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school that is all my darling / From a yard of sambas that is all my trouble / I will get rid of sadness / And samba in the beauty of its
Carnival," a samba introducing him to the composers' wing of Águia de Osvaldo Cruz, who invited him to join their sambas in 1972. The relationship lasted until the mid-80s when João left the school, unhappy with the direction imposed by president Carlinhos Maracanã. He joined other sambistas, heirs of the old Natal, to found, in 1984, Tradição, a school for which he composed the first five sambas-enredo in partnership with P. C. Pinheiro, from 1985 to 1989. Diogo, his son, reconciled with Portela, where he won the samba-enredo competition four times.
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399:. Everyone knew of his special qualities as an interpreter, but João valued his compositions the least. Only in 1999, when he received the Eletrobrás MPB Trophy, did he recognize his singing. "Today I love singing. Before, I liked to be seen more as a composer," he said. João left behind four children, including Diogo, who took up the baton, did not let the peteca fall, and makes us miss his father, given the physical and vocal resemblance and the charm with which he represents the best carioca samba.
302:"As Forças da Natureza", with emotional lines like "The plagues and the weeds / The weapons and the evil men / Will disappear / In the ashes of a Carnival." João would release other great albums, like the aforementioned tribute to the three samba greats, Wilson, Geraldo, Noel, his ninth album (1981), only with songs by the three authors, giving a break to his partnership with P. C. Pinheiro.
183:, director of the Copacabana record label, who helped him record the samba "Espera ó Nega" in 1968. He gained national attention in the early 1970s with the success of "Das 200 Para Lá", a samba advocating the policy of expanding Brazil's maritime border along the 200-mile continental shelf. The samba topped the charts in the voice of
227:, whose influences explained his style of composing and singing samba. He dedicated an entire LP to these three (Wilson, Geraldo, and Noel, 1981, Polygram). However, this album is remembered for other hits like "Nó na Madeira" (in partnership with Eugênio Monteiro) and "Mineira", a tribute to Clara Nunes in partnership with
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in 1994, celebrating 22 years of joint compositions and more than fifty works. "We sit together and when we get up, a samba is coming out. Even unintentionally," João would say. Among the seventeen tracks of the CD, there is a tribute to Clara Nunes, who died in 1983, in the songs "Um Ser de Luz" and
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two years earlier. He was hospitalized in critical condition for a long time but managed to recover. He suffered another, less impactful ischemia at the beginning of 2000 and another two months later. But under medical observation, he was confident, led a more regulated life, and rehearsed for shows
254:
When Diogo
Nogueira, his son, sings "Espelho", the title track of the album João released in 1977, he is referring to his father in the lines, "One day I kicked badly and hurt my toe / And without having the old man to scare away the fear / It was another desire that was left behind." In fact, the
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The first four albums João released set the main lines of what would be his career. They contain the best of the composer, who once entered Portelão singing, "Today I am full of joy / And I am even capable of getting drunk / Some samba friends this day / Invited me to participate / From a samba
270:, and Beth Carvalho, an entity to which he dedicated the title of his album that year, bringing new hits like "Súplica" and "Canto do Trabalhador" (with P. C. Pinheiro). The club initially operated in his house and later launched a carnival block to parade on
391:/ A favela was born," he sang in the track "Rocinha". His death was a significant loss for the Brazilian musical scene. "He had a very unique way of phrasing. I don't see followers of his. I believe this school, whose origin might have been
350:, with Ivone Lara, Walter Alfaiate, Beth Carvalho, Moacyr Luz, Luiz Carlos da Vila, and others. That same year, he participated in an album by Velha Guarda da Portela. In 2009, a DVD of João Nogueira's participation in the program
297:. It is "Poder da Criação" ("No one makes samba just because they prefer / No force in the world interferes / With the power of creation"), again with P. C. Pinheiro, his most frequent partner, with whom he released the CD
406:, Beth Carvalho, Dona Ivone Lara, Arlindo Cruz and Sombrinha, Emílio Santiago, Carlinhos Vergueiro, and João's family: nephew Didu, son Diogo, and sister and partner Gisa. The show was recorded for the album
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290:, who was honored by the block in Carnival one year after his death. João himself, who died in 2000, was honored in the following Carnival with the theme "Como Diria João."
383:, released in 1998 at the Acadêmicos da Rocinha Samba School court, in the favela honored in the album: "By the sea / On a hill that was still unpopulated / And divided
203:," he later joked. His first record was a simple compact with "Alô Madureira" and "Mulher Valente". In 1969, Elizeth Cardoso recorded his "Corrente de Aço" on the album
169:
239:, whose samba-canção "De Rosas e Coisas Amigas" João had recorded in 1974, reappeared with "Seu Caminho Se Abre". In 1979, he introduced his partner in the show
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by recording "Gago
Apaixonado". Later, he recorded "Não Tem Tradução", once again revering the Vila poet, one of the three pillars of his inspiration, alongside
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After his death, several colleagues gathered to present a tribute show on the same dates and at the same location. Participants included
176:, João came into contact with the musical world early. He soon learned to play the guitar and compose in partnership with his sister.
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179:
João
Nogueira began composing at fifteen, creating sambas for the Labareda carnival block in Méier. Through this, he met musician
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322:(1998), an album in tribute to the composer who was the theme of the school that year. In 1995, with maestro and pianist
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He continued to release quality albums (eighteen solo albums in total) and participated in collective albums, such as
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recorded his song "Corrente de Aço". His music has been recorded by some of Brazil's most well known singers such as
370:
João
Nogueira died in the early hours of June 5, 2000, at the age of 58, from a massive heart attack at his home in
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196:
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he was planning to perform, in which he intended to present new works in addition to hits from his last album,
235:, with whom he wrote three tracks ("Samba da Bandola", "Chorando Pelos Dedos", and "Para fugir Nunca Mais").
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His first composition, "Espera ó Nega" was recorded in 1968, however it was in 1970 that he gained fame when
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One of João's most sung songs, a kind of anthem for composers, was the success of the 1980 album
231:, Clara's husband. The album also included three collaborations with a talented young guitarist,
274:, attracting revelers nostalgic for old carnivals. It operated at various addresses, including
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314:(1995), in which he shared tracks with artists like Martinho da Vila, Roberto Ribeiro, and
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song's lyrics are autobiographical of João, the father, referring to Diogo's grandfather.
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supporter João
Nogueira was also a frustrated footballer due to an injury.
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195:, João faced some scrutiny since the 200-mile flag had been raised by the
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schools. Frequently, the program would bring together people like
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374:. He had been suffering from circulatory problems that caused a
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at the João
Caetano Theater. He also participated in the album
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project. The album was launched with a show on the program
278:. The stage hosted great names of samba and composers from
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for its affirmative nationalist tone. As an employee of
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with fourteen songs, part of the second edition of the
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In 1979, João founded the Clube do Samba with
Alcione,
187:and was cited in a report by the American magazine
577:"Cliquemusic : Artista : João Nogueira"
600:
151:. He is also the father of singer and composer
346:, recorded live in 2000 at the Pirajá bar in
354:, by TV Cultura de São Paulo, was released.
215:In his 1974 LP, João dedicated a track to
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112:(November 12, 1941 – June 5, 2000) was a
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326:, João recorded a CD with only songs by
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163:
241:João Nogueira Apresenta Ivor Lancelotti
601:
207:, propelling him to nationwide fame.
624:Musicians from Rio de Janeiro (city)
395:, ends with João's death," lamented
116:singer and composer, famous for his
629:20th-century Brazilian male singers
21:For the Portuguese footballer, see
13:
199:. "They thought I had turned into
14:
650:
408:João Nogueira, Através do Espelho
366:Nogueira at the Portela Festival.
579:. August 9, 2011. Archived from
553:. March 30, 2016. Archived from
25:. For Brazilian footballer, see
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168:The son of lawyer and musician
634:20th-century Brazilian singers
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543:
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1:
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120:compositions. He was born in
16:Brazilian composer and singer
172:and the brother of composer
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7:
10:
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482:Pelas Terras Do Pau-Brasil
470:Wilson, Geraldo & Noel
397:Hermínio Bello de Carvalho
320:Chico Buarque da Mangueira
23:João Nogueira (footballer)
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328:Chico Buarque de Hollanda
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72:
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372:Recreio dos Bandeirantes
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381:João de Todos os Sambas
639:20th-century composers
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312:Clara Nunes - Com Vida
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365:
286:, João Nogueira, and
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170:João Batista Nogueira
164:Early life and career
619:Brazilian composers
197:military government
530:Através Do Espelho
524:De Todos Os Sambas
518:Letra & Música
368:
330:, in a project by
272:Avenida Rio Branco
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583:on August 9, 2011
557:on March 30, 2016
494:Boteco Do Arlindo
376:cerebral ischemia
250:Nogueira in 1972.
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100:Years active
61:November 12, 1941
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344:Esquina do Samba
268:Martinho da Vila
95:Singer, composer
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551:"João Nogueira"
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506:Programa Ensaio
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288:Roberto Ribeiro
276:Barra da Tijuca
237:Ivor Lancelotti
221:Geraldo Pereira
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193:Caixa Econômica
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141:Emílio Santiago
129:Elizeth Cardoso
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404:Zeca Pagodinho
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336:Letra e Música
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229:P. C. Pinheiro
225:Wilson Batista
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185:Eliana Pittman
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153:Diogo Nogueira
122:Rio de Janeiro
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84:Rio de Janeiro
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80:(aged 58)
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488:De Amor É Bom
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201:Dom and Ravel
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174:Gisa Nogueira
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110:João Nogueira
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92:Occupation(s)
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40:
36:João Nogueira
33:
28:
27:Ygor Nogueira
24:
19:
585:. Retrieved
581:the original
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559:. Retrieved
555:the original
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476:Bem Transado
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464:Homem aos 40
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458:Boca Do Povo
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446:Vida Bohêmia
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434:Vem Quem Tem
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306:Later career
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295:Boca do Povo
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181:Moacyr Silva
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109:
108:
78:(2000-06-05)
76:June 5, 2000
18:
614:2000 deaths
609:1941 births
428:E Lá Vou Eu
414:Discography
389:São Conrado
340:Seis e Meia
316:Nana Caymmi
137:Clara Nunes
133:Elis Regina
603:Categories
537:References
284:Ivone Lara
57:1941-11-12
348:São Paulo
217:Noel Rosa
159:Biography
114:Brazilian
103:1968–2000
587:June 28,
561:June 28,
512:Parceria
299:Parceria
257:Flamengo
86:, Brazil
67:, Brazil
440:Espelho
280:carioca
149:Alcione
352:Ensaio
318:. And
211:Career
528:2000
522:1998
516:1996
510:1994
504:1992
498:1988
492:1986
486:1985
480:1984
474:1983
468:1981
462:1981
456:1980
450:1979
444:1978
438:1977
432:1975
426:1974
420:1972
385:Gávea
358:Death
205:Falou
118:samba
589:2024
563:2024
500:João
387:and
223:and
189:Time
147:and
73:Died
51:Born
605::
410:.
243:.
155:.
143:,
139:,
135:,
124:.
591:.
565:.
59:)
55:(
29:.
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