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After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs. His work was
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Degas invited Raffaëlli to participate in the
Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works.
142:. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary
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descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the
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The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian
Barbara S. Fields has written of Raffaëlli's interest in the
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Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly
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seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as
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163:(1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled
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Young, Marnin. "Heroic
Indolence: Realism and The Politics of Time in Raffaelli's
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in that same year. In
October 1871 he began three months of study under
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led him to articulate a theory of realism that he christened
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46:, 1886, oil on canvas, 128 x 116 cm, Musée des Beaux-Arts,
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From Monet to Cézanne: Late 19th-century French
Artists
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the painting was widely praised at the 1881 exhibit.
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57:(April 20, 1850 – February 11, 1924) was a French
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100:Painting by Jean-Francois Raffaëlli entitled
69:. He was also active as an actor and writer.
32:Jean-François Raffaëlli in his Paris studio.
440:Members of the Ligue de la patrie française
93:in Paris; he had no other formal training.
23:Portrait of Jean Francois Raffaelli in 1895
299:. Grove Art. New York: St Martin's Press.
340:Works by or about Jean-François Raffaëlli
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455:Olympic competitors in art competitions
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281:Gordon, Robert; Forge, Andrew (1988).
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380:Burials at Père Lachaise Cemetery
351:, at the Getty Research Institute
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460:19th-century French male artists
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317:90, no. 2 (June 2008): 235-259.
349:Jean-François Raffaëlli papers
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420:19th-century French sculptors
415:20th-century French engravers
410:19th-century French engravers
285:. New York: Harry N. Abrams.
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234:Gordon and Forge 1988, p. 31.
400:20th-century French painters
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206:. Paris: H. Floury. p.
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385:École des Beaux-Arts alumni
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200:Alexandre, Arsène (1909).
102:A Ragman Lighting His Pipe
254:"Jean-François Raffaëlli"
77:Born in Paris, he was of
42:Jean-François Raffaëlli,
430:People of Tuscan descent
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445:French Realist painters
334:Jean-François Raffaëlli
203:Jean-François Raffaëlli
132:Hippolyte-Adolphe Taine
65:who exhibited with the
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161:Les buveurs d'absinthe
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395:French male painters
336:at Wikimedia Commons
225:Turner 2000, p. 346.
181:1912 Summer Olympics
91:École des Beaux-Arts
435:French male writers
375:Painters from Paris
295:Turner, J. (2000).
243:Young 2008, p. 235.
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311:Absinthe Drinkers
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140:caractérisme
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370:1924 deaths
365:1850 births
144:Naturalists
121:Edgar Degas
359:Categories
276:References
146:, such as
128:positivist
113:ragpickers
63:printmaker
258:Olympedia
134:, which:
73:Biography
109:peasants
342:at the
263:22 July
179:at the
175:in the
89:at the
59:realist
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79:Tuscan
283:Degas
187:Notes
157:Monet
83:Salon
301:ISBN
287:ISBN
265:2020
148:Zola
48:Lyon
313:,"
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