768:", "Japan in the eighties seemed a lot like America in the fifties." In other words, the socio-economic conditions for white American middle-class children (white negroes) in the 1950s and their Japanese counterpart (Japanese blackfacers) in the 1980s allowed unprecedented cultural deviance to occur. It is the wealth and prosperity characteristic of these demographic groups at these specific points in time that can lend us understanding to when, why, and how one culture can most fluidly assimilate into another. Ironically, both cultures adopted black cultural practices in the midst of a post-war boom. In the case of Japan, the 'Japanese Miracle' gave many middle-class families the financial padding necessary for such diverse consumerism.
976:. They are one of the few pioneers of Japanese hip-hop. They began their hip hop careers in 1993 and felt hip-hop was needed in Japan. Group members, Zeebra and K Dub Shine, both of whom had lived in the U.S., were convinced of the necessity for hip-hop to be about issues of social opposition. They used hip-hop to address social issues of the time, such as: the inability of college graduates to find employment and the media overload of advertising sex and violence. They also "challenged youth not only to recognize the difficulties faced by Japanese society but also to speak up about them." Their first album has been cited as being influential in the development of rapping style in Japanese.
865:. Rappers like mc Bell and Cake-K explain that rap is talking with rhythm and melody. Mc Bell argues that rap cannot exist without rhyme: "you need words ending with the same sound...three rhymes in a measure is called three-link rhyming." English is perceived as cool so that Japanese rappers usually add typical phrases such as 'check it out!', 'say ho!', 'awww shit!', and 'Goddamn!' According to Shuhei Hosokawa, those phrases are incidentally added and "the phonetic quality of black verbal expression is sometimes adopted" as well. He also notes that in Japanese Hip-Hop, the "semantics matter, yet so do phonetics...meaningful wording" is important, as is "playful rhyming".
969:, has expressed opinions on various global and philosophical issues through their lyrics. Rhymester has put out motivating messages through hip hop, with songs like "B-Boyism" that emphasizes improving oneself, with lyrics such as "I'm not surrendering this aesthetic flattering no one, I improve myself only the wonderful, useless people get it, and roar, at the edge of the bass." The group has also written socially critical lyrics, in songs attacking the Japanese government, as well as the United States for invading Iraq. Rhymester is also known for its collaborative work with the Funky Grammar Unit in the 1990s, as well as its participation in hip hop battles.
845:. English is seen as more direct, one far more suited to the tough quality presented in hip-hop. Eventually, artists began translating music from English to Japanese and performing those direct translations, often leaving the bridge of the song in English to keep the catchiness of the rhymes and flow. Slowly, with the increase in popularity of rap in Japan, more rappers began using Japanese. Rappers added stressed syllables to their music, altering the natural flow of the language to fit into traditional hip-hop. American injections were also used in raps to help the flow of the music and often
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Japanese have a very different construction of racial ideology than the US. Whereas the white versus black dichotomy typifies the racial system in the US, the
Japanese construct their identities in terms of nationalism. Rather than identifying strongly with a color, Japanese tradition speaks to a homogeneous society that places foreigners in the "other category." Because of this context, "jiggers" and the young teens who wear blackface rebel by embracing individual identities that are different from the norm.
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727:. There are roughly 50,000 Africans in Japan; which is approximately .04% of the Japanese population. Although such an insignificant percent of the Japanese population is African, Japanese subculture is very much accepting of African culture. For many rebellious Japanese youth it provides an outlet for "coolness" and a chance to express themselves outside the box. However, some Japanese fans of hip-hop find it embarrassing and ridiculous that these
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288:, where street musicians gather every Sunday to perform. Crazy-A, now the leader of Rock Steady Crew Japan," was one of the pioneers of break dancing in Yoyogi back in the early 1984". Crazy-A organizes the annual "B-Boy Park," which happens every August, and draws a large number of fans and dozens of break dancing groups. This was all considered the Old School Era of rap in Tokyo. There was much of what they called
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193:, as it expanded despite criticism on the part of record companies and major media outlets. The history shows that certain kinds of cultural exchange are not initiated through cultural understanding, but instead from some interaction that can incite a desire to learn, to participate, and to contribute individuality. In Japan, this motivation to represent individuality was
392:, Tokyo record-store owner, Hideaki Tamura noted "Japanese hip-hop really exploded in the last two, three years. I never thought there would be a time when Japanese records could outsell American ones but it's happening." Additionally, a huge number of new scenes have developed. These include “rock rap to hard core gangsta, spoken word/poetry, to conscious, old school,
596:' spread the African-American style of on-going dance that would soon be picked up by varying cultures all over the world. It is this style of dance that laid the foundation for the globalization of African-American culture due to its universal criteria. Anyone can dance to soul music, which is not the case in terms of rapping, b-boying, etc. As movies like '
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derogatory terms, regional variations, gendered variations, and bilingual puns so that "more hip-hop" means the creation of "more
Japanese." Rappers are able to express themselves using mature lyrics and "create" new language that does not inhibit their rhyming. As such, Japanese hip-hop music is often praised for its mature and culturally relevant lyrics.
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817:"Yellow Negro" the influence that race plays on the club scene and the type of dancing and music played in Japan depends on the racial composition of its guests. The club scene is a very important scene for the Japanese people to be able to express hip hop in a visual way that stretches across all barriers regardless of language.
792:. Many critics believe that this concept is relevant to Japanese and other forms of global hip hop. If listeners first discover Hip Hop through a Japanese artist, there is the fear that they will never bother learning about hip hop's origins and simply continue to listen to strictly Japanese versions of the genre.
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Japan. Blackface is used as a way to connect with
African-Americans and the hegemonic racial structure that exists in the United States. Japan is seen as a homogenous and insular group, and the use of blackface shows that the youth of Japan are not only concerned with Japanese issues, but issues on a global level.
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are attended mostly by black people. In the clubs frequented by
Japanese people and those that white people attend, there is an even proportion of race and gender. In these clubs, you will generally find equal numbers of Japanese men and women, and a fairly even proportion of racially different men and women.
933:, in his book he outlines the idea and fact that, clubs have become one of the most convenient and top promoting places for Japanese hip hop. Great Djs and turntable-lists use clubs to as venues to not promote other rappers, by that spreading the hip-hop culture, bring and promote new songs and their own
260:. With rap and DJing, I couldn't imagine what could be cool about it." Dancing has a visual impact that everyone can understand, when it comes to dance there is not a language barrier. Break dancing represented the foundation for the spread of Japanese hip-hop and served as a medium for globalization.
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Thumpin' Camp was one of the most memorable and largest hip hop events that occurred in Japan. July 7, 1996 is an unforgettable day for many rappers, as well as the fans; about four thousand people attended the show. Males were more attracted to this hip hop scene than females; thus, about 80% of the
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has been mentioned several times as a major influential force to the
Japanese hip hop scene in recent years. KOHH has occasionally criticized how small the hip hop scene is in Japan and has tackled major mainstream TVs for its negligence of noticing hip hop. KOHH has also being praised for his smart
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subculture) are considered blackfacers. These
Japanese men and women tend to embrace their assumed skin color and party with black people, especially African soldiers and Africans who have moved to Japan. The use of blackface is seen by some as a way to rebel against the culture of surface images in
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Hip hop was thought to have originally become popular in Japan because the
Japanese people wanted to imitate African-Americans. The Japanese would hear these rapper's music spinning in clubs, exposing to them a small, narrow view of American West Coast hip hop. It was not only the music they latched
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Japan boasts a variety of clubs, which, although they are "open to all races...the kind of music played depends on the race of the next largest racial group." That group, being next largest to the
Japanese, who can be found at each of the different clubs. The clubs that only play hip hop and reggae
1029:(Jun Seba) was another heavy influence on the evolution of hip-hop in Japan. While not exactly a rapper himself, he lived as a record producer, audio engineer, DJ,arranger, and composer. He acted a trailblazer in both Jazz Rap and Lo-Fi (Low Fidelity). Shing02, was a frequent collaborator on the
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work. Referring to some sources such as, the above named source is a
Japanese hip hop forum that also focuses on clubs in Japan. The above source also services proof of Dj and upcoming artists naming places, clubs, Street gatherings of where they are going to be so as to promote their work or any
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This attracted many
Japanese people to NY to see this style of dancing for themselves. In addition in 1992 the form of street dancing known as "house" emerged from the influence of music videos as well. It took very well to the culture in Japan and is now well known. Wood discusses in his writing
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Tamura points to a shift in Japanese hip hop, when artists began to focus on issues pertinent to Japanese society, versus previous styles and subjects that were copied from US hip hop culture. For Japan, the style of hip hop was much more appealing than topics popular in American hip hop, such as
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Rhymes were also added to Japanese hip-hop by altering the basic structure of the language by eliminating the final auxiliary verbs in raps and instead placing key words at the end of lines. Additionally, to make Japanese work in a rhyming setting, the rappers change the language by using slang,
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Rebelling against the conformity and homogeneity of Japanese society, Japanese blackfacers took it a step further by uniquely adapting the physical look of black culture by literally tanning their faces to seem more 'black.' To Japanese hip-hop fans and to Japanese culture, the hip-hop phenomena
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was really the next step for the Japanese hip hop scene. Before 1985, there weren't very many DJs on the radio, but with the increase in the number that year, it led to the opening of the first all hip hop club in 1986. But despite the fact that DJing caught on rather quickly, it was initially
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Some critics of Japanese hip hop believe that it simply follows a long line of black music that ultimately gained popularity through a different ethnic group mimicking the music. The "Elvis Effect" occurs "when white participation in traditionally black avenues of cultural production produces
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signs throughout the city, they were undeniably attracted to black music and style. Before hip hop, the Japanese had embraced jazz, rock n roll and funk. It is important to note however, despite the seemingly racist tendencies toward Africans and the simultaneous embrace of black culture, the
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acting that began as an imitation or caricaturation of Africans. One Japanese pop group, the Gosperats, has been known to wear blackface makeup during performances, who were influenced by the 80's doo wop group Chanels. The appearance of these "Jiggers" has shown a growing popularity with the
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is one of the first hip hop artists in Japan. He sprung to the scene in the 1990s and has fame all over Japan. He is the first Japanese artist to be signed to Def Jam Japan. He is also disliked for his style of hip hop, which is said to be imitation of African American Hip Hop. Many Japanese
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artists to gain and maintain recognition. It is here in these venues and night clubs that the artist performs and networks with people from the music industry, the audience, and the media. If the artist is a crowd favorite, the audience cheers or dances and this in a way decides the fate.
830:. Whereas English ends in verbs or nouns, which are extremely common, Japanese rappers were limited by the small number of grammatically correct possibilities for ending a phrase. Japanese also lacks the stresses on certain syllables that provide flow to English rapping. Even traditional
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violence. Ian Condry, on the other hand, focuses on an interplay between local and global hip hop within the genba of Japan. For Condry, Japanese hip hop was born out of simultaneous localization and globalization of hip hop culture, rather than a shift between the two binary factors.
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audience was male adolescents. Over thirty rappers, DJs, and break-dancers from the underground scene performed in the show. This event touched many young individuals who were passionate about hip hop. The Thumpin’Camp show left a remarkable memory in the hip hop history in Japan.
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Dancing is an important aspect of the hip-hop culture. Before hip-hop was popular in Japan, there was soul dancing, which provided a foundation for Japanese acceptance of street dance culture. A big break through time for the dance scene in Japan was after the movies "Flashdance,"
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Those partaking in blackface are "ordinary high school and college kids" and they pursue African American "blackness" with great passion. Their dedication to this cultural transformation is evident through their interest in even more underground American hip hop acts such as the
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use of topics like drug use and violence within the Japanese society which are considered controversial in the country. After being featured in "잊지마" (It G Ma), KOHH received an even bigger praise from international audiences who recognized his use of the phrase 'Arigatō' (
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Japanese art has been an influence on hip hop culture as well. Takashi Murakami paints Japanese cultural objects and icons repetitiously and markets them on all sorts of products including keychains, mouse pads, T-shirts and Louis Vuitton handbags. He is responsible for
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One of the propelling factors of the explosion of hip hop onto the music scene in Japan is the fashion aspect. At hip hop nightclubs, often owned and run by Africans, one would find clubbers wearing hip hop clothing typical of American youth such as oversized shirts,
277:, pulling off an awesome scratch-mix set on a pair of ancient turntables." The popularity of the film led to many of the artists involved in it to make a trip to Japan to promote the film and they even performed in some of the department stores while they were there.
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Popular brands in Japan during this period also collaborated with multiple hip hop artists. A Bathing Ape (or BAPE) A Japanese clothing company founded by Nigo in 1993. . Artist such as Pharrell Williams, Kanye West, Kid Cudi, and KAWS have collaborated with BAPE.
600:' (1983) reached the islands, more and more young people began dancing on the street and other public arenas, which added to its cultural integration. Soon, Japanese culture was ready to alter the very structure of their language in order to partake in hip hop.
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Initially language was a barrier for hip-hop in Japan. Rappers only rapped in English because it was believed that the differences between English and Japanese would make it impossible to rap in Japanese. Unlike English, the Japanese language ends phrases in
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fans do this because they feel like they shouldn't change their appearance to embrace the culture. In some instances it can be seen as a racist act, but for many of the young Japanese fans it is a way of immersing in the hip hop culture the way they see fit.
315:. While interest in hip-hop in Japan grew some during the 1980s and early 1990s, the rap scene remained fairly small and rather marginalized. One reason for the rap scene to remain so small and a little bit less popular compared to hip hop is because the
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English phrases were also put at the end of lines where a Japanese word could not be found to fit. This made rhyming in Japanese far easier, both in basic language and in regard to themes like the concept of social responsibility versus emotional needs.
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were placed in raps, which appealed both to the global English-speaking audience and to Japanese speakers, who often would understand the double meanings intended. Japanese was found to allow subtle put downs in raps, which appealed to many audiences.
761:. As they appear almost obsessed with all things that are "black". It is said that the Buraoan style is on the downswing. Mikako, a fashion analyzer, says that "the 'cool' that my friend at the nightclub aspired to wouldn't be 'cool' for very long".
377:. Dassen Trio, and other pop rappers, respond to such attacks with the argument that their subject matter is more culturally appropriate and accessible for Japanese fans, and question the standards of "realness" put forth by underground rappers.
358:'s "Da. Yo. Ne." and "Maicca," which each sold a million copies. This sudden popularity of J-rap, which was largely characterized as party rap, sparked a debate over 'realness' and authenticity between commercial and underground hip-hop artists.
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does "not contain stress accents and sentences must end with one of a few simple verb endings." Ito Seiko, Chikado Haruo, Tinnie Punx and Takagi Kan were rappers that emerged from Japan at this time, and they proved to be rather successful.
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onto, however. They came to love the entire hip hop culture, including the loose-fitting clothes, graffiti writing, and break dancing. Some Japanese hip-hop fans would even go to tanning salons to darken their skin, and style their hair in
648:, though, has a derogatory history stemming from the WW2 occupation of Japan. Japanese law at the beginning of the American occupation legalised prostitution and created specific brothels to service allied occupation forces such as the
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was marketed in Japan as a cassette with a book of photos-scenes from the film, neighborhoods, breakers, graffiti, etc. Japan's hip hop contributions have been perceived by many to be based more on appearances than anything else.
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a – a fathering point for youthful fans and performers. Traffic was stopped, and people and artists were able to perform and express themselves outside in this very public arena. This area became known as "Hokouten," short for
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is agreeably one of the most prominent and core place for hip hop in Japan, there is however a visible shift and spread/increase of Japanese hip hop venues. Among these are clubs, crowds on streets and many more. According to
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feelings of unease." It occurs whenever a white person attempts a historically black art-form, is discovered to critical acclaim, and this is what leads to that art-form receiving widespread commercial acceptance. Aside from
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artist they are interested in. The above all in all justifies the view that Japanese Hip hop venues are not just genba but have rather taken and shift or taking a shift into a variety of places such as the ones named above.
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acknowledgments, artists would disappear from the scene. Conversely, the business success of some rappers is not rejected but seen with a touch of envy, especially if they manage to go frequently to nightclubs such as
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and other popular hip hop artists of America. The hip hop clothing available in many of these stores can be very expensive. Hip hop fashion is now also popular in the suburbs – although some people are only following
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and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and
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has appointed KOHH as one of the main acts in the Japanese hip hop renaissance. Although KOHH isn't actively producing music today, KOHH was a major influence and help in the Japanese hip hop scene.
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Japanese Denim is very popular amongst modern hip-hop culture. From Evisu to Red Monkey which are notable by many American hip-hop artists, show the spread of Japanese culture in to hip-hop.
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jeans and baseball caps. This macho look is even found on the women. In Tokyo you are most likely to find the latest fashions amongst the youth including burapan, the black wannabe fashion.
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meaning bread (thus these girls were also euphemistically known as bread girls) The more attractive girls often had to service "white bread" or white soldiers and were known as
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Since 2000, the hip hop scene in Japan has grown and diversified. Hip-hop style and Japanese rap has been an enormous commercial success in Japan. In a 2003 interview with the
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An example of an underground attack on mainstream J-Rap is Lamp Eye's "Shogen," in which rapper You the Rock disses the more pop oriented group Dassen Trio. Writer
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Although the word has come to describe a trend of dress and culture modeled after Africans, it is inherently problematic because of its origins. The soundtrack of
813:'s "Baby Don't Cry" music video had a large impact on dancers in Japan and started to mold the style into something closer to the NY sophisticated dance style.
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and are not necessarily into hip hop music. Hip hop's presence can definitely be seen on the youth of Japan as they use their clothing to express themselves.
838:, which was based on the stresses in a line. Most Japanese lyrical music was also formulated using textual repetition, not relying on the flow of the words.
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records could previously be heard in Tokyo discos. According to Takagi Kan, a first generation Japanese MC, "I couldn't tell what was with the rap and the
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273:. The film is "the classic hip-hop flick, full of great subway shots, breakdancing, freestyle MCing and rare footage of one of the godfathers of hip-hop,
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is a center of youth culture in Tokyo, where hip hop's growing presence can be most experienced. Here many stores offer hip hop clothing including the
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954:) in his verse as the trademark of the hit song and praised the artist whose performance was the one that left the biggest impression on the track.
809:". This was only the beginning of the dance explosion in Japan. The New York hip hop scene also had a large impact on the dance influence in Japan.
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Schwartz, Mark. "Planet Rock: Hip Hop Supa National." In The Vibe History of Hip-hop, ed. Alan Light, 361-72. New York: Three Rivers Press, 1999.
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severely influenced Japanese youth. Japanese hip hop is just an animation. It mimics only the style of American hip hop, not the meaning.
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being the Japanese word for goat, a white hairy animal. Less attractive girls serviced "black bread" or black soldiers and were known as
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served as a places where Japanese hip hop culture was created and born. In the city of Tokyo, between the youth shopping districts of
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returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by
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musicians feel that artists similar to Dabo are just mimicking what they see in American hip hop and is not unique in any sense.
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argues that the rappers on this track are closely emulating the traditional macho posturing of rap, citing influences such as
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Condry, Ian (2007). "Yellow B-Boys, Black Culture, and Hip-Hop in Japan: Toward a Transnational Cultural Politics of Race".
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Although rather informal and small scale, the early days of Japanese hip hop provide the history for the emergence of the
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576:, 2001. It also called for world peace. Groups such as Rhymester tackle issues that are not openly addressed in society.
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1174:"Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too"
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who has become a world-renowned DJ after arising from the Yoyogi Park scene. In 1986 an all hip hop club opened in
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People who tan in order to get a darker skin complexion (especially the females, mainly those who are part of the
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Actual Japanese rap lyrics have a tendency to refer to mundane subjects such as food, cell phones, and shopping.
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By the early 1990s, major American artists began to tour Japan, and their music would receive Japanese releases.
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to imitate the "cool" looks of Africans, although they are ridiculed by others, including other hip-hoppers.
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Manabe, Noriko (2006). "Globalization and Japanese Creativity: Adaptations of Japanese Language to Rap".
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Previous to the inception of hip hop, soul dancing became popularized in Japan in the 1970s. Shows like '
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The years 1994 and 1995 marked the beginning of hip-hop's commercial success in Japan. The first hit was
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racial ideological tendencies of the country towards Black people, and all non-Japanese in general
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thought that rapping wasn't going to have the same cache as it would be hard to rap in Japanese.
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Hosokawa, S. (March 5, 2008). "Hip-Hop Japan: Rap and the Paths of Cultural Globalization".
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Please help update this article to reflect recent events or newly available information.
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drum machine, had a significant influence on early key American hip hop figures such as
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and performance venues. In this respect, Japanese hip-hop offers a representation of
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to express their experiences. Jin Black is a rapper who writes about his life in a
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In the late 1980s and early 1990s it was thought "rap" needed definition before
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member Utamaru talked about the motives for Japanese government support of the
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1963:"Hip-Hop, Asia, and Global Culture: Anti-War Japanese Rap and Young People?"
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rap, antigovernment, pro-marijuana, heavymetal-sampled rap, and so on.”
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350:'s "Kon'ya wa būgi bakku" (Boogie Back Tonight) by Scha Dara Parr and
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to sustain their networks and keep up to date on the latest trends.
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J-Hip-Hop. Japanese Music. www.music.3yen.com/category/j-hip-hop/
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Hip hop is also an outlet for Japanese minority groups such as
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is literally "a woman who prostitutes herself for black men."
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The first known Japanese group to experiment with hip hop was
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Where You're at: Notes from the Frontline of a Hip-hop Planet
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Hip-Hop Japan: Rap and the Paths of Cultural Globalization
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style are referred to as blackfacers, a reference to the
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Influence of African American Culture on Japanese hip hop
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was based on the numbers of syllables present, unlike
511:. Please help to ensure that disputed statements are
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780:, notable examples throughout music history include
2003:"Japan's Influences on Hip-Hop – Page 2 of 9 – XXL"
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Social Science Japan Journal Advance, March 5, 2008
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723:subculture in Japan despite what can be viewed as
1518:"Asia-Pacific | Japan grows its own hip-hop"
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706:A subculture of hip-hoppers who subscribe to the
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280:Shortly after, Japanese took up breakdancing in
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1091:"Theme Magazine – International Man of Mystery"
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263:As in Germany, much of Japan was introduced to
245:through film and live performances even though
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4647:List of best-selling Western artists in Japan
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208:track, "Rap Phenomena", for their 1981 album
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4642:List of best-selling music artists in Japan
4098:Daigaku-Ōenka (cheering song of university)
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972:Another major group of Japanese hip-hop is
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442:Learn how and when to remove these messages
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1374:"M.C. Hammer* – Special Omnibus For Japan"
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1515:
1246:. Web.mit.edu. 2001-09-11. Archived from
549:Learn how and when to remove this message
531:Learn how and when to remove this message
383:
79:Learn how and when to remove this message
1899:
602:
507:Relevant discussion may be found on the
327:
303:Street musicians began to breakdance in
1960:
1937:"hip hop clubs – japan-guide.com forum"
1269:"Wild Style (1983) : Plot Summary"
1244:"Japanese Hip-Hop, by Ian Condry (MIT)"
1153:from the original on September 20, 2011
896:Before the turn of the new millennium,
14:
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2049:Wood, Joe (1997). "The Yellow Negro".
2029:
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1783:
1639:
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1184:from the original on November 11, 2011
1124:
164:, taking from the era's catchy beats,
56:Tone and wording often unencyclopedic.
4659:List of best-selling singles in Japan
3836:
3795:LGBT representations in hip hop music
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1478:"Japan's Influences on Hip-Hop – XXL"
1403:"MC Hammer Live in Japan (1991) 1of6"
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1037:Japanese influence on current hip-hop
913:, which means "pedestrian paradise."
4654:List of best-selling albums in Japan
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841:The Japanese also have many ways of
663:and combines with the Japanese word
650:Recreation and Amusement Association
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267:in the fall of 1983 with the movie
24:
4790:List of Japanese hip hop musicians
4770:List of musical artists from Japan
3862:
1686:. Etext.virginia.edu. 2005-09-01.
1067:List of Japanese hip hop musicians
965:One major Japanese hip hop group,
904:and Harajuku, there was created a
655:These prostitutes became known as
25:
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2074:
423:This section has multiple issues.
253:...but with the breakdancing and
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683:deriving from the Japanese word
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156:. It is said to have begun when
34:
4775:List of Japanese musical groups
4168:Shichōsonka (municipality song)
2009:from the original on 2015-04-12
1995:
1978:
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1943:from the original on 2015-10-16
1929:
1920:
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1766:from the original on 2015-10-16
1752:
1727:
1710:"Is blackface in Japan racist?"
1701:
1690:from the original on 2012-09-19
1676:
1549:from the original on 2017-11-09
1535:
1524:from the original on 2011-09-20
1484:from the original on 2015-03-30
1470:
1442:from the original on 2018-02-22
1424:
1413:from the original on 2017-12-21
1395:
1384:from the original on 2018-02-22
1366:
1357:
1275:from the original on 2015-10-16
607:Japanese hip-hop fan sports an
568:and its aftermath in two eras:
431:or discuss these issues on the
4689:Sony Music Entertainment Japan
1760:"Boot Camp Clik Invades Japan"
1432:"Vanilla Ice – To The Extreme"
1261:
1196:
1083:
764:Noted in Joe Wood's article, "
611:and shows some Japanese style
222:of Yellow Magic Orchestra and
13:
1:
1143:"Japan grows its own hip-hop"
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843:indicating class distinctions
332:Japanese Hip-Hop fan wearing
3800:Feminist activism in hip hop
1902:Social Science Japan Journal
1516:Takatsuki, Yo (2003-12-17).
1204:"Kurtis Mantronik Interview"
1172:Lewis, John (July 4, 2008).
1014:line. Bape has been worn by
796:Japanese hip hop dance scene
743:
7:
3790:Partner violence in hip hop
2108:
1762:. YouTube.com. 2007-11-19.
1210:, July 2002, archived from
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177:History of hip hop in Japan
54:. The specific problem is:
10:
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5048:Min-On Concert Association
4785:List of Japanese composers
2023:
2005:. Xxlmag.com. 2011-03-29.
1545:. International.ucla.edu.
1480:. Xxlmag.com. 2011-03-29.
661:Pan American World Airways
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2267:Bristol underground scene
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2034:. Duke University Press.
1810:10.1017/S0261143005000577
1654:10.1215/10679847-2007-008
582:U.S.-led invasion of Iraq
462:This article needs to be
204:, which created an early
136:
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119:
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4795:List of Japanese singers
4623:RIAJ Digital Track Chart
4473:Japanese net label scene
1989:August 14, 2009, at the
1835:August 25, 2012, at the
1464:August 26, 2012, at the
1351:August 25, 2012, at the
942:Notable Japanese artists
714:style of makeup used in
323:
4158:Radio calisthenics song
4062:Gakusēka (student song)
1734:Neate, Patrick (2004).
1684:"Black-Face Minstrelsy"
226:, and their use of the
173:is frequently blurred.
4729:Teichiku Entertainment
4086:Ryōka (dormitory song)
735:Even as Japanese hung
616:
384:2000s, 2010s and 2020s
340:
202:Yellow Magic Orchestra
191:cultural globalization
4780:List of J-pop artists
4694:Universal Music Japan
4677:"Big 10" (as of 2024)
4395:Ōenka (cheering song)
4117:Gunka (military song)
2968:Alternative reggaeton
2247:Universal Zulu Nation
1149:. December 17, 2003.
1095:www.thememagazine.com
636:This style is called
606:
564:'s "911" reflects on
331:
4709:Victor Entertainment
3972:Komori-uta (lullaby)
3733:Contemporary R&B
3542:Minneapolis/St. Paul
2030:Condry, Ian (2006).
500:factual accuracy is
61:improve this article
50:to meet Knowledge's
4900:Online distributors
4547:Ethnic and regional
3876:" (National anthem)
2337:Chopped and screwed
2242:Five-Percent Nation
1939:. Japan-guide.com.
1914:10.1093/ssjj/jyn006
1738:. Riverhead Books.
1543:"Rapping About War"
1438:. 5 December 1990.
924:As aforementioned,
878:underground hip-hop
4981:Oricon Music Store
4934:(the successor of
4719:Warner Music Group
4074:Kōka (school song)
1520:. News.bbc.co.uk.
617:
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162:old school hip hop
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4917:Google Play Music
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4039:Meiji Restoration
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3915:Dainichido Bugaku
3896:Genres and styles
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2194:Feminist activism
2041:978-0-8223-3892-5
1745:978-1-59448-012-6
1666:Project MUSE
1608:, pp. 24–25.
1127:, pp. 61–63.
1016:Pharrell Williams
869:Venues and events
559:
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404:Political aspects
317:Japanese language
275:Grandmaster Flash
183:cultural movement
143:
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99:Stylistic origins
89:
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52:quality standards
43:This article may
16:(Redirected from
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5069:Japanese hip hop
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4669:Record companies
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4566:Southern Islands
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3520:Washington, D.C.
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1712:. Archived from
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1097:. Archived from
1087:
1072:Anime in hip hop
992:Koreans in Japan
911:hokousha tengoku
766:The Yellow Negro
554:
547:
536:
529:
525:
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516:
513:reliably sourced
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416:
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408:
247:American hip hop
232:Afrika Bambaataa
224:Ryuichi Sakamoto
187:record companies
158:Hiroshi Fujiwara
146:Japanese hip hop
120:Cultural origins
94:Japanese hip hop
91:
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84:
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73:
70:
64:
38:
37:
30:
21:
18:Japanese hip-hop
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4733:
4699:King Record Co.
4663:
4630:
4605:Billboard Japan
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4182:
4170:
4146:
4134:
4100:
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4064:
4052:
4050:Commercial song
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4015:
4003:
3991:
3979:
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3891:
3877:
3866:
3861:
3831:
3826:
3819:
3804:
3770:Music sequencer
3712:
3681:
3675:
3656:
3650:
3649:
3615:Outside the US:
3612:
3608:Native American
3481:
3475:
3416:
3410:
3229:
3223:
3117:
3111:
2995:
2985:Regional scenes
2984:
2974:
2949:
2944:
2881:
2870:
2860:
2746:
2740:
2721:
2715:
2686:Psychedelic rap
2631:
2620:
2610:
2539:
2533:
2492:
2486:
2447:Progressive rap
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2144:
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2123:
2114:
2110:
2107:
2077:
2059:10.2307/2935443
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2026:
2021:
2012:
2010:
2001:
2000:
1996:
1991:Wayback Machine
1983:
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1968:
1965:
1959:
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1946:
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1898:
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1859:Ethnomusicology
1855:
1842:
1837:Wayback Machine
1829:
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1778:
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1717:
1708:Hamamoto, Ben.
1706:
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1471:
1466:Wayback Machine
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1414:
1401:
1400:
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1371:
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1353:Wayback Machine
1345:
1338:
1330:
1287:
1278:
1276:
1267:
1266:
1262:
1253:
1251:
1242:
1241:
1226:
1217:
1215:
1214:on May 24, 2011
1208:Hip Hop Storage
1202:
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1154:
1141:
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1123:
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1102:
1101:on 10 June 2007
1089:
1088:
1084:
1080:
1063:
1055:Kids See Ghosts
1039:
944:
871:
832:Japanese poetry
828:auxiliary verbs
823:
798:
746:
691:. Therefore, a
634:
590:
555:
544:
543:
542:
537:
526:
520:
517:
506:
498:This article's
494:
490:
479:
473:
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467:
458:
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417:
413:
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386:
356:East End X Yuri
326:
214:. In turn, the
206:electro hip hop
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115:
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58:
39:
35:
28:
23:
22:
15:
12:
11:
5:
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5028:
5027:
5025:
5024:
5012:
5000:
4988:
4983:
4978:
4973:
4968:
4963:
4951:
4939:
4929:
4924:
4919:
4914:
4909:
4903:
4901:
4897:
4896:
4894:
4893:
4888:
4883:
4878:
4873:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4807:
4805:
4801:
4800:
4798:
4797:
4792:
4787:
4782:
4777:
4772:
4766:
4764:
4760:
4759:
4756:
4755:
4753:
4752:
4747:
4741:
4739:
4735:
4734:
4732:
4731:
4726:
4721:
4716:
4711:
4706:
4701:
4696:
4691:
4686:
4680:
4678:
4671:
4665:
4664:
4662:
4661:
4656:
4651:
4650:
4649:
4638:
4636:
4632:
4631:
4629:
4628:
4626:(discontinued)
4620:
4619:
4618:
4613:
4601:
4600:
4599:
4594:
4589:
4578:
4576:
4572:
4571:
4569:
4568:
4563:
4562:
4561:
4550:
4548:
4544:
4543:
4540:
4539:
4537:
4536:
4534:Vocaloid music
4531:
4530:
4529:
4524:
4514:
4509:
4508:
4507:
4497:
4492:
4480:
4475:
4470:
4465:
4453:
4448:
4442:
4440:
4436:
4435:
4433:
4432:
4427:
4422:
4417:
4412:
4407:
4402:
4397:
4392:
4380:
4375:
4370:
4365:
4360:
4355:
4343:
4338:
4333:
4328:
4316:
4311:
4306:
4301:
4295:
4293:
4289:
4288:
4286:
4285:
4280:
4275:
4270:
4265:
4264:
4263:
4251:
4235:
4233:
4226:
4224:(1945–present)
4219:
4218:
4216:
4215:
4203:
4202:
4201:
4177:
4165:
4160:
4155:
4154:
4153:
4141:
4124:
4119:
4114:
4112:Enzetsuka/Enka
4109:
4108:
4107:
4095:
4083:
4059:
4046:
4044:
4042:(1868–present)
4034:
4033:
4030:
4029:
4027:
4026:
4025:
4024:
4023:
4022:
4010:
3998:
3974:
3969:
3957:
3952:
3947:
3942:
3937:
3932:
3927:
3922:
3917:
3912:
3907:
3899:
3897:
3887:
3885:
3879:
3878:
3871:
3868:
3867:
3864:Music of Japan
3860:
3859:
3852:
3845:
3837:
3828:
3827:
3825:
3824:
3809:
3806:
3805:
3803:
3802:
3797:
3792:
3787:
3782:
3777:
3772:
3767:
3762:
3757:
3756:
3755:
3750:
3745:
3735:
3730:
3724:
3722:
3718:
3717:
3714:
3713:
3711:
3710:
3705:
3700:
3699:
3698:
3687:
3685:
3682:South American
3677:
3676:
3674:
3673:
3668:
3662:
3660:
3652:
3651:
3648:
3647:
3642:
3637:
3632:
3627:
3622:
3613:
3611:
3610:
3605:
3600:
3598:Asian American
3595:
3594:
3593:
3588:
3578:
3577:
3576:
3571:
3566:
3556:
3555:
3554:
3549:
3544:
3539:
3534:
3524:
3523:
3522:
3517:
3512:
3507:
3502:
3490:United States:
3488:
3487:
3485:
3482:North American
3477:
3476:
3474:
3473:
3468:
3463:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3422:
3420:
3417:Middle Eastern
3412:
3411:
3409:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3303:
3298:
3293:
3288:
3283:
3278:
3273:
3272:
3271:
3266:
3256:
3251:
3246:
3241:
3235:
3233:
3225:
3224:
3222:
3221:
3216:
3211:
3206:
3201:
3196:
3191:
3186:
3181:
3176:
3171:
3166:
3161:
3160:
3159:
3149:
3144:
3139:
3134:
3129:
3123:
3121:
3113:
3112:
3110:
3109:
3104:
3099:
3094:
3089:
3084:
3079:
3074:
3073:
3072:
3062:
3057:
3052:
3047:
3042:
3037:
3032:
3027:
3022:
3017:
3012:
3007:
3001:
2999:
2988:
2980:
2979:
2976:
2975:
2973:
2972:
2971:
2970:
2960:
2954:
2952:
2946:
2945:
2943:
2942:
2937:
2932:
2927:
2922:
2917:
2916:
2915:
2905:
2904:
2903:
2901:Florida breaks
2898:
2896:Baltimore club
2887:
2885:
2874:
2866:
2865:
2862:
2861:
2859:
2858:
2853:
2848:
2846:Urban Pasifika
2843:
2838:
2833:
2828:
2826:Romany hip hop
2823:
2818:
2813:
2808:
2803:
2798:
2793:
2788:
2783:
2781:Hip hop galsen
2778:
2773:
2768:
2763:
2758:
2752:
2750:
2742:
2741:
2739:
2738:
2733:
2727:
2725:
2717:
2716:
2714:
2713:
2708:
2703:
2698:
2693:
2688:
2683:
2678:
2676:New jack swing
2673:
2668:
2663:
2658:
2653:
2648:
2643:
2637:
2635:
2624:
2616:
2615:
2612:
2611:
2609:
2608:
2603:
2598:
2593:
2588:
2583:
2578:
2577:
2576:
2571:
2566:
2561:
2559:Brooklyn drill
2551:
2545:
2543:
2535:
2534:
2532:
2531:
2526:
2521:
2516:
2515:
2514:
2504:
2498:
2496:
2488:
2487:
2485:
2484:
2479:
2474:
2469:
2464:
2463:
2462:
2457:
2449:
2444:
2443:
2442:
2432:
2431:
2430:
2420:
2415:
2410:
2405:
2404:
2403:
2393:
2388:
2387:
2386:
2376:
2371:
2366:
2365:
2364:
2354:
2349:
2344:
2339:
2334:
2329:
2328:
2327:
2317:
2312:
2307:
2306:
2305:
2294:
2292:
2281:
2273:
2272:
2270:
2269:
2264:
2259:
2254:
2249:
2244:
2238:
2236:
2232:
2231:
2229:
2228:
2223:
2218:
2213:
2208:
2203:
2198:
2197:
2196:
2191:
2181:
2176:
2171:
2165:
2163:
2159:
2158:
2156:
2155:
2148:
2141:
2134:
2127:
2119:
2116:
2115:
2106:
2105:
2098:
2091:
2083:
2076:
2075:External links
2073:
2072:
2071:
2046:
2040:
2025:
2022:
2020:
2019:
1994:
1977:
1953:
1928:
1919:
1892:
1840:
1823:
1804:(3): 369–380.
1788:
1776:
1751:
1744:
1726:
1700:
1675:
1648:(3): 637–671.
1627:
1610:
1598:
1559:
1534:
1503:
1494:
1469:
1452:
1423:
1394:
1365:
1356:
1336:
1285:
1260:
1224:
1195:
1164:
1129:
1112:
1081:
1079:
1076:
1075:
1074:
1069:
1062:
1059:
1057:album covers.
1038:
1035:
1021:fashion trends
1004:Tommy Hilfiger
998:neighborhood.
960:Taku Takahashi
943:
940:
870:
867:
836:English poetry
822:
819:
811:Lalah Hathaway
797:
794:
759:Boot Camp Clik
745:
742:
633:
630:
589:
586:
557:
556:
539:
538:
497:
495:
488:
481:
480:
461:
459:
452:
447:
421:
420:
418:
411:
405:
402:
385:
382:
354:, followed by
325:
322:
178:
175:
141:
140:
134:
133:
129:
128:
121:
117:
116:
114:
113:
108:
102:
100:
96:
95:
87:
86:
69:September 2015
42:
40:
33:
26:
9:
6:
4:
3:
2:
5081:
5070:
5067:
5066:
5064:
5049:
5046:
5044:
5041:
5039:
5036:
5035:
5033:
5029:
5021:
5016:
5013:
5009:
5004:
5001:
4997:
4992:
4989:
4987:
4984:
4982:
4979:
4977:
4976:E-Onkyo music
4974:
4972:
4969:
4967:
4964:
4960:
4955:
4952:
4948:
4943:
4940:
4937:
4933:
4930:
4928:
4925:
4923:
4920:
4918:
4915:
4913:
4910:
4908:
4905:
4904:
4902:
4898:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4874:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4808:
4806:
4802:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4767:
4765:
4761:
4751:
4748:
4746:
4743:
4742:
4740:
4736:
4730:
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4681:
4679:
4675:
4672:
4670:
4666:
4660:
4657:
4655:
4652:
4648:
4645:
4644:
4643:
4640:
4639:
4637:
4633:
4624:
4621:
4617:
4614:
4612:
4609:
4608:
4607:
4606:
4602:
4598:
4597:Karaoke Chart
4595:
4593:
4590:
4588:
4587:Singles Chart
4585:
4584:
4583:
4580:
4579:
4577:
4573:
4567:
4564:
4560:
4557:
4556:
4555:
4552:
4551:
4549:
4545:
4535:
4532:
4528:
4525:
4523:
4520:
4519:
4518:
4515:
4513:
4510:
4506:
4503:
4502:
4501:
4498:
4496:
4493:
4489:
4484:
4481:
4479:
4476:
4474:
4471:
4469:
4466:
4462:
4457:
4454:
4452:
4449:
4447:
4444:
4443:
4441:
4437:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4393:
4389:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4358:Hardcore punk
4356:
4352:
4347:
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4325:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4296:
4294:
4290:
4284:
4281:
4279:
4276:
4274:
4271:
4269:
4266:
4260:
4255:
4252:
4248:
4243:
4240:
4239:
4237:
4236:
4234:
4230:
4227:
4220:
4212:
4207:
4204:
4198:
4193:
4190:
4189:
4186:
4181:
4178:
4174:
4169:
4166:
4164:
4161:
4159:
4156:
4150:
4145:
4142:
4138:
4133:
4130:
4129:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4104:
4099:
4096:
4092:
4087:
4084:
4080:
4075:
4072:
4071:
4068:
4063:
4060:
4056:
4051:
4048:
4047:
4045:
4040:
4035:
4019:
4014:
4011:
4007:
4002:
3999:
3995:
3990:
3987:
3986:
3983:
3978:
3975:
3973:
3970:
3966:
3961:
3958:
3956:
3953:
3951:
3948:
3946:
3943:
3941:
3938:
3936:
3933:
3931:
3928:
3926:
3923:
3921:
3918:
3916:
3913:
3911:
3908:
3906:
3903:
3902:
3901:
3900:
3898:
3894:
3890:
3886:
3884:
3880:
3875:
3869:
3865:
3858:
3853:
3851:
3846:
3844:
3839:
3838:
3835:
3823:
3822:
3811:
3810:
3807:
3801:
3798:
3796:
3793:
3791:
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3771:
3768:
3766:
3763:
3761:
3758:
3754:
3751:
3749:
3748:Record player
3746:
3744:
3741:
3740:
3739:
3736:
3734:
3731:
3729:
3726:
3725:
3723:
3719:
3709:
3706:
3704:
3701:
3697:
3694:
3693:
3692:
3689:
3688:
3686:
3684:
3678:
3672:
3669:
3667:
3664:
3663:
3661:
3659:
3653:
3646:
3643:
3641:
3638:
3636:
3633:
3631:
3628:
3626:
3623:
3621:
3618:
3617:
3616:
3609:
3606:
3604:
3601:
3599:
3596:
3592:
3589:
3587:
3584:
3583:
3582:
3579:
3575:
3572:
3570:
3567:
3565:
3562:
3561:
3560:
3557:
3553:
3550:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3529:
3528:
3525:
3521:
3518:
3516:
3513:
3511:
3510:New York City
3508:
3506:
3503:
3501:
3498:
3497:
3496:
3493:
3492:
3491:
3486:
3484:
3478:
3472:
3469:
3467:
3464:
3462:
3459:
3457:
3456:Saudi Arabian
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3423:
3421:
3419:
3413:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3270:
3267:
3265:
3262:
3261:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3236:
3234:
3232:
3226:
3220:
3217:
3215:
3212:
3210:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3185:
3182:
3180:
3177:
3175:
3172:
3170:
3167:
3165:
3162:
3158:
3155:
3154:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3124:
3122:
3120:
3114:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
3087:South African
3085:
3083:
3080:
3078:
3075:
3071:
3070:Port Harcourt
3068:
3067:
3066:
3063:
3061:
3058:
3056:
3053:
3051:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3002:
3000:
2998:
2992:
2989:
2987:
2981:
2969:
2966:
2965:
2964:
2961:
2959:
2956:
2955:
2953:
2947:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2914:
2911:
2910:
2909:
2906:
2902:
2899:
2897:
2894:
2893:
2892:
2889:
2888:
2886:
2884:
2878:
2875:
2873:
2867:
2857:
2854:
2852:
2851:Vigilante rap
2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2821:Nuyorican rap
2819:
2817:
2814:
2812:
2809:
2807:
2804:
2802:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2753:
2751:
2749:
2743:
2737:
2734:
2732:
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2625:
2623:
2621:Fusion genres
2617:
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2374:Freestyle rap
2372:
2370:
2367:
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2358:
2355:
2353:
2350:
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2345:
2343:
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2335:
2333:
2332:Chipmunk soul
2330:
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2318:
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2099:
2097:
2092:
2090:
2085:
2084:
2081:
2068:
2064:
2060:
2056:
2053:(73): 40–66.
2052:
2047:
2043:
2037:
2033:
2028:
2027:
2008:
2004:
1998:
1992:
1988:
1985:
1981:
1964:
1961:Condry, Ian.
1957:
1942:
1938:
1932:
1923:
1915:
1911:
1907:
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1815:
1811:
1807:
1803:
1799:
1798:Popular Music
1792:
1786:, p. 33.
1785:
1780:
1765:
1761:
1755:
1747:
1741:
1737:
1730:
1716:on 2006-09-07
1715:
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1300:
1298:
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1292:
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1274:
1270:
1264:
1250:on 2011-04-22
1249:
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1213:
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1199:
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948:
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936:
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927:
922:
918:
914:
912:
907:
903:
899:
894:
892:
887:
884:Without such
882:
879:
875:
866:
864:
859:
855:
851:
848:
844:
839:
837:
833:
829:
818:
814:
812:
808:
804:
793:
791:
787:
783:
779:
778:Elvis Presley
773:
769:
767:
762:
760:
754:
751:
741:
738:
733:
730:
726:
722:
717:
713:
709:
704:
701:
696:
694:
690:
689:social stigma
686:
682:
678:
674:
670:
666:
662:
658:
653:
651:
647:
643:
639:
632:Racial themes
629:
627:
623:
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579:
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266:
261:
259:
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248:
244:
239:
237:
233:
229:
228:Roland TR-808
225:
221:
220:electro music
217:
213:
212:
207:
203:
198:
196:
192:
188:
184:
174:
172:
167:
166:dance culture
163:
159:
155:
151:
150:hip hop music
147:
139:
135:
130:
126:
122:
118:
112:
109:
107:
104:
103:
101:
97:
92:
83:
80:
72:
62:
57:
53:
49:
48:
41:
32:
31:
19:
5043:Shinto music
5031:Other topics
4922:Amazon Music
4907:iTunes Store
4635:Achievements
4603:
4592:Albums Chart
4505:Akishibu-kei
4478:Kawaii metal
4439:1990–present
4362:
4292:1970–present
4268:Group Sounds
4232:1945–present
4192:Manshū-Shōka
4144:Gunkoku-kayō
3817:
3765:Hip hop skit
3760:Drum machine
3721:Other topics
3614:
3515:Philadelphia
3489:
3168:
2958:Funk carioca
2908:Ghetto house
2766:Boomba music
2656:Hip hop soul
2569:Sample drill
2564:Jersey drill
2391:Instrumental
2050:
2031:
2011:. Retrieved
1997:
1980:
1969:. Retrieved
1956:
1945:. Retrieved
1931:
1922:
1905:
1901:
1895:
1862:
1858:
1826:
1801:
1797:
1791:
1779:
1768:. Retrieved
1754:
1735:
1729:
1718:. Retrieved
1714:the original
1703:
1692:. Retrieved
1678:
1645:
1641:
1621:
1601:
1551:. Retrieved
1537:
1526:. Retrieved
1497:
1486:. Retrieved
1472:
1455:
1444:. Retrieved
1435:
1426:
1415:. Retrieved
1406:
1397:
1386:. Retrieved
1377:
1368:
1359:
1277:. Retrieved
1271:. IMDb.com.
1263:
1252:. Retrieved
1248:the original
1216:, retrieved
1212:the original
1207:
1198:
1186:. Retrieved
1178:The Guardian
1177:
1167:
1155:. Retrieved
1146:
1103:. Retrieved
1099:the original
1094:
1085:
1043:
1040:
1030:
1025:
1000:
985:
978:
971:
964:
951:
945:
923:
919:
915:
910:
905:
897:
895:
885:
883:
872:
860:
856:
852:
840:
824:
815:
799:
786:Eric Clapton
782:Dave Brubeck
774:
770:
765:
763:
755:
747:
734:
707:
705:
697:
692:
687:relating to
680:
676:
672:
668:
664:
656:
654:
645:
637:
635:
618:
591:
574:September 11
560:
545:
527:
518:
499:
474:January 2010
471:
463:
439:
432:
426:
425:Please help
422:
398:
387:
379:
371:Public Enemy
364:
360:
348:Schadaraparr
345:
342:
307:, including
302:
295:The rise of
294:
290:Soul Dancing
279:
268:
262:
258:
255:graffiti art
240:
209:
199:
195:breakdancing
180:
145:
144:
132:Other topics
75:
66:
59:Please help
55:
44:
5018: [
5006: [
4994: [
4957: [
4945: [
4912:Apple Music
4750:Independent
4724:Pony Canyon
4522:Eroguro kei
4500:Shibuya-kei
4486: [
4459: [
4425:Italo House
4420:Italo Disco
4386: [
4349: [
4322: [
4257: [
4245: [
4209: [
4206:Shin-min'yō
4195: [
4183: [
4171: [
4147: [
4135: [
4101: [
4089: [
4077: [
4065: [
4053: [
4016: [
4004: [
3992: [
3980: [
3963: [
3960:Saimon Ondo
3889:Instruments
3883:Traditional
3785:Video vixen
3780:Synthesizer
3753:Turntablism
3738:Disc jockey
3671:New Zealand
3451:Palestinian
3346:Montenegrin
3137:Bangladeshi
3132:Azerbaijani
2871:Derivatives
2856:Zenji flava
2831:Songo-salsa
2761:Bongo flava
2641:Country rap
2529:Memphis rap
2512:Mafioso rap
2507:Gangsta rap
2482:Underground
2477:Turntablism
2401:Chicano rap
2303:Hipster hop
2298:Alternative
1908:: 159–162.
1865:(1): 1–36.
1784:Condry 2006
1606:Condry 2006
1334:, p. .
1332:Condry 2006
1125:Condry 2006
1012:Bathing Ape
974:King Giddra
807:Beat Street
644:. The term
570:August 1945
566:Ground Zero
562:King Giddra
352:Ozawa Kenji
338:Yoyogi park
336:T-shirt in
305:Yoyogi Park
286:Yoyogi Park
123:Mid-1980s,
63:if you can.
27:Music genre
4986:Line Music
4938:Unlimited)
4714:Being Inc.
4684:Avex Group
4616:Hot Albums
4554:Ainu music
4527:Nagoya kei
4517:Visual kei
4483:Komuro-kei
4415:Visual kei
4378:Noise rock
4336:Electropop
4314:Denpa song
4299:Anime song
4273:Image song
4238:Kayōkyoku
4132:Senji-kayō
4013:Temari Uta
3977:Warabe Uta
3666:Australian
3645:Salvadoran
3581:West Coast
3527:Midwestern
3505:New Jersey
3495:East Coast
3341:Macedonian
3316:Portuguese
3209:Sri Lankan
3199:Philippine
3164:Indonesian
3107:Zimbabwean
3082:Senegalese
2920:Glitch hop
2913:Ghettotech
2882:Electronic
2771:Cumbia rap
2731:Trap metal
2666:Industrial
2581:Latin trap
2540:Trap music
2524:Horrorcore
2467:Snap music
2451:Religious
2418:Mumble rap
2413:Miami bass
2369:East Coast
2262:Golden age
2257:New school
2252:Old-school
2216:Production
2169:Battle rap
2152:Beatboxing
2051:Transition
2013:2015-06-17
1971:2015-06-17
1947:2015-06-17
1770:2015-06-17
1720:2008-04-01
1694:2015-06-17
1553:2017-11-09
1528:2015-06-17
1488:2015-06-17
1446:2018-02-22
1417:2018-02-22
1388:2018-02-22
1279:2015-06-17
1254:2015-06-17
1105:13 January
1078:References
1051:Graduation
1047:Kanye West
1033:hexology.
931:Ian Condry
803:Wild Style
700:Wild Style
626:dreadlocks
598:Flashdance
594:Soul Train
428:improve it
367:Ian Condry
334:Wild Style
270:Wild Style
4971:Dwango.jp
4942:RecoChoku
4763:Musicians
4559:Rekuhkara
4456:Being-kei
4405:Synth-pop
4254:Idol-kayō
4242:Mood-kayō
4222:Post-War
4127:Kayōkyoku
4001:Ekaki Uta
3989:Kazoe Uta
3728:Auto-Tune
3708:Colombian
3691:Brazilian
3630:Dominican
3586:Northwest
3547:Wisconsin
3500:Baltimore
3406:Ukrainian
3386:Slovenian
3351:Norwegian
3326:Icelandic
3321:Hungarian
3276:Bulgarian
3214:Taiwanese
3204:Singapore
3194:Pakistani
3184:Mongolian
3179:Malaysian
3092:Tanzanian
3050:Mauritian
2963:Reggaeton
2935:Freestyle
2891:Breakbeat
2756:Afroswing
2722:Rap metal
2701:Rap opera
2661:Hip house
2549:Afro trap
2502:Dirty rap
2455:Christian
2440:Conscious
2435:Political
2362:Crunkcore
2347:Cloud rap
2278:Subgenres
2206:Festivals
1887:193429853
1818:194953237
1662:143787853
1642:Positions
1622:現代用語の基礎知識
1594:Wood 1997
996:Burakumin
988:Burakumin
967:Rhymester
952:Thank you
744:Blackface
729:blackface
712:blackface
685:burakumin
578:Rhymester
521:June 2011
509:talk page
434:talk page
236:Mantronix
171:pop music
5063:Category
4954:Music.jp
4495:Onkyokei
4383:Nu-music
4341:Eurobeat
4309:City pop
4304:Chiptune
3874:Kimigayo
3820:Category
3743:DJ mixer
3696:Brasília
3657:Oceanian
3620:Canadian
3559:Southern
3461:Tunisian
3446:Lebanese
3431:Egyptian
3361:Romanian
3281:Croatian
3269:Scottish
3244:Austrian
3239:Albanian
3230:European
3189:Nepalese
3169:Japanese
3127:Armenian
3097:Togolese
3077:Nigerien
3065:Nigerian
3060:Namibian
3055:Moroccan
3045:Malawian
3030:Ghanaian
3020:Botswana
3015:Beninese
3005:Algerian
2930:Illbient
2836:Scam rap
2811:Motswako
2796:Igbo rap
2747:Regional
2736:Nu metal
2711:Trip hop
2706:Rap rock
2691:Punk rap
2671:Jazz rap
2574:UK drill
2493:Hardcore
2472:Southern
2428:Chap hop
2423:Nerdcore
2325:Road rap
2310:Boom bap
2189:Feminism
2184:Activism
2145:Emceeing
2138:Graffiti
2124:Breaking
2007:Archived
1987:Archived
1941:Archived
1879:20174422
1833:Archived
1764:Archived
1688:Archived
1547:Archived
1522:Archived
1482:Archived
1462:Archived
1440:Archived
1411:Archived
1382:Archived
1380:. 1990.
1349:Archived
1273:Archived
1182:Archived
1151:Archived
1147:BBC News
1061:See also
1031:luv(sic)
847:homonyms
821:Language
805:", and "
716:minstrel
502:disputed
309:DJ Krush
216:synthpop
45:require
4991:MySound
4927:Spotify
4704:J Storm
4611:Hot 100
4363:Hip hop
4331:Electro
4163:Ryūkōka
3955:Rōkyoku
3950:Nagauta
3920:Danmono
3775:Sampler
3703:Chilean
3640:Mexican
3635:Haitian
3569:Memphis
3564:Atlanta
3537:Detroit
3532:Chicago
3466:Turkish
3441:Israeli
3436:Iranian
3396:Swedish
3391:Spanish
3376:Serbian
3371:Russian
3336:Italian
3296:Finnish
3259:British
3249:Belgian
3147:Chinese
3142:Burmese
3102:Zambian
3035:Ivorian
3025:Gambian
3010:Angolan
2996:African
2841:Stronda
2806:Low bap
2791:Hiplife
2681:Pop rap
2651:Emo rap
2646:Electro
2632:General
2606:UK trap
2384:Jerkin'
2342:Chopper
2320:British
2289:General
2235:History
2221:Theater
2179:Fashion
2162:Culture
2111:Hip hop
2067:2935443
2024:Sources
1624:. 1998.
1436:Discogs
1407:YouTube
1378:Discogs
1218:May 25,
1188:May 25,
1027:Nujabes
1008:Shibuya
935:hip hop
902:Shibuya
750:ganguro
721:hip-hop
708:burapan
693:burapan
677:burapan
669:yagipan
646:burapan
638:burapan
464:updated
313:Shibuya
265:hip hop
138:Hip hop
127:, Japan
106:Hip hop
47:cleanup
5038:Awards
5003:OTOTOY
4738:Others
4582:Oricon
4575:Charts
4512:Utaite
4468:J-core
4446:Bitpop
4400:Reggae
3945:Min'yō
3935:Jōruri
3930:Gigaku
3925:Gagaku
3905:Bugaku
3591:Alaska
3471:Yemeni
3426:Arabic
3381:Slovak
3366:Romany
3356:Polish
3306:German
3301:French
3264:Celtic
3174:Korean
3152:Indian
3040:Kenyan
2801:Kwaito
2519:G-funk
2460:Jewish
2352:Comedy
2315:Bounce
2226:Genres
2065:
2038:
1885:
1877:
1816:
1742:
1670:224504
1668:
1660:
1180:. UK.
1157:May 5,
891:Zeebra
790:Eminem
788:, and
657:panpan
642:wigger
394:techno
5022:]
5010:]
4998:]
4961:]
4949:]
4936:LISMO
4932:KKBox
4804:Years
4745:Major
4490:]
4463:]
4451:Grime
4390:]
4373:Noise
4368:Metal
4353:]
4346:Disco
4326:]
4319:Disco
4278:J-pop
4261:]
4249:]
4213:]
4199:]
4187:]
4180:Shōka
4175:]
4151:]
4139:]
4105:]
4093:]
4081:]
4069:]
4057:]
4037:Post
4020:]
4008:]
3996:]
3984:]
3967:]
3940:Kouta
3910:Bushi
3625:Cuban
3603:Latin
3574:Miami
3552:Omaha
3401:Swiss
3331:Irish
3311:Greek
3291:Dutch
3286:Czech
3118:Asian
2950:Other
2940:Wonky
2925:Grime
2786:Hipco
2776:Genge
2696:Ragga
2601:Tread
2591:Plugg
2586:Phonk
2554:Drill
2396:Latin
2379:Hyphy
2357:Crunk
2211:Music
2174:Dance
2131:DJing
2063:JSTOR
1966:(PDF)
1883:S2CID
1875:JSTOR
1814:S2CID
1658:S2CID
956:M-flo
926:genba
898:genba
886:genba
874:Genba
863:rhyme
737:Sambo
679:with
671:with
622:afros
613:bling
375:Rakim
324:1990s
282:Tokyo
251:DJing
243:Tokyo
154:Japan
152:from
125:Tokyo
111:J-pop
4966:Mora
4891:2023
4886:2022
4881:2021
4876:2020
4871:2019
4866:2018
4861:2017
4856:2016
4851:2015
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4836:2012
4831:2011
4826:2010
4821:2009
4816:2008
4811:2007
4283:Rock
4122:Jazz
3219:Thai
3157:Desi
2596:Rage
2408:Lofi
2201:LGBT
2036:ISBN
1740:ISBN
1220:2011
1190:2011
1159:2010
1107:2022
1053:and
990:and
980:Dabo
947:KOHH
906:genb
681:bura
673:yagi
609:Afro
572:and
373:and
234:and
218:and
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2055:doi
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