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hear about the village and decide to travel there. They discover the village ruins and the boy's grave but return to
Jakarta disappointed because they encountered no ghosts. After their return, the members of the group are haunted by a mysterious presence, whom they learn from a
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anthropomorphic totem on the boy's grave to summon his ghost, so they return to
Angkerbatu to remove the totem. The ghost, however, resists, and one of the teenagers kills his girlfriend during a fit of hallucination. In the final scene, the ghost leaps directly at the viewer.
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for easier distribution after audiences turned out and queued for hours for tickets. It was the only domestic feature film released in 2001, an aftereffect of halted film productions and abandoned projects following the
173:. It was the only domestic feature film released that year and became a popular sensation. Originally released on a single screen, the film was later distributed to other
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of a twelve-year-old boy by villagers who feared him as the harbinger of disaster. In the present day, teenagers who regularly explore haunted locations around
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in 1998. The film remained in cinemas for three months. It was seen by 750,000 people in the
Jakarta metropolitan area and by 1.5
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has included a time gap between the original violent incident and the first appearance of the ghost. The success of
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616:(in Indonesian). Vol. 3, no. 31. Jakarta: Institut Studi Arus Informasi. pp. 26–31.
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574:(in Indonesian). Vol. 3, no. 22. Jakarta: Institut Studi Arus Informasi. pp. 8–9.
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233:(shaman) is the boy's ghost. The group discovers that one of the teenagers has placed a
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began in
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s success has been credited with reviving the genre of
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Contemporary
Indonesian Film: Spirits of Reform and Ghosts from the Past
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was originally released on 5 October 2001 on a single screen in
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Indonesian Cinema After the New Order: Going
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release at the urging of journalist-turned-producer
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572:Pantau: Kajian Media dan Jurnalisme
570:[The Magic of Jelangkung].
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610:"Superdirector: One Man Show"
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181:million people nationwide.
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196:is set in the fictional
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19:Not to be confused with
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587:Barker, Thomas (2019).
290:billion (US$ 190,000).
266:for the newly-launched
258:directors. In creating
254:began their careers as
200:village of Angkerbatu (
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645:10.26530/OAPEN_420331
369:Ada Apa Dengan Cinta?
280:Principal photography
374:venture capitalists
363:Petualangan Sherina
655:20.500.12657/34522
568:"Sihir Jelangkung"
311:screened digitally
21:Jailangkung (film)
712:2001 in Indonesia
707:2001 horror films
665:978-90-67-18381-9
600:978-988-8528-07-3
539:, pp. 98–99.
350:Indonesian horror
303:Pondok Indah Mall
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119:Running time
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537:Barker 2019
525:Barker 2019
449:Barker 2019
432:Barker 2019
420:Barker 2019
372:(2002) led
366:(2000) and
256:music video
235:jailangkung
183:Jelangkung'
123:102 minutes
87:Produced by
73:Adi Nugroho
46:Directed by
702:2001 films
696:Categories
682:Jelangkung
510:21 January
380:References
358:Jelangkung
354:Jelangkung
346:Jelangkung
322:film stock
299:Jelangkung
260:Jelangkung
246:Directors
242:Production
194:Jelangkung
161:is a 2001
158:Jelangkung
139:Indonesian
107:2001-10-05
67:Written by
29:Jelangkung
622:1411-6391
580:1411-6391
385:Citations
341:Reception
319:celluloid
315:Cinema 21
131:Indonesia
329:and the
268:Trans TV
198:Javanese
136:Language
504:Variety
313:by the
294:Release
222:Jakarta
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128:Country
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144:Budget
636:(PDF)
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687:IMDb
660:ISBN
618:ISSN
595:ISBN
576:ISSN
512:2023
250:and
202:lit.
189:Plot
169:and
685:at
650:hdl
640:doi
305:in
286:1.9
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