757:", "Japan in the eighties seemed a lot like America in the fifties." In other words, the socio-economic conditions for white American middle-class children (white negroes) in the 1950s and their Japanese counterpart (Japanese blackfacers) in the 1980s allowed unprecedented cultural deviance to occur. It is the wealth and prosperity characteristic of these demographic groups at these specific points in time that can lend us understanding to when, why, and how one culture can most fluidly assimilate into another. Ironically, both cultures adopted black cultural practices in the midst of a post-war boom. In the case of Japan, the 'Japanese Miracle' gave many middle-class families the financial padding necessary for such diverse consumerism.
965:. They are one of the few pioneers of Japanese hip-hop. They began their hip hop careers in 1993 and felt hip-hop was needed in Japan. Group members, Zeebra and K Dub Shine, both of whom had lived in the U.S., were convinced of the necessity for hip-hop to be about issues of social opposition. They used hip-hop to address social issues of the time, such as: the inability of college graduates to find employment and the media overload of advertising sex and violence. They also "challenged youth not only to recognize the difficulties faced by Japanese society but also to speak up about them." Their first album has been cited as being influential in the development of rapping style in Japanese.
854:. Rappers like mc Bell and Cake-K explain that rap is talking with rhythm and melody. Mc Bell argues that rap cannot exist without rhyme: "you need words ending with the same sound...three rhymes in a measure is called three-link rhyming." English is perceived as cool so that Japanese rappers usually add typical phrases such as 'check it out!', 'say ho!', 'awww shit!', and 'Goddamn!' According to Shuhei Hosokawa, those phrases are incidentally added and "the phonetic quality of black verbal expression is sometimes adopted" as well. He also notes that in Japanese Hip-Hop, the "semantics matter, yet so do phonetics...meaningful wording" is important, as is "playful rhyming".
958:, has expressed opinions on various global and philosophical issues through their lyrics. Rhymester has put out motivating messages through hip hop, with songs like "B-Boyism" that emphasizes improving oneself, with lyrics such as "I'm not surrendering this aesthetic flattering no one, I improve myself only the wonderful, useless people get it, and roar, at the edge of the bass." The group has also written socially critical lyrics, in songs attacking the Japanese government, as well as the United States for invading Iraq. Rhymester is also known for its collaborative work with the Funky Grammar Unit in the 1990s, as well as its participation in hip hop battles.
834:. English is seen as more direct, one far more suited to the tough quality presented in hip-hop. Eventually, artists began translating music from English to Japanese and performing those direct translations, often leaving the bridge of the song in English to keep the catchiness of the rhymes and flow. Slowly, with the increase in popularity of rap in Japan, more rappers began using Japanese. Rappers added stressed syllables to their music, altering the natural flow of the language to fit into traditional hip-hop. American injections were also used in raps to help the flow of the music and often
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Japanese have a very different construction of racial ideology than the US. Whereas the white versus black dichotomy typifies the racial system in the US, the
Japanese construct their identities in terms of nationalism. Rather than identifying strongly with a color, Japanese tradition speaks to a homogeneous society that places foreigners in the "other category." Because of this context, "jiggers" and the young teens who wear blackface rebel by embracing individual identities that are different from the norm.
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716:. There are roughly 50,000 Africans in Japan; which is approximately .04% of the Japanese population. Although such an insignificant percent of the Japanese population is African, Japanese subculture is very much accepting of African culture. For many rebellious Japanese youth it provides an outlet for "coolness" and a chance to express themselves outside the box. However, some Japanese fans of hip-hop find it embarrassing and ridiculous that these
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277:, where street musicians gather every Sunday to perform. Crazy-A, now the leader of Rock Steady Crew Japan," was one of the pioneers of break dancing in Yoyogi back in the early 1984". Crazy-A organizes the annual "B-Boy Park," which happens every August, and draws a large number of fans and dozens of break dancing groups. This was all considered the Old School Era of rap in Tokyo. There was much of what they called
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182:, as it expanded despite criticism on the part of record companies and major media outlets. The history shows that certain kinds of cultural exchange are not initiated through cultural understanding, but instead from some interaction that can incite a desire to learn, to participate, and to contribute individuality. In Japan, this motivation to represent individuality was
381:, Tokyo record-store owner, Hideaki Tamura noted "Japanese hip-hop really exploded in the last two, three years. I never thought there would be a time when Japanese records could outsell American ones but it's happening." Additionally, a huge number of new scenes have developed. These include “rock rap to hard core gangsta, spoken word/poetry, to conscious, old school,
585:' spread the African-American style of on-going dance that would soon be picked up by varying cultures all over the world. It is this style of dance that laid the foundation for the globalization of African-American culture due to its universal criteria. Anyone can dance to soul music, which is not the case in terms of rapping, b-boying, etc. As movies like '
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derogatory terms, regional variations, gendered variations, and bilingual puns so that "more hip-hop" means the creation of "more
Japanese." Rappers are able to express themselves using mature lyrics and "create" new language that does not inhibit their rhyming. As such, Japanese hip-hop music is often praised for its mature and culturally relevant lyrics.
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806:"Yellow Negro" the influence that race plays on the club scene and the type of dancing and music played in Japan depends on the racial composition of its guests. The club scene is a very important scene for the Japanese people to be able to express hip hop in a visual way that stretches across all barriers regardless of language.
781:. Many critics believe that this concept is relevant to Japanese and other forms of global hip hop. If listeners first discover Hip Hop through a Japanese artist, there is the fear that they will never bother learning about hip hop's origins and simply continue to listen to strictly Japanese versions of the genre.
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Japan. Blackface is used as a way to connect with
African-Americans and the hegemonic racial structure that exists in the United States. Japan is seen as a homogenous and insular group, and the use of blackface shows that the youth of Japan are not only concerned with Japanese issues, but issues on a global level.
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are attended mostly by black people. In the clubs frequented by
Japanese people and those that white people attend, there is an even proportion of race and gender. In these clubs, you will generally find equal numbers of Japanese men and women, and a fairly even proportion of racially different men and women.
922:, in his book he outlines the idea and fact that, clubs have become one of the most convenient and top promoting places for Japanese hip hop. Great Djs and turntable-lists use clubs to as venues to not promote other rappers, by that spreading the hip-hop culture, bring and promote new songs and their own
249:. With rap and DJing, I couldn't imagine what could be cool about it." Dancing has a visual impact that everyone can understand, when it comes to dance there is not a language barrier. Break dancing represented the foundation for the spread of Japanese hip-hop and served as a medium for globalization.
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Thumpin' Camp was one of the most memorable and largest hip hop events that occurred in Japan. July 7, 1996 is an unforgettable day for many rappers, as well as the fans; about four thousand people attended the show. Males were more attracted to this hip hop scene than females; thus, about 80% of the
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has been mentioned several times as a major influential force to the
Japanese hip hop scene in recent years. KOHH has occasionally criticized how small the hip hop scene is in Japan and has tackled major mainstream TVs for its negligence of noticing hip hop. KOHH has also being praised for his smart
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subculture) are considered blackfacers. These
Japanese men and women tend to embrace their assumed skin color and party with black people, especially African soldiers and Africans who have moved to Japan. The use of blackface is seen by some as a way to rebel against the culture of surface images in
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Hip hop was thought to have originally become popular in Japan because the
Japanese people wanted to imitate African-Americans. The Japanese would hear these rapper's music spinning in clubs, exposing to them a small, narrow view of American West Coast hip hop. It was not only the music they latched
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Japan boasts a variety of clubs, which, although they are "open to all races...the kind of music played depends on the race of the next largest racial group." That group, being next largest to the
Japanese, who can be found at each of the different clubs. The clubs that only play hip hop and reggae
1018:(Jun Seba) was another heavy influence on the evolution of hip-hop in Japan. While not exactly a rapper himself, he lived as a record producer, audio engineer, DJ,arranger, and composer. He acted a trailblazer in both Jazz Rap and Lo-Fi (Low Fidelity). Shing02, was a frequent collaborator on the
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work. Referring to some sources such as, the above named source is a
Japanese hip hop forum that also focuses on clubs in Japan. The above source also services proof of Dj and upcoming artists naming places, clubs, Street gatherings of where they are going to be so as to promote their work or any
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This attracted many
Japanese people to NY to see this style of dancing for themselves. In addition in 1992 the form of street dancing known as "house" emerged from the influence of music videos as well. It took very well to the culture in Japan and is now well known. Wood discusses in his writing
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Tamura points to a shift in Japanese hip hop, when artists began to focus on issues pertinent to Japanese society, versus previous styles and subjects that were copied from US hip hop culture. For Japan, the style of hip hop was much more appealing than topics popular in American hip hop, such as
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Rhymes were also added to Japanese hip-hop by altering the basic structure of the language by eliminating the final auxiliary verbs in raps and instead placing key words at the end of lines. Additionally, to make Japanese work in a rhyming setting, the rappers change the language by using slang,
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Rebelling against the conformity and homogeneity of Japanese society, Japanese blackfacers took it a step further by uniquely adapting the physical look of black culture by literally tanning their faces to seem more 'black.' To Japanese hip-hop fans and to Japanese culture, the hip-hop phenomena
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was really the next step for the Japanese hip hop scene. Before 1985, there weren't very many DJs on the radio, but with the increase in the number that year, it led to the opening of the first all hip hop club in 1986. But despite the fact that DJing caught on rather quickly, it was initially
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Some critics of Japanese hip hop believe that it simply follows a long line of black music that ultimately gained popularity through a different ethnic group mimicking the music. The "Elvis Effect" occurs "when white participation in traditionally black avenues of cultural production produces
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signs throughout the city, they were undeniably attracted to black music and style. Before hip hop, the Japanese had embraced jazz, rock n roll and funk. It is important to note however, despite the seemingly racist tendencies toward Africans and the simultaneous embrace of black culture, the
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acting that began as an imitation or caricaturation of Africans. One Japanese pop group, the Gosperats, has been known to wear blackface makeup during performances, who were influenced by the 80's doo wop group Chanels. The appearance of these "Jiggers" has shown a growing popularity with the
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is one of the first hip hop artists in Japan. He sprung to the scene in the 1990s and has fame all over Japan. He is the first Japanese artist to be signed to Def Jam Japan. He is also disliked for his style of hip hop, which is said to be imitation of African American Hip Hop. Many Japanese
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artists to gain and maintain recognition. It is here in these venues and night clubs that the artist performs and networks with people from the music industry, the audience, and the media. If the artist is a crowd favorite, the audience cheers or dances and this in a way decides the fate.
819:. Whereas English ends in verbs or nouns, which are extremely common, Japanese rappers were limited by the small number of grammatically correct possibilities for ending a phrase. Japanese also lacks the stresses on certain syllables that provide flow to English rapping. Even traditional
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violence. Ian Condry, on the other hand, focuses on an interplay between local and global hip hop within the genba of Japan. For Condry, Japanese hip hop was born out of simultaneous localization and globalization of hip hop culture, rather than a shift between the two binary factors.
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audience was male adolescents. Over thirty rappers, DJs, and break-dancers from the underground scene performed in the show. This event touched many young individuals who were passionate about hip hop. The Thumpin’Camp show left a remarkable memory in the hip hop history in Japan.
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Dancing is an important aspect of the hip-hop culture. Before hip-hop was popular in Japan, there was soul dancing, which provided a foundation for Japanese acceptance of street dance culture. A big break through time for the dance scene in Japan was after the movies "Flashdance,"
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Those partaking in blackface are "ordinary high school and college kids" and they pursue African American "blackness" with great passion. Their dedication to this cultural transformation is evident through their interest in even more underground American hip hop acts such as the
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use of topics like drug use and violence within the Japanese society which are considered controversial in the country. After being featured in "잊지마" (It G Ma), KOHH received an even bigger praise from international audiences who recognized his use of the phrase 'Arigatō' (
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Japanese art has been an influence on hip hop culture as well. Takashi Murakami paints Japanese cultural objects and icons repetitiously and markets them on all sorts of products including keychains, mouse pads, T-shirts and Louis Vuitton handbags. He is responsible for
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One of the propelling factors of the explosion of hip hop onto the music scene in Japan is the fashion aspect. At hip hop nightclubs, often owned and run by Africans, one would find clubbers wearing hip hop clothing typical of American youth such as oversized shirts,
266:, pulling off an awesome scratch-mix set on a pair of ancient turntables." The popularity of the film led to many of the artists involved in it to make a trip to Japan to promote the film and they even performed in some of the department stores while they were there.
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Popular brands in Japan during this period also collaborated with multiple hip hop artists. A Bathing Ape (or BAPE) A Japanese clothing company founded by Nigo in 1993. . Artist such as Pharrell Williams, Kanye West, Kid Cudi, and KAWS have collaborated with BAPE.
589:' (1983) reached the islands, more and more young people began dancing on the street and other public arenas, which added to its cultural integration. Soon, Japanese culture was ready to alter the very structure of their language in order to partake in hip hop.
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Initially language was a barrier for hip-hop in Japan. Rappers only rapped in English because it was believed that the differences between English and Japanese would make it impossible to rap in Japanese. Unlike English, the Japanese language ends phrases in
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fans do this because they feel like they shouldn't change their appearance to embrace the culture. In some instances it can be seen as a racist act, but for many of the young Japanese fans it is a way of immersing in the hip hop culture the way they see fit.
304:. While interest in hip-hop in Japan grew some during the 1980s and early 1990s, the rap scene remained fairly small and rather marginalized. One reason for the rap scene to remain so small and a little bit less popular compared to hip hop is because the
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English phrases were also put at the end of lines where a Japanese word could not be found to fit. This made rhyming in Japanese far easier, both in basic language and in regard to themes like the concept of social responsibility versus emotional needs.
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were placed in raps, which appealed both to the global English-speaking audience and to Japanese speakers, who often would understand the double meanings intended. Japanese was found to allow subtle put downs in raps, which appealed to many audiences.
750:. As they appear almost obsessed with all things that are "black". It is said that the Buraoan style is on the downswing. Mikako, a fashion analyzer, says that "the 'cool' that my friend at the nightclub aspired to wouldn't be 'cool' for very long".
366:. Dassen Trio, and other pop rappers, respond to such attacks with the argument that their subject matter is more culturally appropriate and accessible for Japanese fans, and question the standards of "realness" put forth by underground rappers.
347:'s "Da. Yo. Ne." and "Maicca," which each sold a million copies. This sudden popularity of J-rap, which was largely characterized as party rap, sparked a debate over 'realness' and authenticity between commercial and underground hip-hop artists.
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does "not contain stress accents and sentences must end with one of a few simple verb endings." Ito Seiko, Chikado Haruo, Tinnie Punx and Takagi Kan were rappers that emerged from Japan at this time, and they proved to be rather successful.
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onto, however. They came to love the entire hip hop culture, including the loose-fitting clothes, graffiti writing, and break dancing. Some Japanese hip-hop fans would even go to tanning salons to darken their skin, and style their hair in
637:, though, has a derogatory history stemming from the WW2 occupation of Japan. Japanese law at the beginning of the American occupation legalised prostitution and created specific brothels to service allied occupation forces such as the
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was marketed in Japan as a cassette with a book of photos-scenes from the film, neighborhoods, breakers, graffiti, etc. Japan's hip hop contributions have been perceived by many to be based more on appearances than anything else.
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a – a fathering point for youthful fans and performers. Traffic was stopped, and people and artists were able to perform and express themselves outside in this very public arena. This area became known as "Hokouten," short for
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is agreeably one of the most prominent and core place for hip hop in Japan, there is however a visible shift and spread/increase of Japanese hip hop venues. Among these are clubs, crowds on streets and many more. According to
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feelings of unease." It occurs whenever a white person attempts a historically black art-form, is discovered to critical acclaim, and this is what leads to that art-form receiving widespread commercial acceptance. Aside from
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artist they are interested in. The above all in all justifies the view that Japanese Hip hop venues are not just genba but have rather taken and shift or taking a shift into a variety of places such as the ones named above.
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acknowledgments, artists would disappear from the scene. Conversely, the business success of some rappers is not rejected but seen with a touch of envy, especially if they manage to go frequently to nightclubs such as
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and other popular hip hop artists of America. The hip hop clothing available in many of these stores can be very expensive. Hip hop fashion is now also popular in the suburbs – although some people are only following
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and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and
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has appointed KOHH as one of the main acts in the Japanese hip hop renaissance. Although KOHH isn't actively producing music today, KOHH was a major influence and help in the Japanese hip hop scene.
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Japanese Denim is very popular amongst modern hip-hop culture. From Evisu to Red Monkey which are notable by many American hip-hop artists, show the spread of Japanese culture in to hip-hop.
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jeans and baseball caps. This macho look is even found on the women. In Tokyo you are most likely to find the latest fashions amongst the youth including burapan, the black wannabe fashion.
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meaning bread (thus these girls were also euphemistically known as bread girls) The more attractive girls often had to service "white bread" or white soldiers and were known as
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Since 2000, the hip hop scene in Japan has grown and diversified. Hip-hop style and Japanese rap has been an enormous commercial success in Japan. In a 2003 interview with the
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An example of an underground attack on mainstream J-Rap is Lamp Eye's "Shogen," in which rapper You the Rock disses the more pop oriented group Dassen Trio. Writer
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Although the word has come to describe a trend of dress and culture modeled after Africans, it is inherently problematic because of its origins. The soundtrack of
802:'s "Baby Don't Cry" music video had a large impact on dancers in Japan and started to mold the style into something closer to the NY sophisticated dance style.
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and are not necessarily into hip hop music. Hip hop's presence can definitely be seen on the youth of Japan as they use their clothing to express themselves.
827:, which was based on the stresses in a line. Most Japanese lyrical music was also formulated using textual repetition, not relying on the flow of the words.
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records could previously be heard in Tokyo discos. According to Takagi Kan, a first generation Japanese MC, "I couldn't tell what was with the rap and the
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262:. The film is "the classic hip-hop flick, full of great subway shots, breakdancing, freestyle MCing and rare footage of one of the godfathers of hip-hop,
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is a center of youth culture in Tokyo, where hip hop's growing presence can be most experienced. Here many stores offer hip hop clothing including the
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943:) in his verse as the trademark of the hit song and praised the artist whose performance was the one that left the biggest impression on the track.
798:". This was only the beginning of the dance explosion in Japan. The New York hip hop scene also had a large impact on the dance influence in Japan.
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Schwartz, Mark. "Planet Rock: Hip Hop Supa National." In The Vibe History of Hip-hop, ed. Alan Light, 361-72. New York: Three Rivers Press, 1999.
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severely influenced Japanese youth. Japanese hip hop is just an animation. It mimics only the style of American hip hop, not the meaning.
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being the Japanese word for goat, a white hairy animal. Less attractive girls serviced "black bread" or black soldiers and were known as
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served as a places where Japanese hip hop culture was created and born. In the city of Tokyo, between the youth shopping districts of
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returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by
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musicians feel that artists similar to Dabo are just mimicking what they see in American hip hop and is not unique in any sense.
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argues that the rappers on this track are closely emulating the traditional macho posturing of rap, citing influences such as
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Condry, Ian (2007). "Yellow B-Boys, Black Culture, and Hip-Hop in Japan: Toward a Transnational Cultural Politics of Race".
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Although rather informal and small scale, the early days of Japanese hip hop provide the history for the emergence of the
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565:, 2001. It also called for world peace. Groups such as Rhymester tackle issues that are not openly addressed in society.
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1163:"Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too"
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who has become a world-renowned DJ after arising from the Yoyogi Park scene. In 1986 an all hip hop club opened in
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People who tan in order to get a darker skin complexion (especially the females, mainly those who are part of the
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648:, a euphemism used by the American soldiers when hunting for a prostitute. Pan derives from the American company
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Actual Japanese rap lyrics have a tendency to refer to mundane subjects such as food, cell phones, and shopping.
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By the early 1990s, major American artists began to tour Japan, and their music would receive Japanese releases.
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to imitate the "cool" looks of Africans, although they are ridiculed by others, including other hip-hoppers.
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Manabe, Noriko (2006). "Globalization and Japanese Creativity: Adaptations of Japanese Language to Rap".
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Previous to the inception of hip hop, soul dancing became popularized in Japan in the 1970s. Shows like '
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The years 1994 and 1995 marked the beginning of hip-hop's commercial success in Japan. The first hit was
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racial ideological tendencies of the country towards Black people, and all non-Japanese in general
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thought that rapping wasn't going to have the same cache as it would be hard to rap in Japanese.
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Hosokawa, S. (March 5, 2008). "Hip-Hop Japan: Rap and the Paths of Cultural Globalization".
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Please help update this article to reflect recent events or newly available information.
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drum machine, had a significant influence on early key American hip hop figures such as
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An important spark for Japanese hip-hop occurred in 1983 when breakdancing appeared in
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and performance venues. In this respect, Japanese hip-hop offers a representation of
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to express their experiences. Jin Black is a rapper who writes about his life in a
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In the late 1980s and early 1990s it was thought "rap" needed definition before
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member Utamaru talked about the motives for Japanese government support of the
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1952:"Hip-Hop, Asia, and Global Culture: Anti-War Japanese Rap and Young People?"
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rap, antigovernment, pro-marijuana, heavymetal-sampled rap, and so on.”
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339:'s "Kon'ya wa būgi bakku" (Boogie Back Tonight) by Scha Dara Parr and
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to sustain their networks and keep up to date on the latest trends.
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J-Hip-Hop. Japanese Music. www.music.3yen.com/category/j-hip-hop/
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Hip hop is also an outlet for Japanese minority groups such as
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is literally "a woman who prostitutes herself for black men."
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The first known Japanese group to experiment with hip hop was
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Where You're at: Notes from the Frontline of a Hip-hop Planet
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Hip-Hop Japan: Rap and the Paths of Cultural Globalization
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style are referred to as blackfacers, a reference to the
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Influence of African American Culture on Japanese hip hop
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was based on the numbers of syllables present, unlike
500:. Please help to ensure that disputed statements are
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1578:
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769:, notable examples throughout music history include
1992:"Japan's Influences on Hip-Hop – Page 2 of 9 – XXL"
1915:
Social Science Japan Journal Advance, March 5, 2008
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712:subculture in Japan despite what can be viewed as
1507:"Asia-Pacific | Japan grows its own hip-hop"
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695:A subculture of hip-hoppers who subscribe to the
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269:Shortly after, Japanese took up breakdancing in
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1080:"Theme Magazine – International Man of Mystery"
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252:As in Germany, much of Japan was introduced to
234:through film and live performances even though
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4636:List of best-selling Western artists in Japan
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197:track, "Rap Phenomena", for their 1981 album
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4631:List of best-selling music artists in Japan
4087:Daigaku-Ōenka (cheering song of university)
1154:
961:Another major group of Japanese hip-hop is
930:
431:Learn how and when to remove these messages
3844:
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1617:
1363:"M.C. Hammer* – Special Omnibus For Japan"
1600:
1504:
1235:. Web.mit.edu. 2001-09-11. Archived from
538:Learn how and when to remove this message
520:Learn how and when to remove this message
372:
68:Learn how and when to remove this message
1888:
591:
496:Relevant discussion may be found on the
316:
292:Street musicians began to breakdance in
1949:
1926:"hip hop clubs – japan-guide.com forum"
1258:"Wild Style (1983) : Plot Summary"
1233:"Japanese Hip-Hop, by Ian Condry (MIT)"
1142:from the original on September 20, 2011
885:Before the turn of the new millennium,
5050:
2038:Wood, Joe (1997). "The Yellow Negro".
2018:
1845:
1772:
1628:
1594:
1320:
1173:from the original on November 11, 2011
1113:
153:, taking from the era's catchy beats,
45:Tone and wording often unencyclopedic.
4648:List of best-selling singles in Japan
3825:
3784:LGBT representations in hip hop music
2071:
1722:
1467:"Japan's Influences on Hip-Hop – XXL"
1392:"MC Hammer Live in Japan (1991) 1of6"
1160:
1026:Japanese influence on current hip-hop
902:, which means "pedestrian paradise."
4643:List of best-selling albums in Japan
2037:
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1696:
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830:The Japanese also have many ways of
652:and combines with the Japanese word
639:Recreation and Amusement Association
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396:
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18:
256:in the fall of 1983 with the movie
13:
4779:List of Japanese hip hop musicians
4759:List of musical artists from Japan
3851:
1675:. Etext.virginia.edu. 2005-09-01.
1056:List of Japanese hip hop musicians
954:One major Japanese hip hop group,
893:and Harajuku, there was created a
644:These prostitutes became known as
14:
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2063:
412:This section has multiple issues.
242:...but with the breakdancing and
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672:deriving from the Japanese word
620:
478:
442:
401:
145:. It is said to have begun when
23:
4764:List of Japanese musical groups
4157:Shichōsonka (municipality song)
1998:from the original on 2015-04-12
1984:
1967:
1943:
1932:from the original on 2015-10-16
1918:
1909:
1882:
1813:
1778:
1755:from the original on 2015-10-16
1741:
1716:
1699:"Is blackface in Japan racist?"
1690:
1679:from the original on 2012-09-19
1665:
1538:from the original on 2017-11-09
1524:
1513:from the original on 2011-09-20
1473:from the original on 2015-03-30
1459:
1431:from the original on 2018-02-22
1413:
1402:from the original on 2017-12-21
1384:
1373:from the original on 2018-02-22
1355:
1346:
1264:from the original on 2015-10-16
596:Japanese hip-hop fan sports an
557:and its aftermath in two eras:
420:or discuss these issues on the
4678:Sony Music Entertainment Japan
1749:"Boot Camp Clik Invades Japan"
1421:"Vanilla Ice – To The Extreme"
1250:
1185:
1072:
753:Noted in Joe Wood's article, "
600:and shows some Japanese style
211:of Yellow Magic Orchestra and
1:
1132:"Japan grows its own hip-hop"
1066:
832:indicating class distinctions
321:Japanese Hip-Hop fan wearing
3789:Feminist activism in hip hop
1891:Social Science Japan Journal
1505:Takatsuki, Yo (2003-12-17).
1193:"Kurtis Mantronik Interview"
1161:Lewis, John (July 4, 2008).
1003:line. Bape has been worn by
785:Japanese hip hop dance scene
732:
7:
3779:Partner violence in hip hop
2097:
1751:. YouTube.com. 2007-11-19.
1199:, July 2002, archived from
1049:
809:
166:History of hip hop in Japan
43:. The specific problem is:
10:
5074:
5037:Min-On Concert Association
4774:List of Japanese composers
2012:
1994:. Xxlmag.com. 2011-03-29.
1534:. International.ucla.edu.
1469:. Xxlmag.com. 2011-03-29.
650:Pan American World Airways
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3243:Bosnian and Herzegovinian
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2256:Bristol underground scene
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2023:. Duke University Press.
1799:10.1017/S0261143005000577
1643:10.1215/10679847-2007-008
571:U.S.-led invasion of Iraq
451:This article needs to be
193:, which created an early
125:
120:
108:
87:
82:
4784:List of Japanese singers
4612:RIAJ Digital Track Chart
4462:Japanese net label scene
1978:August 14, 2009, at the
1824:August 25, 2012, at the
1453:August 26, 2012, at the
1340:August 25, 2012, at the
931:Notable Japanese artists
703:style of makeup used in
312:
4147:Radio calisthenics song
4051:Gakusēka (student song)
1723:Neate, Patrick (2004).
1673:"Black-Face Minstrelsy"
215:, and their use of the
162:is frequently blurred.
4718:Teichiku Entertainment
4075:Ryōka (dormitory song)
724:Even as Japanese hung
605:
373:2000s, 2010s and 2020s
329:
191:Yellow Magic Orchestra
180:cultural globalization
4769:List of J-pop artists
4683:Universal Music Japan
4666:"Big 10" (as of 2024)
4384:Ōenka (cheering song)
4106:Gunka (military song)
2957:Alternative reggaeton
2236:Universal Zulu Nation
1138:. December 17, 2003.
1084:www.thememagazine.com
625:This style is called
595:
553:'s "911" reflects on
320:
4698:Victor Entertainment
3961:Komori-uta (lullaby)
3722:Contemporary R&B
3531:Minneapolis/St. Paul
2019:Condry, Ian (2006).
489:factual accuracy is
50:improve this article
39:to meet Knowledge's
4889:Online distributors
4536:Ethnic and regional
3865:" (National anthem)
2326:Chopped and screwed
2231:Five-Percent Nation
1928:. Japan-guide.com.
1903:10.1093/ssjj/jyn006
1727:. Riverhead Books.
1532:"Rapping About War"
1427:. 5 December 1990.
913:As aforementioned,
867:underground hip-hop
4970:Oricon Music Store
4923:(the successor of
4708:Warner Music Group
4063:Kōka (school song)
1509:. News.bbc.co.uk.
606:
330:
151:old school hip hop
5045:
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4906:Google Play Music
4747:
4746:
4616:
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4530:
4028:Meiji Restoration
4021:
4020:
3904:Dainichido Bugaku
3885:Genres and styles
3819:
3818:
3705:
3704:
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2603:
2602:
2183:Feminist activism
2030:978-0-8223-3892-5
1734:978-1-59448-012-6
1655:Project MUSE
1597:, pp. 24–25.
1116:, pp. 61–63.
1005:Pharrell Williams
858:Venues and events
548:
547:
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522:
472:
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435:
393:Political aspects
306:Japanese language
264:Grandmaster Flash
172:cultural movement
132:
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88:Stylistic origins
78:
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70:
41:quality standards
32:This article may
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5058:Japanese hip hop
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4658:Record companies
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4555:Southern Islands
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4419:Juliana’s techno
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3509:Washington, D.C.
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2805:Na mele paleoleo
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1701:. Archived from
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1111:
1100:
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1095:
1086:. Archived from
1076:
1061:Anime in hip hop
981:Koreans in Japan
900:hokousha tengoku
755:The Yellow Negro
543:
536:
525:
518:
514:
511:
505:
502:reliably sourced
482:
481:
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467:
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458:
446:
445:
438:
427:
405:
404:
397:
236:American hip hop
221:Afrika Bambaataa
213:Ryuichi Sakamoto
176:record companies
147:Hiroshi Fujiwara
135:Japanese hip hop
109:Cultural origins
83:Japanese hip hop
80:
79:
73:
66:
62:
59:
53:
27:
26:
19:
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5015:
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4994:
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4945:
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4788:
4743:
4722:
4688:King Record Co.
4652:
4619:
4594:Billboard Japan
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4374:
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4276:
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4197:
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4159:
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4123:
4089:
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4065:
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4041:
4039:Commercial song
4030:
4017:
4004:
3992:
3980:
3968:
3951:
3880:
3866:
3855:
3850:
3820:
3815:
3808:
3793:
3759:Music sequencer
3701:
3670:
3664:
3645:
3639:
3638:
3604:Outside the US:
3601:
3597:Native American
3470:
3464:
3405:
3399:
3218:
3212:
3106:
3100:
2984:
2974:Regional scenes
2973:
2963:
2938:
2933:
2870:
2859:
2849:
2735:
2729:
2710:
2704:
2675:Psychedelic rap
2620:
2609:
2599:
2528:
2522:
2481:
2475:
2436:Progressive rap
2277:
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2260:
2219:
2146:
2140:
2133:
2126:
2119:
2112:
2103:
2099:
2096:
2066:
2048:10.2307/2935443
2031:
2015:
2010:
2001:
1999:
1990:
1989:
1985:
1980:Wayback Machine
1972:
1968:
1959:
1957:
1954:
1948:
1944:
1935:
1933:
1924:
1923:
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1910:
1887:
1883:
1848:Ethnomusicology
1844:
1831:
1826:Wayback Machine
1818:
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1767:
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1747:
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1735:
1721:
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1708:
1706:
1697:Hamamoto, Ben.
1695:
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1503:
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1455:Wayback Machine
1447:
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1414:
1405:
1403:
1390:
1389:
1385:
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1374:
1361:
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1351:
1347:
1342:Wayback Machine
1334:
1327:
1319:
1276:
1267:
1265:
1256:
1255:
1251:
1242:
1240:
1231:
1230:
1215:
1206:
1204:
1203:on May 24, 2011
1197:Hip Hop Storage
1191:
1190:
1186:
1176:
1174:
1159:
1155:
1145:
1143:
1130:
1129:
1120:
1112:
1103:
1093:
1091:
1090:on 10 June 2007
1078:
1077:
1073:
1069:
1052:
1044:Kids See Ghosts
1028:
933:
860:
821:Japanese poetry
817:auxiliary verbs
812:
787:
735:
680:. Therefore, a
623:
579:
544:
533:
532:
531:
526:
515:
509:
506:
495:
487:This article's
483:
479:
468:
462:
459:
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447:
443:
406:
402:
395:
375:
345:East End X Yuri
315:
203:. In turn, the
195:electro hip hop
168:
104:
74:
63:
57:
54:
47:
28:
24:
17:
12:
11:
5:
5071:
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5017:
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5013:
5001:
4989:
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4972:
4967:
4962:
4957:
4952:
4940:
4928:
4918:
4913:
4908:
4903:
4898:
4892:
4890:
4886:
4885:
4883:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4796:
4794:
4790:
4789:
4787:
4786:
4781:
4776:
4771:
4766:
4761:
4755:
4753:
4749:
4748:
4745:
4744:
4742:
4741:
4736:
4730:
4728:
4724:
4723:
4721:
4720:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4680:
4675:
4669:
4667:
4660:
4654:
4653:
4651:
4650:
4645:
4640:
4639:
4638:
4627:
4625:
4621:
4620:
4618:
4617:
4615:(discontinued)
4609:
4608:
4607:
4602:
4590:
4589:
4588:
4583:
4578:
4567:
4565:
4561:
4560:
4558:
4557:
4552:
4551:
4550:
4539:
4537:
4533:
4532:
4529:
4528:
4526:
4525:
4523:Vocaloid music
4520:
4519:
4518:
4513:
4503:
4498:
4497:
4496:
4486:
4481:
4469:
4464:
4459:
4454:
4442:
4437:
4431:
4429:
4425:
4424:
4422:
4421:
4416:
4411:
4406:
4401:
4396:
4391:
4386:
4381:
4369:
4364:
4359:
4354:
4349:
4344:
4332:
4327:
4322:
4317:
4305:
4300:
4295:
4290:
4284:
4282:
4278:
4277:
4275:
4274:
4269:
4264:
4259:
4254:
4253:
4252:
4240:
4224:
4222:
4215:
4213:(1945–present)
4208:
4207:
4205:
4204:
4192:
4191:
4190:
4166:
4154:
4149:
4144:
4143:
4142:
4130:
4113:
4108:
4103:
4101:Enzetsuka/Enka
4098:
4097:
4096:
4084:
4072:
4048:
4035:
4033:
4031:(1868–present)
4023:
4022:
4019:
4018:
4016:
4015:
4014:
4013:
4012:
4011:
3999:
3987:
3963:
3958:
3946:
3941:
3936:
3931:
3926:
3921:
3916:
3911:
3906:
3901:
3896:
3888:
3886:
3876:
3874:
3868:
3867:
3860:
3857:
3856:
3853:Music of Japan
3849:
3848:
3841:
3834:
3826:
3817:
3816:
3814:
3813:
3798:
3795:
3794:
3792:
3791:
3786:
3781:
3776:
3771:
3766:
3761:
3756:
3751:
3746:
3745:
3744:
3739:
3734:
3724:
3719:
3713:
3711:
3707:
3706:
3703:
3702:
3700:
3699:
3694:
3689:
3688:
3687:
3676:
3674:
3671:South American
3666:
3665:
3663:
3662:
3657:
3651:
3649:
3641:
3640:
3637:
3636:
3631:
3626:
3621:
3616:
3611:
3602:
3600:
3599:
3594:
3589:
3587:Asian American
3584:
3583:
3582:
3577:
3567:
3566:
3565:
3560:
3555:
3545:
3544:
3543:
3538:
3533:
3528:
3523:
3513:
3512:
3511:
3506:
3501:
3496:
3491:
3479:United States:
3477:
3476:
3474:
3471:North American
3466:
3465:
3463:
3462:
3457:
3452:
3447:
3442:
3437:
3432:
3427:
3422:
3417:
3411:
3409:
3406:Middle Eastern
3401:
3400:
3398:
3397:
3392:
3387:
3382:
3377:
3372:
3367:
3362:
3357:
3352:
3347:
3342:
3337:
3332:
3327:
3322:
3317:
3312:
3307:
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
3262:
3261:
3260:
3255:
3245:
3240:
3235:
3230:
3224:
3222:
3214:
3213:
3211:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3149:
3148:
3138:
3133:
3128:
3123:
3118:
3112:
3110:
3102:
3101:
3099:
3098:
3093:
3088:
3083:
3078:
3073:
3068:
3063:
3062:
3061:
3051:
3046:
3041:
3036:
3031:
3026:
3021:
3016:
3011:
3006:
3001:
2996:
2990:
2988:
2977:
2969:
2968:
2965:
2964:
2962:
2961:
2960:
2959:
2949:
2943:
2941:
2935:
2934:
2932:
2931:
2926:
2921:
2916:
2911:
2906:
2905:
2904:
2894:
2893:
2892:
2890:Florida breaks
2887:
2885:Baltimore club
2876:
2874:
2863:
2855:
2854:
2851:
2850:
2848:
2847:
2842:
2837:
2835:Urban Pasifika
2832:
2827:
2822:
2817:
2815:Romany hip hop
2812:
2807:
2802:
2797:
2792:
2787:
2782:
2777:
2772:
2770:Hip hop galsen
2767:
2762:
2757:
2752:
2747:
2741:
2739:
2731:
2730:
2728:
2727:
2722:
2716:
2714:
2706:
2705:
2703:
2702:
2697:
2692:
2687:
2682:
2677:
2672:
2667:
2665:New jack swing
2662:
2657:
2652:
2647:
2642:
2637:
2632:
2626:
2624:
2613:
2605:
2604:
2601:
2600:
2598:
2597:
2592:
2587:
2582:
2577:
2572:
2567:
2566:
2565:
2560:
2555:
2550:
2548:Brooklyn drill
2540:
2534:
2532:
2524:
2523:
2521:
2520:
2515:
2510:
2505:
2504:
2503:
2493:
2487:
2485:
2477:
2476:
2474:
2473:
2468:
2463:
2458:
2453:
2452:
2451:
2446:
2438:
2433:
2432:
2431:
2421:
2420:
2419:
2409:
2404:
2399:
2394:
2393:
2392:
2382:
2377:
2376:
2375:
2365:
2360:
2355:
2354:
2353:
2343:
2338:
2333:
2328:
2323:
2318:
2317:
2316:
2306:
2301:
2296:
2295:
2294:
2283:
2281:
2270:
2262:
2261:
2259:
2258:
2253:
2248:
2243:
2238:
2233:
2227:
2225:
2221:
2220:
2218:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2186:
2185:
2180:
2170:
2165:
2160:
2154:
2152:
2148:
2147:
2145:
2144:
2137:
2130:
2123:
2116:
2108:
2105:
2104:
2095:
2094:
2087:
2080:
2072:
2065:
2064:External links
2062:
2061:
2060:
2035:
2029:
2014:
2011:
2009:
2008:
1983:
1966:
1942:
1917:
1908:
1881:
1829:
1812:
1793:(3): 369–380.
1777:
1765:
1740:
1733:
1715:
1689:
1664:
1637:(3): 637–671.
1616:
1599:
1587:
1548:
1523:
1492:
1483:
1458:
1441:
1412:
1383:
1354:
1345:
1325:
1274:
1249:
1213:
1184:
1153:
1118:
1101:
1070:
1068:
1065:
1064:
1063:
1058:
1051:
1048:
1046:album covers.
1027:
1024:
1010:fashion trends
993:Tommy Hilfiger
987:neighborhood.
949:Taku Takahashi
932:
929:
859:
856:
825:English poetry
811:
808:
800:Lalah Hathaway
786:
783:
748:Boot Camp Clik
734:
731:
622:
619:
578:
575:
546:
545:
528:
527:
486:
484:
477:
470:
469:
450:
448:
441:
436:
410:
409:
407:
400:
394:
391:
374:
371:
343:, followed by
314:
311:
167:
164:
130:
129:
123:
122:
118:
117:
110:
106:
105:
103:
102:
97:
91:
89:
85:
84:
76:
75:
58:September 2015
31:
29:
22:
15:
9:
6:
4:
3:
2:
5070:
5059:
5056:
5055:
5053:
5038:
5035:
5033:
5030:
5028:
5025:
5024:
5022:
5018:
5010:
5005:
5002:
4998:
4993:
4990:
4986:
4981:
4978:
4976:
4973:
4971:
4968:
4966:
4965:E-Onkyo music
4963:
4961:
4958:
4956:
4953:
4949:
4944:
4941:
4937:
4932:
4929:
4926:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4893:
4891:
4887:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4801:
4798:
4797:
4795:
4791:
4785:
4782:
4780:
4777:
4775:
4772:
4770:
4767:
4765:
4762:
4760:
4757:
4756:
4754:
4750:
4740:
4737:
4735:
4732:
4731:
4729:
4725:
4719:
4716:
4714:
4711:
4709:
4706:
4704:
4701:
4699:
4696:
4694:
4691:
4689:
4686:
4684:
4681:
4679:
4676:
4674:
4671:
4670:
4668:
4664:
4661:
4659:
4655:
4649:
4646:
4644:
4641:
4637:
4634:
4633:
4632:
4629:
4628:
4626:
4622:
4613:
4610:
4606:
4603:
4601:
4598:
4597:
4596:
4595:
4591:
4587:
4586:Karaoke Chart
4584:
4582:
4579:
4577:
4576:Singles Chart
4574:
4573:
4572:
4569:
4568:
4566:
4562:
4556:
4553:
4549:
4546:
4545:
4544:
4541:
4540:
4538:
4534:
4524:
4521:
4517:
4514:
4512:
4509:
4508:
4507:
4504:
4502:
4499:
4495:
4492:
4491:
4490:
4487:
4485:
4482:
4478:
4473:
4470:
4468:
4465:
4463:
4460:
4458:
4455:
4451:
4446:
4443:
4441:
4438:
4436:
4433:
4432:
4430:
4426:
4420:
4417:
4415:
4412:
4410:
4407:
4405:
4402:
4400:
4397:
4395:
4392:
4390:
4387:
4385:
4382:
4378:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4347:Hardcore punk
4345:
4341:
4336:
4333:
4331:
4328:
4326:
4323:
4321:
4318:
4314:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4285:
4283:
4279:
4273:
4270:
4268:
4265:
4263:
4260:
4258:
4255:
4249:
4244:
4241:
4237:
4232:
4229:
4228:
4226:
4225:
4223:
4219:
4216:
4209:
4201:
4196:
4193:
4187:
4182:
4179:
4178:
4175:
4170:
4167:
4163:
4158:
4155:
4153:
4150:
4148:
4145:
4139:
4134:
4131:
4127:
4122:
4119:
4118:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4093:
4088:
4085:
4081:
4076:
4073:
4069:
4064:
4061:
4060:
4057:
4052:
4049:
4045:
4040:
4037:
4036:
4034:
4029:
4024:
4008:
4003:
4000:
3996:
3991:
3988:
3984:
3979:
3976:
3975:
3972:
3967:
3964:
3962:
3959:
3955:
3950:
3947:
3945:
3942:
3940:
3937:
3935:
3932:
3930:
3927:
3925:
3922:
3920:
3917:
3915:
3912:
3910:
3907:
3905:
3902:
3900:
3897:
3895:
3892:
3891:
3890:
3889:
3887:
3883:
3879:
3875:
3873:
3869:
3864:
3858:
3854:
3847:
3842:
3840:
3835:
3833:
3828:
3827:
3824:
3812:
3811:
3800:
3799:
3796:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3752:
3750:
3747:
3743:
3740:
3738:
3737:Record player
3735:
3733:
3730:
3729:
3728:
3725:
3723:
3720:
3718:
3715:
3714:
3712:
3708:
3698:
3695:
3693:
3690:
3686:
3683:
3682:
3681:
3678:
3677:
3675:
3673:
3667:
3661:
3658:
3656:
3653:
3652:
3650:
3648:
3642:
3635:
3632:
3630:
3627:
3625:
3622:
3620:
3617:
3615:
3612:
3610:
3607:
3606:
3605:
3598:
3595:
3593:
3590:
3588:
3585:
3581:
3578:
3576:
3573:
3572:
3571:
3568:
3564:
3561:
3559:
3556:
3554:
3551:
3550:
3549:
3546:
3542:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3518:
3517:
3514:
3510:
3507:
3505:
3502:
3500:
3499:New York City
3497:
3495:
3492:
3490:
3487:
3486:
3485:
3482:
3481:
3480:
3475:
3473:
3467:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3445:Saudi Arabian
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
3412:
3410:
3408:
3402:
3396:
3393:
3391:
3388:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3366:
3363:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3326:
3323:
3321:
3318:
3316:
3313:
3311:
3308:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3259:
3256:
3254:
3251:
3250:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3225:
3223:
3221:
3215:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3147:
3144:
3143:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3113:
3111:
3109:
3103:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3077:
3076:South African
3074:
3072:
3069:
3067:
3064:
3060:
3059:Port Harcourt
3057:
3056:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3037:
3035:
3032:
3030:
3027:
3025:
3022:
3020:
3017:
3015:
3012:
3010:
3007:
3005:
3002:
3000:
2997:
2995:
2992:
2991:
2989:
2987:
2981:
2978:
2976:
2970:
2958:
2955:
2954:
2953:
2950:
2948:
2945:
2944:
2942:
2936:
2930:
2927:
2925:
2922:
2920:
2917:
2915:
2912:
2910:
2907:
2903:
2900:
2899:
2898:
2895:
2891:
2888:
2886:
2883:
2882:
2881:
2878:
2877:
2875:
2873:
2867:
2864:
2862:
2856:
2846:
2843:
2841:
2840:Vigilante rap
2838:
2836:
2833:
2831:
2828:
2826:
2823:
2821:
2818:
2816:
2813:
2811:
2810:Nuyorican rap
2808:
2806:
2803:
2801:
2798:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2742:
2740:
2738:
2732:
2726:
2723:
2721:
2718:
2717:
2715:
2713:
2707:
2701:
2698:
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2638:
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2623:
2617:
2614:
2612:
2610:Fusion genres
2606:
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2364:
2363:Freestyle rap
2361:
2359:
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2349:
2348:
2347:
2344:
2342:
2339:
2337:
2334:
2332:
2329:
2327:
2324:
2322:
2321:Chipmunk soul
2319:
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2117:
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2088:
2086:
2081:
2079:
2074:
2073:
2070:
2057:
2053:
2049:
2045:
2042:(73): 40–66.
2041:
2036:
2032:
2026:
2022:
2017:
2016:
1997:
1993:
1987:
1981:
1977:
1974:
1970:
1953:
1950:Condry, Ian.
1946:
1931:
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1912:
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1808:
1804:
1800:
1796:
1792:
1788:
1787:Popular Music
1781:
1775:, p. 33.
1774:
1769:
1754:
1750:
1744:
1736:
1730:
1726:
1719:
1705:on 2006-09-07
1704:
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1279:
1263:
1259:
1253:
1239:on 2011-04-22
1238:
1234:
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1222:
1220:
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928:
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921:
916:
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888:
883:
881:
876:
873:Without such
871:
868:
864:
855:
853:
848:
844:
840:
837:
833:
828:
826:
822:
818:
807:
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801:
797:
793:
782:
780:
776:
772:
768:
767:Elvis Presley
762:
758:
756:
751:
749:
743:
740:
730:
727:
722:
719:
715:
711:
706:
702:
698:
693:
690:
685:
683:
679:
678:social stigma
675:
671:
667:
663:
659:
655:
651:
647:
642:
640:
636:
632:
628:
621:Racial themes
618:
616:
612:
603:
599:
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590:
588:
584:
574:
572:
568:
564:
560:
556:
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255:
250:
248:
245:
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237:
233:
228:
226:
222:
218:
217:Roland TR-808
214:
210:
209:electro music
206:
202:
201:
196:
192:
187:
185:
181:
177:
173:
163:
161:
156:
155:dance culture
152:
148:
144:
140:
139:hip hop music
136:
128:
124:
119:
115:
111:
107:
101:
98:
96:
93:
92:
90:
86:
81:
72:
69:
61:
51:
46:
42:
38:
37:
30:
21:
20:
5032:Shinto music
5020:Other topics
4911:Amazon Music
4896:iTunes Store
4624:Achievements
4592:
4581:Albums Chart
4494:Akishibu-kei
4467:Kawaii metal
4428:1990–present
4351:
4281:1970–present
4257:Group Sounds
4221:1945–present
4181:Manshū-Shōka
4133:Gunkoku-kayō
3806:
3754:Hip hop skit
3749:Drum machine
3710:Other topics
3603:
3504:Philadelphia
3478:
3157:
2947:Funk carioca
2897:Ghetto house
2755:Boomba music
2645:Hip hop soul
2558:Sample drill
2553:Jersey drill
2380:Instrumental
2039:
2020:
2000:. Retrieved
1986:
1969:
1958:. Retrieved
1945:
1934:. Retrieved
1920:
1911:
1894:
1890:
1884:
1851:
1847:
1815:
1790:
1786:
1780:
1768:
1757:. Retrieved
1743:
1724:
1718:
1707:. Retrieved
1703:the original
1692:
1681:. Retrieved
1667:
1634:
1630:
1610:
1590:
1540:. Retrieved
1526:
1515:. Retrieved
1486:
1475:. Retrieved
1461:
1444:
1433:. Retrieved
1424:
1415:
1404:. Retrieved
1395:
1386:
1375:. Retrieved
1366:
1357:
1348:
1266:. Retrieved
1260:. IMDb.com.
1252:
1241:. Retrieved
1237:the original
1205:, retrieved
1201:the original
1196:
1187:
1175:. Retrieved
1167:The Guardian
1166:
1156:
1144:. Retrieved
1135:
1092:. Retrieved
1088:the original
1083:
1074:
1032:
1029:
1019:
1014:
989:
974:
967:
960:
953:
940:
934:
912:
908:
904:
899:
894:
886:
884:
874:
872:
861:
849:
845:
841:
829:
813:
804:
788:
775:Eric Clapton
771:Dave Brubeck
763:
759:
754:
752:
744:
736:
723:
696:
694:
686:
681:
676:relating to
669:
665:
661:
657:
653:
645:
643:
634:
626:
624:
607:
580:
563:September 11
549:
534:
516:
507:
488:
463:January 2010
460:
452:
428:
421:
415:
414:Please help
411:
387:
376:
368:
360:Public Enemy
353:
349:
337:Schadaraparr
334:
331:
296:, including
291:
284:The rise of
283:
279:Soul Dancing
268:
257:
251:
247:
244:graffiti art
229:
198:
188:
184:breakdancing
169:
134:
133:
121:Other topics
64:
55:
48:Please help
44:
33:
5007: [
4995: [
4983: [
4946: [
4934: [
4901:Apple Music
4739:Independent
4713:Pony Canyon
4511:Eroguro kei
4489:Shibuya-kei
4475: [
4448: [
4414:Italo House
4409:Italo Disco
4375: [
4338: [
4311: [
4246: [
4234: [
4198: [
4195:Shin-min'yō
4184: [
4172: [
4160: [
4136: [
4124: [
4090: [
4078: [
4066: [
4054: [
4042: [
4005: [
3993: [
3981: [
3969: [
3952: [
3949:Saimon Ondo
3878:Instruments
3872:Traditional
3774:Video vixen
3769:Synthesizer
3742:Turntablism
3727:Disc jockey
3660:New Zealand
3440:Palestinian
3335:Montenegrin
3126:Bangladeshi
3121:Azerbaijani
2860:Derivatives
2845:Zenji flava
2820:Songo-salsa
2750:Bongo flava
2630:Country rap
2518:Memphis rap
2501:Mafioso rap
2496:Gangsta rap
2471:Underground
2466:Turntablism
2390:Chicano rap
2292:Hipster hop
2287:Alternative
1897:: 159–162.
1854:(1): 1–36.
1773:Condry 2006
1595:Condry 2006
1323:, p. .
1321:Condry 2006
1114:Condry 2006
1001:Bathing Ape
963:King Giddra
796:Beat Street
633:. The term
559:August 1945
555:Ground Zero
551:King Giddra
341:Ozawa Kenji
327:Yoyogi park
325:T-shirt in
294:Yoyogi Park
275:Yoyogi Park
112:Mid-1980s,
52:if you can.
16:Music genre
4975:Line Music
4927:Unlimited)
4703:Being Inc.
4673:Avex Group
4605:Hot Albums
4543:Ainu music
4516:Nagoya kei
4506:Visual kei
4472:Komuro-kei
4404:Visual kei
4367:Noise rock
4325:Electropop
4303:Denpa song
4288:Anime song
4262:Image song
4227:Kayōkyoku
4121:Senji-kayō
4002:Temari Uta
3966:Warabe Uta
3655:Australian
3634:Salvadoran
3570:West Coast
3516:Midwestern
3494:New Jersey
3484:East Coast
3330:Macedonian
3305:Portuguese
3198:Sri Lankan
3188:Philippine
3153:Indonesian
3096:Zimbabwean
3071:Senegalese
2909:Glitch hop
2902:Ghettotech
2871:Electronic
2760:Cumbia rap
2720:Trap metal
2655:Industrial
2570:Latin trap
2529:Trap music
2513:Horrorcore
2456:Snap music
2440:Religious
2407:Mumble rap
2402:Miami bass
2358:East Coast
2251:Golden age
2246:New school
2241:Old-school
2205:Production
2158:Battle rap
2141:Beatboxing
2040:Transition
2002:2015-06-17
1960:2015-06-17
1936:2015-06-17
1759:2015-06-17
1709:2008-04-01
1683:2015-06-17
1542:2017-11-09
1517:2015-06-17
1477:2015-06-17
1435:2018-02-22
1406:2018-02-22
1377:2018-02-22
1268:2015-06-17
1243:2015-06-17
1094:13 January
1067:References
1040:Graduation
1036:Kanye West
1022:hexology.
920:Ian Condry
792:Wild Style
689:Wild Style
615:dreadlocks
587:Flashdance
583:Soul Train
417:improve it
356:Ian Condry
323:Wild Style
259:Wild Style
4960:Dwango.jp
4931:RecoChoku
4752:Musicians
4548:Rekuhkara
4445:Being-kei
4394:Synth-pop
4243:Idol-kayō
4231:Mood-kayō
4211:Post-War
4116:Kayōkyoku
3990:Ekaki Uta
3978:Kazoe Uta
3717:Auto-Tune
3697:Colombian
3680:Brazilian
3619:Dominican
3575:Northwest
3536:Wisconsin
3489:Baltimore
3395:Ukrainian
3375:Slovenian
3340:Norwegian
3315:Icelandic
3310:Hungarian
3265:Bulgarian
3203:Taiwanese
3193:Singapore
3183:Pakistani
3173:Mongolian
3168:Malaysian
3081:Tanzanian
3039:Mauritian
2952:Reggaeton
2924:Freestyle
2880:Breakbeat
2745:Afroswing
2711:Rap metal
2690:Rap opera
2650:Hip house
2538:Afro trap
2491:Dirty rap
2444:Christian
2429:Conscious
2424:Political
2351:Crunkcore
2336:Cloud rap
2267:Subgenres
2195:Festivals
1876:193429853
1807:194953237
1651:143787853
1631:Positions
1611:現代用語の基礎知識
1583:Wood 1997
985:Burakumin
977:Burakumin
956:Rhymester
941:Thank you
733:Blackface
718:blackface
701:blackface
674:burakumin
567:Rhymester
510:June 2011
498:talk page
423:talk page
225:Mantronix
160:pop music
5052:Category
4943:Music.jp
4484:Onkyokei
4372:Nu-music
4330:Eurobeat
4298:City pop
4293:Chiptune
3863:Kimigayo
3809:Category
3732:DJ mixer
3685:Brasília
3646:Oceanian
3609:Canadian
3548:Southern
3450:Tunisian
3435:Lebanese
3420:Egyptian
3350:Romanian
3270:Croatian
3258:Scottish
3233:Austrian
3228:Albanian
3219:European
3178:Nepalese
3158:Japanese
3116:Armenian
3086:Togolese
3066:Nigerien
3054:Nigerian
3049:Namibian
3044:Moroccan
3034:Malawian
3019:Ghanaian
3009:Botswana
3004:Beninese
2994:Algerian
2919:Illbient
2825:Scam rap
2800:Motswako
2785:Igbo rap
2736:Regional
2725:Nu metal
2700:Trip hop
2695:Rap rock
2680:Punk rap
2660:Jazz rap
2563:UK drill
2482:Hardcore
2461:Southern
2417:Chap hop
2412:Nerdcore
2314:Road rap
2299:Boom bap
2178:Feminism
2173:Activism
2134:Emceeing
2127:Graffiti
2113:Breaking
1996:Archived
1976:Archived
1930:Archived
1868:20174422
1822:Archived
1753:Archived
1677:Archived
1536:Archived
1511:Archived
1471:Archived
1451:Archived
1429:Archived
1400:Archived
1371:Archived
1369:. 1990.
1338:Archived
1262:Archived
1171:Archived
1140:Archived
1136:BBC News
1050:See also
1020:luv(sic)
836:homonyms
810:Language
794:", and "
705:minstrel
491:disputed
298:DJ Krush
205:synthpop
34:require
4980:MySound
4916:Spotify
4693:J Storm
4600:Hot 100
4352:Hip hop
4320:Electro
4152:Ryūkōka
3944:Rōkyoku
3939:Nagauta
3909:Danmono
3764:Sampler
3692:Chilean
3629:Mexican
3624:Haitian
3558:Memphis
3553:Atlanta
3526:Detroit
3521:Chicago
3455:Turkish
3430:Israeli
3425:Iranian
3385:Swedish
3380:Spanish
3365:Serbian
3360:Russian
3325:Italian
3285:Finnish
3248:British
3238:Belgian
3136:Chinese
3131:Burmese
3091:Zambian
3024:Ivorian
3014:Gambian
2999:Angolan
2985:African
2830:Stronda
2795:Low bap
2780:Hiplife
2670:Pop rap
2640:Emo rap
2635:Electro
2621:General
2595:UK trap
2373:Jerkin'
2331:Chopper
2309:British
2278:General
2224:History
2210:Theater
2168:Fashion
2151:Culture
2100:Hip hop
2056:2935443
2013:Sources
1613:. 1998.
1425:Discogs
1396:YouTube
1367:Discogs
1207:May 25,
1177:May 25,
1016:Nujabes
997:Shibuya
924:hip hop
891:Shibuya
739:ganguro
710:hip-hop
697:burapan
682:burapan
666:burapan
658:yagipan
635:burapan
627:burapan
453:updated
302:Shibuya
254:hip hop
127:Hip hop
116:, Japan
95:Hip hop
36:cleanup
5027:Awards
4992:OTOTOY
4727:Others
4571:Oricon
4564:Charts
4501:Utaite
4457:J-core
4435:Bitpop
4389:Reggae
3934:Min'yō
3924:Jōruri
3919:Gigaku
3914:Gagaku
3894:Bugaku
3580:Alaska
3460:Yemeni
3415:Arabic
3370:Slovak
3355:Romany
3345:Polish
3295:German
3290:French
3253:Celtic
3163:Korean
3141:Indian
3029:Kenyan
2790:Kwaito
2508:G-funk
2449:Jewish
2341:Comedy
2304:Bounce
2215:Genres
2054:
2027:
1874:
1866:
1805:
1731:
1659:224504
1657:
1649:
1169:. UK.
1146:May 5,
880:Zeebra
779:Eminem
777:, and
646:panpan
631:wigger
383:techno
5011:]
4999:]
4987:]
4950:]
4938:]
4925:LISMO
4921:KKBox
4793:Years
4734:Major
4479:]
4452:]
4440:Grime
4379:]
4362:Noise
4357:Metal
4342:]
4335:Disco
4315:]
4308:Disco
4267:J-pop
4250:]
4238:]
4202:]
4188:]
4176:]
4169:Shōka
4164:]
4140:]
4128:]
4094:]
4082:]
4070:]
4058:]
4046:]
4026:Post
4009:]
3997:]
3985:]
3973:]
3956:]
3929:Kouta
3899:Bushi
3614:Cuban
3592:Latin
3563:Miami
3541:Omaha
3390:Swiss
3320:Irish
3300:Greek
3280:Dutch
3275:Czech
3107:Asian
2939:Other
2929:Wonky
2914:Grime
2775:Hipco
2765:Genge
2685:Ragga
2590:Tread
2580:Plugg
2575:Phonk
2543:Drill
2385:Latin
2368:Hyphy
2346:Crunk
2200:Music
2163:Dance
2120:DJing
2052:JSTOR
1955:(PDF)
1872:S2CID
1864:JSTOR
1803:S2CID
1647:S2CID
945:M-flo
915:genba
887:genba
875:genba
863:Genba
852:rhyme
726:Sambo
668:with
660:with
611:afros
602:bling
364:Rakim
313:1990s
271:Tokyo
240:DJing
232:Tokyo
143:Japan
141:from
114:Tokyo
100:J-pop
4955:Mora
4880:2023
4875:2022
4870:2021
4865:2020
4860:2019
4855:2018
4850:2017
4845:2016
4840:2015
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4825:2012
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4805:2008
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4272:Rock
4111:Jazz
3208:Thai
3146:Desi
2585:Rage
2397:Lofi
2190:LGBT
2025:ISBN
1729:ISBN
1209:2011
1179:2011
1148:2010
1096:2022
1042:and
979:and
969:Dabo
936:KOHH
895:genb
670:bura
662:yagi
598:Afro
561:and
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