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that he offered
Marchand a lucrative court appointment. The story of what happened next has been much repeated in German sources (though never in French ones), with various embellishments. The key elements appear to be that Volumier, sensing the risk of trouble ahead, organised a keyboard (probably
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although some earlier sources indicate simply that he was born in Spain. As a young man he was schooled in music in Paris, possibly at the French court, and it was the then fashionable French style that he would follow as a performer and composer. Moving to Berlin, in 1692 he gained a position as a
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clavier) contest between
Marchand and his friend Bach. However, Marchand became nervous at the prospect and early on the morning of the day scheduled for the contest left Dresden, never to return. Marchand's hasty departure strengthened the position at court of the chapel organist,
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joined the court orchestra. As time went on he became adept at blending the French and
Italian styles, with an added frisson of German elements, creating something that came to be called the "mixed" or "German" style. The flautist
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had frequently to be called upon to deputise for him. Jean
Baptiste Volumier died in October 1728. Starting two years later, in October 1730, his widow started to receive a twice yearly pension of 600
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143:. In the interests of balance it is worth adding that Adlung also wrote of Bach's respect for Marchand's abilities as a keyboard player and composer.
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Volumier composed a large amount of ballet music and numerous violin pieces. They were all destroyed in a fire in 1760 while the city was
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where for several months
Volumier remained, in order to oversee the production of twelve violins ordered from the manufactory of
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83:. Applying the French style he made the Dresden orchestra one of the best in Europe. Under his directorship musicians such as
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68:), taking care of ballet and dance. He composed arias and dance music for the marriage, in 1706, of the then crown prince
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153:, with his court at Dresden, was also, for most of the time between 1697 and 1733, the king of Poland, with a court at
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157:. It was while attending the royal court in Warsaw that Volumier fell ill, and after he returned to Dresden
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that he had never heard a better orchestra than the
Dresden orchestra under Volumier.
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Volumier was born in around 1670 or 1677; sources differ. He was probably born in the
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348:[Mr Johann Joachim Quantzen's Curriculum Vitae, drafted by himself].
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216:(in German), vol. 40, Leipzig: Duncker & Humblot, pp. 282–283
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While he was employed in
Dresden Volumier also developed a friendship with
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58:. He quickly gained promotion through the ranks, emerging as the court
346:"Herrn Johann Joachim Quantzens Lebenslauf, von ihm selbst entworfen"
139:. The story seems to have originated with the organist-musicologist
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In 1709 he was taken on as concertmaster at the rival court of
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79:: the appointment came with a generous annual salary of 1,200
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historical-critical contributions on the reception of music
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320:(in German). Leipzig: Otto August Schulz. p. 165.
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350:
Historisch-kritische Beyträge zur
Aufnahme der Musik
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Historisch-kritische Beyträge zur
Aufnahme der Musik
508:18th-century violinists from the Holy Roman Empire
503:18th-century composers from the Holy Roman Empire
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96:wrote in an autobiographical contribution to
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29:– 7 October 1728) was an eighteenth century
233:"Bach Vs Marchand: The Duel That Never Was"
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54:violinist in the court orchestra of the
276:10.1093/gmo/9781561592630.article.29664
498:Musicians from the Spanish Netherlands
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260:(2001). "Volumier , Jean Baptiste".
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374:(2010). "Historical background".
130:visited Dresden and so impressed
111:sent his star court violinist to
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213:Allgemeine Deutsche Biographie
126:. In 1717 the French musician
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493:17th-century German composers
318:König Friedrich I von Preußen
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518:18th-century male musicians
453:German classical violinists
16:Eighteenth century musician
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380:Cambridge University Press
358:Munich Digitization Center
177:by a Prussian force under
458:Male classical violinists
342:Friedrich Wilhelm Marpurg
314:"Wissenschaften – Künste"
310:Karl Freiherr von Ledebur
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98:Friedrich Wilhelm Marpurg
56:Electorate of Brandenburg
468:German Baroque composers
208:Volumier, Johann Baptist
291:(subscription required)
268:Oxford University Press
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463:German male violinists
109:the Saxon king-elector
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20:Jean-Baptiste Volumier
94:Johann Joachim Quantz
296:7 April 2016 at the
117:Antonio Stradivarius
179:Frederick the Great
147:Augustus the Strong
473:Culture in Dresden
263:Grove Music Online
393:978-0-521-87304-8
285:978-1-56159-263-0
149:, the elector of
137:Christian Petzold
65:maître de concert
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240:. Retrieved
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141:Jakob Adlung
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488:1728 deaths
175:under siege
27: 1670
442:Categories
382:. p.
376:Stradivari
237:Classic FM
185:References
420:Biography
206:(1896), "
31:violinist
312:(1878).
294:Archived
242:17 March
159:Pisendel
107:In 1715
89:Pisendel
85:Veracini
35:composer
406:Portals
113:Cremona
81:Thalers
77:Dresden
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169:Output
163:Gulden
155:Warsaw
151:Saxony
352:[
388:ISBN
322:ISBN
280:ISBN
244:2016
124:Bach
87:and
45:Life
37:and
272:doi
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