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Jean-François Le Sueur

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For the Feast of the Assumption, he innovated by introducing an orchestra, with great success, and his sacred concerts at the main feasts of the Church filled the cathedral to overflowing but incurred resistance in ecclesiastical circles. He replied by publishing a pamphlet
299:, with great success at the Opéra and with the Emperor, who made the composer of his favorite opera a Chevalier de la Légion d'honneur. Le Sueur composed the Triumphal March for the coronation of Napoleon, directed a Mass by Paisiello and a 204:(1787). The cathedral chapter decided to reduce its musical budget in a time of financial crisis for France, which constrained Le Sueur to give up the important musical Masses that he specialised in, and to give up his position. 318:, he was named composer of the royal chapel and conductor of the orchestra of the Opéra. From the beginning of 1818, he taught composition at the Conservatoire, where over the years he had for pupils 878: 670: 868: 763: 873: 883: 838: 180:. He went to Paris to study harmony with the Abbé Nicolas Roze, chorus master at the Saints-Innocents. Le Sueur was named to positions at 695: 893: 192:(1783) before he succeeded Roze at the Saints-Innocents at Paris. Finally, in 1786, after a competition, he was made music director at 853: 735: 888: 17: 843: 471: 756: 848: 863: 731: 232:
He was named professor at the École de la Garde Nationale, 21 November, 1793, then named Inspecteur at the newly founded
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He spent some time in London, 1788–92, then returned to revolutionary Paris and gave three successful operas at the
858: 315: 467: 335: 269: 689: 585: 581: 237: 304: 331: 276:, attacking the Conservatoire, its methods and its director, and was discharged, 23 September 1802. 245: 517: 384: 797: 675: 501: 258: 833: 828: 208: 176:, where he pursued his music studies, Le Sueur was named chorus master at the cathedral of 440: 8: 249: 233: 193: 292: 241: 805: 569: 308: 264: 165: 222: 169: 323: 128: 327: 319: 822: 688: 684: 279:
Without official appointments, Le Sueur was reduced to poverty when in 1804,
168:. Beginning as a chorister at the collegial church of Abbeville, then at the 741: 699:. Vol. 16 (11th ed.). Cambridge University Press. p. 500. 43: 789: 423: 213: 712:
A History of the Oratorio, Volume 3: The Oratorio in the Classical Era
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Exposé d'une musique imitative et particulière à chaque solennité
185: 161: 132:; 15 February 1760 – 6 October 1837) was a French 177: 173: 153: 64: 780: 433: 303:
by his former master abbé Roze. In 1813, he was named to the
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Télémaque dans l'île de Calypso, ou le Triomphe de la sagesse
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Télémaque dans l'île de Calypso ou Le triomphe de la sagesse
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Projet d'un plan général de l'instruction musicale en France
221:(1794), which was inspired by the hugely popular novel by 630: 628: 626: 624: 622: 252:, he was limited to teaching elementary principles and 619: 640: 879:Honorary members of the Royal Philharmonic Society 295:. Now he was able to mount his most famous work, 820: 757: 869:Academic staff of the Conservatoire de Paris 219:Paul et Virginie, ou le Triomphe de la vertu 457:Paul et Virginie ou Le Triomphe de la vertu 771: 764: 750: 714:(University of North Carolina Press, 1977) 668: 634: 42: 736:International Music Score Library Project 272:, Le Sueur published a violent pamphlet, 683: 646: 874:Directors of the Conservatoire de Paris 528:L'inauguration du temple de la victoire 472:Jacques-Henri Bernardin de Saint-Pierre 464:13 January 1794, Paris, Théâtre Feydeau 223:Jacques-Henri Bernardin de Saint-Pierre 14: 821: 745: 732:Free scores by Jean-François Le Sueur 152:He was born at Plessiel, a hamlet of 127: 679:. New York: Robert Appleton Company. 341:He died on 6 October 1837 in Paris. 839:Classical composers of church music 489:11 May 1796, Paris, Théâtre Feydeau 24: 669:Herbermann, Charles, ed. (1913). " 164:, the great-nephew of the painter 160:, to a long-established family of 25: 905: 894:French Classical-period composers 884:Burials at Père Lachaise Cemetery 725: 854:18th-century classical composers 662: 889:Knights of the Legion of Honour 570:La mort d'Adam et son apothéose 844:People from Somme (department) 690:"Lesueur, Jean François"  13: 1: 849:18th-century French composers 612: 557:23 October 1807, Paris, Opéra 586:Friedrich Gottlieb Klopstock 535:2 January 1807, Paris, Opéra 349: 7: 864:French male opera composers 578:21 March 1809, Paris, Opéra 256:. Unable to get his operas 27:French composer (1760–1837) 10: 910: 719:Les Ouvrages de M. Lesueur 704: 468:Alphonse du Congé Dubreuil 336:Antoine François Marmontel 214:La Caverne, ou le Repentir 129:[ʒɑ̃fʁɑ̃swaləsɥœʁ] 779: 582:Nicolas-François Guillard 560:Joseph-Alphonse Esménard 394: 104: 96: 88: 72: 50: 41: 34: 344: 696:Encyclopædia Britannica 518:Jacques-Marie Deschamps 305:Académie des Beaux-Arts 147: 859:French opera composers 773:Jean-François Le Sueur 246:François-Joseph Gossec 117:Jean-François Le Sueur 36:Jean-François Le Sueur 798:Ossian, ou Les bardes 676:Catholic Encyclopedia 671:Jean-François Lesueur 606:Pierre Baour-Lormian 547:Le triomphe de Trajan 538:Pierre Baour-Lormian 510:10 July 1804, Paris, 502:Ossian, ou Les bardes 470:, after the novel by 285:maître de la chapelle 259:Ossian, ou Les bardes 238:Étienne Nicolas Méhul 136:, best known for his 18:Jean François Lesueur 596:Alexandre à Babylone 390:Coronation oratorios 380:(Christmas Oratorio) 332:Louis Désiré Besozzi 297:Ossian ou Les bardes 236:. In the company of 225:, and the classical 109:Ossian ou Les bardes 250:Charles Simon Catel 194:Notre-Dame de Paris 710:Howard E. Smither 592:composed 1814-1825 439:Paul Dercy, after 436:, Théâtre Feydeau 432:16 February 1793, 293:Giovanni Paisiello 816: 815: 717:Raoul Rochette., 610: 609: 551: 441:Alain-René Lesage 364:(written by 1811) 358:(written by 1811) 166:Eustache Le Sueur 114: 113: 16:(Redirected from 901: 766: 759: 752: 743: 742: 700: 692: 680: 666: 665: 650: 644: 638: 632: 550: 399: 398: 378:Oratorio de Noël 188:(1782), then at 131: 126: 79: 61:15 February 1760 60: 58: 46: 32: 31: 21: 909: 908: 904: 903: 902: 900: 899: 898: 819: 818: 817: 812: 775: 770: 728: 707: 663: 654: 653: 645: 641: 635:Herbermann 1913 633: 620: 615: 549: 516:Paul Dercy and 397: 352: 347: 324:Ambroise Thomas 268:mounted at the 209:Théâtre Feydeau 150: 124: 119:(more commonly 84: 81: 77: 68: 62: 56: 54: 37: 28: 23: 22: 15: 12: 11: 5: 907: 897: 896: 891: 886: 881: 876: 871: 866: 861: 856: 851: 846: 841: 836: 831: 814: 813: 811: 810: 806:La mort d'Adam 802: 794: 785: 783: 777: 776: 769: 768: 761: 754: 746: 740: 739: 727: 726:External links 724: 723: 722: 721:(Paris. 1839). 715: 706: 703: 702: 701: 687:, ed. (1911). 685:Chisholm, Hugh 681: 659: 658: 652: 651: 639: 617: 616: 614: 611: 608: 607: 604: 601: 598: 593: 589: 588: 579: 576: 573: 566: 562: 561: 558: 555: 552: 544: 540: 539: 536: 533: 530: 525: 521: 520: 514: 508: 505: 498: 494: 493: 490: 487: 484: 479: 475: 474: 465: 462: 459: 454: 450: 449: 437: 430: 427: 420: 416: 415: 412: 409: 406: 403: 396: 393: 392: 391: 388: 381: 375: 370: 365: 359: 351: 348: 346: 343: 328:Charles Gounod 320:Hector Berlioz 265:La mort d'Adam 149: 146: 112: 111: 106: 105:Known for 102: 101: 98: 94: 93: 90: 86: 85: 82: 80:(aged 77) 76:6 October 1837 74: 70: 69: 63: 52: 48: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 906: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 826: 824: 808: 807: 803: 800: 799: 795: 792: 791: 787: 786: 784: 782: 778: 774: 767: 762: 760: 755: 753: 748: 747: 744: 737: 733: 730: 729: 720: 716: 713: 709: 708: 698: 697: 691: 686: 682: 678: 677: 672: 661: 660: 656: 655: 648: 647:Chisholm 1911 643: 636: 631: 629: 627: 625: 623: 618: 605: 602: 599: 597: 594: 591: 590: 587: 583: 580: 577: 574: 572: 571: 567: 564: 563: 559: 556: 553: 548: 545: 542: 541: 537: 534: 531: 529: 526: 523: 522: 519: 515: 513: 509: 506: 504: 503: 499: 496: 495: 491: 488: 485: 483: 480: 477: 476: 473: 469: 466: 463: 460: 458: 455: 452: 451: 448: 447: 442: 438: 435: 431: 428: 426: 425: 421: 418: 417: 413: 410: 407: 404: 401: 400: 389: 386: 382: 379: 376: 374: 371: 369: 366: 363: 360: 357: 356:Ruth et Noëmi 354: 353: 342: 339: 337: 333: 329: 325: 321: 317: 312: 310: 306: 302: 298: 294: 291:, to replace 290: 286: 282: 277: 275: 271: 267: 266: 261: 260: 255: 251: 247: 243: 242:Honoré Langlé 239: 235: 234:Conservatoire 230: 228: 224: 220: 216: 215: 210: 205: 203: 197: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 145: 143: 139: 135: 130: 122: 118: 110: 107: 103: 99: 95: 91: 87: 83:Paris, France 75: 71: 66: 53: 49: 45: 40: 33: 30: 19: 804: 796: 788: 772: 718: 711: 694: 674: 642: 595: 568: 546: 527: 500: 481: 456: 444: 422: 377: 372: 367: 362:Ruth et Booz 361: 355: 340: 313: 309:André Grétry 307:, replacing 300: 296: 284: 278: 273: 263: 257: 231: 226: 218: 212: 206: 201: 198: 151: 120: 116: 115: 108: 78:(1837-10-06) 29: 834:1837 deaths 829:1760 births 657:Attribution 603:unperformed 492:Paul Dercy 316:Restoration 270:Paris Opéra 89:Nationality 823:Categories 790:La caverne 613:References 424:La caverne 402:Completion 283:named him 97:Occupation 57:1760-02-15 414:Libretto 387:oratorios 350:Oratorios 289:Tuileries 170:cathedral 158:Abbeville 138:oratorios 446:Gil Blas 411:Première 281:Napoleon 229:(1796). 217:(1793), 184:(1779), 134:composer 100:composer 67:, France 738:(IMSLP) 734:at the 705:Sources 385:Passion 368:Debbora 314:At the 287:at the 254:solfège 186:Le Mans 162:Picardy 125:French: 121:Lesueur 809:(1809) 801:(1804) 793:(1793) 781:Operas 667:  600:3 acts 584:after 575:3 acts 554:3 acts 507:5 acts 486:3 acts 461:3 acts 429:3 acts 408:Length 395:Operas 383:Three 373:Rachel 174:Amiens 154:Drucat 142:operas 92:French 65:Drucat 532:1 act 512:Opéra 434:Paris 405:Title 345:Works 301:Vivat 190:Tours 182:Dijon 156:near 565:1809 543:1807 524:1807 497:1804 478:1796 453:1794 419:1793 334:and 262:and 248:and 178:Sées 148:Life 140:and 73:Died 51:Born 673:". 443:'s 172:of 825:: 693:. 621:^ 338:. 330:, 326:, 322:, 311:. 244:, 240:, 211:: 196:. 144:. 123:; 765:e 758:t 751:v 649:. 637:. 59:) 55:( 20:)

Index

Jean François Lesueur

Drucat
[ʒɑ̃fʁɑ̃swaləsɥœʁ]
composer
oratorios
operas
Drucat
Abbeville
Picardy
Eustache Le Sueur
cathedral
Amiens
Sées
Dijon
Le Mans
Tours
Notre-Dame de Paris
Théâtre Feydeau
La Caverne, ou le Repentir
Jacques-Henri Bernardin de Saint-Pierre
Conservatoire
Étienne Nicolas Méhul
Honoré Langlé
François-Joseph Gossec
Charles Simon Catel
solfège
Ossian, ou Les bardes
La mort d'Adam
Paris Opéra

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