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James Tenney

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All of Tenney's compositions after 1970 are instrumental music (occasionally with tape-delay), and most since 1972 reflect an interest in harmonic perception and unconventional tuning systems. Significant works include
1234:, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a CD featuring the original interview recordings with 214:, Ruggles and VarĂšse, while a gradual assimilation of the ideas of John Cage influenced the development of his music in the 1960s. In 1961 he composed the early plunderphonic composition 2475: 2515: 946: 2480: 515: 2530: 2540: 234:. As such it constitutes one of the earliest significant bodies of algorithmically composed and computer synthesized music. Examples include 2535: 2490: 1432: 1850: 123: 2525: 2510: 2485: 2360: 1188: 2390: 2385: 2375: 2365: 1541: 2520: 2425: 1617: 2380: 2370: 1121: 2450: 443: 1499: 1493: 705: 2455: 2505: 2495: 2400: 1098: 2470: 2445: 2430: 1206: 1079: 431: 974: 958: 439: 2460: 2440: 1843: 2500: 2465: 352: 1433:
Just intonation version of Tenney's Chromatic Canon for Two Pianos, using the tuning system provided by Tenney
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Tenney lived in or near New York City throughout the 1960s, where he was actively involved with
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Tenney collaborated closely as both musician and actor with his then-partner, the artist
975:"A Chronology / History of Electronic and Computer Music and Related Events 1860 - 2017" 2109: 2037: 1303: 1054: 1046: 1003: 282:
a 1965 silent film of collaged and painted sequences of lovemaking. Tenney created the
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to music. His later writings include "Temporal gestalt perception in music" in the
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Schneemann, Carolee; Haug, Kate (1998). "An Interview with Carolee Schneemann".
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that made one of the earliest applications, if not the earliest application, of
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Forms 1–4: In Memoriam Edgar Varùse, John Cage, Stefan Wolpe, Morton Feldman
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Mainframe Experimentalism: Early Digital Computing in the Experimental Arts
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including a complete list of works and a selection of Tenney's writings.
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Tenney, James (2015). Lauren Pratt; Robert Wannamaker; Michael Winter;
547: 499: 491: 265:, many of whose compositions he conducted; his interpretation of Ives' 107: 1074:. Ann Arbor, Michigan: University of Michigan Press (published 1993). 1050: 2184: 2104: 1987: 1243: 376: 227: 199: 163: 151: 411:(1982–84) for two pianos eight hands in a microtonal tuning system, 1585: 1571: 298:, 1964, Schneemann's orgiastic celebration of the expressive body. 261:. He was exceptionally dedicated to the music of American composer 31: 1828: 872: 1519: 567: 451: 424: 302: 91: 1447: 306: 246: 83: 19: 1395: 1173:
Metaphors on Vision: James Tenney and Stan Brakhage, 1951–1964
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25, nos. 1 & 2 (Fall–Winter & Spring–Summer): 434–591.
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Notes on Fuseology: Carolee Schneemann Remembers James Tenney
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The Music of James Tenney, Volume 2: A Handbook to the Pieces
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Tenney, J. (1983). "John Cage and the Theory of Harmony". In
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Notes on Fuseology Carolee Schneemann Remembers James Tenney
407:(1982) for viola, cello, double bass and tape delay system, 1215:
The Music of James Tenney, Volume 1: Contexts and Paradigms
423:(1994) for variable instrumentation. His pieces are often 800: 294:, 1970, and performed in the New York City production of 1232:
Desert Plants – Conversations with 23 American Musicians
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to other composers or colleagues and subtitled as such.
415:(1985) for six harps tuned a sixth of a semitone apart, 253:, and the ensemble Tone Roads, which he co-founded with 1152:
27, no. 1 (February)]. Routledge (subscription access).
218:(for tape) by sampling and manipulating a recording of 196:, the chapter "John Cage and the Theory of Harmony" in 110:, and grew up in Arizona and Colorado. He attended the 1429:
recording of premiere at DNK Amsterdam by CiarĂĄn Maher
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List of music students by teacher: T to Z#James Tenney
238:(1961) for tape using computer synthesized noise, and 2282: 860: 38:. He made significant early musical contributions to 2476:
Polytechnic Institute of New York University faculty
30:(August 10, 1934 – August 24, 2006) was an American 895: 788: 544:
The Music Of James Tenney: Selected Works 1963–1984
1116:. Urbana, Illinois: University of Illinois Press. 836: 1460:Interview with Tenney about his work in the 1960s 907: 824: 812: 776: 2342: 1508:Schneemann, Carolee with Robert Enright. 1998. " 1270:, John McGuire, Charles Morrow, J. B. Floyd (on 1035:(1980). "Temporal gestalt perception in music". 736:Koan: Having Never Written a Note for Percussion 16:American composer and music theorist (1934–2006) 2516:University of Illinois Urbana-Champaign alumni 1030: 985: 878: 806: 666:(2018, Scordatura Ensemble, New World Records) 638:(2009, The Barton Workshop, New World Records) 210:Tenney's earliest works show the influence of 1844: 1535: 1139:Soundings Vol. 13: The Music of James Tenney 1201:. New York: Excelsior Music Publishing Co. 1162:(eds.). 1987. "A Tribute to James Tenney". 947:"Fifty Years After the Way: James Tenney's 174:. In 1961, Tenney completed an influential 1851: 1837: 1542: 1528: 1403:Having Never Written a Note for Percussion 1198:A History of 'Consonance' and 'Dissonance' 972: 866: 648:Having Never Written a Note for Percussion 222:. His music from 1961 to 1964 was largely 1438:Groups who often perform Tenney's works: 1189:Journal of the Society for American Music 724:A Chance Operation: The John Cage Tribute 2481:California Institute of the Arts faculty 1141:. Santa Fe, New Mexico: Soundings Press. 1018:(2012). "James Tenney at Bell Labs". In 944: 794: 419:(1988) for variable instrumentation and 18: 341:. Tenney was one of four performers of 2343: 1418:dedicated to the music of James Tenney 1114:From Scratch: Writings in Music Theory 1107: 1091:A History of Consonance and Dissonance 1088: 1065: 830: 818: 782: 532: 305:workshop for a group of composers and 205:A History of Consonance and Dissonance 2531:Deaths from lung cancer in California 1832: 1523: 932:"Obituary: Composer James Tenney, 72" 929: 913: 2541:20th-century American male musicians 1494:Kalvos & Damian New Music Bazaar 1014: 901: 854: 842: 616:Melody, Ergodicity And Indeterminacy 444:University of California, Santa Cruz 387:(the latter two in the late 1960s). 2536:20th-century American musicologists 2491:People from Silver City, New Mexico 1858: 1618:Trois airs pour un opĂ©ra imaginaire 1496:, August 2, 1997 (click to listen) 1401:inspired by the Tenney composition 670: 537: 401:Spectral CANON for CONLON Nancarrow 301:In 1967 Tenney gave an influential 13: 1549: 1422:UbuWeb Sound page for James Tenney 1131: 510:, Michael Winter, Julie King, and 14: 2552: 2526:American male classical composers 2511:Experimental Music Studios alumni 2486:Academic staff of York University 1318: 973:Doornbusch, Paul (July 8, 2017). 626:Arbor VitĂŠ: Quatuors + Quintettes 521:Tenney died on 24 August 2006 of 432:Polytechnic Institute of Brooklyn 170:and tape music composition under 2361:20th-century classical composers 2328: 2316: 2304: 2292: 2266: 2257: 2256: 1812: 1803: 1802: 1642: 660:(2016, Dario Calderone, hat ART) 440:California Institute of the Arts 2391:20th-century Canadian composers 2386:Canadian experimental musicians 2376:20th-century American composers 2366:American experimental musicians 1490:Hermits of Re-Tuning (Show 115) 1470:James Tenney (May 8–11, 2005). 1386:The Early Works of James Tenney 1227:. University of Illinois Press. 1218:. University of Illinois Press. 884: 761:Five American Percussion Pieces 351:(1967) on May 27, 1969, at the 2130:Modes of limited transposition 1380:James Tenney at plainsound.org 1144:Hasegawa, Robert (ed.). 2008. 353:Whitney Museum of American Art 138:, Lionel Nowak, Paul Boepple, 1: 2521:University of Illinois alumni 2426:American electronic musicians 1565:Voyage into the Golden Screen 1453: 769: 574:The Solo Works for Percussion 371:(in a production of Partch's 367:. Tenney also performed with 2381:Canadian classical composers 2371:American classical composers 1492:James Tenney interviewed on 1480:(Interview). Interviewed by 1409: 1371:How to use archival material 1137:Garland, Peter (ed.). 1984. 692:, Hornblower Recordings 1995 618:(2007, The Barton Workshop, 608:(2004, The Barton Workshop, 271:for piano was much praised. 97: 7: 2451:Pupils of Eduard Steuermann 2180:Quartal and quintal harmony 1869:List of modernist composers 1500:James Tenney interviewed by 1179:30, no. 1 (Spring|: 61–100. 1146:"The Music of James Tenney" 728:Koch International Classics 399:(1972) for string quintet, 74:writings variously concern 10: 2557: 1610:Mortuos Plango, Vivos Voco 1221:Wannamaker, Robert. 2021. 1212:Wannamaker, Robert. 2021. 879:Schneemann & Haug 1998 807:Tenney & Polansky 1980 683:Composers Recordings, Inc. 584:Music for Violin and Piano 2506:Bennington College alumni 2496:Musicians from New Mexico 2401:Just intonation composers 2244: 2223: 2093: 2053: 1882: 1875: 1866: 1798: 1752: 1651: 1640: 1557: 1484:(published June 1, 2005). 1472:"Postcards from the Edge" 1416:Extensive YouTube channel 1353: 1345: 1334: 1165:Perspectives of New Music 1150:Contemporary Music Review 945:Barbiero, Daniel (2014). 930:Anon. (August 28, 2006). 527:Santa Clarita, California 403:(1974) for player piano, 216:Collage No.1 (Blue Suede) 126:(M.A., 1961). He studied 116:Juilliard School of Music 102:James Tenney was born in 88:consonance and dissonance 2471:Pupils of Kenneth Gaburo 2446:Pupils of Chou Wen-chung 2431:American music theorists 1072:Writings about John Cage 642:Old School: James Tenney 554:Selected Works 1961–1969 2456:Pupils of Edgard VarĂšse 1427:Spectral Variation No 1 1359:James Tenney Collection 1093:. New York: Excelsior. 1038:Journal of Music Theory 1022:; Douglas Kahn (eds.). 718:Ergodos I For John Cage 712:, Tundra/New Focus 2016 454:. His students include 236:Analog #1 (Noise Study) 193:Journal of Music Theory 48:algorithmic composition 2461:Pupils of Harry Partch 2441:Pupils of Carl Ruggles 2231:Second Viennese School 2224:Schools of composition 690:Inventions of Solitude 395:(1972) for orchestra, 309:artists that included 124:University of Illinois 24: 2501:Musicians from Denver 2466:Pupils of Henry Brant 2215:Twelve-tone technique 1775:Fundamental frequency 1724:Karlheinz Stockhausen 1280:Charlemagne Palestine 1195:Tenney, James. 1988. 1182:Smigel, Eric. 2017. " 1171:Smigel, Eric. 2012. " 1000:10.1353/wan.1998.0009 881:, pp. 20, 25–26. 496:Charlemagne Palestine 430:Tenney taught at the 421:In a Large Open Space 134:and composition with 122:(B.A., 1958) and the 22: 2416:Minimalist composers 2406:Microtonal composers 1689:Georg Friedrich Haas 1516:132 (December 2014). 746:Goodbye 20th Century 594:Ensemble Musikfabrik 470:, Eric de Visscher, 379:(in the mid-1960s), 251:Judson Dance Theater 112:University of Denver 2436:Pupils of John Cage 1230:Zimmerman, Walter, 1089:Tenney, J. (1988). 857:, pp. 131–146. 763:, Poon Village 2013 644:(2010, Zeitkratzer) 564:Bridge and Flocking 533:Selected recordings 486:, Andra McCartney, 230:in New Jersey with 92:harmonic perception 66:including extended 1503:American Mavericks 1304:Richard Teitelbaum 654:, Further Records) 482:, Carson Kievman, 276:Carolee Schneemann 168:information theory 162:. He also studied 120:Bennington College 25: 2280: 2279: 2089: 2088: 1826: 1825: 1785:Combination tones 1770:Spectral envelope 1719:Horațiu Rădulescu 1704:MesĂ­as Maiguashca 1505:(click to listen) 1396:Performance film 1376: 1375: 1365: 1364: 1123:978-0-252038-72-3 955:Percorsi Musicali 610:New World Records 504:Chiyoko Szlavnics 462:, Michael Byron, 456:John Luther Adams 286:for Schneemann's 255:Malcolm Goldstein 188:cognitive science 132:Eduard Steuermann 2548: 2333: 2332: 2331: 2321: 2320: 2319: 2309: 2308: 2307: 2297: 2296: 2295: 2288: 2270: 2260: 2259: 2236:Darmstadt School 2170:Post-romanticism 1880: 1879: 1853: 1846: 1839: 1830: 1829: 1816: 1806: 1805: 1679:Johannes Fritsch 1669:Iancu Dumitrescu 1646: 1544: 1537: 1530: 1521: 1520: 1514:Border Crossings 1486:(includes video) 1485: 1361: 1332: 1331: 1323: 1322: 1306:, James Tenney, 1300:Frederic Rzewski 1276:Pauline Oliveros 1272:Conlon Nancarrow 1127: 1104: 1085: 1062: 1027: 1011: 982: 977:. Archived from 969: 967: 966: 957:. Archived from 941: 917: 911: 905: 899: 893: 888: 882: 876: 870: 864: 858: 852: 846: 840: 834: 828: 822: 816: 810: 804: 798: 792: 786: 780: 671:Individual works 538:As sole composer 207:, among others. 60:microtonal music 2556: 2555: 2551: 2550: 2549: 2547: 2546: 2545: 2341: 2340: 2339: 2329: 2327: 2317: 2315: 2305: 2303: 2299:Classical music 2293: 2291: 2283: 2281: 2276: 2253: 2240: 2219: 2145:New Objectivity 2098: 2096: 2085: 2049: 1871: 1862: 1860:Modernist music 1857: 1827: 1822: 1794: 1790:Just intonation 1765:Colors of noise 1760:Harmonic series 1748: 1699:MichaĂ«l LĂ©vinas 1694:Jonathan Harvey 1659:Clarence Barlow 1647: 1638: 1625:Vortex Temporum 1553: 1548: 1469: 1456: 1448:Quatuor Bozzini 1412: 1357: 1321: 1308:Christian Wolff 1296:David Rosenboom 1260:Joan La Barbara 1192:11, no. 1:1–24. 1160:David Rosenboom 1156:Polansky, Larry 1134: 1132:Further reading 1124: 1101: 1082: 1068:Kostelanetz, R. 964: 962: 921: 920: 912: 908: 900: 896: 889: 885: 877: 873: 867:Doornbusch 2017 865: 861: 853: 849: 841: 837: 829: 825: 817: 813: 805: 801: 793: 789: 781: 777: 772: 673: 636:Spectrum Pieces 630:Quatuor Bozzini 602:(2004, hat ART) 586:(1999, hat ART) 558:Frog Peak Music 540: 535: 484:Ingram Marshall 472:Miguel Frasconi 464:Allison Cameron 448:York University 436:Yale University 323:Jackson Mac Low 203:, and the book 198:Writings about 176:master's thesis 100: 68:just intonation 44:sound synthesis 17: 12: 11: 5: 2554: 2544: 2543: 2538: 2533: 2528: 2523: 2518: 2513: 2508: 2503: 2498: 2493: 2488: 2483: 2478: 2473: 2468: 2463: 2458: 2453: 2448: 2443: 2438: 2433: 2428: 2423: 2421:Spectral music 2418: 2413: 2408: 2403: 2398: 2396:Computer music 2393: 2388: 2383: 2378: 2373: 2368: 2363: 2358: 2353: 2338: 2337: 2325: 2313: 2301: 2278: 2277: 2275: 2274: 2264: 2250:Romantic music 2246: 2245: 2242: 2241: 2239: 2238: 2233: 2227: 2225: 2221: 2220: 2218: 2217: 2212: 2207: 2202: 2197: 2192: 2187: 2182: 2177: 2172: 2167: 2162: 2157: 2155:Pandiatonicism 2152: 2147: 2142: 2140:New Complexity 2137: 2132: 2127: 2122: 2117: 2112: 2107: 2101: 2099: 2094: 2091: 2090: 2087: 2086: 2084: 2083: 2082: 2081: 2076: 2071: 2066: 2060:United States 2057: 2055: 2051: 2050: 2048: 2047: 2046: 2045: 2040: 2035: 2027: 2026: 2025: 2017: 2016: 2015: 2007: 2006: 2005: 1997: 1996: 1995: 1990: 1982: 1981: 1980: 1975: 1970: 1965: 1960: 1955: 1947: 1946: 1945: 1937: 1936: 1935: 1927: 1926: 1925: 1917: 1916: 1915: 1910: 1905: 1900: 1895: 1886: 1884: 1877: 1873: 1872: 1867: 1864: 1863: 1856: 1855: 1848: 1841: 1833: 1824: 1823: 1821: 1820: 1810: 1799: 1796: 1795: 1793: 1792: 1787: 1782: 1777: 1772: 1767: 1762: 1756: 1754: 1750: 1749: 1747: 1746: 1744:La Monte Young 1741: 1736: 1731: 1726: 1721: 1716: 1711: 1709:Tristan Murail 1706: 1701: 1696: 1691: 1686: 1681: 1676: 1671: 1666: 1664:Hugues Dufourt 1661: 1655: 1653: 1649: 1648: 1641: 1639: 1637: 1636: 1628: 1622: 1614: 1606: 1598: 1590: 1582: 1576: 1568: 1561: 1559: 1555: 1554: 1551:Spectral music 1547: 1546: 1539: 1532: 1524: 1518: 1517: 1506: 1497: 1487: 1482:Frank J. Oteri 1467: 1455: 1452: 1451: 1450: 1445: 1436: 1435: 1430: 1424: 1419: 1411: 1408: 1407: 1406: 1393: 1390:Larry Polansky 1383: 1374: 1373: 1367: 1366: 1363: 1362: 1355: 1351: 1350: 1349:OMA.COL007.TEN 1347: 1343: 1342: 1336: 1328: 1327: 1320: 1319:External links 1317: 1316: 1315: 1312:La Monte Young 1252:Morton Feldman 1242:, Jim Burton, 1228: 1219: 1210: 1193: 1180: 1177:American Music 1169: 1153: 1142: 1133: 1130: 1129: 1128: 1122: 1110:Larry Polansky 1105: 1100:978-0935016994 1099: 1086: 1080: 1063: 1045:(2): 205–241. 1028: 1020:Hannah Higgins 1012: 983: 981:on 2020-07-28. 970: 942: 919: 918: 906: 904:, p. 133. 894: 883: 871: 859: 847: 845:, p. 132. 835: 823: 811: 799: 787: 774: 773: 771: 768: 767: 766: 765: 764: 757:William Winant 754: 733: 732: 731: 722:James Tenney, 715: 714: 713: 703: 702:, OODiscs 1996 700:Walls of Sound 696:Ulrich Krieger 693: 688:Henrik Frisk, 686: 672: 669: 668: 667: 661: 655: 645: 639: 633: 623: 613: 603: 597: 587: 581: 571: 561: 551: 539: 536: 534: 531: 508:Catherine Lamb 488:Larry Polansky 348:Pendulum Music 335:Alison Knowles 284:sound collages 268:Concord Sonata 224:computer music 184:gestalt theory 180:Meta (+) Hodos 172:Lejaren Hiller 148:Kenneth Gaburo 136:Chou Wen-chung 99: 96: 64:tuning systems 56:spectral music 40:plunderphonics 36:music theorist 15: 9: 6: 4: 3: 2: 2553: 2542: 2539: 2537: 2534: 2532: 2529: 2527: 2524: 2522: 2519: 2517: 2514: 2512: 2509: 2507: 2504: 2502: 2499: 2497: 2494: 2492: 2489: 2487: 2484: 2482: 2479: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2447: 2444: 2442: 2439: 2437: 2434: 2432: 2429: 2427: 2424: 2422: 2419: 2417: 2414: 2412: 2409: 2407: 2404: 2402: 2399: 2397: 2394: 2392: 2389: 2387: 2384: 2382: 2379: 2377: 2374: 2372: 2369: 2367: 2364: 2362: 2359: 2357: 2354: 2352: 2349: 2348: 2346: 2336: 2326: 2324: 2314: 2312: 2311:United States 2302: 2300: 2290: 2289: 2286: 2273: 2269: 2265: 2263: 2255: 2254: 2252: 2251: 2243: 2237: 2234: 2232: 2229: 2228: 2226: 2222: 2216: 2213: 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Retrieved 959:the original 954: 948: 935: 923: 922: 909: 897: 886: 874: 862: 850: 838: 826: 814: 802: 790: 778: 760: 744: 735: 723: 717: 709: 699: 689: 681:David Mott, 676: 663: 657: 647: 641: 635: 625: 620:Mode Records 615: 605: 599: 589: 583: 573: 563: 553: 543: 520: 480:Douglas Kahn 468:Raven Chacon 429: 420: 416: 412: 408: 404: 400: 396: 392: 389: 385:Philip Glass 372: 369:Harry Partch 365:Bruce Nauman 357:Michael Snow 355:, alongside 346: 319:Dick Higgins 300: 295: 291: 290:, 1965, and 287: 279: 273: 266: 263:Charles Ives 244: 239: 235: 215: 209: 204: 197: 191: 179: 156:Harry Partch 144:Carl Ruggles 101: 76:musical form 28:James Tenney 27: 26: 23:James Tenney 2356:2006 deaths 2351:1934 births 2160:Polyrhythms 2135:Neotonality 2023:Szymanowski 1714:Per NĂžrgĂ„rd 1477:NewMusicBox 1443:Array Music 1346:Identifiers 1339:Other Minds 1326:Archives at 1292:Steve Reich 937:NewMusicBox 831:Tenney 1988 819:Tenney 1983 783:Tenney 2015 741:Sonic Youth 523:lung cancer 381:Steve Reich 343:Steve Reich 339:Max Neuhaus 331:Phil Corner 327:Joseph Byrd 311:Steve Reich 288:Viet Flakes 232:Max Mathews 140:Henry Brant 104:Silver City 72:theoretical 2345:Categories 2205:Surrealism 2200:Stochastic 2190:Sound mass 2125:Microtonal 2097:techniques 2095:Genres and 2043:Stravinsky 2003:Skalkottas 1908:Schoenberg 1753:Techniques 1454:Interviews 988:Wide Angle 965:2017-10-30 949:Meta+Hodos 914:Anon. 2006 770:References 706:Ryan Muncy 658:Bass Works 596:, hat ART) 580:, hat ART) 548:Musicworks 500:Marc Sabat 492:Carl Stone 375:in 1959), 108:New Mexico 2323:Biography 2185:Serialism 2105:Atonality 2033:Prokofiev 1876:Composers 1652:Composers 1410:Listening 1388:(book by 1244:John Cage 1008:167384684 902:Kahn 2012 855:Kahn 2012 843:Kahn 2012 664:Harmonium 377:John Cage 228:Bell Labs 200:John Cage 178:entitled 164:acoustics 152:John Cage 98:Biography 2262:Category 2195:Spectral 2120:Futurism 2054:Americas 2038:Scriabin 2009:Hungary 1984:Germany 1968:Messiaen 1963:Koechlin 1939:Finland 1929:Czechia 1923:Pousseur 1919:Belgium 1889:Austria 1808:Category 1594:Gondwana 1586:Partiels 1572:Stimmung 1341:Archives 1335:Location 1112:(eds.). 1059:53485822 600:Pika-Don 514:. 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His 62:, and 2335:Music 2150:Noise 1988:Reger 1953:Henry 1579:Clang 1055:S2CID 1047:JSTOR 1004:S2CID 652:Rrose 393:Clang 292:Snows 130:with 128:piano 2079:Ives 1933:HĂĄba 1893:Berg 1512:". 1286:(on 1203:ISBN 1118:ISBN 1095:ISBN 1076:ISBN 753:1999 685:1985 363:and 337:and 257:and 186:and 34:and 1462:by 1290:), 1274:), 1186:". 1175:". 996:doi 751:SYR 710:ism 525:in 518:.) 450:in 345:'s 2347:: 1474:. 1302:, 1298:, 1294:, 1282:, 1278:, 1266:, 1262:, 1258:, 1254:, 1250:, 1246:, 1238:, 1148:. 1053:. 1043:24 1041:. 1002:. 992:20 990:. 953:. 934:. 759:, 749:, 743:, 726:, 708:, 698:, 529:. 506:, 502:, 498:, 494:, 490:, 478:, 474:, 466:, 458:, 434:, 359:, 333:, 329:, 325:, 321:, 317:, 313:, 166:, 154:, 150:, 146:, 142:, 118:, 106:, 94:. 86:, 82:, 78:, 58:, 54:, 50:, 46:, 42:, 2287:: 1852:e 1845:t 1838:v 1543:e 1536:t 1529:v 1392:) 1314:. 1209:. 1126:. 1103:. 1084:. 1061:. 1010:. 998:: 968:. 951:" 940:. 916:. 869:. 833:. 821:. 809:. 797:. 785:. 632:) 622:) 612:) 570:) 560:) 550:)

Index

Composer James Tenney
composer
music theorist
plunderphonics
sound synthesis
algorithmic composition
process music
spectral music
microtonal music
tuning systems
just intonation
theoretical
musical form
texture
timbre
consonance and dissonance
harmonic perception
Silver City
New Mexico
University of Denver
Juilliard School of Music
Bennington College
University of Illinois
piano
Eduard Steuermann
Chou Wen-chung
Henry Brant
Carl Ruggles
Kenneth Gaburo
John Cage

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