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While it was not uncommon for the wives and daughters of booksellers to work in the family workshop with illuminations, bookbinding and illustrations, they normally worked purely informally, remained unnamed, and did not give a personal guild oath, unlike Jeanne
Montbaston.
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Images, Texts, and
Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24): With a Complete Concordance and Catalogue of Peacock Manuscripts
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33:. Her husband published books, while she illustrated them. Their business was famous, and among their most famous works was the
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1325–1353) was a French illustrator and bookseller who managed a book shop in Paris alongside her husband,
78:. BRILL. p. 10 and ff, where Jeanne is generally identified as the author of the miniatures.
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Manuscripts and Their Makers: Commercial Book
Producers in Medieval Paris, 1200–1500
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Deirdre
Jackson, "Picturing Work", in Valerie L. Garver, ed.,
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Jeanne and
Richard Montbaston at work, from their copy of the
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Women and the Book Trade in
Sixteenth-Century France
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135:Rouse, Richard H. and Mary A. Rouse.
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173:French manuscript illuminators
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168:Medieval French women artists
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153:14th-century French artists
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163:14th-century women artists
139:. 2 vols. H. Miller, 2000.
122:(Bloomsbury, 2018), p. 63.
158:14th-century French women
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178:French illustrators
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31:Richard Montbaston
16:French illustrator
103:Susan Broomhall.
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109:(Ashgate, 2002).
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