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98:, allowing for a more integrated interpretation of the collection. Nicoll also authored numerous exhibition catalogues and gallery guides, and published many scholarly articles on topics including the architecture of Federal-era mansions and Quaker quilts; American artists such as
42:, from where she earned a Bachelor of Arts in Art History and American Studies in 1983. In 1986, Nicoll received her Master of Arts degree in Early American Culture and a certificate in Museum Studies from the Winterthur Program in American Material Culture at the
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Under Nicoll's leadership, Nicoll helped the
Portland Museum of Art build a larger, professional curatorial staff, and grow its collection through major gifts and purchases. Among the many major purchase initiatives overseen by Nicoll were Marsden Hartley’s
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Under Nicoll's leadership, the museum has given particular attention to
American female artists. In 2017, Nicoll oversaw the exhibition, "A Dangerous Woman: Subversion and Surrealism in the Art of Honoré Sharrer,” which took a fresh look at American artist
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174:(1920-2009). The exhibition featured about 60 works, predominantly paintings, many of which came from Sharrer's estate. The exhibition, which represented the first public survey of Sharrer's work in many years, was organized by the
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American museum director and curator and an authority on American art and culture. She serves as Director and Louise Ines Doyle '34 Chief Curator of the
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Winterthur, Delaware. Upon completion of the fellowship, Nicoll returned to Massachusetts to accept a post as Curator of Exhibits at the
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In 2005, Nicoll returned to her alma mater where she succeeded
Suzannah Fabing as Director and Chief Curator of the
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