 ? - 1571). In
499:
272:
Meyer's book itself consists of detailed explanatory text describing the guards or postures (
88:
44:
504:
262:
8:
276:) for each weapon, cuts, footwork and specific and often quite complex plays or devices (
364:
167:
40:
448:
VanSlambrouck, Christopher. Meÿer source transcripts & translation (2021). DOI:
324:. In common with earlier German sources, Meyer's system gives pride of place to the
64:
216:
461:
297:
449:
266:
239:
108:
284:, each of which depicts scenes set amongst somewhat fantastical fight school (
493:
321:
202:
In 1570, Joachim Meyer wrote a comprehensive, multi-weapon treatise entitled
443:
329:
313:
304:(in Meyer's case, a single-handed sword utilised for both cut and thrust),
219:
345:
223:
163:
78:
455:
424:
VanSlambrouck, Christopher. The Life and Work of
Joachim Meyer. (2010).
231:
171:
98:
74:
484:
https://web.archive.org/web/20160808115319/http://www.freifechter.com/
257:
Meyer's system generally flows from, and uses the terminology of, the
226:. His book mostly consists of descriptive text, with only a few dozen
325:
289:
175:
112:
419:
Joachim Meyer, escrimeur libre, bourgeois de
Strasbourg (1537?-1571)
150:
368:
341:
309:
281:
213:
195:
60:
317:
293:
251:
235:
227:
27:
305:
301:
247:
243:
433:
Joachim Meyer, free fencer, citizen of Strassburg (?1537-1571)
389:
The Art of Combat: A German Martial Arts Treatise of 1570
212:. It is seen as one of the most complete systems within
480:
A partial transcription of the first (1570) printing.
491:
205:Gründtliche Beschreibung der Kunst des Fechtens
180:Gründtliche Beschreibung der Kunst des Fechtens
124:Gründtliche Beschreibung der Kunst des Fechtens
280:), accompanied by a series of finely executed
166:(literally, Free Fencer) living in the then
210:Thorough Descriptions of the Art of Fencing
185:Thorough Descriptions of the Art of Fencing
162:(ca. 1537–1571) was a self-described
26:
194:
174:in the 16th century and the author of a
492:
340:Meyer's book was reprinted in 1600 in
456:https://doi.org/10.36950/apd-2021-004
348:and a book from 1672 by an Italian,
13:
296:(a training weapon not unlike the
238:(a training weapon not unlike the
14:
526:
471:
149:
411:
402:Maîtres et techniques de combat
464:, 2023. ISBN 978-1-953683-35-9
394:
381:
358:Giuseppe Morsicato Pallavicini
259:German school of swordsmanship
1:
374:
515:16th-century martial artists
7:
450:10.13140/RG.2.2.11834.06085
404:. Dijon : AEDEH, 2006.
391:. Palgrave Macmillan, 2006.
187:) first published in 1570.
10:
531:
417:Dupuis, Olivier. (2006). "
510:German historical fencers
148:
143:
135:
118:
104:
94:
84:
70:
50:
34:
25:
18:
426:Meyer Free Fencers Guild
190:
354:Heinrich von Gunterrodt
335:
444:10.2307/j.ctvb4bv8d.10
199:
198:
89:Early New High German
45:Old Swiss Confederacy
263:Johannes Lichtenauer
308:and wrestling, and
131:MS Var.82 (1570-71)
387:Forgeng, Jeffrey.
200:
168:Free Imperial City
431:Dupuis, Olivier.
350:Theodor Verolinus
157:
156:
139:Appolonia Ruhlman
65:Holy Roman Empire
61:Schwerin, Germany
54:February 24, 1571
522:
405:
398:
392:
385:
208:or, in English,
153:
129:MS A.4°.2 (1560)
57:
30:
16:
15:
530:
529:
525:
524:
523:
521:
520:
519:
490:
489:
478:Die Freifechter
474:
414:
409:
408:
399:
395:
386:
382:
377:
338:
267:Achille Marozzo
261:as set down by
193:
130:
128:
77:
59:
55:
39:
21:
12:
11:
5:
528:
518:
517:
512:
507:
502:
488:
487:
481:
473:
472:External links
470:
469:
468:
465:
462:HEMA Bookshelf
458:
452:
446:
439:
436:
429:
422:
413:
410:
407:
406:
393:
379:
378:
376:
373:
337:
334:
312:including the
192:
189:
155:
154:
146:
145:
141:
140:
137:
133:
132:
120:
116:
115:
109:Fencing manual
106:
102:
101:
96:
92:
91:
86:
82:
81:
72:
68:
67:
58:(aged 34)
52:
48:
47:
36:
32:
31:
23:
22:
19:
9:
6:
4:
3:
2:
527:
516:
513:
511:
508:
506:
503:
501:
498:
497:
495:
485:
482:
479:
476:
475:
466:
463:
459:
457:
453:
451:
447:
445:
440:
437:
434:
430:
427:
423:
420:
416:
415:
403:
397:
390:
384:
380:
372:
370:
366:
361:
359:
355:
351:
347:
343:
333:
331:
327:
323:
319:
315:
311:
307:
303:
299:
295:
291:
287:
283:
279:
275:
270:
268:
264:
260:
255:
253:
249:
245:
241:
237:
233:
229:
225:
221:
218:
215:
211:
207:
206:
197:
188:
186:
183:(in English,
182:
181:
177:
173:
169:
165:
161:
160:Joachim Meyer
152:
147:
142:
138:
134:
126:
125:
121:
119:Notable works
117:
114:
110:
107:
103:
100:
97:
93:
90:
87:
83:
80:
76:
73:
69:
66:
62:
53:
49:
46:
42:
37:
33:
29:
24:
20:Joachim Meÿer
17:
500:1530s births
432:
418:
412:Bibliography
401:
396:
388:
383:
362:
339:
330:Liechtenauer
314:quarterstaff
285:
277:
273:
271:
256:
220:martial arts
209:
203:
201:
184:
178:
159:
158:
122:
56:(1571-02-24)
505:1571 deaths
346:Jacob Sutor
286:fechtschule
224:Jacob Sutor
164:Freifechter
95:Citizenship
79:Freifechter
75:Knife maker
494:Categories
375:References
232:long sword
172:Strasbourg
99:Strasbourg
71:Occupation
326:longsword
290:longsword
176:fechtbuch
144:Signature
113:fechtbuch
369:Schwerin
342:Augsburg
310:polearms
282:woodcuts
252:polearms
228:woodcuts
214:medieval
85:Language
38:ca. 1537
318:halberd
294:dussack
236:dussack
306:dagger
302:rapier
298:Messer
278:stücke
250:, and
248:dagger
244:rapier
240:messer
217:German
136:Spouse
127:(1570)
365:Basel
274:huten
191:Works
105:Genre
41:Basel
336:Life
322:pike
320:and
51:Died
35:Born
300:),
242:),
170:of
111:or
496::
360:.
316:,
292:,
269:.
254:.
246:,
234:,
63:,
43:,
428:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
