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149:, presented at the Académie de musique, sank without a trace. Undeterred, though unable to get them publicly mounted, Langlé continued to compose operas in private for the rest of hid life. His songs achieved more success: his "Hymne à Bara et à Viala" (1794) continued to be taught in music schools through the 19th century.
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formed the École Royale de Chant et de Déclamations in 1784, Langlé was entrusted with teaching singing, a position he retained until the institutional changes that came with the
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In retirement towards the end of his life at his property, Villiers le Bel, Langlé devoted himself passionately to gardening. His posthumous reputation has supported
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and singing lessons and taught musical composition to private pupils, while he gained a reputation through participating in
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sent him with an endowment to Naples at the age of fifteen. There he studied harmony and counterpoint at the
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that was established at Monaco in the 18th century, Langlé showed so much early promise in music that
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that gained him a sufficient reputation in Italy that he was appointed to direct the city theatre of
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failed to please at
Versailles. Five years later, during the Revolution, his three-act opera
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In the following decade his reputation spread from the
Parisian musical world of
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Biographie universelle des musiciens et bibliographie générale de la musique
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in 1795, Langlé was instituted as librarian, a place he held until 1802.
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In 1768, Langlé left for France. In Paris he supported himself by giving
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107:, the spelling preferred by his son and grandson, he gave clavecin and
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65:. He remained for more than eight years, composing Masses and
42:(Paris: Boyer, 1795). Napoleon named him to the newly founded
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156:, who found his music lacked qualities of genius, but his
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160:long remained a staple in academic teaching.
178:Grand Dictionnaire universel du xixe siècle
211:International Music Score Library Project
141:was less than secure. In 1786 his opera
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59:Conservatorio della Pietà dei Turchini
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158:Traité d’harmonie et de modulation
134:was published at Paris in 1795.
132:Traité d'harmonie et de modulation
40:Traité d'harmonie et de modulation
38:origin, composer, and author of a
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247:Burials at Père Lachaise Cemetery
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49:Born to a family originally from
242:French male non-fiction writers
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207:Free scores by Honoré Langlé
137:His success in the field of
28:Honoré François Marie Langlé
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123:. With the creation of the
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30:(1741–1807) was a French
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16:French theorist of music
143:Antiochus et Stratonice
61:under the direction of
237:French music theorists
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154:François-Joseph Fétis
82:Anne Danican Philidor
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55:Honoré III of Monaco
125:Paris Conservatoire
86:Concerts spirituels
44:Paris Conservatoire
180:, vol. XIII, 1875.
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176:Pierre Larousse,
121:French Revolution
117:baron de Breteuil
111:lessons to Queen
32:theorist of music
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130:His theoretical
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232:1807 deaths
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115:. When the
103:, where as
78:harpsichord
221:Categories
147:Corisandre
109:fortepiano
101:Versailles
36:Monegasque
105:Langlois
213:(IMSLP)
209:at the
189:Fétis,
51:Picardy
90:Alcide
67:motets
164:Notes
139:opera
94:Circé
71:Genoa
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