28:
1584:
39:
20:
291:". The affectionate honorific in the supposed Faure cylinder recording only makes sense for a man of advanced years who is so beloved, celebrated, and revered by a general public that he need not even be named. The proliferation of documentation about Faure's standing as such points wholly and only to him. The choice of aria is almost certainly a clue as to the authenticity of the recording, as well. Alphonse of
297:
was one of Faure's most important roles—one with which he toured the provinces of France in 1877, just after his retirement from the stage. He gained enormous critical and popular notoriety from those who had not had a chance to hear him in Paris or London. His performances of this role would have
246:
Faure possessed a dark, smooth yet flexible baritone voice, which he used with impeccable skill and taste. He was a sophisticated interpretive artist, too, and all these accomplishments combined to make him one of the most significant figures to have appeared on the French musical stage during the
322:
can have any notion how much
Donizetti's music gains in value and charm by such an interpreter. M. Faure is an exceptional singer, possessed of an admirable voice; he is also a first-rate actor. With what authority he sang the grand air of the second act, 'Palais de l'Alcazar'! What a striking
265:(1851–1914)—who modelled his vocal method directly on that of Faure—and Jean Lassalle (1847–1909), who succeeded Faure as principal baritone at the Paris Opera. Both Plançon and Lassalle made a number of recordings during the early 1900s, and their cultivated performances for the
272:
Two non-commercial—and possibly unique—brown wax cylinders exist that are thought to be private recordings of Faure singing at around 70 years of age. Though there is no specific documentation of these recordings, one—a rendition of "Jardins de l'Alcazar... Léonor! viens" from
317:
It was before a house crowded to the ceiling that the celebrated baritone sang the part of
Alphonse in a manner thoroughly justifying the brilliant ovation of which he was the object Only those persons who have heard the great artist in
298:
left a lasting impression on the public and the press, and the aria was likely chosen for recording as an allusion to that time. A sampling of writing about Faure in this role and specifically this recitative and aria:
155:
in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as
344:
In addition, Faure composed several enduring songs, including a "Sancta Maria", "Les
Rameaux" ("The Palms") and "Crucifix". (These latter two songs were recorded by
1700:
302:
His voice is skilled in rendering the most violent as well as the gentlest emotions; and right royal is the way in which he sings the "Jardins de l'Alcazar"
452:
This list of known roles contains duplicates where Faure sang in an alternate language. Years indicate the debut of the role into his repertoire.
1695:
1664:
287:" ("The grandfather of the baritones") Pathé and other French recordings from this era nearly always began with an announcement such as "
1725:
1690:
1628:
201:
He also made history by creating several important operatic roles written by such prominent composers as
Giacomo Meyerbeer,
1730:
1603:
709:
1720:
1710:
1624:
1715:
1705:
27:
1634:
406:
374:
1638:
1565:
1652:
626:
323:
expression of despite and irony he infused into the romance of the third act, 'Pour tant d'amour...'!
160:
921:
156:
755:
675:
648:
504:
410:
171:
590:
689:
100:. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in
85:
1227:
1183:
439:
182:
1644:
1560:
991:
520:
126:
1685:
1680:
1272:
1248:
789:
775:
283:—begins with an announcement (from either the singer or the (Pathé) recording engineer): "
8:
23:
Jean-Baptiste Faure photographed at the height of his operatic career in Paris and London
1203:
749:
1418:
1234:
1209:
1189:
1135:
959:
903:
878:
858:
835:
795:
735:
695:
552:
532:
510:
274:
259:
148:
131:
769:
1588:
1569:
1373:
1353:
872:
402:
357:
1505:"The palms; Les rameaux / Historic American Sheet Music / Duke Digital Repository"
368:
89:
32:
1593:
1528:
1454:
1297:
1035:
1017:
815:
715:
490:
206:
111:
81:
58:
1333:
1169:
93:
38:
1608:
1555:
1393:
1129:
1095:
809:
729:
608:
483:
223:
211:
202:
43:
262:
1674:
1411:
1367:
1315:
1089:
953:
939:
896:
398:
364:
349:
345:
188:
63:
1660:
1504:
330:
1436:
1279:
1254:
1115:
1075:
1055:
997:
977:
668:
642:
570:
418:
390:
176:
121:
101:
526:
429:
394:
293:
279:
194:
152:
444:. He was married to the singer Constance Caroline Lefèbvre (1828–1905).
1387:
1347:
584:
546:
266:
231:
217:
164:
1109:
414:
116:
19:
1069:
381:
289:
Le sérénade de Don Juan, de Mozart, chanté par
Lassalle, de l'Opéra!
255:(1898), and also taught at the Paris Conservatory from 1857 to 1860.
106:
1049:
1479:
The
Concise Edition of Baker's Biographical Dictionary of Musicians
658:
636:
69:
1597:
1545:
in Sophie
Monneret, L'Impressionnisme et son époque, Denoël, 1978
829:
371:
and owned 67 canvases by that painter, including the masterpiece
136:
1492:
Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.
1011:
348:, among others.) "Les Rameaux" was translated into English by
269:
preserve key elements of Faure's singing style and technique.
88:
in 1851 and made his operatic debut the following year at the
425:
235:
72:
and art collector who also composed several classical songs.
66:
393:. Part of his collection (which also contained paintings by
230:
His last stage appearances are recorded as taking place in
120:. During this time he also created the Marquis d'Erigny in
356:"Stella" to his sometime leading lady at the Paris Opéra,
170:
Among the many operas in which he appeared in Paris were
1554:
De Curzon, Henri. "Jean-Baptiste Faure" (translated by
258:
The greatest of Faure's French heirs were the lyric
1477:Baker, Theodore; rev. by Nicolas Slonimsky (1994)
1672:
209:. They included the leading baritone parts in
31:Unfinished portrait of Jean-Baptiste Faure by
1665:Discography of American Historical Recordings
247:19th century. He wrote two books on singing,
1701:Academic staff of the Conservatoire de Paris
437:
372:
62:) (15 January 1830 – 9 November 1914) was a
1481:; 8th ed. New York: Schirmer Books, p. 289.
84:. A choirboy in his youth, he entered the
1629:International Music Score Library Project
413:) was kept at his villa "Les Roches" in
227:(in 1865, 1867, and 1868 respectively).
144:), among seven premieres at that house.
37:
26:
18:
1566:Vol IV, No. 2 (April 1918), pp. 271–281
1696:19th-century French male opera singers
1673:
1484:
417:, whose famous cliffs he commissioned
367:, Faure sat for multiple portraits by
151:, London, in 1860 as Hoël, and at the
1585:Works by or about Jean-Baptiste Faure
436:, he had been made an officer of the
339:
57:
1179:Peters Michaeloff (Peter the Great)
428:in 1914, during the early months of
1604:"Jean B. Faure, Singer, Dies at 84"
1031:Joconde ou Les coureurs d'aventures
432:. According to his obituary in the
13:
1635:Free scores by Jean-Baptiste Faure
1625:Free scores by Jean-Baptiste Faure
46:, painted by Édouard Manet in 1877
14:
1742:
1578:
75:
1726:Officers of the Legion of Honour
1691:19th-century classical composers
500:Alfonso D'Este, Duke of Ferrara
424:Faure died of natural causes in
1529:"Stella (Faure, Jean-Baptiste)"
1490:Soubies, A. & Malherbe, C.
1548:
1539:
1521:
1497:
1471:
1:
1465:
521:Alphonse XI, King of Castille
1639:Choral Public Domain Library
1572:). New York: Schirmer Books.
352:. In 1876 he dedicated his
7:
1731:People from Moulins, Allier
10:
1747:
1383:Rodrigue, Marquis of Posa
1721:French operatic baritones
1711:French Romantic composers
710:Le songe d'une nuit d'été
438:
285:Le grand-père du baryton!
147:He made his debut at the
1509:Duke Digital Collections
1494:Flammarion, Paris, 1893.
1149:La coupe du roi de Thulé
922:Józef Michal Poniatowski
627:François-Auguste Gevaert
447:
241:
756:Wolfgang Amadeus Mozart
676:Wolfgang Amadeus Mozart
649:Wolfgang Amadeus Mozart
375:Le déjeuner sur l'herbe
172:Wolfgang Amadeus Mozart
42:Jean-Baptiste Faure as
1311:La fiancée de Corinthe
389:and 62 other works by
373:
337:
314:
140:(1859; later known as
59:[ʒɑ̃batistfɔʁ]
47:
35:
24:
1716:French male composers
1706:French art collectors
1561:The Musical Quarterly
987:Le Marquis d'Hérigny
935:Le chien du jardinier
853:Le pardon de Ploërmel
830:Le pardon de Ploërmel
363:An avid collector of
315:
300:
157:Her Majesty's Theatre
137:Le pardon de Ploërmel
41:
30:
22:
1621:, November 11, 1914.
1273:La muette de Portici
1249:La muette de Portici
969:Le duc de Greenwich
776:Carl Maria von Weber
591:Antônio Carlos Gomes
387:Le pont d'Argenteuil
253:Aux Jeunes Chanteurs
1661:J. Fauré recordings
949:Le Comte de Nevers
888:Il conte di Nevers
457:
421:to paint 40 times.
334:, February 12, 1877
309:Journal de Bordeaux
249:La Voix et le Chant
130:(1856) and Hoël in
51:Jean-Baptiste Faure
16:French opera singer
1594:Portraits of Faure
1223:La stella del nord
913:Julien de Médicis
750:Le nozze di Figaro
455:
340:Other achievements
92:, as Pygmalion in
86:Paris Conservatory
80:Faure was born in
48:
36:
25:
1463:
1462:
1419:Giacomo Meyerbeer
1235:Giacomo Meyerbeer
1210:Gioachino Rossini
1190:Giacomo Meyerbeer
1136:Giacomo Meyerbeer
960:Giacomo Meyerbeer
917:Pierre de Médicis
904:Giacomo Meyerbeer
879:Gioachino Rossini
859:Giacomo Meyerbeer
836:Giacomo Meyerbeer
796:Gioachino Rossini
736:Gioachino Rossini
696:Gaetano Donizetti
553:Gioachino Rossini
533:Gaetano Donizetti
511:Gaetano Donizetti
365:impressionist art
149:Royal Opera House
1738:
1653:Sheet music for
1645:Sheet music for
1620:
1618:
1617:
1589:Internet Archive
1573:
1570:Internet Archive
1552:
1546:
1543:
1537:
1536:
1525:
1519:
1518:
1516:
1515:
1501:
1495:
1488:
1482:
1475:
1374:Vincenzo Bellini
1354:Vincenzo Bellini
1228:L'étoile du nord
1204:Moïse et Pharaon
1184:L'étoile du nord
1165:La mule de Pedro
690:L'elisir d'amore
458:
454:
443:
442:
440:Légion d'honneur
385:. He also owned
378:
358:Gabrielle Krauss
335:
312:
183:L'étoile du nord
61:
56:
1746:
1745:
1741:
1740:
1739:
1737:
1736:
1735:
1671:
1670:
1615:
1613:
1602:
1581:
1576:
1553:
1549:
1544:
1540:
1527:
1526:
1522:
1513:
1511:
1503:
1502:
1498:
1489:
1485:
1476:
1472:
1468:
1455:Louis Clapisson
1298:Ambroise Thomas
1289:Pietro Manelli
1085:Méphistophélès
1036:Nicolas Isouard
1018:Ambroise Thomas
816:Ambroise Thomas
785:Guillaume Tell
716:Ambroise Thomas
622:Quentin Durward
505:Lucrezia Borgia
491:Ambroise Thomas
456:Sortable table
450:
342:
336:
327:
313:
306:
244:
207:Ambroise Thomas
78:
54:
17:
12:
11:
5:
1744:
1734:
1733:
1728:
1723:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1669:
1668:
1658:
1650:
1642:
1632:
1622:
1609:New York Times
1600:
1591:
1580:
1579:External links
1577:
1575:
1574:
1556:Theodore Baker
1547:
1538:
1520:
1496:
1483:
1469:
1467:
1464:
1461:
1460:
1457:
1452:
1447:
1443:
1442:
1439:
1434:
1429:
1425:
1424:
1421:
1416:
1404:
1400:
1399:
1396:
1394:Giuseppe Verdi
1391:
1384:
1380:
1379:
1376:
1371:
1364:
1360:
1359:
1356:
1351:
1344:
1340:
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1322:
1321:
1318:
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1257:
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1216:
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1207:
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1196:
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1192:
1187:
1180:
1176:
1175:
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1162:
1158:
1157:
1154:
1151:
1146:
1142:
1141:
1138:
1133:
1126:
1122:
1121:
1118:
1113:
1106:
1102:
1101:
1098:
1096:Charles Gounod
1093:
1086:
1082:
1081:
1078:
1073:
1066:
1062:
1061:
1058:
1053:
1046:
1042:
1041:
1038:
1033:
1028:
1024:
1023:
1020:
1015:
1008:
1004:
1003:
1000:
995:
988:
984:
983:
980:
975:
970:
966:
965:
962:
957:
950:
946:
945:
942:
937:
932:
928:
927:
924:
919:
914:
910:
909:
906:
901:
889:
885:
884:
881:
876:
869:
865:
864:
861:
856:
846:
842:
841:
838:
833:
826:
822:
821:
818:
813:
806:
802:
801:
798:
793:
790:Guillaume Tell
786:
782:
781:
778:
773:
770:Der Freischütz
766:
762:
761:
758:
753:
746:
742:
741:
738:
733:
730:La gazza ladra
726:
722:
721:
718:
713:
706:
702:
701:
698:
693:
686:
682:
681:
678:
673:
661:
655:
654:
651:
646:
639:
633:
632:
629:
624:
619:
615:
614:
611:
609:Auguste Mermet
606:
601:
597:
596:
593:
588:
581:
577:
576:
573:
568:
563:
559:
558:
555:
550:
543:
539:
538:
535:
530:
523:
517:
516:
513:
508:
501:
497:
496:
493:
488:
476:
472:
471:
468:
465:
462:
449:
446:
434:New York Times
341:
338:
325:
304:
243:
240:
203:Giuseppe Verdi
110:and Michel in
77:
76:Singing career
74:
15:
9:
6:
4:
3:
2:
1743:
1732:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1712:
1709:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1679:
1678:
1676:
1666:
1662:
1659:
1657:
1656:
1651:
1649:
1648:
1643:
1640:
1636:
1633:
1630:
1626:
1623:
1611:
1610:
1605:
1601:
1599:
1595:
1592:
1590:
1586:
1583:
1582:
1571:
1567:
1563:
1562:
1557:
1551:
1542:
1534:
1530:
1524:
1510:
1506:
1500:
1493:
1487:
1480:
1474:
1470:
1458:
1456:
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1451:
1448:
1445:
1444:
1440:
1438:
1435:
1433:
1430:
1427:
1426:
1422:
1420:
1417:
1414:
1413:
1412:Les Huguenots
1408:
1405:
1402:
1401:
1397:
1395:
1392:
1390:
1389:
1385:
1382:
1381:
1377:
1375:
1372:
1370:
1369:
1368:La sonnambula
1365:
1362:
1361:
1357:
1355:
1352:
1350:
1349:
1345:
1342:
1341:
1337:
1335:
1332:
1330:
1327:
1324:
1323:
1319:
1317:
1316:Jules Duprato
1314:
1312:
1309:
1306:
1305:
1301:
1299:
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1294:
1291:
1288:
1287:
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1230:
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1221:
1218:
1217:
1213:
1211:
1208:
1206:
1205:
1201:
1198:
1197:
1193:
1191:
1188:
1186:
1185:
1181:
1178:
1177:
1173:
1171:
1168:
1166:
1163:
1160:
1159:
1155:
1152:
1150:
1147:
1144:
1143:
1139:
1137:
1134:
1132:
1131:
1127:
1124:
1123:
1119:
1117:
1114:
1112:
1111:
1107:
1104:
1103:
1099:
1097:
1094:
1092:
1091:
1087:
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1079:
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1059:
1057:
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1051:
1047:
1044:
1043:
1039:
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1034:
1032:
1029:
1026:
1025:
1021:
1019:
1016:
1014:
1013:
1009:
1006:
1005:
1001:
999:
996:
994:
993:
992:Manon Lescaut
989:
986:
985:
981:
979:
976:
974:
971:
968:
967:
963:
961:
958:
956:
955:
954:Les Huguenots
951:
948:
947:
943:
941:
940:Albert Grisar
938:
936:
933:
930:
929:
925:
923:
920:
918:
915:
912:
911:
907:
905:
902:
899:
898:
897:Les Huguenots
893:
890:
887:
886:
882:
880:
877:
875:
874:
870:
867:
866:
862:
860:
857:
854:
850:
847:
844:
843:
839:
837:
834:
832:
831:
827:
824:
823:
819:
817:
814:
812:
811:
807:
804:
803:
799:
797:
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791:
787:
784:
783:
779:
777:
774:
772:
771:
767:
764:
763:
759:
757:
754:
752:
751:
747:
744:
743:
739:
737:
734:
732:
731:
727:
724:
723:
719:
717:
714:
712:
711:
707:
704:
703:
699:
697:
694:
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691:
687:
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679:
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665:
662:
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657:
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652:
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625:
623:
620:
617:
616:
612:
610:
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602:
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589:
587:
586:
582:
579:
578:
574:
572:
569:
567:
564:
561:
560:
556:
554:
551:
549:
548:
544:
541:
540:
536:
534:
531:
529:
528:
524:
522:
519:
518:
514:
512:
509:
507:
506:
502:
499:
498:
494:
492:
489:
486:
485:
480:
477:
474:
473:
469:
466:
463:
460:
459:
453:
445:
441:
435:
431:
427:
422:
420:
416:
412:
408:
404:
400:
396:
392:
388:
384:
383:
377:
376:
370:
369:Édouard Manet
366:
361:
359:
355:
354:valse-légende
351:
350:Helen Tretbar
347:
346:Enrico Caruso
333:
332:
324:
321:
310:
303:
299:
296:
295:
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1432:Marco Spada
1130:L'Africaine
672:in French)
566:Marco Spada
527:La favorite
430:World War I
320:La Favorite
294:La favorite
280:La favorite
263:Pol Plançon
251:(1886) and
212:L'Africaine
195:La favorite
180:as well as
153:Paris Opera
1675:Categories
1616:2008-08-08
1514:2021-06-06
1466:References
1446:Valbreuse
1388:Don Carlos
1348:I puritani
1325:Pygmalion
1293:La Tonelli
1268:Masaniello
1045:Malipieri
973:Jenny Bell
685:Dulcamara
618:Crèvecœur
585:Il Guarany
547:Semiramide
331:Le Progrès
267:gramophone
232:Marseilles
218:Don Carlos
165:Drury Lane
1533:imslp.org
1450:Le sylphe
1403:St. Bris
1343:Riccardo
1070:Le chalet
1027:Lysandre
725:Fernando
705:Falstaff
562:Borromée
467:Composer
382:The Fifer
275:Donizetti
238:in 1886.
132:Meyerbeer
107:Le chalet
1655:Crucifix
1568:(at the
1428:Torrida
1363:Rodolfo
1329:Galathée
1199:Pharaon
1145:Paddock
1125:Nélusko
1007:Lotario
765:Gaspard
664:Don Juan
659:Don Juan
411:Prud'hon
403:Pissarro
328:critic,
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307:critic,
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159:and the
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70:baritone
67:operatic
1663:at the
1637:in the
1631:(IMSLP)
1627:at the
1598:Gallica
1587:at the
1264:Pietro
1244:Pietro
1219:Pietro
1110:Le caïd
1105:Michel
931:Justin
849:Dinorah
805:Hamlet
745:Figaro
580:Cacico
475:Amleto
415:Étretat
142:Dinorah
117:Le caïd
82:Moulins
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1307:Polus
1161:Pedro
1050:Haydée
1012:Mignon
873:Otello
810:Hamlet
542:Assur
484:Hamlet
479:Amleto
464:Opera
407:Ingres
399:Sisley
224:Hamlet
112:Thomas
64:French
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1423:1860
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868:Iago
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845:Hoël
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470:Year
461:Role
448:Roles
426:Paris
395:Degas
242:Voice
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122:Auber
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