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Commenting on her work, Janice
Elliott wrote, "I have always tried to avoid writing in a way that might invite categorisation in either subject matter or treatment. The result is a body of work ranging from the bizarre and darkly magical... to social realism." Elliott (like
156:, for example) worked methodically at her writings, from 10 a.m. until 2 p.m. each day, taking some nine months on average to write each novel. Yet despite critical success, she found it hard to make a living out of fiction writing.
22:(13 October 1931 – 25 July 1995) was a prolific English fiction writer, journalist and children's writer. Her novels were critically successful in their time, but they are not currently in print.
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in 1962. This, like almost all her subsequent novels, was received with enthusiasm. Anthony
Burgess commented that it had style, was genuinely constructed and that the characters were excellent.
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170:(1967) was filmed with the same title (1970). She worked on the screenplay. Also made the basis of a film, in 1984, were her wartime memoirs of Nottingham,
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Janice
Elliott received a Southern Arts award in 1981 and was elected a Fellow of the Royal Society of Literature in 1989. She died in 1995.
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hiding in an attic in North Oxford in 1953, while his daughter roams the streets looking for human and feline victims to devour.
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to an advertising executive, Douglas John
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Virginia Blain, Patricia
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She worked as a journalist in 1952–1962, notably for
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114:(1985) was published by
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338:(1988) – sequel to
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174:(1981).
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