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Staples' continued focus on civil rights. Edwards stated, "I didn’t want the civil rights movement to appear historical. To Mavis, the fight for equality didn’t end in the 60s, and I really wanted to emphasize that." The film also featured interviews and performances by
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in New York City. She began her career as a film publicist, working with filmmakers including
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Film
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for the film, and was named one of the "10 Documakers to Watch" by
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is a
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Edwards saw a live performance by gospel/soul singer
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216:Bob Dylan
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389:. 2013
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
