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artists of all ages, Haworth created a new set of "heroes and heroines of the 21st century" in stencil graffiti, replacing each of the personalities depicted in the original. Only the
Beatles' jackets remain as metal cut-outs with head and hand holes so that visitors may "become part of the piece" by taking souvenir photos. The first phase of the mural's construction was completed in 2005. SLC PEPPER remains an ongoing arts project, where local artists will continue to add to its design.
319:, an arts-and-crafts primary and middle school. In the same year, she separated from Blake and commenced living with her present husband, the writer Richard Severy. During the subsequent two decades, her artistic career took second place to her commitment to raising a young family (two daughters, three stepdaughters, and a son). Still, she found time to illustrate (as Karen Haworth) six of Severy's books:
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275:, as well as Haworth, Blake, and Fraser, all submitted a list of characters they wanted to see in attendance. Blake and Haworth then pasted life-size, black-and-white photographs of all the approved characters onto hardboard, which Haworth subsequently hand-tinted. Haworth also added several cloth dummies to the assembly, including one of her "Old Lady" figures and a
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their photos”. From that point, it was head-on competition with the male students. I was annoyed enough, and
American enough, to take that on. I was determined to better them, and that’s one of the reasons for the partly sarcastic choice of cloth, latex and sequins as media. It was a female language to which the male students didn’t have access. —Jann Haworth
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Haworth was a visionary and a pioneer in the face of the
American feminist movements of the 1960s by challenging gendered stereotypes through her artworks, while emphasizing the importance of having a female identity that emphasized iconic female symbols in her soft sculptures. Haworth refused to let
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My mother taught me how to sew. I was eight when I made my first petticoat, and from that point on I made dolls, their clothing and almost everything I wore. My father was a
Hollywood production designer. I shadowed him on the sets. This influenced my work in the 1960s. I thought of the installations
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album cover. As
Haworth stated, "The original album cover, famous though it is, is an icon ready for the iconoclast. We will be turning the original inside out... ethnic and gender balancing, and evaluating for contemporary relevance." Together with over thirty local, national, and international
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I liked the Slade’s fustiness; it was another thing to push against...The assumption was that, as one tutor put it, “the girls were there to keep the boys happy”. He prefaced that by saying “it wasn’t necessary for them to look at the portfolios of the female students…they just needed to look at
153:. She made still life items (flowers, doughnuts) and quickly progressed to her now iconic "Old Lady" doll and other life-sized figures. Her work often contained specific references to American culture and to Hollywood in particular, as is readily apparent in her dummies of
95:. Since Haworth was surrounded by artistic talent from a young age, she describes the experience as having a strong influential impact on the development of her artistic goals and the presentations of her artworks-whether they were installation pieces or two dimensional:
400:, where she founded the Art Shack Studios and Glass Recycling Works, and co-founded the Sundance Mountain Charter School (now the Soldier Hollow Charter School). Since then, her career has exhibited in solo exhibitions at the Mayor Gallery, London (2006),
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retrospectives, including "Pop Art UK" (Modena, 2004), "Pop Art and the 60s: This Was
Tomorrow" (London, 2004), "Pop Art! 1956-1968" (Rome, 2007), and "Seductive Subversion: Women Pop Artists, 1958-1968" (Philadelphia, 2009).
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263:. The original concept was to have The Beatles dressed in their new "Northern brass band" uniforms appearing at an official ceremony in a park. For the great crowd gathered at this imaginary event,
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that I did as film sets. The concept of the stand-in, the fake, the dummy, the latex model as surrogates for the real, came from being with my father. —Jann
Haworth
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It was in those formative years at art school that her aesthetic sense was first established. She began experimenting with sewn and stuffed
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The
Brotherhood of Ruralists: Ann Arnold, Graham Arnold, Peter Blake, Jann Haworth, David Inshaw, Annie Ovenden, Graham Ovenden
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in London followed, two of which were solo exhibitions. Her work was seen in
Amsterdam and Milan and also was featured in the
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album cover. Haworth is also an advocate for feminist rights especially for the representation of women in the art world.
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by John
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After years of experimental artwork as a young artist, Jann Haworth took her talents to the
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343:(1987). She also created five covers for the 1981 Methuen Arden Shakespeare editions of
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404:(2007), and Galerie du Centre, Paris (2008). She also has been represented in numerous
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2004 "Pop Art UK: British Pop Art, 1958-1972" - Galleria Civica di Modena, Italy
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With a little help from her friends: Sgt Pepper artist’s all-female version
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2013 "Work to Do: Trent Alvey, Pam Bowman, Jann Haworth, Amy Jorgensen" -
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by David Bailey and Peter Evans (1969, Coward-McCann Inc. New York), p 44
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Interview with Jann Haworth in "Still Swinging After All These Years?"
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1994 "Worlds in a Box: Cornell, Fluxus, Herms, LeWitt, Samara" -
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Interview with Jann Haworth in TATE, ETC. Issue 1 (Summer 2004)
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Walker Art Center – Painting and Sculpture from the Collection
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Martin L Friedman (1990, Rizzoli International Publications)
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2010 "Seductive Subversion: Women Pop Artists, 1958-1968" -
315:. In 1979 she founded and ran The Looking Glass School near
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184:(18 September – 19 October 1963) alongside British artists
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1972 "Sharp-Focus Realism by 28 Painters and Sculptors" -
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2006 "Jann Haworth: Artist's Cut" - Mayor Gallery, London
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2007 "Pop Art! 1956-1968" - Scuderie del Quirinale, Rome
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her male peers intimidate her and diminish her success.
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1332:(Centro Cultural de Belem, Portugal, 1997), pp 156–7
1283:, Tilman Osterwold (1989, Cosmo Press, Cologne) p 42
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Haworth soon became a leading figure of the British
1195:"Exhibition Explores Utah?s Unique Gender Politics"
180:in 1963, where she was selected to participate in
1936:Sgt. Pepper's Lonely Hearts Club Band on the Road
1411:Jann Haworth Work In Progress interactive website
1344:(Tate Britain, 2004), pp 13, 25, 137 and plate 24
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291:In the 1970s, she and Blake were members of the
71:. Her mother Miriam Haworth was a distinguished
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1742:Sgt. Pepper's Lonely Hearts Club Band (Reprise)
988:1997 Churchill Fellowship specially designated
445:Among the more than 100 new people included in
2110:British album-cover and concert-poster artists
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931:Sintra Museum of Modern Art-Berardo Collection
777:2008 "Jann Haworth" - Galerie du Centre, Paris
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1311:Small Histories : Studies of Western Art
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864:2004 "Art and the 60s: This Was Tomorrow" -
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1067:. London: Institute of Contemporary Arts.
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40:, she is best known as the co-creator of
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1856:Sgt. Petsound's Lonely Hearts Club Band
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1342:Art and the Sixties: This was Tomorrow
1065:4 Young Artists (exhibition catalogue)
889:Brigham Young University Museum of Art
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2085:20th-century American women sculptors
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106:University of California, Los Angeles
47:Sgt. Pepper's Lonely Hearts Club Band
1330:The Pop 60's: Transatlantic Crossing
1313:, N.P. James (CV Publications, 2007)
1271:by Jose Pierre (1977, Eyre Methuen).
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257:and Haworth to design the cover for
1253:, Christopher Finch (1969, Pelican)
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1821:Easy Star's Lonely Hearts Dub Band
1696:Being for the Benefit of Mr. Kite!
1661:With a Little Help from My Friends
1269:Pop Art: An Illustrated Dictionary
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32:(born 1942) is a British-American
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1863:With a Little Help from My Fwends
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798:2019-20 "Jann Haworth: Close Up"
757:1974 Waddington Galleries, London
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970:Best Album Cover, Graphic Arts
925:SĂŁo Paulo Museum of Modern Art
840:1970 "Figures/Environments" -
819:1963 "Young Contemporaries" -
814:Institute of Contemporary Arts
619:Little My and the Snork Maiden
178:Institute of Contemporary Arts
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1951:Tina in the Sky with Diamonds
1929:It Was Twenty Years Ago Today
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1423:Artist Snapshot: Jann Haworth
1383:Jann Haworth Official Website
1356:(Mayor Gallery, London, 2006)
1287:Pop Art, A Continuing History
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793:University of Colorado Denver
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385:(with Miriam Haworth, 1995).
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1430:Artist Profile: Jann Haworth
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812:1963 "Four Young Artists" -
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730:1966 Gallerie 20, Amsterdam
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1835:Sgt. Pepper Knew My Father
1354:Artist's Cut: Jann Haworth
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1038:Jann Haworth: Artist's Cut
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733:1968 Studio Marconi, Milan
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1624:50th Anniversary Edition
1484:Brotherhood of Ruralists
1170:"Jann Haworth: Close Up"
1063:Penrose, Roland (1963).
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945:, Wolverhampton, England
293:Brotherhood of Ruralists
138:Slade School of Fine Art
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1900:The Beatles discography
769:Sundance Screening Room
120:, she moved in 1961 to
1714:Within You Without You
1568:Wellow railway station
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1372:, Wolverhampton, 2009)
951:, Salt Lake City, Utah
939:, West Sussex, England
787:2017 "Never The Less"
627:Martin Luther King Jr.
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1257:Goodbye Baby and Amen
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1016:Issue 1 (Summer 2004)
937:Pallant House Gallery
871:2005 "British Pop" -
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800:Pallant House Gallery
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725:Robert Fraser Gallery
383:Painting and Sticking
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196:. Three shows at the
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2029:Magical Mystery Tour
1906:Return to Pepperland
1828:Saluting Sgt. Pepper
1796:Only a Northern Song
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1081:(1994), pp. 114–116.
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849:Sidney Janis Gallery
789:Emmanuel Art Gallery
745:Sidney Janis Gallery
713:Selected exhibitions
599:Jean-Michel Basquiat
337:Burners and Breakers
128:, where she studied
1721:When I'm Sixty-Four
1324:Sharp Focus Realism
1293:Blinds and Shutters
1149:www.jannhaworth.com
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1049:Marco Livingstone,
1036:Christopher Finch,
972:, Jann Haworth and
856:Whitechapel Gallery
663:Robert Rauschenberg
116:After two years at
1987:A Hard Day's Night
1966:The Beatles albums
1689:She's Leaving Home
1545:The Badminton Game
1442:SLC Pepper Project
1360:Pop Art! 1956-1968
1336:Pop Art UK 1956-72
1263:Pop Art Re-defined
1223:on 11 October 2014
1026:Jann Haworth - Bio
896:Public collections
795:- Denver, Colorado
281:The Rolling Stones
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1103:Thorpe, Vanessa,
915:, Minneapolis, MN
913:Walker Art Center
842:Walker Art Center
833:1968 "Pop Art" -
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807:Group exhibitions
607:Katharine Hepburn
567:Mikhail Gorbachev
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2043:Yellow Submarine
1994:Beatles for Sale
1980:With the Beatles
1973:Please Please Me
1943:Yellow Submarine
1873:Related articles
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1763:Non-album single
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679:Samuel Beckett
651:Nelson Mandela
487:Billie Holiday
455:Akira Kurosawa
429:Salt Lake City
416:
411:
398:Sundance, Utah
317:Bath, Somerset
309:Graham Ovenden
288:
287:1970s to today
285:
277:Shirley Temple
269:Paul McCartney
245:Gallery owner
236:
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159:Shirley Temple
113:
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83:. Her father,
60:
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38:soft sculpture
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89:Academy Award
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54:Life and work
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31:
23:
19:
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2027:
2020:
2013:
2006:
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1992:
1985:
1978:
1971:
1965:
1942:
1934:
1927:
1923:(soundtrack)
1920:
1912:
1904:
1895:William Kite
1890:Jann Haworth
1889:
1885:Pablo Fanque
1861:
1854:
1847:
1840:
1833:
1826:
1819:
1622:
1609:
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1518:David Inshaw
1513:Jann Haworth
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1388:Jann Haworth
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1240:Bibliography
1225:. Retrieved
1221:the original
1211:
1199:. Retrieved
1189:
1177:. Retrieved
1173:
1164:
1152:. Retrieved
1148:
1145:"SLC PEPPER"
1139:
1127:. Retrieved
1123:
1114:
1104:
1099:
1091:
1086:
1078:
1073:
1064:
1058:
1050:
1045:
1037:
1032:
1021:
1013:
977:
966:Grammy Award
866:Tate Britain
802:, Chichester
707:Tony Kushner
687:Sylvia Plath
647:Muddy Waters
643:Mother Jones
631:Maya Angelou
603:Jeff Bridges
595:Jane Goodall
579:Harvey Pekar
531:Eudora Welty
499:César Chávez
479:Beastie Boys
467:Annie Lennox
463:Alice Walker
446:
444:
436:
427:in downtown
420:
418:
413:
387:
382:
381:(1994), and
378:
374:
368:
362:
356:
350:
344:
340:
339:(1987), and
336:
332:
329:Rat's Castle
328:
325:Unicorn Trap
324:
320:
313:David Inshaw
290:
258:
244:
233:
227:
220:
194:John Pearson
181:
174:Pauline Boty
167:
163:W. C. Fields
148:
143:
115:
103:
98:
93:art director
62:
45:
30:Jann Haworth
29:
28:
18:
2080:1942 births
2036:The Beatles
2008:Rubber Soul
1880:Peter Blake
1728:Lovely Rita
1630:Cover photo
1508:Peter Blake
1348:British Pop
1179:11 November
984:The Beatles
974:Peter Blake
762:Gimpel fils
760:1993, 1995
667:Ray Charles
639:Miles Davis
615:Lee Krasner
587:Howard Zinn
555:Frida Kahlo
551:Frank Zappa
539:Thora Birch
527:Erykah Badu
515:David Bowie
390:Gimpel fils
346:Richard III
321:Mystery Pig
265:John Lennon
255:Peter Blake
251:The Beatles
217:The Beatles
209:Peter Blake
190:Brian Mills
186:John Howlin
130:art history
85:Ted Haworth
59:Early years
42:The Beatles
2074:Categories
2050:Abbey Road
1778:Penny Lane
1563:Laurie Lee
1498:Ann Arnold
1014:TATE, ETC.
997:References
933:, Portugal
699:Thom Yorke
675:Rosa Parks
571:Gore Vidal
543:Eve Ensler
511:Dalai Lama
495:Bob Marley
447:SLC PEPPER
421:SLC PEPPER
414:SLC PEPPER
370:Coriolanus
341:Sea Change
333:High Jinks
239:See also:
206:Pop artist
77:printmaker
69:California
34:pop artist
2057:Let It Be
1227:20 August
754:, Bristol
752:Arnolfini
695:Tom Waits
475:B.B. King
451:Adbusters
108:in 1959.
91:-winning
87:, was an
65:Hollywood
2015:Revolver
1788:Outtakes
1706:Side two
1646:Side one
927:, Brazil
868:, London
858:, London
837:, London
830:, London
816:, London
764:, London
740:, London
727:, London
635:Maya Lin
473:'s Rat,
377:(1993),
335:(1986),
331:(1985),
327:(1984),
323:(1983),
211:, won a
155:Mae West
73:ceramist
1556:Related
1491:Members
1447:YouTube
1435:YouTube
1281:Pop Art
1201:19 July
1154:19 July
1129:19 July
1120:"ABOUT"
891:, Utah
875:, Spain
791:at the
406:Pop art
379:Collage
352:Macbeth
170:Pop Art
132:at the
126:England
81:painter
44:' 1967
1945:(film)
1915:(film)
1548:(1973)
1417:Videos
1392:artnet
956:Awards
771:, Utah
705:, and
583:Hedwig
563:Gandhi
471:Banksy
394:London
367:, and
311:, and
271:, and
213:Grammy
192:, and
122:London
79:, and
2001:Help!
1639:Songs
1537:Works
1245:Books
992:Award
964:1968
767:2000
750:1972
736:1969
723:1966
491:Björk
459:Alice
449:are:
425:mural
375:Paint
305:Annie
112:1960s
1229:2023
1203:2018
1181:2020
1156:2018
1131:2018
968:for
784:, UK
535:Enid
433:Utah
307:and
299:and
161:and
118:UCLA
1445:on
1433:on
1399:at
1390:on
982:by
821:RBA
541:),
297:Ann
2076::
1172:.
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537:(
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